2016 In Film (Part 1: The bad)

Okay the title is over simplifying it a lot. These are just films I didn’t like, some aren’t necessarily bad, but were more a victim of hype. There’s going to be a few (and I can guess which ones) which a lot of people will disagree with, but taste is subjective so here goes, if you disagree, let us know with which ones. Oh, and there’s plenty of spoilers so, be wary of that. In alphabetical order because, well how the darn else would I do it?

The 33

Disappointed with this as I think it’s a story that needs to be told, and the story itself is really compelling, it’s just the way it’s told which lets it down. Kind of boring and bland, and the biggest flaw is you don’t feel for the characters so you don’t really care either way what happens to them. I remember this event happening, people were hooked to the news eagerly awaiting each person as they came up, the euphoria felt around the globe is something I had never felt before, and I don’t think have since, this was a breaking news story with a happy ending. A film of that needs to capture the tone of the outside world, as horrible as that sounds it’s true, the reaction to the event turned it into something else, and that’s what’s lacking from this film, context in a wider world. You either do that or you go completely the other way and make the entire thing set in the mine, never showing outside so that we feel the claustrophobia, this film tries for a middle ground between the two and as such doesn’t achieve what it could.

Absolutely Fabulous

This suffers from what I call “Extras Syndrome”. Anybody remember Extras? It was Ricky Gervais’s next show after The Office and its main “gimmick” was that it had a celebrity cameo in every episode. As such people weren’t talking about the episodes, they talked about the cameos, they overshadowed the actual stories. That’s my problem with this film, it has so many cameos that it overshadows the film, maybe I’d like the film more if I had ever watched the series, but a good film adaptation of a television series also needs to appeal to people who haven’t watched the show, and this doesn’t do that.

American Pastoral

My main issue with this film was how uneven it was, subtle as a brick in parts, annoyingly vague in others. Scenes end when they should continue, and continue when they should end so overall the whole thing doesn’t seem to flow that well. Ewan McGregor does have moments of brilliance in his directing, but they’re let down by times where his inexperience shows, maybe this was too big a film for his first attempt. I think in a few years time he will direct a film which I will truly love, but this isn’t it. The scene which shows that is the scene where one of the main characters bombs a post office. That scene should be the highlight of the film, it should seem big, it should resonate with the audience, shock and wow them. It doesn’t do that, it just kind of happens and that’s that, you feel nothing in the immediate aftermath, you don’t feel the shock that the community does. On the plus side; Jennifer Connelly is amazing in this, as is Dakota Fanning.

Blair Witch

It’s pretty much a step by step remake of the first one, only with more of a nodding wink to the audience and with a higher budget. It seems to overestimate how important the original one was. Yes, it  was very important at the time, but that time was 17 years ago, they’ll be people seeing this who were still babies when the original came out, there’s a whole new generation of horror fans who have been raised on different films (albeit, films which have been heavily influenced by the original). If this film came out in the mid 2000s then it would have been a lot better as it would have seemed more natural, as it is it just seems a bit pointless. It doesn’t seem to add or explain anything about the mythos, it just makes a bigger mess of it. I understand wanting the audience to ask questions when they leave the cinema, but they should want to ask questions, they shouldn’t need to, it shouldn’t be essential to understand the film, the film should stand out on its own. Side note; the worst horror movie ending ever? The Devil Inside. A 2012 horror film which ends with a title card telling you to go on the website to find out more. F that.

The Boss

Otherwise known as “Melissa McCarthy calls a woman a cunt then punches her daughter in the face”

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Comedy!

David Brent: Life On The Road

An odd film, funny in parts but it seems strange in the way it handles the main character. All through the film he’s shown to be a delusional person who annoys everybody. Logically this film should end with him realising the error of his ways and changing accordingly, maybe stop being such a dick to everybody. But nope, this ends with everyone else changing for him, and saying “he’s not that bad really”, “I quite like him actually”, and he the character doesn’t do anything to deserve this, they all just suddenly decide they like him now it’s reached the end of the film. I actually feel a lot of sympathy for the supposed antagonist of the film, all through the film he’s shown as someone who’s just trying to get on with his job but the main character keeps getting in the way and making so much noise he can’t do it, and when the guy finally snaps and says “look, just shut the fuck up”, we’re supposed to be angry at him, instead of just “yeah, that makes sense, he should have done that earlier”.

The Forest

I really wanted to like this film, I love seeing horror films at the cinema and this was the first one I’d seen this year, and the trailers made it look interesting. Here’s pretty much every single scare in the film: weird shit, a dead looking thing is far away, then appears close to camera. then the character wakes up. After the fourth or fifth time this happens you just start to think “this isn’t real so nothing about it matters”. Fake scare me once, shame on you, fake scare me twice, shame on me, fake scare me five times, you’ve just being silly no, go sit in the corner. It really sucks that I don’t like this film. I’m interested in the real life place as it seems kind of fascinating, and the idea of doing either a psychological horror or a thriller there is genuinely exciting, but as it is they tried to do both and ended up doing none of them effectively. Somewhere there is a really tense film about someone dealing with their own mortality whilst walking through the Aokigahara Forest, but this really isn’t it.

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How To Be Single

I just didn’t really care for the characters and found them too stereotypical to warrant an emotional reaction.

In The Heart Of The Sea

Spectacle cinema that forgot to put in any spectacle. It has no moments which visually impress you. Also, Hemsworth’s accent kept slipping and that distracted me.

Independence Day: Resurgence

The most telling thing about this films quality is this; it happened this year and yet nobody mentions it anymore. This film should be dumb fun, as it is it’s just dumb. Like a poor remake of the original, only with an obvious sequel hook at the end. It won’t impress people who liked the original, and will mean nothing to those who haven’t, so it’s hard to say exactly who it was aimed at.

The Legend Of Tarzan

Part sequel, part origin story, part retelling, and with the story basically “the only person who can save all these African people is a white guy”, all kinds of awkward. Christoph Waltz seems to be enjoying himself though.

Triple 9

I assume this film was bad anyway, I can’t remember anything from it, even after seeing the trailer, nothing.

Zoolander 2

Too many cameos, and the same problem as the David Brent film; the main character is an awful human being yet the film is about how everyone else learns to realise how great he is. Actually now that I think of it I should have called Extras Syndrome “Zoolander 2 Syndrome”. The cinema I was in had approximately five people in, as such you could hear the silence that met every joke, you could hear every “this is a bit shit isn’t it?”.

Pride And Prejudice And Zombies

I posted this somewhere else earlier this year, the film is now available on netflix so thought I’d repost as a bonus blog. Enjoy!

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I went into this with both high and low expectations. High because I loved the trailer, it looked amazing and it looked brutal. Low because I heard bad reviews and it hadn’t done too well at the box office, only making £7.4million (or 31.37 million in Turkish Lira) in the opening ten days. So I was excited but prepared to be underwhelmed.

