Blade Runner: 2049

Confession time; I have not seen the original film, and unlike Star Wars or Back To The Future it hasn’t really permeated pop culture that much. Don’t get me wrong, I am aware of the film, and it’s importance, and I understand a few references to it, but references to it aren’t quite as mainstream as they are to other films. This, combined with lots of people saying they didn’t understand this film and that it was too complex, made me think that I would hate this film. Not because of what the film is, but because I just wouldn’t get it. My response was going to be “it’s good, it’s just not for me, and I was really confused”. Well, I was confused, I was confused by the confusion. People are talking about it as if it’s a really complex plot where you have to pay close attention to everything in every scene and do a lot of research beforehand to understand, I knew nothing and still knew what was going on, it’s not that complex if you’re paying even the smallest amount of attention.

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“that fourth raindrop from the left is actually vitally important, if you miss that you miss everything”

Was surprised that Harrison Ford didn’t appear until MUCH later than I thought he would. I expected him to make an appearance at about the 1/3 mark. Nope, it was more like the 2/3 mark. Which was a bit strange as he was all over the marketing campaign and was the lead in the original, so a lot of people would have been waiting around him to appear. Although I suppose this did mean that by the time he did appear, everybody was already invested into the story, so he didn’t really take away from Gosling. Make no mistake, this is Gosling’s film, and he nails it. Although the supporting cast does a great job too, So many of your new favourite actress’s will be in this film. A lot of unknowns were cast, yet gave amazing performances. Ana De Armas and Carla Juri deserve special mentions. They both portray their characters with enough vulnerability to make them believable, yet enough determination that they fit this universe. Their characters were great too, you imagined they all had lives outside of this film, they exist on their own terms, not just related to the story.  It felt like you could write entire novels based around them.

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This scene is actually genuinely quite touching in the final film

The world itself was beautifully created as well, not just visually (although it was visually stunning), but also in terms of believability. Those of you who read the review of Valerian will know how important I consider world building to be, particularly in this genre, for films like this the universe it’s set in is almost a character in itself, so if you don’t do that well it really effects it. Done really well in this though, everything looks just dirty enough to be real, yet clean enough to be futuristic. On that note; this film looks SUPERB. You could pause this at almost any point in the film and use that as a poster. This, combined with Arrival last year must surely make Denis Villeneuve one of the best-regarded directors around.

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I also liked how the story threw a genuine curveball in the closing stretch. I do like a good twist if it’s well done. That’s the trouble with a lot of plot swerves, they come out of nowhere and make no sense. A good one makes sense, a GREAT one will be so logical you’ll feel stupid for not realising it sooner. So in summary, this is going to be one of those films that pretentious film buffs constantly try to show you, let them.

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Creepy Songs For Creepy People

 

New York, New York – Polly Scattergood

The original of this song is almost the exact opposite; bombastic and large. This is just downright creepy. I used it in my showreel and it fit perfectly, timed blood dropping with the beats.

Polly – Amanda Palmer

Yet another cover. I swear this list won’t all mostly covers. I hope. I listened to this song 10 times in a row whilst I was writing Poppy Blooms; which probably explains a lot about that film.

Don’t Think Twice, It’s Alright – Ke$ha

Yeah, another cover, and this time it’s by a pop artist. But trust me; this is hauntingly beautiful and is the entire reason why I think Ke$ha gets a lot more stick than she deserves. But you might already know this because if I have a conversation about music with anybody for more than 5 minutes I will bring up this song. And nine times out of ten I have to follow it with “no, seriously, trust me on this”. No music, just her voice gasping the words in your ear.

Where The Wild Roses Grow – Nick Cave and Kylie Minogue

From Ke$ha to Kylie, not the worlds greatest transition, but meh. There’s also a version of this somewhere done by a band who sing it in German. If you listen to that whilst walking through a graveyard at 4am, it will fuck you up. A really good murder ballad which must have taken incredible balls on the part of both performers, who both risked alienating their current fan bases.

Red Right Hand – Nick Cave

I know, two Nick Cave songs, that’s possibly cheating, but who cares? Kind of an unofficial theme song for the Scream film series, being remade/remixed for every entry, but none are as haunting, beautiful, and as “sound of being followed down a dark alleyway by someone with a knife” like as this.

