Quick Plot Summary: A serial killer (Vince Vaughn) bodyswaps with a teenage girl (Kathryn Newton).
I went into this with high expectations. It was recommended for me, and it was directed (and written) by Christopher Landon, who was responsible for Happy Death Day and it’s sequel, both of which I absolutely loved. On the downside, he also made Scouts Guide To Zombie Apocalypse, which was not great. And a lot of the joy of Happy Death Day was around the character, so there was a chance that without Jessica Rothe this film would be weaker.
My worries were heightened by the complete lack of information I saw. I didn’t see any trailers for it, didn’t see any posters outside. All I saw was one small poster inside the cinema. The only things that gave me hope were:
- As I said, someone recommending it to me
- It was covered in a Kill Count video, and I trust that guys judgement.
- It was delayed. The fact it was delayed, this shows the studio had some faith in it, otherwise they would have just thrown it straight to VOD. This film was shown more faith than Wonder Woman 1984.
It took longer than it should have done for this film to win over my doubts. It’s nowhere near as sharp as Death Day was. There’s a few moments here which could have been cut, and there are also a few things missing. One of which is we don’t really get that much on Vince Vaughn’s character, so when the body swap happens it’s not quite as effective. It works for Vince Vaughn, as we got introduced to Newton’s character and saw a lot of her, so we recognise her personality when Vaughn plays it. But we never get that the other way around. We see him kill a group of teens, but we don’t see him talk to anybody, so we don’t get his personality really. There’s nothing to ground the character personalities so we recognise them after the swap.
We get to see a lot of Vaughn as Vaughn at the very end though, but that’s too late really. Plus, the ending was the weakest part of the film for me. The bodies get swapped back to normal, and he gets put in an ambulance and taken away, but it shows signs that he’s going to recover. THAT’S how it should end. It’s a logical closing point. But the film then continues for another unnecessary scene. It’s a good scene, but it disrupted the flow and would have been better as an ending to a sequel.
Now onto the good, and there’s A LOT of good here. It’s stylish as hell with a unique look that showcases a real love for classic slasher flicks. The dialogue is hilarious, with one exception where a guy responds to “that seems kinda rapey” with “good”. Kind of uncomfortable dialogue, and it makes the character hard to like. No matter what the character does, you can’t unknow what he said. Everyone else is great though, and they’re performed wonderfully. Vaughn plays a great teenage girl, he could be slightly better at mimicking Newton specifically but otherwise he nails it. The real star of the show is Newton, I know her better from Blockers and Detective Pikachu. This is a completely different performance from her. Well it’s two performances really as she’s playing her original character, and Vaughn’s character. She does both great, the insecure teen, and the Myers-esque killer. It’s when she’s the killer where she really shines, giving the character a coldness and determination that is chilling in how effective it is.
There’s one area where this film is clearly superior to Death Day: the kills. It’s MUCH bloodier, it’s aimed at an older audience which allows it to go further with how gory it gets. It also allows it go further with the sex, that’s something that only happens once really, but the way it’s edited is glorious. They cut to the sex scene straight after a death, but it doesn’t feel gratuitous, the way they match-cut them between the two is brilliant and I love it, really shows a proficiency in film-making that I love to see.
So overall, you definitely should see it. It’s fun, slick, and a hell of a watch.