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At first I disliked parts of this film, I found Sam Riley’s Colonel Darcy voice a bit too fake and silly, and Matt Smith’s character was slightly annoying. Then I noticed that that’s kind of the point. Darcy is supposed to seem aloof and odd, and Mr. Collins was supposed to be a foppish fool. Both of them actually deserve kudos of the highest order for this. Matt Smith could’ve just played it as The Doctor again and the character would have been charming, he wouldn’t even have needed to change the dialogue. But…

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The 5 Best Kids Films Of 2016

5 Goosebumps

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Are you surprised to see this here? Well to be honest, so am I. I had quite low expectations here, if expectations were a high jump, then this was set 2cms off the ground, and easily cleared it, not in a way to set a new world record, but one that still performs admirably. The great thing about this film is that it exists in a genre of one; it’s a kids horror film, and one that made back double it’s budget, so expect a few poor imitations in the next few years. I do feel guilty about putting this film here though, because it means I can’t put Finding Dory on this list. That’s not a knock against Finding Dory, it’s just an indicator of exactly how strong kids films have been this year, been a phenomenal time for them, and whilst Dory hit me harder emotionally, I think part of its target audience was adults, whereas Goosebumps was focused almost entirely on the kids. So whilst kids will grow up and watch Finding Dory when they’re older, I feel that while they’re younger, Goosebumps will have more appeal, and it’s odd that that could be seen as a bad thing in todays society, for kids films to be aimed at children. We almost expect them to have adult jokes in them now and consider films failures if they don’t, maybe because all film critics are adults so it can be hard for them to judge kids films on their own merits (probably not though, as they are professional).

4. The BFG

THE BFG

As already mentioned, I LOVED this movie. It was magical, as I said earlier this year:

“some films are funny, some films are heart-breaking, very few films can be described as magical, this is one of them”

It also had one of my favourite performances of the year, and is a film I’ve already considered buying on blu ray, despite being so poor at the moment I’m panicking about money about two days after receiving any. I know this film wasn’t rated that highly by critics, I just don’t get why. Normally when I disagree with critics it’s on comedies, films which I can see are definitely cult films, I don’t normally disagree based on “f*ck you this film was fairy lights and sunshine on celluloid”.

3. Kubo And The Two Strings

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A film so strong and confident I just automatically assumed it was based on something. The fact that a new property can set up a world this full and real says a lot about the talent of both the writers and the directors. Surprisingly it’s the directors first film as a director, and I would not be surprised if he won an Academy Award for it (it’s not likely, but it would be very deserved). This was one of the few films this year I was actively following from the moment I saw the first trailer, it just looked so good, the music choice (While My  Guitar Gently Weeps) was inspired, and visually it was very different from everything else. This HAD to be fantastic for me to like it, anything else would be a bigger disappointment than the first time I tried Hershey’s Chocolate.

2. Zootropolis

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A film that reminded me of an important lesson; you can have too many jokes in a comedy. I know that sounds weird but even in a comedy the characters need to treat the situation seriously, otherwise the audience don’t feel the jeopardy. If the characters don’t fear the situation, then why will the audience? It’s hard to believe but in the closing stretch of Airplane there’s barely any jokes, it’s all plot. This film does that too, there’s not many jokes in the final third, the characters are genuinely scared and determined and focused on plot, so that makes the stakes seem high to the audience, so they’re more emotionally invested. Now if I was doing a “favourite animated films of the year” then this would probably be top, but as I’m judging this by it’s standard as a kids film, this sadly has to be second. It’s definitely a better film than the one I’ve chosen to go in top spot, but not a better kids film for one simple reason; there’s no magic. There’s no moment where you sit watching this film and are overcome by a feeling of wonder and joy, there’s no “ooooooooo” moment. If it did that then it would definitely be top, and in most years it would, but this year it’s just beaten to the top spot by another film.

1. Moana

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A film so good it almost seems like Pixar made it, if it wasn’t for the songs. But oddly enough it’s the songs that push this to the top spot. I hate songs in kids films usually as they’re just distracting, but here it served a real purpose, characters seemed to have their own musical motifs attached to them, and the songs are REALLY good. There’s a crab singing a David Bowie-esque song, The Rock singing a song about how awesome he is, and they’re still not the best songs in this film. If “How Far I’ll Go” doesn’t get nominated for awards I will genuinely be surprised, it’s touching, empowering, and even from a technical standpoint just a superb piece of music. On the downside there’s one or two jokes that take you out of the movie (there’s a twitter joke in here which is quite funny but completely unnatural), but then they’re followed with moments of brilliance (the psychedelic crab scene for instance features animation so colourful and beautiful, the likes of which haven’t been seen in a long time). It also features what is without a doubt the best pee-joke of the year. So there’s that. Oh, it also features adorable/terrifying coconuts, which is always the sign of a great movie (be honest, how much better would every film be if you added anthropomorphic coconuts?)

 

So, that’s that. We’re starting work on our end of film lists as we speak so if there’s any films you think we’re likely to have not seen this year, let us know and we’ll try to watch them before the years out.

The Edge Of Seventeen

Director: Kelly Fremon Craig

Budget: $9million

Let’s get the obvious out of the way here; I’m fairly certain I’m not the target audience for this film (a feeling which was confirmed by the cinema being almost entirely teenage girls), so this had an uphill battle to impress me, an uphill battle which was evened out by the release of the trailer, which was funny, slightly heartwarming, and cynical as hell, I’m glad to say the only difference between the film and the trailer is the film itself is a lot more heartwarming. It’s just as funny and cynical as you’d hope, although part of my opinion on that might be because I have a weakness for any film which has “I’m going to kill myself” as the first line.

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Unlike this film, where “I want to kill myself” is the first thing said by the audience

It’s not just the cynical nature of the film that’s done well, the characters themselves are really well defined. Even when the characters do and say terrible things, you understand their motivations, even though you don’t agree with them. They are all fully fleshed out, and they all get good lines. Unpopular opinion, I tend to dislike “comedy characters” in films and sitcoms, mainly because it means the writers tend to give them all the best lines, leaving the other characters somewhat underdeveloped. That’s a problem which this film avoids, most of the characters could comfortably lead their own movie, that’s a masterful piece of scripting and the writer should be commended for that. Which is why I’m glad the writer also directed it, it’s easier to follow directors careers than writers as more emphasis is put on directors. I was surprised this was directed by the writer, although it kind of makes sense, this seems like a very personal story and they’d be nobody better to get that across than the person who wrote it. It’s more surprising that this is her first film as a director, whilst it’s not exactly full of “wow shots”, or inspiring cinematography, it’s a lot more accomplished than a first time director should be, here’s hoping she gets a chance to do more work in the future with someone elses script, will be interesting to see what she can do. I feel her best work is as a writer though, the script has some amazing pieces of dialogue that really hit home. My personal favourite being (and i’m paraphrasing here) “I just don’t want to have to live with myself for the rest of my life”.

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Probably not going to get a good lead in to say this but these two worked really well together.

This film is not perfect however, a major problem is that you will feel you’ve seen it before. Within five minutes of meeting certain characters you can guess their entire story arc, you know what they’ll end up doing for the rest of the film. Despite that it’s still a very enjoyable film, it’s a bit like listening to a REALLY good cover song, whilst it’s not completely original, and you won’t be surprised by it, you still have to be impressed with how they’ve done it, and you still love it. Put it this way; I also watched Arrival this week. Probably one of the  best films I’ve seen all year, yet i still felt like THIS was the film I should write about.

