Quick synopsis: The Foo Fighters move into a mansion steeped in grisly rock ‘n’ roll history to record an album. Spooky shit happens.
Horror is a strange genre, it’s incredibly self-referential and is a genre that really rewards people who are familiar with it. You occasionally get that with comedy as well, but not so much. And very rarely happens with dramas, you don’t often get homages to A Star Is Born in West Side Story, for example. But it’s encouraged in horror, and it can be a lot of fun.
This is definitely a film which rewards you if you’re a fan of the genre. It has so many references to old horror movies. Some might be accidental (is someone hanging themselves and crashing through a window a reference to The Omen or just a good visual?), but some definitely aren’t. The whole thing looks like it was a lot of fun to make.
Horror is a director’s medium, and you’d be forgiven for going into this with trepidation. Not just because it stars musicians, but the director (BJ McDonnell) has a history in documentaries and music videos, with his only horror directorial credit being Hatchet 3 back in 2013. He does a really good job here. There are issues with this film, but almost none of them are due to the directing. He has a great sense of when to use silence, and when to amp up the noise. This is actually a really solid film, much more so than the only film I can really compare it to, Punk Rock Holocaust, which you can really only enjoy if you’re a fan of the musicians involved. I’m not that big a fan of Foo Fighters tbh, I’ve liked some of their songs, but never really felt that appreciation for them over a whole album. Despite that, I still liked this film. Fans of the Foo Fighters will get a lot more out of it, but even those who don’t will still find a lot to enjoy about it, maybe not if they didn’t like horror films, actually definitely not if they don’t enjoy horror films.
Now onto the bad. It’s a bit weird they all know of Dream Widow (the band who all died at the start) but don’t know that they’re currently recording in the house they died in. Fans of Nirvana would know if they were recording in the house Kurt Cobain died in. Plus, let’s face it, if they were really touted as the next big thing, then that house wouldn’t be abandoned, it would be a tourist spot.
It tries to play off “Dave Grohl is the killer” as a reveal, but we already knew that, it was very obvious. In fact, most of the supposed twists were really obvious, to the point where they aren’t really twists. I mean, their manager said “oh, you want a place? I’ll find you a place”, makes a phone call to someone and says “send them there”, he obviously knows about the possessions etc. It’s weird the film treats us like we don’t. Also, the manager should have been in it more. He only appears at the beginning and the end. He should have been seen in cutaways during the film, phoning up the band to check on their progress.
The performances are pretty good throughout. Nothing special but not really many too awful. Considering most people in the film are musicians, it’s weird that the worst performer is Whitney Cummings, who has acting experience. It’s only really her performance that takes you out of the film. Well, that and some of the cameos, appreciated as they were. I mean, it was cool to see John Carpenter on film, he did a cracking job on the soundtrack btw, the music is creepy as hell. Very cool.
So in summary, quite good, but does feel like it’s a horror designed to be watched with friends while drinking rather than watching alone in the dark whilst terrified.