2018 In Film Part 5: The Amazing

Right, you can probably guess what I thought about these films. Enough faffing about, let’s do this!

A Quiet Place

This is a film that gives zero shits about you being comfortable. It kills a child in the opening scene. I genuinely loved this film, not just because of what it was, but what it represented; an innovative idea in cinema. I hope the sequel doesn’t destroy the legacy that this one built, fingers crossed. Everything about this is superb; the performances, the look, the originality. Well worth a watch.

Original review here

+It changes how you watch cinema, you end up being an active watcher, too scared to make any noise.

-This film doesn’t work in certain conditions (I tried watching it on a plane and it just did not work at all)

Blackkklansman

This admittedly plays fast and loose with the truth, and to be honest is all the better for it. It seems to acknowledge its own falsehoods which makes it okay. At first I thought the ending went on too long, but by the time it finished I felt inspired to go fuck shit up. This is a film that will inspire you, not to make films, but to make a difference.

Original review here

+The fact it’s true.

-Some of the characters seem a bit one-note.

Black Panther

This film so damn good. First off, the villain could easily be the hero of a different movie. I think its the first Marvel film to be nominated for Best Picture at the Academy Awards, and it’s fully deserved. Not the Marvel film I’ve enjoyed the most, but certainly the most complete and cinematic they’ve got, and without a doubt the most culturally important.

Original review here

+The effort that went into the set and costume design.

-The CGI in the final fight scene is a bit off at times.

Blockers

I’d understand if people didn’t agree with this, if they thought it should have gone in the “good” section instead of this one. But I don’t hide that this is entirely subjective and based on personal opinion, and in my personal opinion this film was amazing. It was great to see a sex-based teen comedy from a perspective that wasn’t just teenage males. This had the teenage girl perspective, and the parent perspective. Incredibly funny and sweet, I just love it so much.

Original review here

+Geraldine Viswanathan is a star in the making (if there’s any justice)

-Some questionable music choices.

Coco

What can I say about this film that hasn’t been said already? I could say it’s bad, nobody has said that, because it would be bullshit. This film is amazing. It’s almost as emotional as Inside Out. Everything about it is just so perfectly done. It’s done with love, love for the story being told, love for the culture, and love for the medium of film.

Original review here

+It’s great at showing the love and passion people have for music.

-Might not resonate with kids due to the themes.

Deadpool 2

Is this film going to change your life? No. Does it have a great plot? No. Is the pacing great? No. Is it visually impressive? Not really. Is it INCREDIBLY fun? Yes. I actually preferred it the first one. It had a better plot, was funnier, more meta (What’s a meta? Nothing, what’s a meta with you?), and much better directed. I love the first one don’t get me wrong, but even when someone was beating the shit out of Deadpool you couldn’t really feel it. In this one, when he gets hurt, you really feel it, so even though the character is effectively unkillable, he doesn’t feel invulnerable.

Original review here

+The opening scene set to Dolly Parton’s 9-to-5 is perfection.

-Drags in some places.

Ghost Stories

Was a massive fan of this. Not really “Arghhhhhh” scary. But very “sitting behind the sofa in fear” scary. It was essentially the cinematic equivalent of reading a ghost story. Everything about it was just perfectly done. And you’ll find yourself annoyed that you didn’t guess the ending considering that really it’s the only logical way it could have ended.

Original review here

+The never-ending sense of dread.

-Some of the make-up and effects could be a bit better.

Halloween

Full disclosure. I don’t think I’ve ever seen a Halloween movie. I’m aware of them, and the tropes they have, and the history of the franchise etc but I’m not sure I’ve ever seen them (I’ve seen bits of the first one when I was younger) so I wasn’t exactly going into this with the weight of the franchise on me. I wasn’t going in thinking “this will be the comeback”. That being said, this is the comeback. It’s a back to basic horror, he doesn’t set elaborate traps or depend on luck. He moves slowly and he kills things, that’s it. That’s the character. And it works in this. He is utterly terrifying as a character in this movie. People talk about how they would beat certain movie characters, you would struggle to beat this one, he’s a real force to be reckoned with. And Laurie Strode gets just as much attention as he does, which is important for horror movies. The reason I don’t like a lot of horror films is I don’t care for the characters. There is usually so much focus on the killer that the victims aren’t fleshed out so you don’t really care what happens to them. This is the opposite, if some of the characters in this died, you would feel emotionally impacted.

Original review here

+Laurie Strode is bad-ass.

-There’s one death in particular which just looks a bit silly.

I, Tonya

I enjoyed this film, and will gladly watch it again. Despite knowing the basic story of what happened, I still wanted to see how it unfolded. It’s difficult to trust it as a historical source but you’re so entertained that it doesn’t really care. The soundtrack is also great, as are the performances. I don’t think it deserved academy award nominations, but it was incredibly good.

Original review here

+The attention they took on some of the interviews to make them look dated.

-The fact that the idiot character is the only one of the main characters who is dead right now. Felt a little uneasy

I Kill Giants

Knew barely anything about this film going in, and it was on netflix so I was uneasy. I loved it though. So much. The main character was engaging, the story was heartbreaking, and Madison Wolfe continues to be great. This was going to go in the “good” one, then I remembered this.

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I cannot put a film that has THAT line in it in just the good. This film was great and I loved it. Also the unwritten rule for this blog is “Do I really NEED it on DVD?”. I got the DVD for this the day after watching it, so I guess that answers that.

Original review here

+The main character is one of the best of the year.

-Slightly too reminiscent of A Monster Calls (this is a plus for me though as I loved that film)

The Incredibles 2

This film was incredible and I loved almost every moment of it. Yes the reveal of the villain was obvious, but I didn’t care because I was so into the story. The animation as well is as great as you expect, EVERYTHING looks crisp and loaded with detail to the point you forget it’s animated at times. Also need to show love for the action scenes, they’re stunningly thought out and inventive.