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Actually I take back what I said earlier; this shot is kind of beautiful it terms of colour and angles

I will admit, this is not the greatest film of the year, it’s not even in the top five if I’m honest, yet I’ll sum up my feelings about this film on this; I have a belief that everyone should have a self-care box. A box which contains dvds, books, chocolate, tea etc, basically stuff which will cheer you up when you’re at your worst. And whilst this film won’t make it into my top 10 of the year, or my favourite 100 of all time, it definitely deserves to go in the box, and that’s the best thing you can say about it.

Edge Of Glory

  • Strong performances from the cast (Special mention must go to Hailee Steinfeld, Hayden Szeto, Haley Lu Richardson and Blake Jenner. Actually all of them were really good)
  • Fantastic script.
  • Believable characters.
  • Very very funny and heartwarming.
  • Possibly one of the best soundtracks I’ve heard all year.

Edge Of A Cliff, Staring Into The Abyss

  • Formulaic plot.
  • Not many memorable shots.

Why We Love…..A Night At The Opera

I’ll freely admit, despite being a massive Queen fan, this is the only actual Queen album I own. The rest are live albums or greatest hits. I think they have a weird issue when it comes to their songs in that they’ve got so many well known ones. As such when you buy a greatest hits from them it’s got so many songs on it that you kind of forget that they have others because, well, there’s three albums of songs here and you know every one, it’s not like a lot of greatest hits albums where there’s a few you don’t know or don’t like. There’s very few bands/singers who are like that, the only ones that come to mind are Elvis, The Beatles, and possibly Bob Dylan. This album though is the best example of this though as it kicks off with the best unknown Queen song; Death On Two Legs. Anybody who has spoken to me about Queen albums knows how much I love this song and I DESPERATELY want My Chemical Romance to cover this song to bring it to a wider audience. It’s bombastic, it’s musically brilliant, and the lyrics are unbelievably harsh, people tend to think of Queen as a band you can show to everybody, forgetting how damn sexual this band could be at times, and that they sing lyrics (as they do in this) like:

“Do you feel like suicide? I think you should”

This songs lyrics were so harsh that the person it was about (their early manager Norman Sheffield), sued the band for defamation. He won and received an out of court settlement, with the downside of confirming that this song is actually about him. People love other songs, but to me this is Mercury’s finest hour as a songwriter.

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Although this is DEFINITELY his best work as a singer

It’s not just him though, whilst John Deacon only writes one song this album, it’s one hell of a song. You’re My Best Friend is a very sweet and lovely song, despite sounding nothing like a lot of Queen songs, it still sounds like a Queen song somehow. It’s not many bands who can go from bombastic rock through to a slow melodic acoustic number on the same album, and have it not sound like “ok this is our obligatory acoustic song”. Special mention should also go to ’39, a science fiction song that deals with time dilation and Einstein’s special theory of relativity, which for some reason is not that popular a subject among most songwriters, can’t imagine Rihanna doing a song about Fermat’s Last Theorem, although I think Ke$ha could pull it off.

So yeah, this album has such a wide variety of songs that it’s almost like a compilation album, and that is why to me whilst it’s not quite perfection, it’s pretty darn close. Oh, it also features a song called Bohemian Rhapsody which I’d recommend listening to, I can imagine it becoming really popular.

World War 1 As Seen By Popular Culture

Today is Friday 11th November, known throughout this country as Armistice Day, a day where we remember those who gave their lives in defence of King and Country. It’s been a British tradition since 1919, and like most British traditions, it originates from a non-Brit, South African Sir James Percy FitzPatrick to be specific, who suggested a two minute silence as he had witnessed occurring daily in Cape Town since April 1918. It’s always weird talking about popular culture in regards to war, it feels almost disrespectful to use war as art, yet it’s also the best way to teach people about it, it’s easier to engage people on a subject if you wrap it in a manner which people can find entertaining, it’s why the Horrible History books sell so well, and it’s why teachers in schools play films in lessons (well, that and they’re hungover). So with that in mind, here’s the best media to consume to get a feel about World War 1. Important note; it’s not chosen by quality of the media, but by how respectful it is towards the subject.

Video Games

Valiant Hearts: The Great War

Nobody is more frustrated than me that despite us being halfway through the centennial of the war, this is the best game about the subject released lately. Some would argue Battlefield 1, but that featured a moment where someone runs across the top of a blimp and in tone seems no different than any other modern shooter, albeit with surprisingly accurate weaponry. This is different from most wartime games as it’s not about battles and weaponry, it’s about people. The game is focused around different people; you have the French POW, the American, the Belgian nurse, the English pilot and the German soldier. The animation style may make you think it’s a lot more childish than it actually is, it’s remarkably heartfelt, even more so when you realise parts of it were heavily influenced by letters written by the great-grandfather of one of the creators during the war.

Music

Green Fields Of France – Dropkick Murphys (Eric Bogle cover)

This was originally going to be Paschendale by Iron Maiden, with lyrics like

Whistles, shouts and more gun fire
Lifeless bodies hang on barbed wire
Battlefield nothing but a bloody tomb
Be reunited with my dead friends soon

it would take something spectacular to unseat it. Green Fields Of France is without a doubt good enough. It’s hauntingly beautiful and respectful, especially this version. It was covered by Joss Stone a short while ago and it cut out so many lines it almost destroyed the anti-war message of it, this version doesn’t do that, this one is full of sorrow and mourning, and is almost made to be played over a montage of battlefields and poppy’s and elderly soldiers mourning their long lost brothers in arm. That’s very surprising considering Dropkick Murphys usual repertoire are songs that should be sung whilst downing pints and celebrating, if they’re usually the party, this song is the funeral that precedes it. Telling the tale of Willie McBride, a soldier who we’re told died in the opening verse, the song pontificates on his sacrifice before culminating in this verse

Did you really believe them when they told you the cause
Did you really believe that this war would end wars
Well the suffering, the sorrow, the glory, the shame
The killing and dying it was all done in vain

Television

Blackadder Goes Forth

Obviously. Even if the entire series was just the final scene from this episode on a continuous loop it would still count, that scene is just so impactful, so powerful, so utterly perfect in every way that nothing can beat it.

Film

Shoulder Arms

The film that inspired Chaplin to make The Great Dictator (a.k.a, one of the greatest films ever made). If this article was about the best film, then Lawrence Of Arabia would have won this easily, but as I said earlier, it’s not about the quality, it’s about the reaction and the feeling of it. This was released in 1918, whilst the war was still going on so it was a very brave move, but one that paid off. As Chaplin said

“the thought came to me: why not a comedy about the war? I told several friends of my intention, but they shook their heads. Said [Cecil B.] De Mille: ‘It’s dangerous at this time to make fun of the war.’ Dangerous or not, the idea excited me.”

Chaplin’s shortest feature, at just 46 minutes long, so it never overstays it’s welcome, walking the line between funny and meaningful, showing Chaplin at his very best and playing with techniques he would later perfect.

Poetry

Perhaps – Vera Brittain

I know, I didn’t pick Wilfred Owen, I’m a terrible person. But to me this is more powerful and personal. Inspired by her fiancee, who was killed by a sniper at the age of 20, just four months after she had accepted his marriage proposal.

Perhaps some day the sun will shine again,
And I shall see that still the skies are blue,
And feel once more I do not live in vain,
Although bereft of You.

