Valentine’s Day is this week, which means we’re only a few days away from the best day of the year; 15th February, otherwise known as “Reduced Chocolate Day”. So with that in mind here’s my five favourite romances from sitcoms (you probably could have guessed that from the title).
5. Titus and Erin – Titus
Holy hell some of this was hard to watch, not in a “this is awkward”, or “this is terrible” way, but in a “this is so brutal and honest”. It’s a relationship on screen where one of the first defining moments is them cheating on each other, the two of them realised that they are both so screwed up, so full of neurosis and anger, that they are perfect for each other. Based on the relationship of the lead writer/actor Christopher Titus, he’s not ashamed to put everything out there, to say that during relationships you’re going to hate each other at times, but it will all work out in the end.
Except that’s not the case. I mean, it is in the show, but not in real life. In real life his wife cheated on him, lied to the courts and said that he beat her and their children in an attempt to get custody of their children, then divorced him, leaving him more messed up than he already was. That knowledge makes it REALLY hard to watch this show at times, you know that every time the character (and by extension, the writer) is gushing about how fantastic she is, and how much he loves her, you now how it ends. It’s heartbreaking and emotionally devastating,
4.Darryl and White Josh – Crazy Ex Girlfriend
This blog originally ended with “finally did something I never thought possible. I went an entire sitcom-based blog without once mentioning Crazy Ex Girlfriend.” then I would put a picture of a quote from it, then “damn”. But whilst looking for a quote I found this:
How could I forget this? It’s not the main relationship of the show, but it’s definitely the best in terms of how happy it makes the characters. The way this started was a masterclass in how to set up a relationship in sitcom. There was one or two small moments between the two characters, and the moments were very very small, like “could easily be ignored or never referenced again as it was a one-off joke” thing. There was then nothing for a few episodes. In that time the audience started writing fan fiction about the two characters, and making comments on youtube videos saying how cute a couple they’d make. Then eventually Darryl admitted to himself that he was bisexual, and they’ve been together ever since, and because of the way it was built up the fandom rejoiced as it seemed like they had made it happen. They’re supportive of each other, different enough so that they retain their own personalities/provide balance, and it’s not one sided at all, you can see why both of them are into each other. They’re just so adorable together, it’s perfect.
3. Gavin And Stacey – Gavin And Stacey
A sitcom that admitted from the outset that it was about a romance, which was kind of risky as if the central relationship didn’t work, then the entire sitcom would fail. Luckily the couple worked, and we got to chart the entire course of the relationship through the show. One of the best things about this show is also kind of annoying; it’s only three series. I do wish there was more, but I realise that new series would be a bit pointless, the story has been told. It’s like they had a definite end point and the entire series was building towards that, so adding any extra would feel less essential, unless they had a story they were desperate to tell.
2. Marshall and Lily – How I Met Your Mother
A very very honest relationship. Despite being one of the most perfect couples in television from the last few years, these two do argue, a lot, and not just silly arguments. They are angry, hate-filled and deeply personal arguments. Yet apart from a few moments, you never feel they’re going to split. You somehow know deep down that no matter what they do, they’ll stay strong and will stay together.
1. Pam and Jim – The Office
So adorable and perfect for each other. Even a bitter cynic such as myself can’t help but feel slightly warm inside at the way these two interact. The key to this relationship; John Krasinski and Jenna Fischer. The actors behind the characters do so much to make it work. There’s subtle nuances to the things they do, little looks they give each other etc mean that they don’t look like two actors playing a couple, they look like a genuine couple, the two share an innate warmness that radiates from them and is a testament to sitcom romances. There are some people who believe that once they got together their relationship suffered and they became insufferable, these people are wrong. Jim and Pam for life!
So there’s that done. And happy chocolate day everyone.
Let’s face it, this year has not got off to a good start. Not even a month in and we’ve already lost John Hurt, our governments have been so devastated by that news that in tribute they’ve decided to turn the world into a fully interactive version of 1984 running 24/7 . In times of crisis we have two options; we can either 1) Help solve the problem. 2) Ignore the problem and lose ourselves in film, television, video games and music. Obviously we did number two. So here’s how we got through the first month of this year
Film
A Monster Calls
This is not an easy film to watch on an emotional level, one of the few films I’ve seen lately that seeks to emotionally blackmail the watcher. Definitely the best looking film I’ve seen at the cinema this year (note: it’s the only film I’ve seen at the cinema this year). One of the few downsides is Sigourney Weaver’s English accent, which is slightly uneven throughout. Reminiscent of a mix between Pan’s Labyrinth and a Neil Gaiman book, can be best described as a modern day fairy tale. Bayona did a fantastic job of directing this, whilst the Liam Neeson tree is telling stories (it’s an odd film) the film switches visual styles so it almost becomes a living watercolour painting, it’s awe-inspiring and genuinely new, never seen anything that was done like this (the closest is when Hermione was telling the stories of the Three Brothers in Harry Potter and the style switched to a weird animated one). The only previous film I’ve seen of his was The Impossible, and that was in 2012 so can’t remember too much about it, but I can remember being really impressed with the way he directed certain moments in it and was really good at creating visual tension, which is a good sign for his next film; the Jurassic World sequel.
Tyrannosaur
Whilst A Monster Calls is bleak, it cannot hold a candle to this. A film which begins with someone kicking a dog to death, gets progressively bleaker, and then culminates in the lead character decapitating a dog and sitting there with it’s head in his lap, with tales of domestic abuse and rape in the middle. If you know someone who is annoyingly optimistic and happy, show them this film, you will break them. Still a major disappointment that Olivia Colman didn’t win a BAFTA for this, didn’t even get nominated which is a shame as I truly believe she’s one of the best British Actresses around at the moment, nobody can wring emotion from a story like she can.
