Why We Love…Crazy Ex-Girlfriend

1. The Songs

Start off with obvious here; the songs in this show are really good, and not just “good for comedy music” good, I mean “you will end up with at least one of them stuck in your head for weeks afterwards”. They range from the incredibly catchy, the deeply inappropriate, and the incredibly catchy yet also deeply inappropriate. The songs mean it’s different from almost every other sitcom around. It’s also GENIUS from a marketing point of view. You can post all the adverts you want, yet what is likely to get people to watch sitcoms is word of mouth and personal recommendations. With sitcoms that can be hard to do as you need to find the clip on youtube and send it over (if the show hasn’t taken legal action and got the clip taken down off youtube for breaking copyright. If it was the entire episode I’d understand, but a scene? You’re killing a chance for new people to discover your show), or force someone to watch an entire episode. With this you can go “hey, I’m watching a new sitcom called Crazy Ex Girlfriend, you should watch it” “I don’t know man, what’s it like” “I’ll just send you a song. A quick 3 minute clip that I feel is funny and encapsulates the show yet also showcases the characters in a quick, easily digestible and easily shareable manner”. I’ve got people into this show through my almost constant posting of songs from it.

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2. The Characters

In sitcoms you usually have your typical cliche characters within the core group; you have the ditz, the sexually active idiot, the “couple” etc. This doesn’t really do that, the characters are all snarky, bitter, and messed up. Not just that but holy crap the diversity is astounding. The male romantic lead can best be described as an “Asian Frat Bro”. Also, one of the story arcs of the first seasons is one of the characters coming to terms with his bisexuality. That may not seem like a big deal but there are very few bisexual characters (especially male ones) in television, and the ones there are tend to be either:

  1. Serial killers/sociopaths.
  2. People who use their sexuality for power.

So just having bi visibility in this show is something that’s incredibly progressive, and the fact that’s the case is deeply disappointing and says a lot about the state of current television. That story arc also gives us one of my favourite lines of the show:

“you’re gay? Then why do they call you White Josh not Gay Josh?”

“”They don’t call other Josh “Straight Josh””

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3. The Actors.

Yes, this is definitely Rachel Bloom’s showcase, she’s the lead actress, executive producer, co-creator, and writer, but the show belongs to everybody else just as much. Despite her character being the main character, she’s not afraid to let the other cast members shine, this is more than a vanity vehicle and comes off more like “look what we can do”. Santino Fontana will probably be recognised more for this than being the male lead in Frozen (and I’m glad I still haven’t watched Frozen as hearing a Disney character sing a song about UTI’s would either be weird or brilliant, I’m not sure which). Donna Lynne Champlin gives her character an air of what can best be described as “powerful vulnerability”, whilst Gabrielle Ruiz is thrown into the role of “sympathetic not-quite villain”, and carries it off beautifully, being an ultimately sympathetic character (from her point of view the series is about her downfall), yet one you still can’t like too much.

4. It’s Really Funny

It’s not just the songs that make this show funny, the script is hilarious. Whilst it’s the songs that draw you in initially, it will be the jokes that keep you invested. I was completely sold on this series before the first song (actually within the opening few minutes). Quick background about how I got into this show. I knew absolutely nothing going in, I didn’t know what it was about, what style it was, almost nothing. All I knew was Rachel Bloom was in the poster and I was bored. I got into her after hearing Fuck Me Ray Bradbury in Mitch Benn’s Podcast, two years ago. Since that I’d only really seen her in the deeply under appreciated puppet cop sitcom The Fuzz, but she wasn’t in that as much as she should have been. Then I saw the poster for this and noticed her in it, thought I’d give it a go. Within the opening we see her have a slight mental breakdown at work at the prospect of promotion, run outside and then pray whilst saying “dear God, I don’t pray to you because I believe in science”, which for an American show is a majorly risky firing shot, but hits the target easily. Although I suppose what makes this show more than just a standard sitcom (besides the music, obviously), is the emotion it portrays. Everyone who read my Bojack Horseman review (or has spoken to me for longer than 21 seconds) knows I like funny, but I LOVE emotion in sitcoms. Jokes can wear thin after the third time you’ve heard them, yet good emotional stories will stick with you. I identify with some of the characters here in ways that’s probably emotionally unhealthy (seriously, this song I feel is practically my theme music, but this also comes close). As one person I know said “[this show is] the best musical sitcom about a woman having a nervous breakdown I’ve ever seen”. And that sums it up wonderfully.

5. Season Two Is Out This Weekend (with a new theme song)

Or today if you’re in America (you lucky people). I watched the first season of this on Hulu, but I had to abandon that website when they started charging (you can have either adverts, or you can charge, having both is just greedy and highly user-unfriendly, especially with the amount of problems the website has with shows suddenly skipping back to the beginning and making you watch all the adverts again. It’s a good service for free, but a diabolical service if you pay for it). As such I was unsure of how I was going to watch the second one, would I have to resort to illegally finding it (which is something I have issue with. Although if the show is not shown in the country at all, is that still ethically dubious? Because you’re not taking viewing figures away from them as you have no way to participate to those numbers anyway). But then joy of joys, they announced it will be shown here on netflix, which makes sense as I think it was that which got the show over with people in here, they put the entire first season on a few months ago and people just fell in love with it. Best part is, UK fans won’t have to wait long, the episodes are shown in America on the Friday, then over here on the Sunday (which is actually less waiting time than Hulu, where you’d have to wait a week after airing). So yeah, this Sunday, it starts again, and I begin the process of getting songs stuck in my head on a weekly basis, I can’t wait to handle this in a solemn and dignified manner.

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This will be me this weekend
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