Perhaps the golden meadows at my feet
Will make the sunny hours of spring seem gay,
And I shall find the white May-blossoms sweet,
Though You have passed away.

Perhaps the summer woods will shimmer bright,
And crimson roses once again be fair,
And autumn harvest fields a rich delight,
Although You are not there.

Perhaps some day I shall not shrink in pain
To see the passing of the dying year,
And listen to Christmas songs again,
Although You cannot hear.

But though kind Time may many joys renew,
There is one greatest joy I shall not know
Again, because my heart for loss of You
Was broken, long ago.

Contemplations Of Chucky: Day Six (Curse Of Chucky)

Director: Don Mancini

  • Okay let’s hope this goes better than Seed. It really can’t get worse. Unless it’s just ninety minutes of a doll masturbating into the gaping anus of a clown. Even then that would still be better than f*cking Annabelle.
  • Okay now is impressive opening. Looks superb, really cinematic. The director of this, Don Mancini, is doing a much better job than the director of the last movie, Don Mancini.
  • Even the colour scheme is better. Gone are the overly bright colours, to be replaced by muted greys. I know that makes it sound boring but in actuality it just makes it look like everything has been put slightly through a nostalgia filter.
  • Fiona Dourif there, playing paraplegic Nica. It’s great they have a character like that (actually, thinking about it, horror has always been fantastic for inclusion, it’s often had strong female characters, black characters, and disabled characters. Okay, usually they’re the first to die but but it’s progress, very very small progress). It’s admittedly it would have been better if they actually cast a paraplegic actor, but she does a very good job here. She’s actually Brad Dourif (the voice of Chucky)’s daughter. But it doesn’t really smack of nepotism here, you don’t watch it thinking “why on earth did they cast here? Fiona Dourif, oh okay”, you think “she’s amazing, what else has she been in?”
  • A great erection joke there, really stands up well.
  • The downside of the colour scheme: it means white light is REALLY white, to the point of almost being washed out.
  • Nica flirts with a delivery guy, but her mother shuts the door so she can’t follow him to continue to talk, booo, hiss. She’s definitely the villain of the piece (or maybe the murdering doll is, who knows?)
  • “Oh honey I don’t want to see you hurt”, then you’re in the wrong genre of movie.
  • Hey it’s Chucky. But a very very new looking one. He hasn’t looked this new since the third one. I know the last two weren’t looked upon favourably but can’t just ignore them.
  • “I DVR’d Real Housewifes” and that is why you’re going to die.
  • See, told you, you watch reality TV, you end up on the floor in the middle of the night bleeding profusely.
  • Good reveal of half of the title, poor for the other. Okay I’ll try to explain why; the camera moves back to reveal Chucky sitting there and the word “Curse” kind of hanging next to him, then the “of Chucky” comes straight in. Yet the music seemed like it was building up to a fade in of that so it was just weird.
  • “Your sister thought it might be a good idea for me to come”, I thought priests weren’t allowed to do that?
  • “The church’s official response to suicide is not to judge, but to pity”, that’s everybody’s first reaction to most things I do.
  • “She was supposed to be taking care of you”, eh, no. She’s in a wheelchair, mentally she’s in a better place to deal with this situation than someone with a chemical imbalance. I’m not sure who this is more offensive to; people with mental health issues as it pretty downplays their effects, or people with physical health issues as it says you need looking after and lack any sort of independence.
  • “He scared me half to death”, people in horror constantly make references to death, more than I do.
  • “It’s a doll, what’s the worse that could happen?” It could come to life and murder everybody in the house. But what are the odds of that happening 6 times in the same movie series? Ridiculously low, I think this will end up being a romantic comedy, they can’t keep relying on horror.
  • “You’re going to make dinner, fox six?” She’s in a wheelchair, not simple. I know they’re family but I don’t get why she doesn’t detest them on sight.
  • Chucky pours rat poison (well, his arm does, we don’t see the rest of him move). Actually pretty clever, it’s more methodical and less bloody than in the last few films. This is a new Chucky, he’s almost methodical and slow, he’s taking his time with doing everything He’s waiting for opportunities instead of hunting them out, it makes it more tense and is incredibly offensive.
  • Oh, we don’t know which one the poison got put in. This scene alone could be a short film. There’s enough there to stretch out to an entire 15 minute short.
  • Lots of good fake outs, people here going “Oh my god” *silence* “this is amazing”. Then lots of close ups of people eating. I know this blog is supposed to have jokes but this scene is just really amazing. Sadly it’s not available on youtube so I can’t include it here.
  • “This is just like my mother used to make it” your mother put rat poison in your dinner? Did she also teach you to swim by putting you in a sack and throwing you in water? I don’t think she liked you very much.
  • Oh so that’s why that couple hired a nanny, for lesbian sex.
  • “The 80’s were amazing” well now you’re just lying. The 80’s had Thatcher, Chernobyl, and Madonna
  • “Now I lay me down to sleep, I pray the lord my soul to keep” why would you make a child say that before going to sleep? That’s terrifying. That’s like having them say “Today could be my last day on earth, if I die, delete my browser history”
  • “Chucky says there is no God. Life’s a bitch and then you die bleeding like a stuck pig” True, I’ve died at least four times like that today.
  • “Mommy, am I going to die” “of course not. Who told you that?” bitch, you did. You make her recite a pre-death ritual every night.
  • “Chucky I’m scared” “you fucking should be” That’s Chucky’s first line: at 44 minutes. Almost half the movie’s runtime. That’s remarkable patience. It’s weird that despite this being the best one, it’s the only one that was released straight to DVD, but it might have been the straight-to-DVD nature of it that led to it being so good as it allowed them freedom to do things like wait 44 minutes to show off the main character. I think this film is the first one since the original to realise that this might be someone’s first introduction to the character, so building up tension for the reveal is fine. And people who already know the character would be eagerly awaiting the appearance of him.
  • The woman continues to flirt with the Nanny. Just realised, she’s paying her $400 and sleeping with her. Is that basically prostitution?
  • Nica discovers about Charles Lee Ray and works out he was in a family film she was watching earlier, very good callback and reminds you that Chucky was once human.
  • Chucky kills the nanny via electrocution, he seems to do that a lot with people.
  • “Ian, I am not sleeping with the nanny”, well not anymore, she’s dead. You’re a terrible person but even you have your limits.
  • She notices Chucky has weird loose skin and slowly peels it off, revealing the scarred face we’ve got used to from the last few films. Up until now you could have assumed this was a reboot, starting time depending on your personal preference. I know some thought originally this film was just a straight reboot, ignoring all the previous ones, whereas I know some who said this happens after the third one. But this attic scene sets up the placement perfectly. It doesn’t explain how, but it sets up the “when” very well.
  • You’re scared by this doll, so you decide to put your finger in its mouth. What did you think would happen?
  • “you have your mothers eyes, and they were always too fucking close together” rude! Okay the “stabbing her and gouging out her eye and throwing it down the stairs” may also be considered rude, I don’t know the etiquette on eye gouging. I think it’s customary to use a dessert spoon, not a knife though.
  • Chucky attacks someone with an axe. But this isn’t a clean decapitation, he just kind of chops his jaw off, very Mortal Kombat.
  • Chucky hits a paraplegic in the leg with an axe and is surprised when it doesn’t hurt them.
  • Flashback to his motivation. when he was alive Charles Lee Ray was in love with someone, she rejected him, so he did the obvious thing and stabbed her in the stomach whilst she was pregnant, resulting in the child being confined to a wheelchair. Most people just do heroin and alcohol. We all have different methods.
  • Oh good this is wonderfully coloured. He’s kidnapped the woman (the mother who died early on in the film) in a room surrounded by sunflowers, lots and lots of sunflowers. Everything is in black and white apart from the flowers, visually striking.
  • “a lot of families have gone, the Barclays, the Kincaids” yeah but you didn’t kill any of them. Andy and his mum are alive, as are both of the Kincaids (from Bride Of Chucky), you’re a terrible serial killer.
  • “so you never actually killed Andy Barclay did you? It’s called completion anxiety, it’s very common in males” I like her.
  • “Twenty five years, must be the slowest murder in history, what are you waiting for a sign from God?” That is basically me in a horror movie, only I’m not female, or in a wheelchair.
  • Wait, so the hero has been institutionalised and the villain wins, Was this ending scripted by me? I love it. It’s still closure but opens it for a sequel. A beautiful ending that rings true. It’s like the ending to this is the aftermath of the other films. Only with Jennifer Tilly slitting another cops throat and showing us how Chucky has been getting around. She’s been posting him around so he can get his revenge.
  • Wait, so Chucky wants to put his soul in a child’s body? Why? He’ll never be able to get as much done, or get access to someone’s house again.
  • Plan foiled by someone waking up in the best use of “final jump scare” I’ve seen in horror films in a while. It makes you jump, but it also doesn’t render the rest of the film moot, if anything it makes you more hopeful. His plan to transfer himself into a child is now likely to be foiled.
  • Ooooo post credits scene.
  • Holy crap it’s Andy again. Played by the original actor too. Chucky has posted himself to him, and he comes out of the mail to Andy pointing a gun directly at his face. After six movies Andy finally gets his happy ending. Nobody can say he hasn’t earned it. And he has a picture of Kyle in his house. That’s actually kind of sweet.

