2019 In Film Day 1 (The Bad)

This year was a bad year for film. I’m not sure if it was that there were more bad films, or more of the films I saw were bad, or even whether its just the ones that were bad were REALLY bad. I’d say there are at least three films here which are contenders for the worst I’ve ever seen. Normally for these, there are a few controversial choices. For this I’m confident there are none. There are zero which I feel bad about, zero that I feel hesitant about saying.

Black Christmas

I have not seen the original, or the first remake. As such I have no idea whether it’s a good remake or not. I do know it’s a bad film. The story is realistic for the first half and then goes supernatural in the final section. The universe within the film hasn’t set this up as being possible so it’s a bit out of left field (whilst also surprisingly being really predictable, I guessed it in the opening title card).

Original review here

+It made me think of this song

-It’s really white. We need a feminist horror movie and this isn’t it.

Bright Burn

Okay, maybe this one. The worse thing about this was the expectation. I wanted this to be really good, and this is just awful. It spends so much time in the shadow of Superman, that it never really stands out on its own merits. This is a big issue as anybody familiar with the superman mythos knows exactly what is going to happen, and it all unfolds exactly as expected, and that’s it. The entire film is just building up to a moment everybody already knows is going to happen. Because of this you’re never really lost in the film.

Original review here

+The performances are fine, and the ending teaser is brilliant.

-Doesn’t do anything fun with the unique idea it has. It’s essentially a student film idea on a large budget.

Crawl

I’ve actually seen some positive reviews of this, one of which called it one of the hidden gems of 2019. Weirdly, one of the positives they outlined, is a negative for me. They said they loved how the characters did stupid things as it made it fun, I hated it for the exact same reason. It felt like character stupidity was only there to artificially increase the run-time. It didn’t work as it’s still a short film, although I did feel every single one of the 90 minutes. I didn’t think a 90-minute action film could be so god damn tedious.

Original review here

+It all FEELS real. There are no CGI issues.

-Stupid character decisions.

Escape Room

This was deeply flawed, deeply. It’s a fine concept, but the film doesn’t suit the concept. Often with franchised horror movies, the sequels weren’t written as sequels, they were stand-alone scripts that a studio exec saw and just rewrote to fit into an existing franchise. That’s how this one feels, like a hastily written sequel made to fit into a franchise it doesn’t belong. For a stand-alone film that’s an indication of a terrible script. It’s worse than that, it’s a terrible script which wastes a great concept. A horror movie set in an escape room is a genius idea (but yeah you would struggle to differentiate it from the Saw franchise), and it’s worthy of a, at the very least, mediocre film. At this point it’s not so much even about the quality, I just wanted it to be interesting, and it didn’t manage that.

Original review here

+Good performances, especially from Nik Dodani.

-The film starts with a character trying to escape a certain room. That room doesn’t appear until near the end, so the whole time you’re watching it you know that character is safe. Plus, some of the “riddles” take WAY too long for the character to get there.

Hellboy

The creative arts has a problem with maturity. Often something is described as “mature” when really it just has tits, violence, and swearing (but never penis, never penis). Ironically this means it then comes off as immature. This film is the best example of it. It’s like a 14 year old drinking his first beer, talking about all the vegines he’s fingered until they’ve cum down their arm.

Original review here

+if you’re 13 you’ll love it

-if not it’s a piece of shit.

I Love My Mum

I can’t really say I was disappointed by this as I had low expectations. It’s a fun concept but the characters are just too annoying to carry the film. One of the main characters is incredibly easy to dislike, and it makes it hard to enjoy the film.

Original review here

+Some good lines

-Badly written characters

Killer Kate

I expected this to be fun shlock. Instead, it’s just bad. The writing is bad, the pacing is terrible, and the less said about the acting the better. It just feels low-budget. There’s not really a sense of drama or suspense to the whole thing. It’s not scary enough to be a horror, and it’s not funny enough to be a comedy. I’d barely qualify it as a film.

Original review here

+There’s a really smart piece of writing involving a pizza guy (yes, I know how porny that sounds)

-The lead performance is incredibly wooden

Red Joan

I assumed this would be interesting. I was incorrect. It wasn’t helped by the fact that Judi Dench is barely in it. Plus the characters’ motivations are muddled. She says she spied for noble motivations, but thats not what we see. From what the film shows us her motivation was lust. Not quite as noble

Original review here

+The modern day parts are great.