The Lego Movie
This was mainly to recover from Tyrannosaur. Brought for £5 from Morrisons and I feel like I cheated them somehow by getting it so cheap. The film equivalent of a rainbow emanating from a bowl of skittles and raining sunshine and joy onto people below. One of the few films this year which has made me genuinely laugh out loud multiple times, which takes some doing as I’m a miserable bastard.
Books
Artemis Fowl – Eoin Colfer
Slightly too anvilicious in it’s environmental message, but otherwise it’s fantastic literature. Brilliant characterisation as well, the series is basically about somebody becoming a hero over the course of 8 books, and he was very evil in the first book so it was a long journey. A tale of growing up, a tale of greed, and a tale of humanity. One of the the best children’s book series I’ve ever read, it’s basically Die Hard with fairies, if the lead character was Light from Death Note. A film adaptation directed by Kenneth Branagh is hopefully on the way, and he’s a director who I feel can really do it justice.
TV Shows
Crazy Ex-Girlfriend
I know, I go on about this all the time, but there’s a reason for that; because I love it so much. Funny, heartbreaking and with songs so catchy it’s almost suspicious.
Insert Name Here
An odd panel show on BBC (previous episodes available on iPlayer) about people. Basically they answer questions about historical figures and celebrities who all share the same name. Each episode focuses on a different name, so, for example, the episode this week was based on Charlie, so you had the teams answer questions about famous people called Charlie. Hosted by Sue Perkins, with Josh Widdicombe and Richard Osman From Pointless (to give him his full name) as team captains. A show which I can’t imagine working on any other channel than the BBC, and which wouldn’t be made by any other country than this one. Very very funny, and you learn a lot too.
Completely different from what I imagined Kate Tempest would sound like, but oh so good. A wonderful piece of lyrical storytelling that you can just put on and lose yourself to.
I first heard it in Bojack Horseman, and it has stuck with me ever since. Beautifully emotional, like proper tears and angry shaking emotion. The kind of song you’d drink yourself to death to.
So that’s how we got through this month, what did you use?
Aaron Taylor-Johnson – Nocturnal Animals. Better known as “That kid from Kick-Ass”.One of the things about Kick-Ass was that it was about a hero who looked absolutely nothing like a hero, in fact there’s one scene where he threatens somebody and they just laugh at him. Yet in this he’s absolutely terrifying. His despicable nature just oozes out of the screen every second he’s on. Genuinely unsettling, and utterly compelling.
Also:
Bradley Cooper – Joy. If only because he’s responsible for the best moments in the film. His scenes with Jennifer Lawrence almost make her up her game, and it’s a much better film during those all too brief moments.
Best Actress
Brie Larson – Room. Did you watch this film? Then you know why. She was just amazing in this. Everything about her performance was perfect. I saw this in January, which meant I had 11 months of performances which couldn’t even match it.
Also:
Madison Wolfe – The Conjuring 2. A performance beyond her years.
Julia Roberts – Secrets In Their Eyes. The first time I feel I’ve truly “got” her as an actress. Superb.
Best Script
Eye In The Sky: A film which could have been very bad if written differently. Same plot, same actors, same director and this film would not have only been bad, but catastrophically awful. As it was this film was perfectly paced. When doing a film like this you do run the risk of attempting methodical and instead just ending up with it being boring and too slow. You need to slowly crank up the tension through dialogue, if it goes wrong, it’s awful, but when it works it’s phenomenal. A fitting epitaph to Alan Rickman’s career.
Worst Film
The Boss: I really want to like Melissa McCarthy, but she keeps making terrible films. Her character in this is extremely unlikeable with almost no character arc that redeems her. In almost any other film she’d be the main villain.
Best Film Moment
Arrival – The meeting scene. There’s a moment in this where Amy Adam’s character first meets the aliens. It’s about ten minutes long and you can’t take your eyes away from the screen the entire time. Everything about it is perfect, the look, the acting, it all builds towards something which if there’s any justice will become as big a part of pop-culture iconography as scenes from Close Encounters, ET, or Alien. A moment full of pure wonder that truly shows what film can do.
Worst Film Moment
Batman Vs Superman: Martha. A moment which almost became shorthand for “awful and nonsensical”. The thing is, it does kind of make sense when you think about it, it could have been very believable that seeing someone as a person with a family will change your outlook on them, but the way it was delivered simply wasn’t good enough.
Best Film
Room: Excellent script, some of the best performances I’ve seen in a long time, and truly beautiful. This isn’t just film, this is emotional spectacle cinema. A film which I saw very early on in the year, and yet almost 12 months later it has still stuck with me.
Best Film To Look At
Arrival: A film shot with the warmth and cosiness of a home video. Science fiction (more than any other genre) seems to define itself by it’s look. And this film does more than enough to join the greats of the genre.
Also:
Pride And Prejudice And Zombies.
Beautifully shot, the action scenes are brilliantly choreographed, and the costumes are superb. You could watch this on mute and still find things to appreciate.
Most Disappointing Film
Batman Vs. Superman: Dawn Of Justice
This film had so much riding on it, so for it to fall as much as it did (critically at least) is very disappointing. Especially since the problems in it are easily fixed. Some of them aren’t personal preference, they’re basic storytelling mistakes. I know it sounds awful to say but this film should end somebody’s career, you cannot make some of the mistakes they made in this film and still hope to make films. It had such high potential too, it really needed to be great, but in the end it was merely only “okay”
Also:
10 Cloverfield Lane
A film of three thirds: the first two are really good, matching up and in some ways surpassing the original, tense and claustophobic, just brilliant. Then it’s all thrown away in the final stretch until it dissolves into what William Shakespeare would describe as “a massive pile of wank”
Central Intelligence. It took too long to get to the point of the film, and there weren’t really enough “laugh out loud” moments. Reminds me of Hear No Evil, See No Evil, in that the chemistry between the leads is better than the actual fil.
