Escape Room (2019)

I love the premise of this. The idea that an escape room actually being a torture device that tests people’s wits and logical thinking? I love that! I did not love this film, mainly because they don’t seem to make to the most of the actual premise. It reminded me of Saw, and not in a good way. I insulted that series a lot, but when it was good, the storytelling was superb; when it was bad, it was just a mess. This is closer to the bad. It never gets quite as messy as the Saw movies, by which I mean in terms of how bad the storytelling of those films got, not by the gore. Although more mess in this film would improve it. It is lacking in gore. I’m not a fan of needless gore, but in a horror film, it’s kind of needed. You need some form of brutality to the physical pain to make the audience feel it. I don’t just mean “you need to see lots of blood,” but if you don’t see blood, you need to make up for it through either the performances or the sound design. Sound is an element which often goes underlooked in horror films. A lot of them know you have to use music but don’t really know how to use it effectively. Most of the time when they use music and sound it’s like this:

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LOUD NOISES.

Seriously, that is at least 80% of horror films approach to sound, and it sucks. But yeah, back to the point I was making. This film could have maybe worked if it had excellent sound design, excellent performances, excellent ANYTHING really. But it’s all just so plain. Some of the rooms are pretty unique (there’s one in a bar which is a particular highlight), but that just brings me to another issue I had with it. There are multiple rooms. The point of an escape room (not the singular room, not rooms) is you’re locked into one room and there are things which don’t make sense until you see them in a new context later on. It’s about making the most of limited and confined spaces to create terror. Now THAT’S a horror movie. What this one does is constantly move from one room to another. The rooms don’t really seem to link together well in terms of spatial geography. (Seriously, I’d like to see the architectural blueprints of the building this film takes place in.) So, not only does it not really work, but it also wastes a potentially great idea. Seriously. Think about it: a horror film with multiple deaths in a closed room would be incredible because you’d have a constant reminder of the deaths. As it is, because of this, the way it changes from one room to the next, as soon as somebody dies their body disappears and is never seen again, effectively making it like a video game. If it was a singular room, then all the deaths would have a constant presence in the film, which would give you a lot more interesting shots to work with. It could be used to justify almost any stupid decision the characters make. All it would take is someone looking sadly at one of the bodies and it would justify anything as you know they’re full of fear and panic.

So, the actual rooms/puzzles themselves? They’re okay, and some are better than others. I feel this would have been better if it wasn’t done by one director. If each room had a different director, then everything would have felt truly unique. Honestly, I would have LOVED a different writer for every room, too- have them written sort of like a series, then one person comes in and makes the characters consistent between each room. Then they could have had different kinds of scares in every room. They could have one that seemed very supernatural, one that was essentially a slasher, etc. It would have made this stand out in a crowded genre. Some of the rooms are okay. As I’ve already mentioned, the bar scene stands out as a true highlight for the film in terms of aesthetic, set design (similar to aesthetic, but more how everything WORKS together, not so much how it looks), the tense nature, and the absolute GENIUS use of music. It also seemed to be the best use of lateral thinking and intelligence, much more so than in the rest of the film. (There’s a moment where a key is trapped in ice and they use their body heat to melt the ice. It’s a group which contains 4 guys, and none of them suggests pissing on the ice to melt it.) The puzzles themselves are okay, I guess. But it commits a cardinal sin for a movie dependent on people doing puzzles like this: a lot of the time the audience arrives at the conclusion WAY before the characters do. The best example of this is the second room where they have to guess a certain word. The clue is “You’ll go down in history” and there are reindeer heads mounted everywhere. It takes longer than you think it would for them to figure this out. There’s no sense of “oh! so THAT’S the answer! I never would have guessed that! That’s so smart! Colour me impressed!” It’s just “well, obviously that’s the answer.” The disappointment continues to the ending, where we find out that the reason they’re all here is that *surprise* rich people are betting on them. Sigh. I know, rich sociopaths are awful, but you know what else is awful? Formulaic endings which would have been considered bland in the ’90s. It’s a secretive group which builds a high-tech building and kills people whilst watching them from a set of cameras at all times. OF COURSE it’s rich people, and of course they’re doing it to gamble, and of course, the audience realises this about 20 minutes in.

