Category: LSYDB

Let’s See You Do Better: Update 6

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For those unsure what this refers to: click here

I’ve changed the ending.

Well, not so much changed, added to it. In my previous iteration, the whole thing was kept in one town. I’ve completely changed it with this new ending. Decided that it opens it up for more fanfiction and theories. It was originally going to be actual serial killers, and I was going to name them. Realised that might be a bit weird, so I’ve only alluded to them in it now. I thought that’s a bit better, and it allows me more freedom as to casting and what they look like.

So, here’s the new ending

freddy-endingDownload

Hope you enjoy it. Does mean I have to go through and add some hints that that’s the case, that Freddy is just one of hundreds of dream demons around the world. That you aren’t safe just because you aren’t in Elm Street. Also provides a reason why Freddy is stuck to that location, because that’s his jurisdiction. Crucially it allows possible spin-offs with different characters. Plus it gives you a possible sequel of another dream demon invading his territory.

Downside is there’s no closing image. There’s no great pre-credits thing to really astound you. It’s just a scene that continues until it doesn’t. It needs a decent coda, and I just don’t have that yet.

Let’s See You Do Better: Update 5

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I’ve actually finished. A 104 page script complete. It’s not perfect, I added a plot point half-way through writing that I’m going to need to set up better. And I’m thinking of completely changing the opening (as seen here). But other than that I’m pretty proud off what I’ve done. It’s not the greatest Freddy film, but I am confident it’s better than the worst, and really that’s all this was for, was to prove there’s no excuse for film studios to churn out bad scripts. I’m not going to post it all yet, will do once I go through it, but I will give you the ending as it’s probably the most “controversial” part of it.

So to bring you up to speed with the characters:

  • Bruce, summons Freddy to help him stop having nightmares about his mother molesting him. In this he just came out of a coma where he spent every moment in an empty void of nothingness which has driven him slightly mad. He’s also written a screenplay based on Freddy (which is implied to be the first Nightmare On Elm Street film) and posted it.
  • James and Molly. The last survivors. Just before this scene they entered a police station to dispose of evidence of Freddy. In this universe, the town are using Freddy as a form of justice, unleashed on someone if they break the law (or become “undesirable”, which is a fucking chilling thing to think of by the way). All the information about Freddy is at the station, so they hope by destroying it, the town won’t be able to use it as a form of justice anymore because if nobody finds out about Freddy, he can’t be effective.

So without further ado, here’s the ending:

nightmare-endingDownload

Read it? Good. So yeah, I did the ending to a Freddy film where he barely features. I know some people won’t like that but I think it suits this film better. This was never Freddy against the teens, this was always about someone using Freddy for his own ends, and that person is more important to the story than Freddy is.

Quite like the ending i’ve got (even though I blatantly stole the final scene from Watchmen), because I went abstract as hell. It made sense as if it’s a dream world, you don’t want a normal fist fight, you want something that can only exist in this film.

Let’s See You Do Better: Update 4

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So it’s been a while since the last update. Last time I was still feeling out this story, and now I’ve got it: I’ve done 75 pages, and I’ve got things in my head which will add easily another 10 pages. I’ve got a good sense of the characters (I’ll post more details about that later) with the exception of one. I’ve got one character who I know I’ll have to change. There’s a character called Scott who was a very rich kid (as in, “his parents got him a boat for his birthday” rich) who was pretending to be an abused drug addict as he thought that was more “authentic”. I like the character but I feel it’s not really suited for this so I have to change it, I’m not sure what to do to change it but I’ll think of something.

So I know you’re not that interested in the plotting so far, because then you’ll have to see the whole thing, you want the deaths. So here goes my newest death: Nikki. Background on her character: a wannabe celebrity who has an eating disorder.

nikki-death-1Download

I’ve done a few other deaths but this is the most important one I’ve done because it firmly establishes who Freddy is in this universe. He’s not a serial killer in the “I will stab you” way. He’s a god, he sets up a situation in which a death occurs. He lets the situations play themselves out and sits back and observes.