Most Surprising Film
The 5th Wave
I expected this to be just low-grade YA shlock. Yet it had a really really good plot and some excellent moments. Yes it wasn’t the greatest film I saw this year, but it was a lot better than I thought it would be.
Also: Goosebumps.
Very solid and well made kids horror film. I saw some reviews of it which criticised it for “looks like it was made for children”, which, you know, it was. It’s like criticising porn for being aimed at people who want to masturbate. Yeah it means it won’t make much money among people who want something to watch in the evening whilst drinking a glass of red wine in the evening, but it’s not meant to.
The “Well I Liked It” Award
The BFG: Called by some people “one of the biggest box office bombs of 2016” and I truly don’t get why. In a year which was the best one in recent memory for kids films, this one still stood out in a very crowded bunch. I’ve said it before but I’ll say it again; there are many great films, only a select few are “magical”, and this is definitely one.
Best Marketing Campaign
Deadpool: A very violent comic book film, what would be the best way to market this?
That’s actually pretty brilliant. During the run up to the release to this (way way back at the beginning of the year) Ryan Reynolds was on point, uploading almost in character updates on the film. If anybody doubting how well-suited he was to the role hopefully had those doubt squashed like a bug. Actually he continued it past release, doing new adverts to celebrate the film being out for a month in cinemas. A magnificent campaign which worked wonders. If there’s any doubt how successful this campaign was I’ll point this out; it meant people wanted to see the film, despite the fact that most peoples knowledge of the character being X-Men Origins: Wolverine.
Contains possibly my favourite scene of the year, I’ll be doing a “end of year” awards blog soon so will go into it in more detail there. The film is worth seeing for that scene alone. A truly astounding piece of cinema that deserves it’s place alongside the true greats of the genre. The BFG
This film is like milkshake made of magic. Bright, colourful, sweet and so lovely. The Big Short/Spotlight
I’m including both of these as one as to me they’re both very similar. For some reason I’d get the feeling they’d make a brilliant double feature. Both deal with social responsibility and how to cope when your world collapses around you, how you deal with knowing that something that is supposed to be a saviour for the masses is actually responsible for ruining so many peoples lives. Not just good films, but also very important. Captain America: Civil War
It’s……amazing. Pre-hype for this was pretty intense, until Batman Vs. Superman: Dawn’t Stop Twice It’s Alright, then people started to get concerned. Was easy to see why, it seemed like Civil War was following a lot of of BvS mistakes: they released a trailer that seemed to give away the plot, then another one which introduced a character people weren’t certain if was going to be in it, and they seemed to be introducing a lot of new characters in one film. I’ll admit, I was really disappointed that they put Spider-Man in the trailer. I thought “but it would have worked better if it was a shock, stupid idiots. I hate them all! Burn them!” But here’s the thing: I was wrong. Spider-Man came in waaaaaay too early in this film for him to be a surprise character. Besides, if that happened then people would walk out talking about “Oh my God, I can’t believe Spider-Man was in that!” as opposed to how good the film is. Plus that information would have leaked in the first screenings, even if you tried to avoid it you’d see it everywhere on facebook when you woke up on release day. So in the end it made sense, so so much sense. God damn I loved this movie, probably my favourite Marvel film so far, had everything: sensible plotting, good characterisation, good action sequences, just, everything you want.
Let’s take you back to a dark time: July 2014. ISIS were causing a major kerfuffle in Iraq, Lucy made film watchers brains explode (at least; viewers with the scientific knowledge of at least a toddler), and S Club 7 reformed. A time before Deadpool. The chances of a film made featuring the character were astronomically low, then test footage was leaked. The reaction to this is solely responsible for the film being completed. This film wasn’t made to cash in on something popular, it was made because people were excited and really wanted to see it. The leaking of the video turned the film from “it would be nice but will never happen” to “release date announced”. This characterised the entire film really, it was really made for the fans. You can tell this even down to the rating, this film really earns it’s rating, it’s violent and brilliant. And let’s face it, we wouldn’t have it any other way.
A film I nearly put in the “good”, but the visuals were just about good enough to push it into this one instead. Directed by a guy who’s mainly known for horror, he’s really allowed to showcase his visual skills here. Kind of makes sense really, horror is definitely a visual director’s medium, you can have a great script, great soundtrack and great actors, but something as simple as making a shot a little bit too light or too dark can kill the entire scare. As such it really shouldn’t be much of a surprise that he pulled it off as well as he did. I know I’m going on about it but I really can’t put over how magnificent this film looks. Edge Of Seventeen
A very enjoyable film, it’s a bit like listening to a REALLY good cover song, whilst it’s not completely original, and you won’t be surprised by it, you still have to be impressed with how they’ve done it, and you still love it. Finding Dory
It’s Pixar, does anything else need to be said? It will make you squee and it will make you cry. Not quite as good as Inside Out, but then again very few films are. Kubo And The Two Strings
A very very unique look, almost origami cinema. A film so strong and confident I just automatically assumed it was based on something. Genuinely heartfelt and a fantastic story. Not just a great kids film, but a great film all round.
Holy crap kids films were good this year. This film is so good it almost seems like Pixar made it. Moving, well told story, brilliant visuals, and the music is beyond fantastic. It also features what is without a doubt the best pee-joke of the year. So there’s that. Nocturnal Animals
A very good film, but not a very nice one. You can go into this film having the best day ever and this will make you feel awful. This is the cinematic equivalent of a Dementor’s kiss. Pride And Prejudice And Zombies
This film has a really unique look, actually it’s kind of beautiful. The costumes look amazing, as does the actual look of the film. You see POV shots of zombies when they get their heads cut off. It’s an odd mix of brutality and elegance that you don’t see often enough. Not just that, it’s a well told story that is genuinely laugh out loud funny. The opening narration points out that at the first sign of the zombie invasion, we blamed the French, which is pretty darn funny.