I do feel the performances need to be pointed out though, they’re pretty good. Taylor Russell could lead a Netflix drama series easily, Logan Miller would be a great “main characters best friend” in a sitcom (or just take the roles which TJ Miller won’t get any more due to him being TJ Miller), and I want to see more of Nik Dodani. It’s also great to see Tyler Labine in more stuff, although it does make me want to watch Tucker And Dale Vs. Evil. In fact, I think I will do that, I loved that film.

So in summary, I wanted this film to be smarter and it kind of frustrates me that it’s not. I’m not mad, I’m disappointed.

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How To Train Your Dragon: The Hidden World (2019)

Hot damn this film looked good. There’s one moment where the characters are on a beach, making indentations in the sand, and you can almost FEEL the sand, it’s that beautifully animated. That doesn’t quite make up for the script though. It has its moments, but it feels incredibly generic. Unless this is the first film you’ve ever seen you will know exactly what’s going to happen before it does. This is not helped by the villain; who is incredibly unremarkable to the point where he’s forgettable. This is probably also due to how much of the time he spends off-screen, and when he’s not on-screen the shadow of him doesn’t really hang over the film. The main focus of the film isn’t the villain, it’s the female version of Toothless. It seems like the villain is just a method to get to THAT story, rather than the other way around. And the Toothless/Light Fury romance isn’t quite sweet enough to wash away the cynical feeling that it was geared towards toy sales (and yes, I know it was probably in the books first, but meh).

So all of that builds up to what is undoubtedly the weakest movie in the trilogy. The first one was REALLY good, the second one was also very good, and a worthy continuation of the series. This one? It just doesn’t have that inexplicable magic that the first two had. There’s something missing and that stops it being great, and means it’s just good. The ending is pretty great though. I hope it’s the ending anyway. I’d be incredibly disappointed if there’s a sequel to this as the ending to this provides perfect closure to the series as a whole. Maybe that’s my problem with it, it doesn’t seem like a series, just a sequence of films. There’s a few moments of connectivity between the films but they don’t really feel like they’re related. A lot of the characters are exactly the same as they have been throughout. If there was a sequel to this and someone watched that one, but missed out this one, there’s nothing they’d be surprised by. There’s no “wow, that character really changed in that movie I missed”.

I did like this movie, more than this review makes it seem. But put it this way; I don’t have the first one on DVD, and I do occasionally feel like my DVD collection is missing it. My collection will definitely not miss this. Also, the main characters looks way too much like Jake Gyllenhaal at the end.

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Also, I can’t help this but whenever I hear the title to this series I sing it to the tune of Paint Your Wagon

Glass (2019)

This was perfectly serviceable, but that’s it. I wish this was better. I really do. It had moments of a great movie. The plot is interesting as hell and it was great to see an Unbreakable sequel, and it was always going to be interesting to see that mixed up with Split. So why doesn’t this work? I think the main issue is the script. M.Night is great at coming up with ideas and concepts, but he really needs to find a writing partner who can iron out a few of his weaknesses. Maybe even just focus them down from 10 ideas to 2. It’s great to see Anya Taylor-Joy in anything, but her characterisation doesn’t really make much sense in this film considering what happened to her in the last one. It would be like if the Halloween sequel had Laurie Strode set up a shrine to Michael Myers. It doesn’t ring true and is kind of problematic.

That’s not my biggest issue with the script. Surprisingly my biggest issue isn’t even the obligatory twist ending (although I will go into that later on. You know what? Fuck it, I’ll go into it now. There are two twists, one is that James McAvoy’s character was killed in the train crash in Unbreakable. We already knew he died in a train crash, so everybody guessed it was the same one. The other twist is that Sarah Paulson’s character turns out to be evil, an ending which was figured by, I dunno, EVERYBODY who watched the trailer), no, the real problem is one that someone reading it really should have fixed. Most of the movie is about Sarah Paulson’s character convincing the main 3 that they are not extraordinary, and are in fact just normal members of the public with delusions. That the metal they bent was severely weakened etc. This would be a unique arc for a superhero film, if it wasn’t the third film. As it is, we’ve already seen what they can do, so we know they have powers. So it just seems like a massive waste of time. That wouldn’t matter if the story was compelling, but it’s incredibly dull with some quite bad dialogue. Actually the dialogue is a constant problem here as it doesn’t so much ignore the “show, don’t tell” theory, as talk it into submission. Almost every character explains their motives, explains their feelings, and (worst of all), explains the differences between this and a normal superhero story.