So I was making progress, and then disaster happened. Quick background on this script: it involves pills that can suppress dreams, some of the adults are on them because they’re aware of Freddy, now obviously they die in the film when those pills get taken away. I was writing one of the parents deaths and came up with this (for clarification, Danny is Taryn’s dad, this is his dream, and Taryn is secretly Freddy trying to find information out):

That one section excites me so much. The idea of a town weaponising Freddy to rid the town of criminals is terrifying. It’s a horror dystopia, and it’s disturbing as hell. But whilst I’m excited, I’m also aware that I now have to go through the whole fucking script and change things to set up this society. I’m going to have to write every adult character as having the knowledge that they are compliant in this. How would that effect the town? Well now I have to write it. Damnit! But also: ooooo fun

Let’s See You Do Better: Update 3

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Okay now I’m getting to the fun parts. The best parts of these movies are the deaths. Because they take place in a dream world you really have no limits so you can get as creative as you want. You need them to be creepy and disturbing. Not sure if it’s just me but I like when the deaths link into the persons character. I feel that makes sense as people dream about things that affect them, so it only makes sense that their dream deaths would be linked to them. That’s what I’m attempting to do in this. I’m about to enter the “adding new characters” stage and I know who some of them are already based solely on how I want them to die. That’s probably a backwards way of doing it but it works for me.  Anyway, here’s what the deaths will be like

deaths

A little bit of background on these two characters:

Alex is a wannabe bodybuilder, who in the scene before this we found out has a real complex about his strength, he has the need to always be the toughest guy in the room, that’s why I had his death take place on one of those “test your strength” fairground machines. Originally I was going to have it take place in a gym but realised that had already been done (I think in the fourth one) in a REALLY creepy piece of body horror where a set of weights were pushed down and used to break a characters arms. I wouldn’t be able to top that so I decided to go in a different direction. Plus I figured it wouldn’t be bad enough for him to be outmuscled, the worst thing would be for him to be outmuscled in public so everybody sees. The little girl being the one to do it came about because it’s a good opportunity to use the creepy Freddy girls in this movie. You know, the ones in the blue dress who sing the rhyme? If I dressed the little girl in it similarly it would be a nice way for me to give a shout out to the original series without being distracting. Originally I had the final blow be done by a random bodybuilder, to show him that no matter how hard he works out, there will always be someone better. I then mentioned in passing to someone that I was considering having the small girl do it instead, and that was received much more favourably so I changed it to that. Someone else mentioned having the head hit the bell at the top. Didn’t do that as I wanted the skull to be shattered, but I did like the concept so I modified it slightly and instead had a small segment of the head hit the bell. This had the double advantage of leading to the next scene. The next scene takes place in a class, so I could easily match up the piece of skull hitting the bell, and the bell ringing in the class.

Now, the second one takes place in a swimming pool. I will freely admit this one was inspired heavily by a graphic novel I found called Clean Room by Gail Simone. If you get a chance I highly suggest you read it as it’s incredibly creepy and inspired some imagery which I will use in this. What was most useful to me from it was these two scenes:

I saw that and thought “I could definitely use that”. I named the child Terry in homage to this scene. The challenge with this was making it different enough so that it wasn’t just “me stealing shit from women writers and claiming it as my own”. I wanted to use it as a jumping-off point for something else, and I like to think I did that. It’s why his death ends the way it does; with him being swallowed by the water (and it’s why I had him responsible for his death again in the dream). I might need to change it more but I’m happy with what I did and think I made it different enough from the original to claim it as my own.

So yeah, those are the deaths, let me know what you think of them, whether they worked etc. And then go read Clean Room as it’s f*cking superb.