-But not long enough.

Songbird

This is way too improv-based. As such it doesn’t really have a structure. A lot of the scenes are just unfocused and don’t seem to have a point to them. It’s a shame as I like both people in it, but the film really needs a purpose.

Original review here

+It’s always nice to see Jessica Hynes in things

-Purposeless

The Curse Of La Llorona

I didn’t catch this at the cinema, instead watching it on a laptop at home. I’m glad I didn’t see it at the cinema as I would have been so annoyed had I taken time out of my day to walk down the cinema for this. This is a very Latin film made through a very white lens. It feels very American, like they didn’t fully understand the legend they were adapting. They’ve reduced it to a generic “thing goes woo” tale.

Original review here

+It is an interesting tale, albeit one that’s not in this film

-Incredibly generic

The Kitchen

Nowhere near as interesting as it should be. I think part of it is due to how badly written any characters except the main ones are. Characters appear only to be killed. There were times when people died and I didn’t even realise who they were until about 5 scenes later. Original review here

+Domhnall Gleeson is brilliant in it.

-The entire plot of the film, all the plotting and twists, is undone in 5 seconds.

Wolf

I’m going to get personal here. As some may know, I have a history of depression and anxiety. It’s always been there but sometimes it’s worse than others, it hit really bad in September. I was left in a state where I couldn’t really motivate myself to do anything, and it made writing really hard. I couldn’t even muster enough energy to go down cinema, and as such I missed out on a few films I wanted to see (Ready Or Not chief among them). Now I’m not saying this film is ENTIRELY to blame.

Original review here

+Great concept, and there’s one section where the make-up is amazing.

-Everything else.

X-Men: Dark Phoenix

Definitely the worst X-men movie (yes, even worse than Origins). The worst possible way to end the franchise. Made all the more disappointing by how good Logan was. There’s nothing specifically bad about it, all of it is. It doesn’t work in any way. Apparently the story it’s based on is quite a big deal, but it’s now had two really bad films based on it. Has it ruined it?

Original review here

+Everyone involved in it will someday cease to exist.

-The villains motivations are undeveloped.

The Kitchen (2019)

I was quite excited by this, it seemed like an interesting an fresh story (albeit one based on a comic book series so not entirely original) starring Melissa McCarthy in a not “I’m fat and swear a lot, this is comedy” role. It seemed like an interesting idea. So I was kind of disappointed with the final product. The whole thing seems like a bunch of wasted opportunities. It does have to be said how good the central performances are though; McCarthy is great in it, as is Tiffany Haddish, and Elisabeth Moss, my favourite performance though is Domhnall Gleeson, who is quietly building up a REALLY solid filmography in terms of performance; Brooklyn, Ex Machina, Star Wars etc. His performance in this is kind of terrifying in a great way, he seems like a cold-blooded killer. The cast does lead me to one of the big issues with this film; there are too many bland characters. There are people who you are supposed to recognise so you can be like “Wow, I can’t believe their relative did that”, but you don’t recognise them so it just seems like someone did something and you don’t get the importance of it until it’s revealed by dialogue later on. I think part of this is because it builds up characters as important threats, and then just kills them without fanfare. This means all that time spent developing that character feels kind of wasted. The twist near the end also doesn’t seem to land. I think the reason for that is because it’s supposed to be a big deal, but happens so close to the end that the ramifications of it never hit home, especially since about 4 minutes after the “big betrayal” there’s a “we need to put aside our differences and work together” scene which ends the film. So really it had no impact on the plot at all. I’m interested to read the comic this is based on, just to see if it makes the same mistakes.

I guess my big problem is I found it hard to give a shit about it. Especially once Elisabeth Moss’s character died, I found myself not really rooting for the main characters. Don’t get me wrong, I wasn’t rooting against them, I just wasn’t rooting for them; I flat out didn’t care about them. This review is shorter than normal, usually when I don’t like a film I can find a lot to talk about, I’ll use the issues I have with the film to kickstart a rant about something, I can’t work up the energy to do that with this. It’s left almost no impact on me at all. To the point where in a few years I’ll see a trailer for this this somewhere, and completely forget I’ve already watched it.

Still, Margo Martindale is awesome in it.