Also, the ending is kind of a damp squib. I feel the same way I felt after watching Unbreakable, disappointed at what I just saw, but really excited about what happens next. Which is good for the sequel, but bad for this films chances of me ever watching it again.

I do have to point out though that the idea is pretty good, McAvoy is the highlight of it (putting much more effort than Bruce Willis does, and is given more to do than Samuel L. Jackson), and the fact that M.Night self-funds his film is incredibly admirable. I just wish he spent more time fine-tuning the scripts.

Stan & Ollie (2019)

I recommend you see this movie, but with one caveat. It’s about one of the most famous comedy duos of told time, so you expect this to be highly comedic, right? That’s the wrong approach to this, go in expecting a drama and you’ll be fine. It took a while for me to adjust to that mindset, so for about half the film I was disappointed, then there was a scene in a hotel lobby of the two of them having an argument, a really heavy one. Not in terms of shouting and screaming, but in terms of the pure emotion on display. At that point a switch in my head was turned on and I got it. From that point on I enjoyed it a lot more. I get the feeling they used artistic license with history at some moments, but not too many. It seemed relatively honest. By which I mean it made them seem like dicks at times, it admitted they were not perfect individuals or ones who had just suffered misfortunes, but were in fact sometimes the cause of their own misfortunes. I like when biopics do that (for a great example of this, watch Get On Up, the film about James Brown which seems to veer from loving warm tales to a full-on character assassination depending what scene you’re watching).

I will admit to having never scene any Laurel And Hardy, but now I want to. I want to see how accurate their depictions are of them. I’ve heard people say they were spot on imitations, but I can’t really comment on that, all I can comment on really is the story, which was great. It was almost like a love story. Well, it is a relationship story, essentially. We see them at their best, and at their worst. When their wives join them it completely changes the interplay between them, for the better. The wives’ interactions with each other are delightful, in a cringey way. The pair throw pointed barbs at each other all the time, some subtle, some not, and they provide some of the best laughs of the film. It also provides the backdrop of one of the biggest heartwarming moments near the end. A moment which will make you think “oh no, don’t do that” but then be very glad they did.

The big downside is the pacing is a bit slow at times. And we’re not really shown enough background about them. But that is minor, this isn’t a film about Laurel and Hardy, this is a film about a very specific time period in their life. And that it does very well, you really get a feeling for how far they’ve fallen.

This film is very good, but it lacked that something that made it great. If it’s the best film I see all year I won’t consider this a good year, but if it’s the worst film I see all year then 2019 is going to be great.

Aquaman (2018)

Before I saw this I accidentally glimpsed a review that stated this film was “The DC Black Panther (and much better than the MCU one). To which I say…….nothing because I’m too busy laughing. Aquaman is good, but not better than that. It looks great at parts, and the opening fight scene is better than a lot of the Marvel fights purely on the basis it doesn’t do that “cut before every punch lands” thing that Marvel does, it holds on the action so you see contact and it makes it seem real. But that opening fight scene? Takes place like 15 or 20 minutes in. Before that we get the character backstory. So, we get the backstory to someone we’ve already seen in two movies already. A backstory that’s not really needed, certainly not seen. All of it could have been just dropped throughout the film. I mean, yeah that would have meant not opening the film with Nicole Kidman, but it would have meant opening the film with your main character. The way it’s done is like it’s trying to build up audience excitement to see the character, like it’s building up his appearance, but we’ve already seen him in other films. By the time the character comes around I was actually kind of bored., which was my main issue with the film, it was WAY too long. It’s nearly 2 and a half hours, yet contains only 2 hours of film. There’s A LOT of filler in this movie, so many moments just happens to either pad out the runtime, or because they want to put an action scene in.

There are a few other problems, but a lot of them are personal preference. Like people dismiss the idea of Atlantis existing, but this is a world where Superman exists, and Aquaman has been seen with him. The catfish is out of the bag when it comes to heroes etc in this universe, you can’t pretend people are surprised or don’t believe in this.

