Musings On Marvel: Day 12 (Ant-Man)

Director: Peyton Reed (Bring It On, Yes Man)

Budget: $130million

Box Office: $519million

  • “If only you protected Janet with the same ferocity” That line only exists to get along plot details.
  • “I’m not going back, I’ve got a daughter to take care off” the same daughter you had BEFORE you went to prison? Or is it “well, she needed changing then, now she can look after herself”
  • Is he being shamed for working at a Baskin Robbins? Yeah, how dare he have a job to support his family. Shame! Shame! This is a big issue actually, certain jobs are seen as demeaning but people need to do them. People make fun of the server at McDonalds yet go in at 1am demanding that same person provide them with a burger.Jobs need doing, and these jobs need to be done by people. Don’t act all high and mighty like certain jobs aren’t “good enough” for people. You don’t want to do a job because you see it as demeaning? Then starve to f*cking death. Now, tis is different obviously from “this job makes me work 12 hours a day with no breaks and they pay me in stinging nettles”. That’s management being dicks, in which case, yeah, gain superpowers, sneak into manager’s house, pick them up and drop them in an active volcano.
  • Things I’ve spotted in the Baskin Robbins bosses office: an employee of the month sign above the sink, a microwave that isn’t plugged in, a rubber chicken, a wicker ball, a metal bucket.
  • “An Ant-Man” Hey! That’s the title of the movie.
  • Did nobody think to title them “small soldiers”?
  • “the ultimate combat advantage” wouldn’t it be more advantageous to be 10 times larger? There’s no good hitting people if nobody knows what’s hitting them as they won’t quit. You make them larger and entire armies will see it and give up.
  • That bunny is terrifying.
  • “He’s so ugly, I love him” My girlfriend says the exact same thing.
  • “you’re her hero”, how? She’s 5, he’s been in prison 3 years. Even if she could remember him she wouldn’t have enough to build him up to hero status.
  • This guy peed without shutting the bathroom door. He deserves to die.
  • This is a perfectly viable weapon that again is never used. I mean, he has a handheld weapon that can kill someone with no mess. No blood or anything, so no evidence. You literally flush the evidence down the toilet. That alone is a great weapon.
  • I have a feeling this montage of finding out about the “job” seems like one of the parts written by Edgar Wright.
  • This reference to Titanic also seems like Edgar Wright, it also seems exactly like the kind of thing I do: random pop culture references in middle of scenes which have no need for them. I would argue that point but I once put a critique of Love Actually in a scene which was basically a massive argument.
  • That door falling down still created a hell of a lot of noise.
  • If he is the size of an ant, surely that guy would still notice him in the bath? Would you not notice an ant in the bath?
  • This guy who’s entire dialogue is “what the hell” is comedian Garrett Morris who had the first appearance of Ant-Man in Saturday Night Live.
  • “set up a five block perimeter” for a petty theft? Are you kidding? He’s not exactly caused harm to people so that’s not a good use of resources.
  • This escape thing is fine, but you know what else would have made sense? Michael Douglas parking his car nearby with the window open so he could just go in there.
  • I know someone who saw this film and thought “just step on the Bullet Ants, how painful can they be?” Well, to answer that, bullshit. Bullet Ants are terrifying. It’s called a Bullet Ant because its sting feels like being shot. The Schmidt Pain Index is a real thing, and this is really high on it. Also, they shriek at you before attacking, because that’s not scary. Certain tribes use them as an initiation into manhood. They weave sleeves with hundreds of this things in, the stings facing inwards. They then wear them and get stung to holy hell. That’s not an exaggeration, this causes the arms to become useless for a few days, and cause spasms through the entire body. So THAT’S why you don’t just f*cking step on them.
  • So you control ants and make them put sugar in your tea? That’s just lazy.
  • The bald guy from House Of Cards is a dick to tiny sheep
  • “I think we should call the Avengers” So do I! In fact, I’d call them for everything. Changing my light bulbs, fixing my internet, getting the person in the queue in front of me to just MOVE FORWARD ALREADY!
  • “this is not some cute technology like the Iron Man Suit” Unnecessary shot!
  • “Plus they’re too busy dropping cities out of the sky” That was Ultron and you know it, dick.
  • Why ants? I’m serious, it’s never explained why he specifically can converse only with ants? Surely there’s other small things he could talk to, grasshoppers, lice, aphids, spiders. You’ve had this research for decades and figured out how to talk to ants, yet you have no incentive to push it forward to other species? Is it because it was called Ant-Man and you really hate not going with themes?
  • Where are the rest of the Avengers? Have they all gone home for the holidays and left one guy as the security?
  • Ant-Man punches Falcon too much. Literally all he needs to do is get his visual apparatus off, then he won’t be able to see him so he can just sneak in easier.
  • Next time you might want to start with “I got the thing” instead of leaving it until it’s suitably dramatic.
  • “I fought an Avenger and didn’t die”. Well, technically you fought an Avenger. But Falcon’s only an Avenger in the same way as Barcardi Breezers are alcoholic beverages. Technically right, but nobody counts it.
  • “this is the work of gypsies” That’s racist!
  • There is never a good reason to whistle “It’s A Small World”. Ever.
  • Can you even hit an ant with a bullet? Wouldn’t physics push the ant of the way?
  • Are those guys being attacked by Bullet Ants? If so it would be a lot more than “ow, slight pain”, they’d cry.
  • Hank Pym dies whilst I was writing that last one, I think.
  • Oh wait, he’s standing up.
  • Ok this is one of the best uses of music in Marvel movies, plus it’s The Cure.
  • Why is this guy so focused on killing Paul Rudd? Couldn’t he just move on with his life and sell the weapon and still get shit loads of money? This just seems like a distraction.
  • Where did those ants come from?
  • Ah, the old “throwing trains at the enemy trick”. So cliche, you know that’s exactly how the Roundheads beat the Cavaliers in 1651.
  • Can ants survive getting that big? Wouldn’t their exoskeleton collapse or something? It’s like how King Kong wouldn’t be able to run, or barely move.
  • “that’s a messed up looking dog”. Surely you can tell it’s an ant? I mean, it would be weird for us to see an ant that size, but we don’t have superheroes in this world. They do. Everybody could wake up and find their feet have been replaced by Big Macs and it still wouldn’t be the most surprising thing in the universe.
  • Imagine watching this whilst really stoned or under heavy medication. That would make a brilliant blog series actually: Medicated Musings. Exactly like these blogs, but recorded whilst either high or drunk.
  • She’s feeding that thing under the table. Does she want ants? Because that’s how you get ants.
  • And the post credits scene is a teaser for Avengers 3. I mean, Captain America: Civil War.