Contemplations On Chucky: Day 5 (Seed Of Chucky)

Director: Don Mancini

Budget: $12million

Box Office: $24.8million

  • The credit sequence is sperm travelling to an egg and then a foetus developing into a baby which then comes screaming out of a vagina into bright light. This is not going to be an intelligent movie.
  • “That’s the ugliest thing I’ve seen in my whole life” I get told that on a daily basis.
  • We start with a POV shot from (presumably) a doll as it comes out of a box on a child’s birthday. The child hates it because she’s a spoiled brat (honestly, after this scene we see the house at night, there’s a massive pink birthday cake with only a small slice taken from it. Lazy!) and throws it in a box. As is custom for this movie it creeps out around the house, grabbing a knife on the way before being spotted by the dad which leads to the doll looking down and our first indication that this isn’t actually Chucky as the clothes are different, and horror movie law dictates characters don’t change clothes.
  • “You are hideous aren’t you?” Is this film just following me around and writing down what people say to me?
  • “In a civilised society our word is bond”, no wonder that child is so pretentious when you use sentences like that.
  • Cool POV death, the doll stabs the dad causing him to crash through a balcony and onto the floor below, the doll (and the camera) following him the entire way.
  • We have a naked woman, because horror movies always have superfluous boobs.
  • Our first glimpse of this doll as it see’s itself in the mirror. This is perfect character setting up, allowing us not to see him full on.
  • “You killed my mummy and daddy, and now you’re pissing your pants” *sings* one of those things is not like the other.
  • It turns out to be a dream, apart from the pissing his pants bit. The doll wakes up and we it’s being used as a ventriloquist dummy as it’s alive. Smart move by the guy who found him.
  • “I found him in a cemetery in the States six years ago. Little fucker tried to rip my throat out” “I was trying to give you a hug”, wait is that NOT how you hug? That explains so much.
  • Actually that “I found him in a cemetery” bit is weird as it seems to only be there to tell us, the audience that this doll is definitely the child of Chucky that appeared at the end of Bride, yet why would he tell the truth about that? Why not make up a lie that is better? Like say it was left to you by a witch or something. Don’t tell the truth about that if the rest of your act is based on deceit.
  • “I know I’m a freak”, me too little doll.
  • “you’re breaking up with me?” Wait, why didn’t she say all this before he made lots of santa based sex puns (I’m not even going to give you the context for that)
  • Chucky and Tiffany kill Santa, but not really as it turns out to be a film called “Chucky Goes Psycho” which is basically a film within the film about Bride Of Chucky. Which is weird for two reasons: 1) that only happened about 5 years before this film is set, is that not too soon? 2) Why didn’t they do one about original Chucky before Tiffany was involved? 3) For the “it’s a movie after all” fake out to work they needed Chucky and Tiffany to be voiced by their normal actors. Now what are the odds that Jennifer Tilly AND Brad Dourif would both be cast in this film? Jennifer Tilly kind of makes sense as she looks a lot like Tiffany, but wouldn’t they get someone else to voice Chucky? Either a younger or better known actor? This film breaks immersion already.
  • Jennifer Tilly plays herself, and very well, you really believe that she’s her.
  • Hey it’s blonde S Club person. Weird.
  • For younger readers: an S Club was a club which had parties, and there ain’t no party like an S Club party.
  • S Club basically calls Jennifer Tilly a slut.
  • The ventriloquist threatens his doll with a lighter whilst telling him to be more violent and”Give into your natural impulses or I might have to fire ya” Why do you need him to be scary? The humour is working fine. Plus, wouldn’t a doll’s natural instinct to be to make people happy? Which is almost the opposite of killing.
  • Jennifer Tilly auditions as the Virgin Mary alongside Redman (of Wu Tang Clan fame). I can’t tell whether they’re bad actors or great bad actors.
  • No way would Julia Roberts work with Redman. Not saying she’s racist or anything, but he’d be a first time director and she’s Julia F’ing Roberts. The role was originally supposed to be Quentin Tarantino, which makes a lot more sense.
  • The doll revives Tiffany and Chucky just by reading the necklace. That was way too easy. That only works if the film used the actual dolls involved in the murders, which is stupid to do. It would be like filming Poltergeist on an ancient Indian burial ground.
  • A CGI guy comes in and unscrews Tiffany’s batter back revealing internal organs. Good scene, but makes no sense as the first film Chucky had his battery compartment uncovered and it was normal.
  • Chucky and Tiffany respond to this in a normal way, by decapitating him.
  • Doll genitals! Well, lack of doll genitals as Chucky and Tiffany try to decide what gender the doll is.
  • They agree to disagree and call the child Glen/Glenda. Subtle.