Just absolutely brutal, Gleeson is quietly building up a quite impressive CV. DiCaprio was good, but Tom Hardy was better. I don’t think it’s a stretch to say that Tom Hardy might be the best actor of this generation, great versatility, amazing abilities, and a proven box office draw, adored by both indie snobs, and the casual film-goer. Room
If you, dear reader, were in the room with me I wouldn’t grab you by the lapels. I would grab you by the ankles and drag you to the cinema and force you to watch this film, even if I had to pay your ticket. This is definitely a “buy the DVD on release day” kind of film. The kind which remind you of just how fantastic films are. It’s definitely a cinema film too. Certain films just work better at the cinema, horrors for example because they rely on audience feedback, comedy too as it means that (if the film is good) it will create its own laugh track. The other type of good cinema films are ones that just look stunning, films that need you to just sit there and go “wow”. This film was good in the cinema for a different reason, you could hear people cry around you. So much raw emotion on screen. It won so many awards, yet it could have won every award ever and it still would be less than it deserved.
I will judge people who don’t like this film. Actually, God will judge them. How can someone not like this? It’s smart, funny, and just brilliant. One of the finest films of the year and a true piece of brilliance.
I actually liked this film. Okay, the “romance” moments were really bad but the rest of the film was good. The destruction scenes were very well done and really showcased the horror that’s going on. There’s very little “implied” deaths here, they’re shown, and shown in detail. For example; during a scene where an earthquake induced tsunami where the wave washes through a building, rather than just show it from the outside, or show people getting knocked down, the wave actually knocks someone off a balcony and they land (painfully) on a rail below. The plot itself was really tight as well, it held together beautifully and I’m genuinely invested in the characters and want to see what happens next. A mix of both terribly cliche teen bullshit, and REALLY strong plotting. The Accountant
Aflecks best film of the year (although that’s not saying much). Bridge Of Spies
I expected to be really bored by this. But the plot, and the performances, were strong enough to keep me emotionally invested in the story. I loved it. Carol
A lovely film, seemed to come straight from the 70’s. Very disappointed it wasn’t nominated for Best Picture and Best Director at Academy Awards, it fully deserved it. I also found it kind of weird that Rooney Mara got nominated for Best Supporting Actress considering she was one of the leads. It’s like the academy doesn’t want to admit that a film can have more than one female lead. And in a year where Jennifer Lawrence got nominated for the “oh yeah I forgot that film existed” Joy, it’s not as though there was lots of very strong competition to keep her out, okay she would have still ended up losing to Brie Larson from Room, but still. Creed
A film that almost made people forget about the last few Rocky movies. It does follow a few of the same story beats as the original, but it’s done so well that you don’t really care. Possibly the best boxing film of the year (and one that reminds me I forgot to put Bleed For This in the “bad” blog so I’ll just quickly mention it here; the important car crash from the trailer? Doesn’t happen until over the halfway mark, it’s horrifically paced, we see the main character lose a fight, train and make a comeback, win that fight, THEN get in the car crash. Cut the first fight and would improve it immensely). But back to this film; it was basically a remake of an iconic film, featuring a black character as the lead, yet the internet didn’t shit on it, THAT’S how good this film was, even racists like it, and they usually only like burning crosses on lawns, drinking beer, and being terrible people.
Had a lot working against it, film adaptations of television shows very rarely work, neither do remakes, and this is both. I went into this with low expectations but it was very enjoyable, funny enough and enjoyable, very entertaining. Eddie The Eagle
The kind of film you put on at christmas when you’ve got family round and need something funny and innocent whilst you stuff your face full of celebrations and pringles. Very very funny, and not just “slight chortle to self” laugh, but “full on laugh out loud” laughs. Eye In The Sky
Pretty much a bottle episode, starts off very tense and maintains the tense nature throughout the entire film, which is very hard to do. A worthy last film for Alan Rickman. Fantastic Beasts And Where To Find Them
This was very close to being put in the “meh”, it doesn’t have enough “wow” moments, moments where you truly embrace the magic of the moment, just kind of ordinary. Elevated into “good” by the performance of Dan Fogler and his characters romantic sub-plot, which really works. Is sweet and heartwarming, one of the rare examples of a romantic sub-plot really elevating a film. I think that might be because he’s the only non-magical main character in the film, so he’s our point of reference, he’s the one we identify with. Florence Foster Jenkins
Some reviewers complained this film was uneven, saying the audience was unsure whether we should be mocking or sympathising with the main character. That’s a strength to me though, the fact that we can do both. She was clearly delusional, but her delusion came from a place of warmth and honesty so we could easily sympathise with her. The fact that the audience can laugh at this character, yet also feel her pain throughout, is testament to both the script and Meryl Streep’s performance (I know, Streep gives a good performance, what a surprise, right?)
Again, went in with low expectations yet really liked this film. Can be best defined as a horror film aimed at pre-teens. Not scary enough for adults, but entertaining enough to justify its existence. Grimsby
Very close to being in the “Meh”, but Mark Strong’s performance just about pushes it into this one. Funny, disgusting and full of obvious inaccuracies, it’s basically South Park without politics. Keanu
It’s an action comedy about two people stealing a cat from gangsters, and it features Anna Farris playing a drugged up Anna Farris, this was either going to be awful or charming and funny, luckily it manages the second one. Very sweet and very funny.
Ridiculous plotting, stupid characters, and coincidences that even JK Rowling would consider “a bit much”, yet bombastic enough that it kind of works. Plus Radcliffe seems to be having the time of his life.