Films Worth Seeing from 2015: The other genres

Action/adventure/thriller
(or everything else)

Sicario

The best kind of thriller; nailbiting, bleak, and full of characters you actually give a shit about. The director of the amazing Prisoners and Enemy solidifies his place in the Western filmmaking world with this all-star thrill-ride. Hosting an Oscar worthy Emily Blunt, a shit-ya-pants Benicio del Toro, asicario_ver8_xlgnd an oddly chilled out Josh Brolin who adds the much needed levity between all the torture and mutilation. Directed with a Finchian level of detail and pristine, it follows by the books SWAT officer Emily Blunt as she is submerged into the murky work of the War on Drugs, and is tasked along with the mysterious Benicio del Toro to bring down the head of the Mexican Cartel. Sticking well clear of action tropes this isn’t a glorious, FUCK-Yah-‘Merica tale of beating the bad guy, this is a twisted, gritty, and dark morality tale that tells us that rarely the right thing to do, is the best thing to do.

 

 

The Martian

17vZ0fzI know this is basically a comedy, but it is also an intense Sci-fi thriller and if I didn’t put it here this section would be pretty spare. Ridley Scott’s best film in years (though I think I’m the only guy with a soft spot for The Counsellor), is a beautifully shot adventure following a marooned astronaut on Mars and his optimistic fight for survival. Now I don’t think there’s much more I can say about this, its just a damn good film, Matt Damon reminds us why he’s a superstar, and “Science the shit out of this” is destined to become an obnoxious over used phrase. But what allot of people I think fail to mention, is just how damn fun the Earth team is. Yeah the focus is on Damon, but maxresdefaultJeff Daniels, Chiwetel Ejiofor and their team on Earth are just as engaging to watch as they have to ‘Science the shit out of it’ there end, to work out how to get to Damon before he dies. If you haven’t caught it already, it’s more than worth the two hour plus run time.