Let’s See You Do Better: Update 2

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Note: if you’re unsure what this is about, visit here

So it’s been a while since I’ve updated this, been busy on other projects. I thought I’d offer a quick update as to how the story is going. I have an idea of where it’s going and should probably do an outline to establish it. I’ve been reading some of the Nightmare On Elm Street comics too, they’re mostly terrible but there are a few really disturbing parts in them. The trouble with doing a script like this is that theoretically anything is possible, and when you’ve got no limits then it can be boring to do standard things. Like I was going to have a scene where someone dies by having their face held against a hotplate until the skin melts. Very gruesome and could be horrific if done right, but it’s also possible, so would be best used for another film (could work in a Halloween film I think). I’m posting my progress now because after this is when the actual horror starts. I’ve put some creepy moments in there but all of it is setting up the rest of the film. So, here’s the opening:

nightmare

I’m quite proud of what I’ve got here, but I know some of it will HAVE to change. I have to set up his PTSD nightmares more (I’ve got a great idea but at the moment it’s a bit too similar to a scene from Scary Stories To Tell In The Dark), so I’m going to need to think of a better way of doing it before putting it on paper. I need to set up the background characters more, specifically the ones in his class. This should be easily done, it’s a classroom so lots of chance for debate which I could use to showcase character traits. Overall I think I’ll have a better idea of how I want the beginning to go when I get to the end as I know what I’ll have to set up. I’m very wary of timing, I’ve seen A LOT of horror films which seem to take two-thirds of the script before the actual story starts. I hate when it happens and I don’t want to do it. At the moment it’s about 20 minutes, which I think gives me a good basis to start, especially since it is still relatively scare-heavy. I think if I keep that level of intensity up I could extend the beginning by about another ten minutes and keep the momentum going.

Let’s See You Do Better (Update #1)

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So, last month I posted this. So since writing the opening scene, what have I done? To be honest, nowhere near as much as I feel I should have done. Still kind of finding the rhythm of what this story is. The main thing is I still need to plan out who the main characters are. I’ve got ideas for set pieces and general plot etc, but the characters will be what makes it work. So far I’ve got some ideas. One is Bruce and Carol. Carol is a middle-aged single mother who starred in some low budget horror movies in her youth. Bruce is her teenage son. This is what that leads to:

Nightmare Carol

I’m going to set up the abuse throughout the film. Decided on this because it’s not really something that’s seen that much in horror films, not in that way anyway. When we do see a parent sexually abusing a child it’s a father abusing his daughter, I wanted to showcase the horror of when the genders are flipped. I’m considering making Bruce one of the main characters, have him kind of bring Freddy back by striking a deal; he’ll scare his friends by telling them the stories of Freddy, leaving them more open to Freddy’s influence and danger. In return, Freddy will stop Bruce’s recurring nightmares. Essentially like a mafia protection racket. That scene, in particular, will be used to kick off the third act. Bruce being in a coma will also allow me to have an absolute mindfuck of a final act.

Now onto the second scene that I’ve done. This will be about halfway through. My plan is to set up two stories; a group of children being abducted and killed by Freddy when he was alive in the past (so essentially a slasher movie mixed with IT), and the same kids when they’re older being haunted by Freddy in their dreams. The two stories will run alongside each other, leading to this:

The Death Of Freddy

So yeah, I lie. It’s not actually them, it’s someone elses memory. I’m not going to lie, this is mainly because I was fed up with the number of horror films that have flashbacks of the main characters near death, I hate them as you know the characters are not going to die so the scenes have no tension. I’m going to set up the truth subtly, so characters we establish as having no siblings in the present, will have a brother/sister in the past, and characters who are allergic to certain things will be seen eating them in the past. The main focus of this section though; the death of human Freddy. My plan for this was to have it go from “yeah, get that bastard” to “this is kind of uncomfortable”. I think I can go slightly further with what happens to him, but not certain.

Lets See You Do Better

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It’s coming up to Halloween and I’m preparing myself for this years blog, which I’m hoping will be the Halloween franchise (I know, doing Halloween films at Halloween, SO original). As I’ve gone through the past ones I worry I might have come off as negative. Writing a film is really hard, and writing a good film is even harder. It’s easy to tear down peoples efforts from behind a screen, mocking them and insulting them. It’s harder to create. So that’s what I’m doing. Most of my posts on here have been about other people’s writing, and it’s about time I showcased my own and opened it up for the same criticism I give others. I’m attempting a horror script from a well-known franchise. I present here the opening scene; let me know what you think, how you think the story will go, any suggestions etc. So read, interact, and hopefully, enjoy. 

First Draft