Creep – Scala & Kolacny Brothers

Best known as “that song from that trailer, no, not I Feel Good, or Walking On Sunshine, the unhappy bleak one”. The original was quite creepy yet this makes it more so. They also did a cover of Muscle Museum which just takes on all kinds of an emotional journey.

Cities In Dust – Siouxsie And The Banshees

Oddly danceable, kind of like dark disco. Made an appearance this year in Atomic Blonde, which if you haven’t seen, you need to remedy that and see it immediately, a wonderfully made film with one of the best soundtracks I’ve ever heard. And it means I won’t have wasted my time making sure I spelt Siouxsie correctly.

How We Got Through…September

A Drink Before The War

Pretty good read. Not something I would exactly call “fun”. Harsh, brutal, but extremely well written. A prequel (kind of) to Gone Baby Gone, which I really need to read some time.

Grabbers

The concept is better than the execution. Is about a place being attacked by aliens, but they’re poisoned by alcohol, so everyone tries to get drunk to stay safe. Great concept, but it didn’t really work for me. Think it’s because it didn’t really make use of the concept until more than half way through. A film like this is ALL about the concept, so you need to launch into it quickly, ideally, at the end of the first act, this doesn’t really do it until the last act.

Gremlins

Been a while since I’d seen this so had forgotten a lot about it. I remembered it being quite violent, I remembered gizmo being adorable, and, of course, I remembered the greatest scene in cinema history. But I had forgotten one thing; how superb the theme is. Seriously, listen to it, how is that never brought up when people talk about great movie themes?

Gremlins 2

Deliciously fun; starts with Bugs Bunny and Daffy Duck, has Christopher Lee in it, and features a scene where Gremlins sing Frank Sinatra. Almost like a parody of the first film.

 

Logan Lucky

It goes nowhere, and is overly American to the point where it almost seems sarcastic, basically, it’s the film equivalent of NASCAR. I fucking hate NASCAR.

Man Up

First time I saw this I went into it with low expectations, I expected an okay but not great romcom, something very predictable and formulaic. Kudos to the script then for making it very very good. I have an unwritten rule for how you can judge a great script mixed with a great performance. So much so it’s easy to imagine that the lead actor wrote it, that’s how on-point Lake Bells performance is (she didn’t, Tess Morris did, but still). A great date movie for people who hate date movies.

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Patti Cake$

A lot better than I thought it would be. Has both a great and not great soundtrack. I mean, the songs are fantastic, but the music/story integration could be done better. You don’t really get the feeling that the film is influencing the music, or the other way round, they seem kind of independent from each other. Oddly enough, I think this is the only film I’ve seen this year which has had absolutely nobody in it who I know from another film.

Rough Night

A lot different than I expected. I think it’s R-Rated, and if so it really earns it. Wonderfully filthy and funny. Kate McKinnon’s Australian accent slips more than a pensioner walking on ice.

Super

Incredibly violent, kind of like a more realistic Kick Ass, showing how someone who wants to do that kind of thing obviously has some issues. Pretty good soundtrack too.

Superman: Doomsday

Did more with Doomsday in 20 minutes than was managed in the entirety of Batman Vs. Superman. Really looking forward to watching the rest of the DC animated universe, so far seems enjoyable and quite intense. I thought that it was a mistake killing Superman so early into the DC cinematic universe, but then I saw them do it here and realised the problem was just the film was very badly written. This one however is great, highly recommend watching this.

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I absolutely love this line.

The Best Of You

Unpopular opinion; I’m not a big fan of Foo Fighters. They’re one of those bands who I think could put together one really good album of their stuff, but otherwise their career has too many songs which are basically filler. This is one of them.

The Hitman’s Bodyguard

Not going to change anybody’s life, but very funny. Selma Hayek swears too much though, it’s like just her swearing was supposed to be a joke. I think you have to be careful with swearing in films, if you do it too much it just comes off incredibly juvenile.

The Limehouse Golem

Very British, very smartly made, and a great twist ending. Sadly whilst it is very well made, it’s not very memorable.

What We Do In The Shadows

Without a doubt the best vampire mockumentary from New Zealand that I’ve seen in a long time. Perfect film to put on whilst just need a laugh distraction from the relentless crushing existence that we call life in 2017.

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