 

 

Kingsman: The Secret Service

Screw the next film on this list, THIS was the funnest action film of the Kingsman_The_Secret_Service_posteryear. Essentially a spy flick parody with a real plot and its gun barrel firmly planted in its cheek; it’s bloody, stylish, and with a perfect twee British sense of humour. It’s like if the Pythons directed a James Bond flick, but not without some studio supervision. Taron Egerton proves himself a bankable action lead and rising star in Hollywood, and I can’t wait to see where he goes next; while Colin Firth does a clean 180 and flawlessly reinvents himself as a very convincing action star without losing an of his preppy Britishness we’ve come to love and treasure. The bad rep this seems to be getting from some critics should be completely ignored as high-brow snobbery and the last thing I’ll say is go in expecting something silly but amazing, and be ready for some ultra-violence

mad-max-fury-road
Mad Max: Fury Road

Because it Mad Max fucking Fury Road. The action is kinetic, Charlize Theron is jaw dropping, and it tells us more about it’s world with barely any dialogue than three Star Wars prequels could. What else needs to be said?

 

 

 

Ex Machina

Ex-Machina

God damn I love me some good old Sci-fi mind fuckary, and I love Oscar Isaac. This was his other big Sci-Fi film of the year, you know apart from…you-know-what, and in my opinion it’s the stronger of the two. In almost every way a closed box thriller, Domhnall Gleeson plays a dweeby programmer brought to an underground house by his eccentric bro-y boss to perform a turing test on a Female robot he’s created, and work out if she really can feel. And from that it breaks out into a tense psychological game of cat and mouse and fox, and I won’t ruin who gets eaten.

 

 

Ant-Man

Ant-Man-Comic-Con-PosterWho knew the best super-hero film of 2015 would be Ant-Man. Plagued with production issues for years, worst of all being the walk out of geek god Edgar Wright from directing, but despite all that Ant-Man STILL came out kicking. Helped by a great cast led by an always loveable Paul Rudd and an enjoyably cranky Michael Douglas, Ant-Man found its strength by keeping the comedy present throughout, in character scenes, exposition scenes, and action scenes, it always stays funny. Which makes it’s few moments of seriousness hit that much harder, him shrinking to the quantum realm was truly amazing, and gave the film the weight it needed. Is it perfect? Far from it; but it was a fun ride, with good action, and a much needed breath of fresh air for the quickly staling Marvel verse.

 

482955It Follows
Easily the best horror film of the year. A real 80’s throw back to the likes of Halloween and Nnightmare on elm street, you can practically see Wes Craven’s fingerprints. With a focus on building atmosphere and tension over moderns mindless jumpscares, an actually likeable cast, and an intriguing story, It Follows will leave you glancing over your shoulder and watching off into the mid-distance.

 

 

 

 

 

Tomorrowland

tl_busshelter_frank_v3_lgDoes this have problems? Yes. Are all of them made up for by pure retro-charm and heart? YES. I don’t know what people went in expecting with this film; some epic Sci-Fi drama that would change the world itself? Who knows? But if you went in just looking for entertainment, you got it in space-spades. A glories throwback to science fiction films of the 1940-50’s when the future was still fun, Tomorrowland may be slow to launch, but when it does it rockets through so many awesome set pieces, ideas, and so much enjoyable pseudoscience and alternate history bollocks , you can’t help but be charmed. Britt Robertson proves herself to be more than Jennifer Lawrence light, George Clooney shows he can wear the old curmudgeonanigif_optimized-19156-1425927260-1 hat with panache, and Raffey Cassidy is becoming one of the most unique child stars acting today. Is it a perfect film, no, but not everything has to be! We seem to be living in a world where if something isn’t ‘#tHeBeSTThInG_EVEEER’ then it’s terrible…No. Not everything has to be perfect in every aspect if it wasn’t trying to be. This film wanted to be nothing more than a fun family adventure with a good message, and it was hung because that’s all it was.

 

 

Oh and like Star Wars happened I guess. It was pretty good.2015-12-16-1450300622-8118374-Star_Wars.png