Great songs, and a film which could teach Zoolander 2 a thing or two about how to do celebrity cameos; do it to enhance the film, keep the focus on your characters, not on the celebs. Race
Obvious oscar bait, but a remarkable story that’s very well told. Also Jason Sudeikis gives a career best performance, one scene in particular stands out as fantastic, where he’s in a locker room as a football team shouts at him, he’s ignoring them and continues talking to his athletes about how all the yelling is “just noise” and doesn’t matter. Secrets in their eyes
A film that nobody really talks about, which is a shame as it was very good. Yes it was a remake, but it’s very well made and has a great story. Plus it’s the first film where I’ve truly understood why people like Julia Roberts. Storks
Expected it to be terrible, yet was actually quite funny. Not the greatest plot but very charming. Plus it has a fight scene where all the characters are trying to not make any noise so they don’t wake a sleeping baby, which was one of my favourite scenes of the year, was hilarious. Whiskey Tango Foxtrot
Worth seeing, even if only to hear Martin Freeman call someone a “cunt” in a Scottish accent. The Witch
Very very scary. But not enough iconic scenes/shots. And maybe it would have been better if there wasn’t actually a witch so it would have been about puritanical paranoia, as it is their paranoia was justified, I feel it would have been a stronger film if it wasn’t a witch that destroyed them, but was their own religious beliefs that did so instead.
The qualifier for this is somewhat more complicated than the previous one. These aren’t necessarily bad films, just films that I don’t need to see again. If they’re on netflix and I can’t sleep I might consider them, but I will never buy them or go out of my way to see them. Now this will be when it gets contentious, there’s definitely two I can see a lot of people disagreeing with, and I get why.
I was really disappointed by this, when the trailer came out I was really excited for this, it just came out of nowhere and I loved the original so I was as excited as a vampire at a blood drive. But then I saw it and my excitement dried up quicker than you can say “wow, this film is deeply deeply flawed in many ways The ending doesn’t really work at all. Which is a shame as the first two acts are really strong, it’s like a small independent film, but then it all goes weird in the closing section, and is all the poorer for it. It’s like two different films welded clumsily together, after a tense housebound thriller it becomes generic alien invasion. I haven’t seen a genre shift this severe since Life Is Beautiful”, which doesn’t seem very short, but compared to the length of the film it is.
Not bad, but deeply deeply deeply deeply flawed. The trouble with Zack Snyder is he can’t make his own shots, he can make a shot based on a scene from a comic book look gorgeous, but the second he has to make compose his own shot it all falls apart. Also this film is long, very very long, and it doesn’t really hold your attention that much. The acting in it is mostly great (one or two exceptions), Ben Afleck in particular made a fantastic Batman. There was a lot of worry about whether he could pull it off, but the second the trailer came out and we saw him running INTO a collapsing building we knew he’d be perfect, he just looked so perfect for it. Just a shame he was a great Batman in a mediocre film.
Have a review of this already over here. So to summarise; If you like horror (or are interested in film-making) then see this film, but it won’t change your mind if you don’t like the genre.
Said it before and I’ll say it again, this girl is amazing in this film though
Far far too English for a Danish film. Personally I would have preferred it if it was a subtitled Danish film, as it is there’s very little Danish about it, if you were only paying small attention to it then you’d have assumed it was set in England. Alicia Vikander continues being just fantastic, I didn’t think she could top her performance in Ex Machina, but here she manages it. If I saw this film later in the year it would have stood a good change of being in the “Good” blog, as it is, I’ve had time to think about it, and in reality it is kind of meh.
I get why people like this, I really do, it just didn’t really do anything for me. I think it’s because I found the main characters too annoying and insufferable that I didn’t care when bad things happened to them. Also there were so many moments which only happened because the characters were holding the idiot ball and refused to let go.
Deeply deeply flawed in many ways. Melissa McCarthy has far too many moments when she’s speaking scientifically and you can tell she has no idea what she’s saying and it’s really off-putting. Now I’m not expecting her to know a lot of science, but she can at least act she does. When you’re watching Scrubs or House they don’t know what they’re saying, but that thought never occurs to you because of the way they deliver their lines. Now I know McCarthy can act, she was fantastic in St. Vincent, so maybe the issue here is that the director didn’t push her enough to get a good performance out of her. It’s not just her performance in this film that bothers me, Kate McKinnon needed to be reigned in slightly. Her character was very funny and loveable in the trailer, but stretched over the entire film it just felt a bit too much, sometimes less is more and with a character like that it’s definitely the case, if they just took two or three scenes of her out, it would have improved it a lot. Two other problems, one of which I won’t mention now as I’ll be bringing it up in my Jungle Book mention, but the other one is far more obvious and damaging; there is zero sense of tension. Even when things are at their worst you never think “oh no, how will they ever get out of this?”. As such it’s hard to get emotionally involved in the film. Although despite all of that, I almost put this in the “good” blog. Know why? Yes it’s flawed, yes it has plot problems, yes the script is a mess, but when I left the cinema I didn’t think of any of that, I was smiling and I was very happy, I was entertained. And really that’s all I needed. It wasn’t my greatest moment of the year, but in the then and now, it entertained me.
A bit too film studenty for my liking, like you can tell there were lots of film buffs watching it and appreciating the in-jokes. But it was very well made.
It loses some points for not using the phrase “Bourne again” in any of the marketing. I mean, come on, the pun is right there! So this film in particular? It’s okay, it has it’s moments but it doesn’t really do anything that the previous ones didn’t do.
Doesn’t really seem big enough for the cast, truth be told it seems like a made for TV movie. It has two excellent moments and one ok moment which aren’t enough for a film like this. It seems almost like a companion piece for Serena, whereas that was Autumn, this is Winter, which sadly means there’s still two more of these things left.
What I say here is also true for Ghostbusters: this film can’t stand on it’s own merits. It has too many obvious references to the original to do so. As such it can’t carve its own legacy as it seems aware of the shadow it’s in. When you’re watching it you’re constantly thinking of the other version, and you should never be doing that during a film. Admittedly, the bit where Christopher Walken voices a giant singing orang-utan is odd enough to distract you (it’s at that point where the comparisons to Ghostbusters end).
Quite funny, but it comes close to giving a very important moral which I’ve never seen in film before, only to back out at the last second. The lesson by the way: you’re not obligated to be into someone even if they’re nice, it’s okay to not be attracted to them. It comes close to teaching this lesson, but then pulls away at the last moment.
