Creed III (2023) Review

Quick Synopsis: Adonis Creed retires from the boxing world, and is met by Damian, a childhood friend who has just got out of prison. Damian turns out to be a very good boxer, but also a massive prick.

On balance, I probably prefer the Creed franchise to the Rocky one. The first two Rocky films are great, no doubt about it. But the Creed films have something different to them. I think it’s because there is a real-life undercurrent to the whole thing. The character of Adonis Creed is trying to step out of the legacy of his father Apollo, whilst also wanting to pay respect to him. Similarly, the films want to stand out on their own away from the Rocky films, whilst also paying respect to them.

There was still the worry that this would be the film which lets the Creed franchise down, especially since it was being directed by Michael B. Jordan. He is a FANTASTIC actor, but this is his directorial debut, so there is always the risk that handing the reigns over to someone so inexperienced could backfire, especially when that person is the lead.

Thankfully, turns out that he’s pretty damn good. The first Creed film was notable for how it shot the fights, really making you feel like you were in there with them. This goes in a different direction, especially for the final fight. That scene is already one of the best I’ve seen this year. It doesn’t aim to make the fight realistic but uses more abstract visual language to show how it actually FEELS to be in there. For example, at one point, the crowd disappears and the fight takes place in an empty arena, it really highlights the personal nature of the feud between the two characters. Jordan has said he was heavily inspired by anime when it came to how to shoot the fight scenes, that makes a lot of sense. It’s a bold choice, but it pays off.

Another smart choice is casting Jonathan Majors, who was last seen in Ant-Man And The Wasp: Quantumania. As daunting a presence as he was in Quantumania, it’s in Creed where he is more imposing. He looks like someone who can punch your head clear off your head, and carries himself as someone who would. It is kind of a weakness of the film that his point is too good. Most people would do what he did in that situation, so it’s hard to not only sympathise with him but to kind of root for him. I’m not asking him to come out and punch a child, but they could have done more to make him more of a villain. Wouldn’t even take something (Jonathan) major, his incarceration was kicked off by Adonis punching someone who abused him at a children’s home. All it would take is for Adonis to find out that Damian planned that person to be there to steal the money Adonis won from betting earlier. Or have Adonis’s mother Mary Anne point out horrible things Damian did to Adonis as a child (stealing his stuff, belittling him, stopping him from entering a boxing tournament, I dunno, something). He is still a prick, and his underhanded tactics in the fight to make you slightly hate him, but Damian is definitely too easy a character to root for.

Michael B Jordan continues to shine as Adonis, but he is slightly overshadowed by not only Jonathan Majors, but also Phylicia Rashad, who provides much of the emotion, kind of like Stallone did in the last one. On that note, I should point out that Stallone is not in Creed III. To be honest, he’s not missed. If Stallone was in this then it would be far too busy. There’s no space for the Rocky character, it also means that Adonis stands out more as a focused character. You’re not sitting there waiting for Rocky to turn up, you might not even notice he’s not there until you think about it.

Onto the downside: the pacing is a little off. It ends brilliantly, but the middle section seems rushed. Damian chases the title for a while, but we don’t get to see him as champion that much. It’s a shame as there is room for an interesting story about how the boxing world views him. We don’t really get how the boxing world reacts to someone winning the title in their first professional fight, and being much older than most professionals. There’s definitely space to tell this story too, it keeps going back to the incident at the grocery store when really we only needed to see it twice, once at the start, and then again later on for clarification with new context. It also wouldn’t be a bad thing for the opening to be a bit quicker. Those are minor issues, and it doesn’t stop Creed III from being a fantastic film, but it does stop it from being among the best I’ve ever seen.

So in summary, definitely go see this. I’m not sure where the franchise can go from here, but at the moment this is a damn fine conclusion to the saga.

2018 In Film Part 4: The Good

The penultimate round-up blog. In here I’m putting, get this, films, which, are, good. I know, shocking, right? I bet you never guessed that from the title. My definition of good but not great for purposes of these is this: would I consider buying if they were on sale?

Ant-Man And The Wasp

I did like this film, loved it in fact. But I don’t think it stands out on its own enough to really be called great. Rudd was fantastic, and it seems as though Marvel might have finally started to solve its villain problem. The action set pieces are insane, they do have obvious product placement but it’s product placement that doesn’t really detract from the film as it’s so well done.

Original review here

+The inventive set pieces. That ending.

-Can’t shake the feeling that it’s DLC to the main game of Infinity War

Avengers: Infinity War

I know, I know. Look, this film was great, I’ll admit that. But I can’t but it in the amazeballs blog for two reasons:

  1. The ending. Until Endgame comes out, this will remain here. We know the ending won’t last, we KNOW that. We know the characters will come back, we just don’t know how. If they fuck up how they comeback, it will taint the ending of this one HORRIFICALLY. Think about when Sherlock faked his death at the end of one season, and there was a great mystery about how he did it, a mystery which they failed to explain in the next episode. The lack of resolution really tainted what was before that, a great episode. And it’s possible it could be the same here.
  2. I rewatched it on a plane and found myself skipping the Captain America parts, they just didn’t hold my attention at all.

So yeah, that’s that. Original reviews here and here

+Peter Parker’s death was emotional AF, even though you do know it’s going to be negated.

-Some of the side villains didn’t get enough time.

Bohemian Rhapsody

Okay I can feel the hate for this one. This is being nominated for more awards than I count (so at least 3) and is about one of the greatest singers of all time. It’s also REALLY well made and the performances are superb. So why is it in this blog and not the final one? Because as much as I try, I just cannot get over them lying about the timing of his diagnosis. They changed it for dramatic purposes and it just feels weird to me. They lied about the death of their friend for a movie. It taints the whole thing for me.

