Why We Love…Crazy Ex-Girlfriend

1. The Songs

Start off with obvious here; the songs in this show are really good, and not just “good for comedy music” good, I mean “you will end up with at least one of them stuck in your head for weeks afterwards”. They range from the incredibly catchy, the deeply inappropriate, and the incredibly catchy yet also deeply inappropriate. The songs mean it’s different from almost every other sitcom around. It’s also GENIUS from a marketing point of view. You can post all the adverts you want, yet what is likely to get people to watch sitcoms is word of mouth and personal recommendations. With sitcoms that can be hard to do as you need to find the clip on youtube and send it over (if the show hasn’t taken legal action and got the clip taken down off youtube for breaking copyright. If it was the entire episode I’d understand, but a scene? You’re killing a chance for new people to discover your show), or force someone to watch an entire episode. With this you can go “hey, I’m watching a new sitcom called Crazy Ex Girlfriend, you should watch it” “I don’t know man, what’s it like” “I’ll just send you a song. A quick 3 minute clip that I feel is funny and encapsulates the show yet also showcases the characters in a quick, easily digestible and easily shareable manner”. I’ve got people into this show through my almost constant posting of songs from it.

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2. The Characters

In sitcoms you usually have your typical cliche characters within the core group; you have the ditz, the sexually active idiot, the “couple” etc. This doesn’t really do that, the characters are all snarky, bitter, and messed up. Not just that but holy crap the diversity is astounding. The male romantic lead can best be described as an “Asian Frat Bro”. Also, one of the story arcs of the first seasons is one of the characters coming to terms with his bisexuality. That may not seem like a big deal but there are very few bisexual characters (especially male ones) in television, and the ones there are tend to be either:

  1. Serial killers/sociopaths.
  2. People who use their sexuality for power.

So just having bi visibility in this show is something that’s incredibly progressive, and the fact that’s the case is deeply disappointing and says a lot about the state of current television. That story arc also gives us one of my favourite lines of the show:

“you’re gay? Then why do they call you White Josh not Gay Josh?”

“”They don’t call other Josh “Straight Josh””

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3. The Actors.

Yes, this is definitely Rachel Bloom’s showcase, she’s the lead actress, executive producer, co-creator, and writer, but the show belongs to everybody else just as much. Despite her character being the main character, she’s not afraid to let the other cast members shine, this is more than a vanity vehicle and comes off more like “look what we can do”. Santino Fontana will probably be recognised more for this than being the male lead in Frozen (and I’m glad I still haven’t watched Frozen as hearing a Disney character sing a song about UTI’s would either be weird or brilliant, I’m not sure which). Donna Lynne Champlin gives her character an air of what can best be described as “powerful vulnerability”, whilst Gabrielle Ruiz is thrown into the role of “sympathetic not-quite villain”, and carries it off beautifully, being an ultimately sympathetic character (from her point of view the series is about her downfall), yet one you still can’t like too much.

4. It’s Really Funny

It’s not just the songs that make this show funny, the script is hilarious. Whilst it’s the songs that draw you in initially, it will be the jokes that keep you invested. I was completely sold on this series before the first song (actually within the opening few minutes). Quick background about how I got into this show. I knew absolutely nothing going in, I didn’t know what it was about, what style it was, almost nothing. All I knew was Rachel Bloom was in the poster and I was bored. I got into her after hearing Fuck Me Ray Bradbury in Mitch Benn’s Podcast, two years ago. Since that I’d only really seen her in the deeply under appreciated puppet cop sitcom The Fuzz, but she wasn’t in that as much as she should have been. Then I saw the poster for this and noticed her in it, thought I’d give it a go. Within the opening we see her have a slight mental breakdown at work at the prospect of promotion, run outside and then pray whilst saying “dear God, I don’t pray to you because I believe in science”, which for an American show is a majorly risky firing shot, but hits the target easily. Although I suppose what makes this show more than just a standard sitcom (besides the music, obviously), is the emotion it portrays. Everyone who read my Bojack Horseman review (or has spoken to me for longer than 21 seconds) knows I like funny, but I LOVE emotion in sitcoms. Jokes can wear thin after the third time you’ve heard them, yet good emotional stories will stick with you. I identify with some of the characters here in ways that’s probably emotionally unhealthy (seriously, this song I feel is practically my theme music, but this also comes close). As one person I know said “[this show is] the best musical sitcom about a woman having a nervous breakdown I’ve ever seen”. And that sums it up wonderfully.