Not bad, just kind of bland. And it seems a lot worse if you’ve seen the British film The Machine, which takes everything this film does well, and does it better.
Not quite as unsettling as the trailer promised it would be. I expected something akin to an episode of Black Mirror, instead I got a standard teen film, albeit one with bright colours.
Moments of pure brilliance but it’s bogged down by the rest. The director really understand silence, there’s moments where you hear absolutely nothing for about 10 seconds, no music or anything, and it’s brilliant for creating tension as it puts your nerves on edge. More films should do this, most of them just use music cues to tell you when you should be scared so this should be admired for doing something different, but then it does the “quiet, quiet LOUD JUMP SCARE” thing and you’re just disappointed. It’s the same visually as well, there’s some really fantastic shots (if anybody reading this is interested in the visual style of horror and wants to direct, watch this film and you’re guaranteed to see a few shots you want to steal), but then there’s some cliche stuff which lets it down. This KEEPS happening, and it’s annoying. It happens in the script as well. On the one side there’s periods of dullness and cliche bullshit. But then you have moments which break from convention, particularly in two moments:
The main characters didn’t do the whole “no, i’m denying this obvious thing is happening” thing that happens so often, she immediately thought “well, i heard my dead sons voice behind a door, was warned awful things would happen if i opened it, i opened it, awful things are happening. It’s my son causing it”
The ghosts etc made sense. So often in horror films the villains are pretty much just “we are here to break stuff and be evil”, but in this film they had clear motivations and desires. It was obvious what they wanted and they did have an endgame.
A good journey, albeit one which spends far too long dicking about looking for the car keys before actually deciding to head off (which is a pretentious annoying way of saying it takes too long to get going). Probably the children’s film I enjoyed least this year, but that says more about how great the other films were than how bad this one is. The harshest thing you can say about this is that it’s bland.
Funny, but had a few pacing issues that let it own, and isn’t as clever as it thinks it is. Seemed more like a series of sketches than a full blown film.
Thoroughly ok. The closing shot was beautiful. It’s one of the great things about animation is that you can occasionally get absolutely gorgeous visuals, but apart from the closing shot it never really does that. In fact it doesn’t look great throughout, the animals just look ok, and the humans in it look like they’re made of twigs. The story is serviceable and does what it needs to, but I don’t feel I need to see it again. It’s biggest flaw isn’t the fault of the film, it’s just circumstance. A lot of times studios release films which (judging by poster alone) look very similar. Has happened a lot before: Antz/A Bugs Life, Finding Nemo/Sharks Tale etc. This films competitor? Zootropolis. For this film to come anywhere close to that would be difficult.
I commend this film for the fact that the events of it actually have consequences, it permanently changes the main character, and that’s something which doesn’t happen enough in film. Blake Lively is very very good in it, but is let down by a bland script and directing which doesn’t do the events of the film justice.
I feel a good editor could make this film twice as good. I summed it up best earlier in the year: If you go cinema a lot, go see it. If you only go to the cinema a few times a year, and going is a true event, then don’t make this one of your visits.
Was disappointed with this, things I knew were jokes never really hit home. This film really hits home the importance of directing, this film is directed like an action film, as such the laughs don’t really land.
Okay the title is over simplifying it a lot. These are just films I didn’t like, some aren’t necessarily bad, but were more a victim of hype. There’s going to be a few (and I can guess which ones) which a lot of people will disagree with, but taste is subjective so here goes, if you disagree, let us know with which ones. Oh, and there’s plenty of spoilers so, be wary of that. In alphabetical order because, well how the darn else would I do it?
Disappointed with this as I think it’s a story that needs to be told, and the story itself is really compelling, it’s just the way it’s told which lets it down. Kind of boring and bland, and the biggest flaw is you don’t feel for the characters so you don’t really care either way what happens to them. I remember this event happening, people were hooked to the news eagerly awaiting each person as they came up, the euphoria felt around the globe is something I had never felt before, and I don’t think have since, this was a breaking news story with a happy ending. A film of that needs to capture the tone of the outside world, as horrible as that sounds it’s true, the reaction to the event turned it into something else, and that’s what’s lacking from this film, context in a wider world. You either do that or you go completely the other way and make the entire thing set in the mine, never showing outside so that we feel the claustrophobia, this film tries for a middle ground between the two and as such doesn’t achieve what it could.
This suffers from what I call “Extras Syndrome”. Anybody remember Extras? It was Ricky Gervais’s next show after The Office and its main “gimmick” was that it had a celebrity cameo in every episode. As such people weren’t talking about the episodes, they talked about the cameos, they overshadowed the actual stories. That’s my problem with this film, it has so many cameos that it overshadows the film, maybe I’d like the film more if I had ever watched the series, but a good film adaptation of a television series also needs to appeal to people who haven’t watched the show, and this doesn’t do that.
My main issue with this film was how uneven it was, subtle as a brick in parts, annoyingly vague in others. Scenes end when they should continue, and continue when they should end so overall the whole thing doesn’t seem to flow that well. Ewan McGregor does have moments of brilliance in his directing, but they’re let down by times where his inexperience shows, maybe this was too big a film for his first attempt. I think in a few years time he will direct a film which I will truly love, but this isn’t it. The scene which shows that is the scene where one of the main characters bombs a post office. That scene should be the highlight of the film, it should seem big, it should resonate with the audience, shock and wow them. It doesn’t do that, it just kind of happens and that’s that, you feel nothing in the immediate aftermath, you don’t feel the shock that the community does. On the plus side; Jennifer Connelly is amazing in this, as is Dakota Fanning.