Original review here

+The live aid scene.

-Not entirely sure it will work on a small screen.

Creed II

Treads the same water as the first movie. But does so so skilfully that you don’t really care. If you didn’t like the first one, this won’t change your mind, but if you did like the first one, you definitely won’t dislike this. Michael J. Jordan continues to prove his performance in the first one wasn’t a one off, and shows genuine oscar-winning potential here.

Original review here

+Contains more emotion than you think it would, particularly in regards to the villains.

-The fight scenes aren’t as good as in the previous one, nowhere near.

Darkest Hour

This film wanted to be emotional, but it didn’t really work for me. I think part of that is for similar reasons to the Bohemian Rhapsody one. I knew some of it was bullshit, and that distracted me from the story they were trying to tell. I mean, it is very well made, and you can’t fault the acting. It just left me feeling nothing. Like I completely forgot I saw it until I checked the list. If the acting wasn’t as good as it was, and if it didn’t look as good as it did, this would have been in yesterday’s blog. It just made it into this one. Just.

Original review here

+Superbly acted.

-Kind of hollow.

Game Night

Nowhere near the greatest film. But I really really enjoyed it. In a just world enough people would have loved this to warrant a sequel. I mean, I hope it doesn’t as that could ruin it, but still. Actually had REALLY tight plotting as well, I’ve seen it twice and still can’t remember all the twists and turns it took. And it did it in a non-annoying way, you weren’t sitting there thinking “FFS, stop M.Nighting”. You were laughing and going along for the ride.

Original review here

+The way it was shot made some of the houses look like game pieces during establishing shots. If they did normal shots nobody would have criticised them, but the fact they went the extra mile is something I really dig.

-Little too lightweight.

Gringo

Not many of you would have seen this. And that’s a real shame as it’s a proper hidden gem of the year. Full of great performances and plotting that Red Sparrow SHOULD have had. If you pulled one thread in this plot all of it would fall apart. The characters are really well defined, and it looks great too. It just didn’t leave too lasting an impression. Like, it was great whilst I was watching it, but I could immediately discount it once I’d finished it. Rest assured though, this is probably the closest film in this blog to the “amazeballs” blog, it was just on the cusp of greatness.

Original review here

+The plotting. Seriously, it was that good.

-Missing that something that would make it great.

Hereditary

I still don’t think I’m fully over this film, it fucked me up slightly in the best possible way. It’s really weird, and it doesn’t allow you to sit back at any point, you’re always an active viewer (mainly because you have to be to work out what the fuck is going on). Superbly acted (Toni Collette now officially has to change her name to “Toni Fucking Collette” based on this film). Although I’m not sure whether pointing out how creepy one of the child actors looks counts as a compliment or bullying.

Original review here

+The way they killed off somebody who you assumed would be a main character.

-Doesn’t explain itself very well.

Hotel Artemis

Enjoyed this film a lot. The performances were great and the set design was superb. Actually the whole world-building of this film was spectacular. This film could legit kick off an extended universe. There are so many untold stories told within this film, and I love it. The downside is it doesn’t really excel in a lot of places, almost content to just skate by with mediocrity.

Original review here

+Jodie Foster. She is magnificent.

-Satire could hit harder

Ideal Home

A great film about relationships and parenting. It just veers into 90’s sitcom with the portrayal of homosexual characters. Coogan and Rudd do have surprisingly good chemistry though and I would love to see them do more things together. Considering the plaudits Coogan is getting for Stan And Ollie it wouldn’t surprise me if he ended up in a Marvel film, I mean, every other actor is.

Original review here

+Incredibly sweet at times.

-Little bit too predictable in terms of plotting occasionally.

Isle Of Dogs

Probably one of the bleakest animated films you’ll see this year. Don’t really think it’s suitable for kids, but it is very charming and worth a watch. The kind of film you’ll watch, buy it, be proud to have in your collection, but never watch. I loved it when I first saw it, but since the my opinion on it has cooled, and I’m not sure why. I think it’s because whilst it is incredibly cosy, when you’ve escaped the cocoon of the movie, it leaves no impact on you.

Original review here

+Stop motion animation will always get a pass from me.

-Wes Anderson’s style is not for everybody.

Journeyman

Paddy Considine is a national treasure. he makes the darkest most brilliant films. Not dark in a “everybody dies in the face” way, but in a “relentless horror about the human condition and humanity” way, like a social horror movie where the only death is hope. This is a great character exploration, as such it’s not for everybody who is into big blockbuster movies. But it does have an audience, and those people will love it.

Original review here

+Considine OWNS his character with every inch of his body.

-The directing of the fight scenes could be a bit more impactful.

Ready Player One

This film did something not many films manage to do, it won over my cynicism. That’s not easy to do because I’m a cynical bastard. Yet this was so warm and magical that I loved it, I really did love it. So why is it in this one and not the next one? It has a few glaring flaws, the plot is not important, the leads are only “okay”, and the world-building isn’t as good as it could be. Definitely worth a watch though, this isn’t just a movie, this is cinema.

Original review here

+Full of references and shout outs that you’ll love.

-Better world building really would have improved it. And if you think about certain moments too long the whole film falls apart.

Tag

This film is a hell of a lot of fun. And you won’t regret seeing it. But it won’t become one of your favourite movies. Oddly enough, usually I criticise films like this for lacking emotion, this has the opposite problem; it should be more fun. This would have been great as an ensemble comedy, by focusing the real life game down to just a select few it takes away the chaos and the fun.

Original review here

+Incredibly fun and Jeremy Renner is great in it.

-Should be bigger.