2020 In Film Day 4: The Good

Bill And Ted Face The Music

I was so close to putting this in the Amazeballs section. It was close to greatness, and it’s definitely what the world needed at the time. It provided hope in the dark days of 2020. Was one of the few films that you knew going in would make you happy. It just doesn’t seem quite “enough” to justify being considered amazing. Too small to be considered big, but it feels too big to be considered a small movie so the limitations would be forgivable. Don’t get me wrong, it is very enjoyable and you will like it. But you won’t FEEL it for long afterwards. It won’t stick with you for an extended period of time

Original review here

+Brigette Lundy-Paine. I don’t know who this person is, but they are AMAZING.

-Isn’t as smart with the time travel mechanics as the first two.

Best moment: The ending song. Some people may disagree but to me it was perfect and was the only way that song could go. 

My Spy

A film which didn’t get to come out at cinemas in the UK due to *motions in general at 2020* which is a shame as I feel it deserved that. It certainly would have improved my experience as it would have meant I wouldn’t have watched it on Amazon Prime and it’s non-working subtitles. It was a very sweet movie. But again, didn’t do much to push it to that next level. It’s a shame this wasn’t the film to push Batista to the next level in terms of marketability, but it is a good start as it shows he has more strings to his bow than you’d expect. This is probably his best non-MCU film. A lot of the laughs are cheap but they do work. It also has more genuine heart than you would expect.

Original review here

Best Moment: The opening hostage situation. Sets the tone perfectly, and has foreign language covers of modern pop songs

+Very, very funny.

-You can predict every moment just from watching the trailer

Palm Springs

It’s not often I get to describe what is essentially a rom-com as “truly horrifying”, at least not good ones (I would still describe PS I Love You as horrifying, because I paid to see it). But most romcoms aren’t this. Most romcoms don’t deal with the situations this does. Most romcoms aren’t, and it pains me to say this, as smart as this. The character work in this is great to see. You can truly sense the unsaid backstories of everybody in it. They don’t feel like characters, they feel like actual people.

Original review here

+It’s new. I like new ideas, and this is definitely one.

-It could do more with the location. It doesn’t do much in terms of memorable music or shots.

Best Moment: I can narrow it down to a single line: “Being a source of terror is not fun and it’s not fulfilling, I know from experience“. Oh my blog, that line. It says so much about him and his history.

Run

I was very excited for this. I loved Searching (as anybody who has spoken to me for more than two minutes can tell) and was curious what the creator would do next. I think that might be its biggest flaw; it wasn’t as good as one of my favourite films ever. There’s nothing inherently wrong with the film, I just expected something a lot smarter. It is still good, the way it builds tension is superb, the cast are all great, and it’s directed perfectly. It’s just…..it’s not a 10/10 movie like I wanted.

Original review here

+The minimalist cast and location mean that you feel as trapped as the character. Really simple piece of film-making but one that so many would be scared to do.

-Not as clever as it needs to be. 

Best Moment: The scene at the very end where the daughter has turned the tables on her former “mother” by visiting her in prison and drugging her in revenge for what she’s done. It’s beautifully chilling and haunting, probably the best closing shot I’ve seen all year. 

The Lovebirds

I saw the trailer for this before watching Fantasy Island, and that probably turned out to be the best part of that film. I wish I saw this in the cinema as I feel it deserved that. It’s on netflix which isn’t too bad (and means you definitely should watch this if you have it). It reminded me of a more cynical and bitter Date Night. Whereas that film was focused on a couple who were very much in love but still frustrated, this is focusing on a recently-ex couple. So recent that they haven’t really had time to process single life yet, and that informs a lot of their decisions. This isn’t a “oh they broke up but still love each other and are kind” break up, this was a break-up where they said things that can’t be unsaid, when they argued they brought out the big guns, and when they do that it hits fucking hard. Importantly, they are based more on “I don’t think you’re doing as good as you can be” so even the hate is kinda coming from a place of love. The dynamic between the two is wonderfully written and that goes for the rest of the film. It’s smart, funny, and was SOOOO close to being in the amazeballs section.

Original review here

+The characters

-Very cliche in parts.

Best moment: At the end when the police tell them they obviously weren’t being investigated for murder as everything was on camera. Very funny and original, reminded me of the end of Keanu. 

Vivarium

Again, something VERY close to being in the amazing section. There’s just something that stops me putting it in there. If this was objective then I would definitely put it there. But these are subjective, and I will never pretend otherwise. I did love this film, but it’s not something I will ever want to see again, and for that reason it goes here. Similar to Hereditary or The VVitch. You definitely should see this at least once though. It’s available on Shudder (at least for people in the UK, don’t know about other territories). So it’s worth a watch, but you might not need to watch it again. Delightfully uncomfortable viewing with possibly a career-best performance from Eisenberg. 

Original review here

+The general feeling of dread that is over the whole thing.

-Can be frustrating at times and feels a bit pointless

Best moment: When they’re driving to the house. So creepy despite the fact it’s just two people driving to a house. 

Palm Springs (2020)

I went into this pretty blind. I knew it existed, I knew Andy Samberg was in it, and I knew the poster. The first minute or so were pretty much as I expected: he wakes up and has sex (attempts to) with his partner the morning of a wedding.

Then it gets weird. He seems a little too bored, a little too like he knows exactly what is going to happen at all times. There’s a reason for that, he’s in a Groundhog Day situation and has lived this day multiple times. The good thing about this is the film drops just enough hints that if you’re paying attention you can figure it out before it’s revealed. Before the reveal it is kind of a standard romcom, and then he gets shot by someone who hates him because he caused him to go through the loop too.

So yeah, the opening section sets in stone the notion that this is not a typical romcom. It has far more jokes about suicide than the typical romcom (well, the typical romcom not written by me, at least). It also has a much darker undertone than it appears. He brings up how he behaves knowing nothing has consequences, bringing up the fact that it doesn’t matter if other people don’t remember, you do. So if you do something awful, you will be haunted by it. As he says

“Being a source of terror is not fun and it’s not fulfilling, I know from experience”

That one line gives us so much potential backstory to that character. It hints that he went through a stage where he killed people, where he viciously tortured those who annoyed him (and considering he knows his girlfriend is cheating on him, that gives us some VERY dark possibilities). I love that it hints at that backstory, but never shows us. It gives us the impression that the characters have lives outside of this film, these characters and this world seem real (except the random dinosaurs).

This film does so much right, the performances are all spot on, and overloaded with unsaid character motivations and beliefs. Everybody is on top form, it doesn’t have as many comedian cameos as you think it would. Truth be told I only remember recognising three of the cast members, but even the “unknowns” do their job incredibly well, all meshing together to form a cohesive unit. I firmly believe this may be one of the best ensemble casts I’ve seen in a long time, not a single weak link.

Now the downsides: visually it doesn’t really do much. There is some impressive stunt work in it, but the location itself never feels as paradisiacal as you feel it could. I don’t know whether it’s set design, or directing, but the location itself doesn’t “pop” as much as you feel it should. Also I feel the music could be better, I can’t remember a single song from this film, and considering it’s a summer-based horror-comedy that’s a disappointment. Also some of the montages aren’t quite fun enough. There are some moments where they’re genuinely sweet and funny, but then there are others where they just feel kind of standard. Overall though, well worth a watch. If you have a hulu account (or have a friend with one), it’s on there so you should definitely check it out on there.