  • Jennifer Tilly comes in to get chocolate, and kisses the decapitated head before realising it’s not a prop.
  • John Waters is in this. This film has just gained about 10% more credibility.
  • “my mother always told me, once is a blessing, twice is a curse”, then what is three times? Is it a massive disappointment? Because I’m the third.
  • “Oh my god she’s a complete slut” you kill people, don’t judge.
  • “Why do you kill people?” “It’s a hobby” have you tried knitting?
  • “I thought violence was bad” “no, you’re thinking of violins”. It’s a good thing he said that otherwise I was going to.
  • “we have a problem with killing” “I don’t have a problem, I like a little killing now and then” This scene is pretty funny but kind of feels too soon. This is only the second movie with Tiffany in it and she spent a lot of the last one not killing, they really only teamed up on a select few successful deaths. He’s iconic, she’s not but this film is assuming we think she is. That’s a massive problem as it makes it feel like there’s a film missing between this and Bride. Like a chapter which focuses more on the two of them interacting.
  • “let’s quit killing now, cold turkey” That’s dangerous, you can’t quit like that. You need to replace it with something else, like killing animals instead of people for a while.
  • “hell would be ending up on fear factor in a worm eating contest with Anna Nicole-Smith” “which you’d win”, not know Anna’s dead, I imagine she’s had lots of worms eating her.
  • Puppet boobs. This film has puppet boobs followed by puppet masturbation. It all feels so undignified.
  • John Waters character photographs Jennifer Tilly prostituting herself to the fourth best rapper from the Wu to play the virgin Mary, he then photographs a masturbating doll. Still more normal than his real life day to day life.
  • “Mel Gibson ain’t the only one God speaks to” That’s not God Mel Gibson speaks to.
  • Tiffany uses a turkey baster to put puppet semen into Jennifer Tilly. I wonder why people can’t take this film seriously.
  • Chucky drives Britney Spears off the road before going to kill John Waters.
  • Glen/Glenda accidentally scares John Waters, causing him to back into a shelf and knock acid onto his own face, killing him. See, this is why you don’t keep your acid in breakable bottles on shelves, you keep them in plastic lemonade bottles in fridges instead. Much safer.
  • “I remember you screaming a lot, I tend to have that effect on women” that’s probably because you have a gun.
  • “I don’t know what’s got into me” Redman’s penis?
  • “I ain’t no idiot” your sentence structure says differently.
  • Redman fires Jennifer Tilly for being pregnant as “I have a very specific image for the Virgin Mary, she’s got to be hot”. At first, second, and third glance this is stupid. But on fourth glance it’s still stupid, but not as bad as it seems, how many pictures of Jesus show him as out of shape? None, he’s always toned, with washboard abs and a sexy face.
  • Tiffany disembowels Redman, for some reason his intestines are smoking like they just come out of the oven.
  • S Club gets set on fire and falls down the stairs.
  • Okay it turns out Glen is normal, but the Glenda side of his personality is a psychopath, and was the one that killed S Club. It also turns out Chucky has 4 dead bodies in the cupboard, but no idea where or how they got there. This film has more onscreen than offscreen murders.
  • That baby is remarkably clean for a newborn that hasn’t been cleaned yet.
  • Chucky has a really really great scene here, superbly written and a real hint into the character and is brilliant, sadly the rest of the film is nowhere near this level. “If this is what it takes to be human, I’d rather take my chances as a supernaturally possessed doll; it’s less complicated. Think about it, what’s so great about being human anyway? You get sick, you get old, you can’t get it up anymore. I’m not looking forward to that! As a doll, I’m fucking infamous! I’m one of the most notorious slashers in history! And I don’t wanna give that up. I am Chucky, the killer doll!” Tiffany disagrees so Chucky throws a knife at her, because that’s how all arguments are dealt with.
  • Police walk in and find BBQ’d S Club, they check for a pulse.
  • Glen kills Chucky in revenge for him killing Tiffany. A slow one too, he dismembers him with an axe, piece by piece. One thing notable during this scene, Billy Boyd is not a fantastic voice actor, or he’s just not good at this part, but it just seems silly.
  • Five years later and Jennifer Tilly’s two children are called Glen and Glenda, the maid complains about Glenda, saying she called the cat a “c word”, but what else are you supposed to call one?
  • Jennifer Tilly beats the maid to death with Tiffany doll, then her eyes go weird and we realise she is actually Tiffany in her body.  Weird and really stupid. Especially since it (spoilers) isn’t referenced too much in the sequel. Well, Tilly is, but the kids aren’t. Which is a shame, missed opportunity for something, I just have no idea what.
  • The actor playing human Glen is called “Beans”. Beans is not a name, it’s a food. I’m not going to call my child “Chicken Legend With Mayonnaise Sauce”, because that would be silly. Yes, i’m mocking a child, I’m a terrible terrible person.