It’s pretty much a step by step remake of the first one, only with more of a nodding wink to the audience and with a higher budget. It seems to overestimate how important the original one was. Yes, it was very important at the time, but that time was 17 years ago, they’ll be people seeing this who were still babies when the original came out, there’s a whole new generation of horror fans who have been raised on different films (albeit, films which have been heavily influenced by the original). If this film came out in the mid 2000s then it would have been a lot better as it would have seemed more natural, as it is it just seems a bit pointless. It doesn’t seem to add or explain anything about the mythos, it just makes a bigger mess of it. I understand wanting the audience to ask questions when they leave the cinema, but they should want to ask questions, they shouldn’t need to, it shouldn’t be essential to understand the film, the film should stand out on its own. Side note; the worst horror movie ending ever? The Devil Inside. A 2012 horror film which ends with a title card telling you to go on the website to find out more. F that.
An odd film, funny in parts but it seems strange in the way it handles the main character. All through the film he’s shown to be a delusional person who annoys everybody. Logically this film should end with him realising the error of his ways and changing accordingly, maybe stop being such a dick to everybody. But nope, this ends with everyone else changing for him, and saying “he’s not that bad really”, “I quite like him actually”, and he the character doesn’t do anything to deserve this, they all just suddenly decide they like him now it’s reached the end of the film. I actually feel a lot of sympathy for the supposed antagonist of the film, all through the film he’s shown as someone who’s just trying to get on with his job but the main character keeps getting in the way and making so much noise he can’t do it, and when the guy finally snaps and says “look, just shut the fuck up”, we’re supposed to be angry at him, instead of just “yeah, that makes sense, he should have done that earlier”.
I really wanted to like this film, I love seeing horror films at the cinema and this was the first one I’d seen this year, and the trailers made it look interesting. Here’s pretty much every single scare in the film: weird shit, a dead looking thing is far away, then appears close to camera. then the character wakes up. After the fourth or fifth time this happens you just start to think “this isn’t real so nothing about it matters”. Fake scare me once, shame on you, fake scare me twice, shame on me, fake scare me five times, you’ve just being silly no, go sit in the corner. It really sucks that I don’t like this film. I’m interested in the real life place as it seems kind of fascinating, and the idea of doing either a psychological horror or a thriller there is genuinely exciting, but as it is they tried to do both and ended up doing none of them effectively. Somewhere there is a really tense film about someone dealing with their own mortality whilst walking through the Aokigahara Forest, but this really isn’t it.
Spectacle cinema that forgot to put in any spectacle. It has no moments which visually impress you. Also, Hemsworth’s accent kept slipping and that distracted me.
The most telling thing about this films quality is this; it happened this year and yet nobody mentions it anymore. This film should be dumb fun, as it is it’s just dumb. Like a poor remake of the original, only with an obvious sequel hook at the end. It won’t impress people who liked the original, and will mean nothing to those who haven’t, so it’s hard to say exactly who it was aimed at.
Part sequel, part origin story, part retelling, and with the story basically “the only person who can save all these African people is a white guy”, all kinds of awkward. Christoph Waltz seems to be enjoying himself though.
Too many cameos, and the same problem as the David Brent film; the main character is an awful human being yet the film is about how everyone else learns to realise how great he is. Actually now that I think of it I should have called Extras Syndrome “Zoolander 2 Syndrome”. The cinema I was in had approximately five people in, as such you could hear the silence that met every joke, you could hear every “this is a bit shit isn’t it?”.
I posted this somewhere else earlier this year, the film is now available on netflix so thought I’d repost as a bonus blog. Enjoy!
I went into this with both high and low expectations. High because I loved the trailer, it looked amazing and it looked brutal. Low because I heard bad reviews and it hadn’t done too well at the box office, only making £7.4million (or 31.37 million in Turkish Lira) in the opening ten days. So I was excited but prepared to be underwhelmed.
At first I disliked parts of this film, I found Sam Riley’s Colonel Darcy voice a bit too fake and silly, and Matt Smith’s character was slightly annoying. Then I noticed that that’s kind of the point. Darcy is supposed to seem aloof and odd, and Mr. Collins was supposed to be a foppish fool. Both of them actually deserve kudos of the highest order for this. Matt Smith could’ve just played it as The Doctor again and the character would have been charming, he wouldn’t even have needed to change the dialogue. But…
Are you surprised to see this here? Well to be honest, so am I. I had quite low expectations here, if expectations were a high jump, then this was set 2cms off the ground, and easily cleared it, not in a way to set a new world record, but one that still performs admirably. The great thing about this film is that it exists in a genre of one; it’s a kids horror film, and one that made back double it’s budget, so expect a few poor imitations in the next few years. I do feel guilty about putting this film here though, because it means I can’t put Finding Dory on this list. That’s not a knock against Finding Dory, it’s just an indicator of exactly how strong kids films have been this year, been a phenomenal time for them, and whilst Dory hit me harder emotionally, I think part of its target audience was adults, whereas Goosebumps was focused almost entirely on the kids. So whilst kids will grow up and watch Finding Dory when they’re older, I feel that while they’re younger, Goosebumps will have more appeal, and it’s odd that that could be seen as a bad thing in todays society, for kids films to be aimed at children. We almost expect them to have adult jokes in them now and consider films failures if they don’t, maybe because all film critics are adults so it can be hard for them to judge kids films on their own merits (probably not though, as they are professional).
As already mentioned, I LOVED this movie. It was magical, as I said earlier this year:
“some films are funny, some films are heart-breaking, very few films can be described as magical, this is one of them”
It also had one of my favourite performances of the year, and is a film I’ve already considered buying on blu ray, despite being so poor at the moment I’m panicking about money about two days after receiving any. I know this film wasn’t rated that highly by critics, I just don’t get why. Normally when I disagree with critics it’s on comedies, films which I can see are definitely cult films, I don’t normally disagree based on “f*ck you this film was fairy lights and sunshine on celluloid”.