I have been negative against this film, and I think I’m making it sound worse than it actually is. Truth is, it’s not a bad movie, it’s just dull and formulaic. There’s very few moments in it which will surprise you, it mostly does EXACTLY what you expect it do, all the time. I find it hard to hate this movie because it does have moments of greatness (the way they play with the “random biker assholes start a bar fight with the main character” trope was hilarious), but not enough of them, and they’re usually just fleeting. Also, the main villain reminded me too much of Randall from Clerks and it kept putting me off:

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Spider-Man: Into The Spider-Verse (2018)

Before I start on this review I have to give out the biggest negative about it, and it’s one that will stop many people seeing the film. This film has intense flashing lights, so if you have epilepsy, or have sensory processing disorder, this might not be the film for you. That’s actually really annoying that that was not publicised. I mean, shouldn’t films that do that have a warning? We have warnings for “contains mild peril”, but not this. That’s…..really fucking weird and needs changing.

Now, onto the film…..this film loves the character of Spider-man, you can tell this by the way it mocks him sometimes. It’s like the lego batman movie in that way, it does make fun of previous films, but it’s done with such knowledge and love. This is a different kind of comic book movie, for one thing it’s REALLY weird. It’s a film for kids that deals with multiverse theory, didn’t get that in Thor (well you might have done but I didn’t pay attention because it was awful, or Thor-fal if you’re the type of person who feels the need to cram puns in where they don’t fit). It’s incredibly meta, but not too much so. None of this would matter if the actors didn’t put effort in, but the voice work here is great too. The film-makers didn’t skimp when it came to casting, you’ve got real talent here: Hailee Steinfeld, Lily Tomlin, Nicholas Cage, Liev Schreiber, Kathryn Hahn etc.

I mentioned the intense flashing lights earlier, apart from that this film looks SUPERB. The animation is some of the best you’ll see, with multiple styles displayed across the film, each incredibly distinct and gorgeous. The fight scenes are done brilliantly too, you never lose track of whats happening, the final fight in particular is a masterpiece of surreal film-making that plays out like a AAA video game boss level.

The soundtrack too, is amazing. It really suits the film, the songs are not only great but they go perfectly with the images. It does what a soundtrack should do, it complements the film perfectly. It also features what has to count as the best and most heartbreaking Stan Lee cameo ever. This is the first film released after his death (not counting the Deadpool 2 re-release), he appears on screen after Spider-man dies and says “I’m going to miss him”. F*cking heartbreaking. The most depressing part of the film, and there’s quite a lot of them, I mean, the original Spider-man gets killed early on, and all the alternate spider-men/pig/women are haunted by a death of someone, they’re defined by guilt about who they could not save. This is the best time to mention the characterisation of the different universe characters; they are all fully fledged characters with motivations and back stories. This could be a film to launch a franchise.

I honestly believe this might be the best Spider-man movie ever made, it’s VERY close. But yeah, the no warnings about flashing lights of that nature is hard to look past.

Fantastic Beasts: The Crimes of Grindelwald (2018)

The most positive thing I can say about this film? They tried. They really tried hard. They tried to build off the amazement of the first film, create their own story, set up a universe, and tie it into the Harry Potter universe. They really tried. The trouble is; they failed. Badly.

It’s like they didn’t really care that much, to the point where it seems like bad fan fiction. They didn’t care about carrying on the legacy of the first film, the ending of which was slightly heartbreaking and sweet and wonderful and completely undone within the opening 5 minutes of this film. Let’s remind ourselves of what happened at the end of the first film: Grindelwald is captured, and Dan Fogler’s character has his memory wiped. Opening of this film; Grindelwald escapes, and Fogler’s character didn’t actually lose his memory (this is explained in the worst bullshitty way possible, that’s so bad I won’t spoil here, but needless to say there is no way it was planned).

They didn’t care about creating their own story, a lot of issues people have bought up about this film have had people respond with “but it might pay off in a future movie”. No, fuck that. It’s okay for a film to be part of a series, but it needs to stand on its own two feet to be considered worthy. It’s fun to bingewatch a movie series, but if bingewatching it is the only way the movie is good, then you’ve failed as a writer.

They didn’t care about setting up a universe. As mentioned before, so many of the moments which are intended to set up the universe, just end up being annoying and frustrating the audience.

They didn’t care about tying into the Harry Potter universe. They messed around with McGonagall’s age so that she’s middle aged and working at the school before she should even be alive. They made Nagini human, which kind of makes Neville Longbottom a murderer, and COMPLETELY changes the nature of Voldemort and Nagini’s relationship, makes a it a lot creepier. It’s a bit odd really as both of those things didn’t need to be done. McGonagall being there didn’t add anything to the plot and nothing would have been lost if they just made her a completely different character. Nagini, also, never really came into the plot. They also don’t seem to understand the Mirror of Erised, treating it like a magic flashback machine.