Contemplations On Chucky: Day 4 (Bride Of Chucky)

Director: Ronny Yu (The Bride With White Hair, Chasing Dragon)

Budget: $25million

Box Office: $50.7million

  • Yay, actually looking forward to this. This was the first Chucky film I ever saw, the second one I saw was the third one, the third one I saw was the first one, then the fourth one I saw was the second one. It makes complete sense if you just pretend “this is the prequel to the one I saw earlier”. Hoping it still holds up.
  • Very cinematic opening. This is no longer a horror movie, this is a horror MOVIE. Always good, plus you have to remember this was a lot of people’s first introduction to the character, their hadn’t been a film made for almost a decade
  • Jason and Michael Myers masks (as well as Leatherface’s Chainsaw) in the police lock up. I like that as it means they share a universe, which means this film series also shares a universe with Freddy Krueger, the Evil Dead, and Hellraiser. Also in this locker room, references to Creepshow, and there’s a reference to Pinhead later on in the film. Why is that horror is really the only genre that can get away with referencing other films so openly? You don’t have characters from Goodfellas suddenly turn up in Scarface etc. I think it’s because of the way we view horror now, as I’ve said multiple times before horror is best as communal viewing, you watch it with others and you feel part of a community. As such you need things there that kind of exclude people who aren’t a part of that community, and these little in-jokes are great for that. They feel like little rewards for knowing the genre. It would be like if in the middle of Avatar they referenced the Titanic movie and if you understood the reference you got a lollypop.
  • So far both scares have been Lewton Buses. If they do it a third time that’s a bad sign.
  • Nope, someone appeared behind the cop and slit his throat. Nicely done. The two previous Lewton Buses meant you expected another one so you were surprised when it played it straight.
  • John Wayne entrance (start at the feet and move up the body) of Jennifer Tilly’s character of Tiffany. I love how the first kill in this movie isn’t done by Chucky, it sets the tone well of “anything can happen”
  • Our first sighting of Chucky, well, parts of him anyway, his face is still chopped up as a result of the last film. I like that, continuity which adds to the character and changes them. It also gives the character a new defining look which is pretty good from a marketing perspective too as more merchandise and cosplay opportunities.
  • Instead of using an original score for this they use a Rob Zombie track, works perfectly for this montage of rebuilding Chucky.
  • Oh my God I forgot John Ritter was in this.
  • Oooo so’s Katherine Heigl.
  • Gordon Michael Woolvett playing David, the sterotypically gay character here. He does it well enough to suggest he could have had a future as the sidekick in a romantic comedy.
  • Tiffany attempts to bring Chucky back to life from a book called “Voodoo for Dummies”. That’s pretty funny.
  • A random goth (played by the recently deceased Alexis Arquette) turns up and pretends to have killed someone to get into Tiffany’s good books. If a friend needs you to kill someone then they’re not really you’re friend at all.
  • “you know what the French call an orgasm? The little death” Basic rule for seduction: don’t mention the French. Oh, or death I suppose.
  • Wait, that character is called Damian Baylock? Fantastic subtle reference to The Omen there.
  • Tiffany performs a striptease, (well, takes off a glove) whilst Damian is handcuffed to a bed, whilst talking about Chucky. Very weird that she’s basically talking about an ex during foreplay, I can’t imagine that’s an effective technique.
  • Finally Chucky lives, kills Damian by ripping out his lip piercing and smothering him with a pillow, that’s the third most common cause of death in Shoreditch.
  • “You know me, I’ll kill anybody but I’ll only sleep with someone I love”, see I’m the complete opposite.
  • “you fuck” “but you won’t, not Jade anyway” damn I miss John Ritter.
  • “You keep your orchid dry now”, is that some kind of homosexual slang for something? Like a weird way of reminding you to wear a condom?
  • Tiffany decides to tickle Chucky then throw him in a playpen. She’s forgetting the basic rule of life; don’t tickle a serial killer. I got tickled last week by someone and I elbowed them in the chest, and I’m barely a killer.
  • Kidneythieves cover of Crazy, so THAT’S how I first heard this song.
  • Tiffany shoves Damien’s body in a box and gets Nick to move it. He mentions it’s heavy but doesn’t do the obvious “what you got in here, a body?” joke.
  • “a woman spends all day slaving over a hot stove for a man, the least he can do is do the dishes”, or buy her one of Jamie Oliver’s 30 Minute Meal cookbooks. That way she still has time to wash, clean, and do all the other stuff women do; knitting, giving birth, putting cats in blenders.
  • Why do people in horror movies watch so many horror films? Horror is as self referential as I am.
  • “I promise to love, honour and cherish till death do us part”. Why would someone manufacture a doll that says that? That’s hugely sexist and a terrible example to set to women; “be a bride and your main duty is looking after your husband”.
  • Chucky kills Tiffany by pushing a TV in the bath, this death was supposed to be in the first movie but got changed to a hammer to the head. Probably for the best as advances in CGI mean it’s easier to do it now and it looks brilliant.
  • Chucky puts Tiffany’s soul into the other doll, because, reasons.
  • “I wouldn’t marry you if you had the body of GI Joe”, but then he wouldn’t have a penis.
  • “turn to Chapter 6, page 217”, so she turns to chapter 11. I’m starting to see why he killed her.
  • So now he needs an amulet to transfer his soul into a human body, why didn’t he need it in the previous three films?
  • Oh, this character is openly gay. That’s actually pretty progressive.
  • Where did Chucky get that knife from?
  • Funny that Tiffany idolises Martha Stewart, who later on went to jail.
  • Definitely the most imaginative death in this series so far, Tiffany and Chucky load up a bunch of nails into the car airbag and launch them into John Ritter’s face, making him resemble Pinhead. “fun” fact: Chucky’s line of “why does that look so familiar?” was ad-libbed by Brad Dourif.
  • “Rude fucking doll”, i think of all the ways to describe Chucky, “Rude” isn’t the word I’d use.
  • “at least you haven’t forgotten how to show a girl a good time”, I tried that on my last date, blew up a cop car. I’m single now so that tells you successful that tactic was.
  • Interesting duel narrative here. Not just are Chucky and Tiffany making their way across the country and killing people, but the two human characters are beginning to suspect each other of being murderers. More films should do that, place doubt in the characters heads, paranoia that eats away at the relationship.
  • “Multiple murderers, mass murders happen all at once, multiple murders are serial killings” useful information to know.
  • Okay so the lighter that Chucky used to blow up a cop car came from the guy that got his throat cut in the opening scene, nice bit of continuity there.
  • Discount Matthew Lilliard playing a swinger here, who steals the main characters wallets.
  • “Chucky, he’s a Good Guy doll, they were programmed to say all kinds of shit”, no, they only had three sentences.
  • “That thieving slut” dude, you kill people.
  • Okay I love this kill, Tiffany kills the swingers by throwing a champagne bottle at the mirrored ceiling above them. The look on her face was just terrifying, and it’s a really inventive way to do it. Visually it’s brilliant too as the characters were on a water bed so the glass shattered into the bed, causing a mix of blood and water to gush into the air.
  • Chucky spots a wedding ring on the guys disembodied finger and tries to take it off but can’t, so he turns his back to Tiffany and tries to bite it off. Weird display of manners there.
  • Maid walks into the swingers bedroom, see’s broken glass and blood on the floor and says “lol, newlyweds”. Is there something about weddings I don’t know about? Is it traditional for newlyweds to break glass and bleed? If so I don’t think I want to get married.
  • A superb jump scare there where David knocks on the van window in the middle of a heated discussion. Probably the best jump scare in the film, incredibly effective.
  • “something really stinks in here”, how is he the only person to notice that?
  • David finds John Ritter’s body and predictably freaks. He then points a gun at the main characters, confusion abounds, before Chucky and Tiffany reveal themselves, guns in hand. A truck then runs over David, most literal gay bashing i’ve ever seen.
  • Actually just realised it’s a bit weird that David called the police over, all they would have seen is him pointing a gun at two people, would have been hard to explain.
  • Wait, why are the police chasing them? They don’t know the dead body’s in the van, all they saw was a guy pointing a gun at them, then that guy got hit by a truck. Yet the police don’t seem to be interested in the truck that hit someone.
  •  “How did you end up like this?” “it’s complicated. If it was a movie it would take 3 or 4 sequels just to do it justice”. God damn that’s self-referential. I love it.
  • Why is Tiffany doing Katherine Heigl’s make up before transforming her soul into her? Surely it would be easier afterwards?
  • So the two characters are tied up, completely helpless. They get out of it by depending on Chucky’s misogyny, which leads to an argument where Tiffany says “plastic is no substitute for a good chunk of wood”, then Chucky getting kicked out of a window, and Tiffany being kicked into an oven. If Chucky was a feminist serial killer he’d have gotten away with it.
  • Chucky and Tiffany basically kill each other. Nice poetic way to end it, they’re in an obviously toxic relationship that is responsible for their own deaths. Nicely done.
  • So that’s it, it’s over. You’d never guess that Katherine Heigl would become such a massive star, or that Nick Stabile wouldn’t.