5. Season Two Is Out This Weekend (with a new theme song)

Or today if you’re in America (you lucky people). I watched the first season of this on Hulu, but I had to abandon that website when they started charging (you can have either adverts, or you can charge, having both is just greedy and highly user-unfriendly, especially with the amount of problems the website has with shows suddenly skipping back to the beginning and making you watch all the adverts again. It’s a good service for free, but a diabolical service if you pay for it). As such I was unsure of how I was going to watch the second one, would I have to resort to illegally finding it (which is something I have issue with. Although if the show is not shown in the country at all, is that still ethically dubious? Because you’re not taking viewing figures away from them as you have no way to participate to those numbers anyway). But then joy of joys, they announced it will be shown here on netflix, which makes sense as I think it was that which got the show over with people in here, they put the entire first season on a few months ago and people just fell in love with it. Best part is, UK fans won’t have to wait long, the episodes are shown in America on the Friday, then over here on the Sunday (which is actually less waiting time than Hulu, where you’d have to wait a week after airing). So yeah, this Sunday, it starts again, and I begin the process of getting songs stuck in my head on a weekly basis, I can’t wait to handle this in a solemn and dignified manner.

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This will be me this weekend

The Best Post-Show Role From Each Friends Cast Member

This is being written on 19th August 2016, as such it’s the 47th birthday of Matthew Perry. He’s actually a lot more versatile than his reputation would make you think, as his stint in The Ron Clark Story shows. That’s the trouble with being in a long running successful sitcom, you get so heavily associated with the character that it can be hard for people to not see you as that and it can be hard to break out into something new. It took two successful shows (The New Adventures Of Old Christine and Veep) for Julia Louis Dreyfus to no longer be seen as Elaine Benes.

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Although this guy constantly has fans of the show calling him by his character’s name

It’s quite sad as these actors often have fantastic roles outside of the sitcom. So for this reason, this week I’ll be discussing the best film from each of the six main cast members from Friends. So, let’s go.

Matthew Perry – The Whole Nine Yards

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Just looking at this you can tell what decade it was made

Made in a different era, when Bruce Willis was still bankable. It could be argued that Matthew Perry’s performance in this is basically his character from Friends, but the fact  it still worked over a feature is great news. Some characters work best in short easily digestible chunks, over a movie they tend to lose something or become annoying (this is less prevalent now of course as the majority of TV shows have at least one eye on the binge-watchers). Sadly this film was tainted by the release of a sub-par sequel, as is often the case. But for now, we’ll just watch this and laugh. Although I should point out, I consider this Amanda Peet’s film, she was amazing in it and easily overshadowed her more experienced cast.

Jennifer Aniston – Cake

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No contest, like most things in life, the answer to this is Cake. Even reviews which dislike the film point out how great her performance is. It’s heartbreakingly good, it’s so good you don’t even notice how good it is, because you don’t see it as acting, you see it as watching a real person. There’s no massive “this is the scene for the Oscar so I’m going to dramatically cry, dramatically, whilst acting, dramatically” scene, there’s just a complete performance from beginning to end that means you stop thinking of her as Jennifer Aniston, which for someone as well known as her, takes some doing.

Courteney Cox – Scream

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This was the easiest choice, not because of how bad her other roles are, but because of how good these are. It’s not hyperbole to say that these films completely changed how people perceived horror films in the 90’s, and a big part of that was obviously because of how many people watched them. I don’t think it’s too far fetched that at least a few people watched it because they were fans of Friends (it was still in it’s infancy but had a reasonably sized fanbase by that point). Cox relishes her role in this, the trouble with being in a sitcom is the characters usually have to be somewhat likeable to make the audience want to sit down and watch them every Friday night (there are some exceptions of course, the main one being It’s Always Sunny In Philadelphia, but that’s more cult than a mainstream success), whereas in a film you can play a terrible character, and she does so in this. Her character’s arc throughout the four films is one of redemption, one of acknowledging your role in disasters and attempting to improve yourself but always falling short. It says more about humanity than Friends ever did.

Lisa Kudrow – Bojack Horseman

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The first of two choices here which are basically glorified guest performances. But I had to put it in, her performance in this was heartbreaking. She delivered her lines with pure emotion and helped this show become more than just an animated show, she made it more human. There’s not much else that can be said about this that I didn’t already say in my Bojack blog. The show has actually been killing it with guest stars, it even got Mara “Matilda” Wilson in the third series, and she’s all kinds of awesome.

Matt LeBlanc – Episodes

This was also easy, but unlike the Cox situation, it’s because, truth be told, he hasn’t done that well since the show. He’s picked bad films which didn’t really help him at all, and then there’s Joey.