There are other issues with the film too. A lot of the action scenes aren’t really very cinematic, and consist of people waving their arms about as pretty lights go around. It’s not an action sequence, it’s a light show. It also has an ending that’s so bad I’m not going to mention it.

 

 

Actually you know what? Fuck it I’m mentioning it. It turns out Ezra Millers character is Dumbledore’s brother, no, not the one who got caught doing things with goats, the other one, you know, the one that has NEVER been mentioned or even alluded to at ANY point. Yes, it surprises me, but that doesn’t mean it’s good. If I ordered a pizza and got a piece of shit, I’d be surprised, but I’d also be annoyed and feel cheated. And that’s how I feel about this movie, I expected pizza and got a turd.

I feel it has to be said that Jude Law does make a GREAT Dumbledore in the extremely few moments he’s in this film. If it was focused more on him, I’d have enjoyed it a lot more. Also, the set design is BEAUTIFUL, the whole universe looks fantastic. It also has just enough charm to carry it through the worst parts. And finally, whenever I type the title of this film into my phone it autocorrects it to “Fantastic Breasts”, which makes me laugh as it sounds like something from Wallace And Gromit.

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“Cracking breasts”

I know it seems like I’m being overly harsh on this film, and I am. But it should be better. I’m not expecting it to be the best film of all time, but I’m expecting internal logic and consistency. People have been following Harry Potter for years now, and it deserves a lot better than this.

Mortal Engines (2018)

I’m still entirely unsure how I felt about this to be honest. I’m kind of glad I’ve seen it, but I never need to see it again. For one thing, the characters were all incredibly dull (and there was a lot of them), most of the characters have no chance of being remembered as great YA movie characters in years to come. Tbh I can barely remember their names. There’s two possible exceptions: Hester (not, as I thought, Esther) has a definitive look and backstory which at the very least means you remember her. I get the feeling she was better developed in the book, and they cut a lot out to fit the film. I mean, her character backstory is well developed, but her non-flashback character is kind of bland and not there. There’s another character called Shrike (who I thought was called Shrek until just now) who is a great character, but is disposed of far too easily. He has a heartbreaking backstory hinted at, and could easily be a bigger part of it. I think that’s my issue with this film, it goes through about 3 films worth of concepts in one, but doesn’t really flesh out any of them.

It’s also far too long. This would be fine if it didn’t feel so long, yet so much of the time in this is wasted with stuff that ultimately means nothing. Even Shrike, great character that he is, only seems to exist in the story as a way to move the characters on. That’s all he seems to do for a lot of it, turn up, the characters move, he turns up again, the characters move again. In some senses he’s not a character, he’s a plot device.

Tonally the film is a bit all over the place, random references to masturbation are followed by deaths. It takes itself far too seriously a lot of the time, as such it’s just, well it’s not very fun. It’s a film about moving cities, at the very least it should be fun to watch. I mean, it’s GREAT to look at. Props to everyone involved for the designs of the places themselves. The trouble with a lot of films similar to this is there’s so much CGI that everything looks super clean, buildings end up looking like pieces from video games. In this everything looks REAL. You look around at the background and see decaying buildings, wear and tear on machinery etc. THAT’S the art of great set design, creating little imperfections can make a world seem perfect. Similar to that, the world design is fantastic, there’s a LOT of lore and world history to unpack here. Although I do have to point out one thing very early on that annoyed me: they imply that people using phones and computers caused them to forgot how to read. Have you been on the internet lately? It’s 50% people getting your/you’re mixed up, and 50% people shaming the first group of people. Also, don’t criticise something for “dumbing people down” when you’re a dystopian YA movie that makes references to Minions.

So yeah, see this at the cinema, maybe watch it at home if you’ve got a big enough TV to take it all in, but it’s hard to recommend that you watch this for any reason other than the scenery. 10/10 would play a video game of this though.