Contemplations On Chucky: Day 3 (Child’s Play 3)

Director: Jack Bender (Game Of Thrones, The Sopranos, Lost)

Budget: $13million

Box Office: $20million

  • This film is weird, was definitely seen as the weakest at the time. It was released only nine months after the second one yet the in-universe time difference between the two is about 9 years. It’s actually lucky this film was badly received as it meant that there wouldn’t be a sequel to this for almost a decade, by which time real time had caught up with the movie’s timeline. Stupid of Universal to demand a sequel that quickly really. They asked the writer to start it before the second film was even released. As such the writer (Don Mancini) was out of ideas as he used a lot of them in the second one, and because it wasn’t released yet he had no idea about what people thought worked in it and what didn’t, so he was basically going into the third one without knowing how the second one was going to be received.
  • Okay that is one hell of an opening credits sequence. It shows the Chucky doll being remade, there’s something about melted plastic forming into shapes that is quite unsettling and it’s used wonderfully here, especially when combined with the music.
  • Oooooo a presentation, I hope it ends with a duck on a boat.
  • “the notorious lakeshore strangler” not so notorious of course that when people say his name people don’t go “who?”
  • “Why put the Good Guy doll back on the market?” Guy there asking a very sensible question.
  • “Before this it was our biggest seller”, well, yeah but that was eight years ago, eight years ago from today Alexandra Burke had a UK number one, doesn’t mean she’s due for a comeback any day now.
  • “I really don’t think this is a good idea” I like this guy, he’s really sympathetic, shame he never appears after this and is probably going to be fired.
  • “Doesn’t matter what we’re selling whether it’s cars, nuclear weapons, or toys” As a toy manufacturer I’d suggest you stick to toys. There’s not much room on the Fisher Price “My First Nuclear Bomb” playset.
  • “The Good Guy of the 90’s” Looks exactly the same as the 80’s one. And why do they keep insisting on using the model that was accused of murder and has been burnt and chopped up? Try fixing one that hasn’t been almost completely destroyed.
  • I always felt these films have missed out on a really creepy shot of a line of Good Guy dolls in a toy store, all perfectly still except for the eyes are all moving at the same time, seemingly following someone walking through the aisle, then the eyes on one of them dart quickly the other way.
  • Businessman doing business things, like playing golf and watching  business news, good work Vincent Adultman.
  • Random fact: Peter Jackson was asked to direct this. First there was Nightmare On Elm Street, now this. Can Peter Jackson just make a god-damn horror movie now so we can stop wondering?
  • Chucky uses a bunch of toys to create horror movie scares. See, this annoys me as if they had more time in the scripting process this would have been a highlight of the series. As it is it’s good, but not quite great. Although the scene at the end with the two dolls “conversing” whilst sitting in chairs is unsettling enough to justify it.
  • Actually where did those two dolls come from? They said this was the first one in eight years, did he keep two dolls around in his office for almost a decade? Weird guy.
  • “Nothing like a strangulation to get the circulation going” obvious sex joke is obvious.
  • Psychological profile of Andy describes him as a “juvinile” The real crime is illiteracy. And murder. And making tea by putting in the milk first.
  • “these fantasies of killer dolls” weirdest fetish ever.
  • “Who are you?” “I’m a Good Guy”. This advert reminds me of the biggest problem I have with this re-release of the toys, the children who brought them eight years ago will all be grown up now. Children now won’t have any idea who they are, so why on earth would they want a toy they don’t know when there’s so many better ones available?
  • Guy is found tied up in the cupboard, yup, definitely nothing homoerotic about that.
  • “Do you know who I am?” Has a character, actually no, scratch that, a person, ever said that who hasn’t been a complete arsehole?
  • “You are without a doubt the most pathetic thing I have ever seen”, I take it he hasn’t seen his own penis then.
  • “asshole” “what did you say” “I said you asshole” “you think you’re pretty funny don’t you?” “yes”. That woman is basically me if I was older, and a woman, and in the military, and looked better, and was in shape.
  • Person knocks the toy out of a child’s hand, and then immediately disappears. The person who knocked it out of his hands was walking down the stairs, and the toy got knocked down them too. So in the next shot they should have been there, but nope, just disappeared yet.
  • “who the fuck are you?” “I thought you guys only said three sentences”, yeah the other two are “Go fuck yourself” and “I’m your friend to the end”
  • “What am I doing wrong?” Well when you’re shooting you miss the target, that’s your biggest problem.
  • It’s weird that they didn’t actually teach him proper gun use and instead are depending on one of the other cadets to do it.
  • “It’s not a baton Barclay”, well to be fair how would you know as you’ve never fucking taught him how to shoot.
  • “This is my rifle, this is my gun, this is for fighting, this is for fun”. To clarify the gun is his penis. And there’s a shot of him grabbing his own dick, a close up.
  • “A soldier’s rifle is his best friend”, well that’s just sad.
  • Chucky crushes the garbage collector because….reasons. That’s the trouble with constant sequelization of horror films, the characters lose their motivations. In the first film Chucky didn’t kill many people, and only really did it for personal vengeance from when he was alive, or when people discovered him. Was similar in the second one, only he seemed to have a connection with Andy so he also moved onto those who were mistreating Andy, so he was almost going against those who wrong his potential vessel. In this one he’s so far killed two people, none of which were necessary, and the second one actively helped blow his cover. If he didn’t kill the garbageman after escaping the truck then Andy wouldn’t have suspected he was there so it would have been easier for him to go about his nefarious ways.
  • Chucky slices the back of Andy’s foot. I very rarely say this but I definitely wrote a better version of that. If he got the achilles tendon that would have severely disabled Andy for the rest of the film. The actual slicing should have been a lot more visceral too, it should have made people wince, as it is it just looks like nothing.
  • “Chucky’s gonna be a bro” that’s racist. And stupid, why on earth did he reveal himself to Andy then? He’s just making things difficult for himself.
  • “I got myself another slave” I’ll take “lines that would have sounded a lot worse if the main character was black” for $1,000 please.
  • “I’m trying to weed out a thief”, but you stole it first.
  • Chucky kills someone via heart attack, even he seems disappointed by that. Funny thought, about time that happened.
  • “Do yourself a favour and get the hell out of Kent”, people have been saying the same thing to me for nigh on 30 years.
  • You may remember this character said earlier that the reason soldiers need short hair is so that someone can’t grab it and slit your throat. Predictably he dies by someone slitting his throat.
  • The idea of switching out paintball bullets for normal bullets is a good idea on paper (I actually used it in a short story for GCSE English) but it’s stupid and ridiculous in execution for two reasons: 1) Guns which fire paint rounds are usually specially modified to allow it and can’t fire normal rounds. 2) It’s standard military practice to check your ammunition before firing. So a nice idea but one that defies logic.
  • “Now we can play hide the soul” is that similar to hide the sausage? If so I don’t want to play it.
  • Surely they’d notice they’re not firing paint rounds when they change the ammunition or when their shots hit a tree or something and there’s no paint.
  • Obvious fake snow is obvious.
  • So out of all these trained cadets, not one of them noticed a live grenade being thrown towards them.
  • We now go to a nearby fairground, which to me is way too close to the military exercises to be considered safe.
  • So now we’ve moved away from the army base, which is a shame as there were a lot of opportunities for interesting set pieces that weren’t really used. Okay the fairground also has a lot of interesting things that could be used but they only have like 12 minutes left in this film in which to do so, and that’s including credits.
  • Wait, the fairground ride has paper masquerading as fire, yet has a real f*cking scythe?  More to the point, nothing of interest happened in the ghost house, massive disappointment.
  • See, now there it makes sense to have blades, in a fan, but they should still be covered by something.
  • Andy ducks to avoid being hit by a rollercoaster train. Wait, the train is still going? And nobody can see or hear the attempted murder that’s going on?
  • Chucky gets his hand cut off, again, I think that’s happened in ever film so far. You’d think he’d be used to it.
  • Chucky falls into the fan and gets cut, and seems to explode. Quick question; how on earth is this going to be covered up? How are they going to explain the gun?
  • Wait, I know that cop. That’s the manager from Chuck. Cool.
  • So now the end credits. Overall somewhat enjoyable, definitely the weakest so far though and way too many missed opportunities.