A film so strong and confident I just automatically assumed it was based on something. The fact that a new property can set up a world this full and real says a lot about the talent of both the writers and the directors. Surprisingly it’s the directors first film as a director, and I would not be surprised if he won an Academy Award for it (it’s not likely, but it would be very deserved). This was one of the few films this year I was actively following from the moment I saw the first trailer, it just looked so good, the music choice (While My Guitar Gently Weeps) was inspired, and visually it was very different from everything else. This HAD to be fantastic for me to like it, anything else would be a bigger disappointment than the first time I tried Hershey’s Chocolate.
A film that reminded me of an important lesson; you can have too many jokes in a comedy. I know that sounds weird but even in a comedy the characters need to treat the situation seriously, otherwise the audience don’t feel the jeopardy. If the characters don’t fear the situation, then why will the audience? It’s hard to believe but in the closing stretch of Airplane there’s barely any jokes, it’s all plot. This film does that too, there’s not many jokes in the final third, the characters are genuinely scared and determined and focused on plot, so that makes the stakes seem high to the audience, so they’re more emotionally invested. Now if I was doing a “favourite animated films of the year” then this would probably be top, but as I’m judging this by it’s standard as a kids film, this sadly has to be second. It’s definitely a better film than the one I’ve chosen to go in top spot, but not a better kids film for one simple reason; there’s no magic. There’s no moment where you sit watching this film and are overcome by a feeling of wonder and joy, there’s no “ooooooooo” moment. If it did that then it would definitely be top, and in most years it would, but this year it’s just beaten to the top spot by another film.
A film so good it almost seems like Pixar made it, if it wasn’t for the songs. But oddly enough it’s the songs that push this to the top spot. I hate songs in kids films usually as they’re just distracting, but here it served a real purpose, characters seemed to have their own musical motifs attached to them, and the songs are REALLY good. There’s a crab singing a David Bowie-esque song, The Rock singing a song about how awesome he is, and they’re still not the best songs in this film. If “How Far I’ll Go” doesn’t get nominated for awards I will genuinely be surprised, it’s touching, empowering, and even from a technical standpoint just a superb piece of music. On the downside there’s one or two jokes that take you out of the movie (there’s a twitter joke in here which is quite funny but completely unnatural), but then they’re followed with moments of brilliance (the psychedelic crab scene for instance features animation so colourful and beautiful, the likes of which haven’t been seen in a long time). It also features what is without a doubt the best pee-joke of the year. So there’s that. Oh, it also features adorable/terrifying coconuts, which is always the sign of a great movie (be honest, how much better would every film be if you added anthropomorphic coconuts?)
So, that’s that. We’re starting work on our end of film lists as we speak so if there’s any films you think we’re likely to have not seen this year, let us know and we’ll try to watch them before the years out.
Let’s get the obvious out of the way here; I’m fairly certain I’m not the target audience for this film (a feeling which was confirmed by the cinema being almost entirely teenage girls), so this had an uphill battle to impress me, an uphill battle which was evened out by the release of the trailer, which was funny, slightly heartwarming, and cynical as hell, I’m glad to say the only difference between the film and the trailer is the film itself is a lot more heartwarming. It’s just as funny and cynical as you’d hope, although part of my opinion on that might be because I have a weakness for any film which has “I’m going to kill myself” as the first line.
Unlike this film, where “I want to kill myself” is the first thing said by the audience
It’s not just the cynical nature of the film that’s done well, the characters themselves are really well defined. Even when the characters do and say terrible things, you understand their motivations, even though you don’t agree with them. They are all fully fleshed out, and they all get good lines. Unpopular opinion, I tend to dislike “comedy characters” in films and sitcoms, mainly because it means the writers tend to give them all the best lines, leaving the other characters somewhat underdeveloped. That’s a problem which this film avoids, most of the characters could comfortably lead their own movie, that’s a masterful piece of scripting and the writer should be commended for that. Which is why I’m glad the writer also directed it, it’s easier to follow directors careers than writers as more emphasis is put on directors. I was surprised this was directed by the writer, although it kind of makes sense, this seems like a very personal story and they’d be nobody better to get that across than the person who wrote it. It’s more surprising that this is her first film as a director, whilst it’s not exactly full of “wow shots”, or inspiring cinematography, it’s a lot more accomplished than a first time director should be, here’s hoping she gets a chance to do more work in the future with someone elses script, will be interesting to see what she can do. I feel her best work is as a writer though, the script has some amazing pieces of dialogue that really hit home. My personal favourite being (and i’m paraphrasing here) “I just don’t want to have to live with myself for the rest of my life”.
Probably not going to get a good lead in to say this but these two worked really well together.
This film is not perfect however, a major problem is that you will feel you’ve seen it before. Within five minutes of meeting certain characters you can guess their entire story arc, you know what they’ll end up doing for the rest of the film. Despite that it’s still a very enjoyable film, it’s a bit like listening to a REALLY good cover song, whilst it’s not completely original, and you won’t be surprised by it, you still have to be impressed with how they’ve done it, and you still love it. Put it this way; I also watched Arrival this week. Probably one of the best films I’ve seen all year, yet i still felt like THIS was the film I should write about.
Actually I take back what I said earlier; this shot is kind of beautiful it terms of colour and angles
I will admit, this is not the greatest film of the year, it’s not even in the top five if I’m honest, yet I’ll sum up my feelings about this film on this; I have a belief that everyone should have a self-care box. A box which contains dvds, books, chocolate, tea etc, basically stuff which will cheer you up when you’re at your worst. And whilst this film won’t make it into my top 10 of the year, or my favourite 100 of all time, it definitely deserves to go in the box, and that’s the best thing you can say about it.
Edge Of Glory
Strong performances from the cast (Special mention must go to Hailee Steinfeld, Hayden Szeto, Haley Lu Richardson and Blake Jenner. Actually all of them were really good)
Fantastic script.
Believable characters.
Very very funny and heartwarming.
Possibly one of the best soundtracks I’ve heard all year.