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Fun fact: it took longer for you to read this than it did for this show to get cancelled

Episodes, however, is fantastic. It’s beautifully meta about the entire industry, as such it’s never going to be a huge mainstream success, but people who watch it tend to love it. It has to be said that a lot of people watched this because of LeBlanc, they wanted to see how he was in it. Ok, they had to wait about 4 episodes to see him in a move which was either brilliant (as it allowed viewers to get to know the other characters) or stupid (as it annoyed people and made them leave). It was a huge gamble for the show to do it but it paid off, the show’s still running strong and has been nominated for Golden Globes, Emmy’s and BAFTA’s. LeBlanc is actually fantastic in it, playing himself with knowledge of what the audience thinks he’s actually like. This show is probably one of my favourite new sitcoms of the last 5 years, and unless it all goes Scrubs Season 9 on us, I can’t see that ending.

David Schwimmer – American Crime Story

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I was going to put his stint in Curb Your Enthusiasm in here, but realised then I’d have two sitcom appearances, and two of them playing themselves. The truth is, Schwimmer has moved more into directing since the show ended, and has done a good job, not quite Afleck levels, but he has an eye for what’s important. As such I was going to have to settle for sitcom guest appearances, but then American Crime Story happened. Holy hell is he good in this, who’d have thought Ross from Friends would put in one of the television performances of the year? As one review said:

“Schwimmer stole every reaction shot, no more so than in the finale.”

His casting was a masterstroke that paid off, not quite in “casting Bryan Cranston in Breaking Bad” levels, but certainly high up there. His performance was rewarded with an Emmy nomination for Outstanding Supporting Actor In A Limited Series Or Movie, an award so prestigious that Ed Harris, Patrick Stewart and Michael Gambon have all been nominated, and lost! His next step is the crime drama, Feed The Beast, and no doubt his performance in American Crime Story has made it a lot more eagerly anticipated.

So, that’s our choices, where did we go surprisingly right? Where did we go horrifically wrong?

Why We Love….Bojack Horseman

1. It’s Fresh

It’s an animated series about anthropomorphised animals, it’s easy to say that there’s not many other shows which are like this. You can never describe it as cliche and obvious. It was kind of a risky move for netflix to do this, but luckily they pulled it off. It was Aaron Paul’s first major release after Breaking Bad so a lot of people were watching for that reason, and it was up to the show to make sure it’s not remembered as “an Aaron Paul show”, and it manages to avoid that.

2. It’s Funny

Considering it stars Will Arnett from Arrested Development, Alison Brie from Community, alongside Kristen Schaal, Stanley Tucci, Olivia Wilde, and (briefly), Rachael Bloom, it’s no surprise that this is very very funny. The concept itself kind of lends itself very easily to comedy; a washed up star from an 90’s sitcom is now a drug-fuelled mess who lives with a freeloading room-mate. Using this as a springboard to satirise celebrity culture and the entire hollywood industry.

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3. It’s (Genuinely) Heartwarming

Oh my god the feels! Maybe it’s just me but the difference between good sitcoms, and amazing sitcoms is the amount of depth they have. It’s why I prefer American Dad to Family Guy, I feel it has more heart so it holds up better to repeat viewings. Eventually jokes stop becoming funny once you’ve seen them so many times, but emotional moments always hold up for a longer period. And believe me this show almost drowns you in emotion. Whether it’s subtly referencing with the Bill Cosby allegations with:

“when we know what we know about a monster like that and we still put him on tv every week we’re teaching a generation of young boys and girls that a man’s reputation is more important than the lives of the women he’s ruined”

Or Bojack dealing with problems in a somewhat unique way:

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A really depressing quote which will probably me the most insightful thing you’ll ever ee an owl say:

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This show also ended it’s second season with one of my favourite quotes from anything:

“Every day it gets a little easier. But you gotta do it every day. That’s the hard part. But it does get easier”

If that quote doesn’t seem like the kind of quote you want to put on your wall then either your life is perfect, you’re delusional and think your life is perfect, or you’re homeless and don’t have walls.

4. It’s Bingeworthy

Netflix is the only way to watch this show, and it’s the best way it can possibly be done. This is one of those shows where you don’t really watch an episode every so often, occasionally dipping back into it. Or even once a week like a standard sitcom. This is a binge-worthy show. This is a show you need to watch in one long block of viewing, you don’t watch this show, you consume it, and that’s rare for a sitcom. Usually shows like that are serious dramas: Breaking Bad, House Of Cards, Orange Is The New Black etc. Somehow this show stands among them, and deserves it’s place alongside them.

5. It’s Out Today

I was going to do a blog about Crazy Ex Girlfriend to celebrate it’s award nominations, will probably do that next week now (although that’s on netflix now so you should all watch it, it’s hilarious). But then I saw this a third series of Bojack was added today, so now it’s all about that Bojack, that will pretty much take up my weekend, and I’m perfectly okay with that.

Watch If You Like/Also Check Out

  • Archer. For some reason I’ve always associated the two, probably because of the fact they’re both adult orientated animated sitcoms starring Arrested Development alumni.