Creed II (2018)

I’ll start off by saying this film is incredibly predictable. From the trailer you can probably guess every single plot point in this film, you know how it’s going to end before the film even starts. You know what though? It doesn’t matter. This film is so greatly done that you get completely invested in it even though it’s predictable. The other downside: visually it’s only ever okay. This would be fine if the first Creed film wasn’t one of the best looking boxing films ever made. The way the first film approached some of the fights was a true masterclass in film-making, it made you feel like you were in there with them and you felt every single hit. This…..doesn’t do that. I mean, the fights are shot well and they look good, but there is a noticeable drop in quality between the fights in this one, and the fights in the first one. There’s no stand-out fights here in terms of technical brilliance.

Other than that small niggle, this film is great. It’s so good it retroactively makes Rocky IV better by giving more emotional depth to Drago.  That’s something this film does very well; creates believable bad guys. You know exactly why they’re doing what they’re doing, they’re the heroes of their own story, and you can easily imagine them being the protagonists of another film. It managed to turn a cartoonish villain into a 3-dimensional one, and for that it definitely deserves applause. The Drago’s are also responsible for a surprisingly poignant moment near the end where (spoilers) Ivan Drago’s wife (and Viktor Drago’s mother) realises Viktor is going to lose the fight, and walks out the building with her new husband so she’s not associated with them. At that point you see Ivan’s heart break and he realises what he’s become, so throws in the towel to stop the fight. It’s not quite enough to make him a good guy, but throughout the film it’s hard to say they’re definitively bad guys either. It’s not just their performance though, Michael B Jordan plays Creed like a slightly cocky shit, but one with intense emotional conflict. There’s a moment here where his character says something to Rocky, and the way Michael plays the character, you can tell that he regrets what he said, but is too proud to apologise or go back on it, so he has to go further and dig himself deeper. This all takes place in a second and is done just by facial performance, it’s a masterpiece to see and is one of the best acting moments I’ve seen this year. Tessa Thompson is also great in this, with her character being given far more to do than she was in the first film. In that she was almost 2-dimensional to the point where if she wasn’t in this it wouldn’t be considered a massive loss. But she is essential to this film, her character is the anchor to Creed, the one holding him to earth, stopping him from spiralling out of control. She has earned her place in Rocky lore, pretty brilliant.

Stallone too brings his A-game, still recognisable as Rocky, but no longer the great boxer. His character has developed brilliantly across the last two films, and it’s great he’s not a “I still got it” character. The character knows his boxing career is in the past, and it’s now his job to pass the torch onto someone else (like Stallone himself is doing with these films).

So yeah that’s this film, if you hated the first film, this won’t change your mind. If you loved the first one, there’s a very good chance you’ll like this too. Well worth watching, anytime a film can be predictable yet still provide enough emotion to bring tears to your eyes is worth watching.

Ralph Breaks The Internet (2018)

I enjoyed the first movie, it was fun, heartwarming, smart, and funny. It was done by people who had an obvious love for video games, specifically arcade and retro ones. This one……doesn’t really work, for many reasons. Firstly, it kind of feels like a generic movie, not a Wreck It Ralph sequel. The first movie doesn’t seem to come into play much here, it’s not a natural progression and feels like it could have been written featuring any characters. There are moments which are specifically these characters, but they are few and far between. There’s no reason for this to be a sequel, and not just a random film.

It also seems like it’s written by completely different people, it doesn’t have any of the natural wit of the first film. Too many of the jokes veer into “this is a thing, we are referencing the thing, now laugh!” territory. There are some funny moments but they’re few and far between. This wouldn’t matter as much if the script was engaging, but it’s not. It’s incredibly bland, I was actually bored many times throughout this. When it approached what I thought could be an ending I was actually disappointed to be proven wrong. There’s an entire subplot about characters from the first movie starting a family which takes up a grand total of about 3 minutes of screentime. It’s kind of strange as you can tell the film was aiming to be emotionally heavy, and that would have been a good subplot to cut to to relieve tension and provide juxtaposition.

Now onto the positive; this looks SUPERB. Every frame is packed with detail, made with both attention and affection. And there are some genuinely funny and laugh out loud moments which remind you of why you loved the first film. The voice acting also has to be mentioned. Everybody is at the top of their game here, even those who only provide a few short lines completely nail it.

Now onto the best part of the film, and for me the only reason to watch it: the Disney princesses. I now want a Disney Princess action movie. The scenes with them in are incredibly funny, smart, and just all-round brilliant. If the entire film was like that I’d say it was better than the first one. As it is, it’s more like The Emoji Movie. And that’s never a good thing.