Journeyman (2018)

I was excited but nervous about this film. The last film by Paddy Considine I watched was Tyrannosaur, and that was a hard watch, in the best possible way. That film starts with a dog being kicked to death and then only gets more depressing from then on in. This is similar but not as depressing. This is not an easy watch, this is not a cosy watch you can snuggle down and watch with loved ones. This is not a film you can drift in and out of to cheer yourself up. This is a film you need to set out time to watch, turn off all distractions (your cat can go without food for the duration). It’s a film you don’t just watch, you WATCH. It draws you in to the world it’s created and grips you tightly, not letting you go for the duration. I think it’s time we realise that Paddy Considine is a REALLY good writer. He’s never going to be tasked with writing a Marvel film, but he’s definitely got the talent needed to write the best possible episode of Black Mirror.

The way he writes the characters is great, they seem fully fleshed out and all have their own motivations and desires. He starts the movie as champion, boxing movie tradition dictates the story goes like this: he loses the first match. Every boxing movie would start like that. This goes double for this if you know what the story is; it’s about a boxer who suffers a severe injury that debilitates him severely. Nope, he wins the first fight, but collapses that night when he’s at home. This is kind of genius. Most films of this ilk only show ring damage. We as an audience assume that if they survive the fight, they’re safe, that the worst is over. This does a great job of showing the reality, that that’s not the case. Most films, you’ll be lucky if a concussion is still affecting them later on, let alone showing delayed damage like this does. Even before he collapses you see the damage, not so much in the way he looks (cuts and bruises etc), but in the way he moves. He moves like every single inch of him hurts, like just walking causes him immense pain.

That’s just one example of how Considine’s performance is great. There’s so many subtle tics and nuances that make his performance great. It says something that he shares the film with the actress who now plays The Doctor, but he still steals the show. It would be so easy for his performance to border on comical, but the way he does it is heartbreaking.

Now onto the bad; my main issue with this film (and the only bit where I was concerned I wouldn’t like it); the fight scenes themselves. It is possible I’ve been spoilt by films like Creed, which feature some of the best fight scenes ever filmed. Meanwhile the ones in this, whilst serviceable, just don’t seem enough. When the punches land you don’t often feel them (with one noticeable exception), you don’t feel like they’re too damaging. That’s really a minor flaw in the film, and shouldn’t detract from the personal story that this tells. This may not show the best movie boxing, but it’s the best boxing-related movie I’ve seen in a long time. It’s like a British version of The Wrestler, and everybody who has seen that knows why that’s very high praise.

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How We Got Through…January 2017

Let’s face it, this year has not got off to a good start. Not even a month in and we’ve already lost John Hurt, our governments have been so devastated by that news that in tribute they’ve decided to turn the world into a fully interactive version of 1984 running 24/7  . In times of crisis we have two options; we can either 1) Help solve the problem. 2) Ignore the problem and lose ourselves in film, television, video games and music. Obviously we did number two. So here’s how we got through the first month of this year

Film

A Monster Calls

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This is not an easy film to watch on an emotional level, one of the few films I’ve seen lately that seeks to emotionally blackmail the watcher. Definitely the best looking film I’ve seen at the cinema this year (note: it’s the only film I’ve seen at the cinema this year). One of the few downsides is Sigourney Weaver’s English accent, which is slightly uneven throughout. Reminiscent of a mix between Pan’s Labyrinth and a Neil Gaiman book, can be best described as a modern day fairy tale. Bayona did a fantastic job of directing this, whilst the Liam Neeson tree is telling stories (it’s an odd film) the film switches visual styles so it almost becomes a living watercolour painting, it’s awe-inspiring and genuinely new, never seen anything that was done like this (the closest is when Hermione was telling the stories of the Three Brothers in Harry Potter and the style switched to a weird animated one). The only previous film I’ve seen of his was The Impossible, and that was in 2012 so can’t remember too much about it, but I can remember being really impressed with the way he directed certain moments in it and was really good at creating visual tension, which is a good sign for his next film; the Jurassic World sequel.

Tyrannosaur

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Whilst A Monster Calls is bleak, it cannot hold a candle to this. A film which begins with someone kicking a dog to death, gets progressively bleaker, and then culminates in the lead character decapitating a dog and sitting there with it’s head in his lap, with tales of domestic abuse and rape in the middle. If you know someone who is annoyingly optimistic and happy, show them this film, you will break them. Still a major disappointment that Olivia Colman didn’t win a BAFTA for this, didn’t even get nominated which is a shame as I truly believe she’s one of the best British Actresses around at the moment, nobody can wring emotion from a story like she can.

The Lego Movie

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This was mainly to recover from Tyrannosaur. Brought for £5 from Morrisons and I feel like I cheated them somehow by getting it so cheap. The film equivalent of a rainbow emanating from a bowl of skittles and raining sunshine and joy onto people below. One of the few films this year which has made me genuinely laugh out loud multiple times, which takes some doing as I’m a miserable bastard.

Books

Artemis Fowl – Eoin Colfer

Slightly too anvilicious in it’s environmental message, but otherwise it’s fantastic literature. Brilliant characterisation as well, the series is basically about somebody becoming a hero over the course of 8 books, and he was very evil in the first book so it was a long journey. A tale of growing up, a tale of greed, and a tale of humanity. One of the the best children’s book series I’ve ever read, it’s basically Die Hard with fairies, if the lead character was Light from Death Note. A film adaptation directed by Kenneth Branagh is hopefully on the way, and he’s a director who I feel can really do it justice.

TV Shows

Crazy Ex-Girlfriend

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I know, I go on about this all the time, but there’s a reason for that; because I love it so much. Funny, heartbreaking and with songs so catchy it’s almost suspicious.

Insert Name Here

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An odd panel show on BBC (previous episodes available on iPlayer) about people. Basically they answer questions about historical figures and celebrities who all share the same name. Each episode focuses on a different name, so, for example, the episode this week was based on Charlie, so you had the teams answer questions about famous people called Charlie. Hosted by Sue Perkins, with Josh Widdicombe and Richard Osman From Pointless (to give him his full name) as team captains. A show which I can’t imagine working on any other channel than the BBC, and which wouldn’t be made by any other country than this one. Very very funny, and you learn a lot too.

 

 

Music

Lonely Daze – Kate Tempest

Completely different from what I imagined Kate Tempest would sound like, but oh so good. A wonderful piece of lyrical storytelling that you can just put on and lose yourself to.

Stars – Nina Simone

I first heard it in Bojack Horseman, and it has stuck with me ever since. Beautifully emotional, like proper tears and angry shaking emotion. The kind of song you’d drink yourself to death to.

 

So that’s how we got through this month, what did you use?