Original review here

+It’s a mainstream animated film that deals with masculinity and feelings of worthlessness.

-Fourteen years! Fourteen years we waited for this!

Lady Bird

I can get why somebody would not like this film. Actually screw that, I can get why people would HATE this film. It’s not for everybody, and that’s okay. The structure is all over the place and you probably will find the character annoying. I LOVED it though. I found it was like watching a series of polaroid pictures. This film felt incredibly personal, and it will forever hold a place in my heart, I’m just not sure why.

Original review here

+The general ambience. It FELT lovely.

-Be wary of showing this film to someone as they could easily hate it.

Searching

Where did this come from? Gimmick movies usually stop being great once you see past the gimmick. And the gimmick in this was also used in Unfriended, and I hated that film. So how did this end up being one of (if not THE) greatest film I’ve seen this year? The performances were good, yes, but it’s not that which elevates it. I think it all comes down to story. The script for this is GREAT. A mystery film which takes so many twists and turns you think it’s lost. Everytime you think the answer is obvious this film tells you why you’re wrong. The ending is the only logical way the story could go, and it’s genius. Everything about it is fantastic.

Original review here

+Original concept, brilliantly done.

-As a writer it will make you intensely jealous.

The Shape Of Water

Certainly an interesting film. There is a chance you might be too weirded out by it, I mean, it’s a woman fucking a fish-creature. But it’s so full of warmth and magic that if you like it you’ll adore it. All the pieces fit together like a beautiful puzzle piece; the music, the performances, the universe its set in, it all merges together to create something truly beautiful.

Original review here

+The music. So good,

-Might be bit too weird for some.

Spider-Man: Into The Spider-Verse

An incredibly good movie. Easily matches up (and possibly surpasses) Homecoming. Emotional, funny, and written with a true love for the character and the genre. It also has one of the best soundtracks of the year. If you didn’t hear it you wouldn’t immediately think “Spider-Man”, but once you’ve seen the film you won’t be able to unmake the connection. Some films have great songs, but they don’t particularly match the film that much, and are more compilation albums than soundtracks. This is different, the songs really suit this, they seemingly transport you to a certain mood.

Original review here

+The love for the character is really obvious to see here. This was done with great affection.

-The flashing lights which happen without warning and could trigger migraines in people or cause issues for epilepsy sufferers.

Three Billboards Outside Ebbing, Missouri

So good, so, so good, but brutal as fuck. Not in terms of violence, mainly in terms of tone. A film that makes you hate the world, but love film. Won a lot of awards and every single one of them was deserved. Featured some of the best performances of the year, and incredible dialogue which will make you laugh in spite of yourself. Well worth a watch, but prepare something nice for afterwards.

Original review here

+The natural flow of it feels incredibly realistic.

-The lack of a definitive ending may put people off.

 

So, that’s the films of 2018 ranked, the awards will be coming soon, and lets just say some will fare a lot better than others. Reviews of Stan And Ollie, and Glass will be up soon so enjoy them. Let’s hope 2019 is even better

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I, Tonya (2017)

For a lot of biopics, my main problem is that because it’s restrained by sticking to reality, it occasionally hampers its creativity. This definitely isn’t the case here. This takes the same approach to reality as “The Big Short” did (Wait a minute, that film also featured Margot Robbie speaking directly to the camera, hmmm, interesting) and is all the better for it. By that I mean it admits that human recollection is flawed, so some scenes/revelations are completely contradictory. Sometimes this happens mid-scene. At one point Margot’s character just turns towards the camera and says “I never did this”. I liked this approach to The Big Short, and I loved it here. Before this film, the only thing I knew about Tonya Harding was The Incident. I actually assumed she was a lot more involved in the incident than she actually was, so I was kind of annoyed when the film was announced as it seemed like they were glorifying someone who didn’t deserve it. Yeah, I was wrong. I mean, she was not exactly the nicest person in the world, but she was not the villain that popular culture has made her out to be. I also knew that after that she was a boxer, and there’s a sex tape of her available. This film touches upon two of those things, which I like. It shows us the effect the incident had on her life as well, it’s good to know that the film-makers had the bravery to do that as most wouldn’t. The fight itself is actually pretty well done as well, not on “Creed” level, but then again few fights are.

The skating itself was really well done as well, to the point where you completely forgot you were watching actors doing it, and instead focused on the scenes themselves. A lot of that is obviously due to Margot Robbie’s performance, she’s just phenomenal in this (would explain the Academy Award nomination), as is the rest of the cast. Whilst we’re on the subject can I just point out how strange it is that Sebastian Stan, who is best known to a lot of people for his role as the Winter Soldier in the Marvel films, is in a film written by someone called Steve Rogers? Am I the only one who finds that funny? Yeah, probably, but meh.

I mentioned earlier how I liked how it played with truth and reality, there’s one exception, one where it made me feel kind of uneasy. Most of the characters are portrayed as somewhat sympathetic, with one exception. Most of the characters are portrayed as somewhat intelligent, with one exception. Most of the characters are portrayed as being slightly blameless, with one exception. And it’s all the same exception: Shawn Eckhardt, who is played BRILLIANTLY by Paul Walter Hauser by the way. I mean, truly brilliant, he adds a lot of character tics that make him really stand out. Anyway, so back on track. Why did I feel slightly uneasy about this character being the main idiot, the main villain really? Because he’s the only one of the main characters who is dead. That feels a bit weird to me. Now, this might be a case of reality being unrealistic. Maybe it was all his fault and he was the dumbest person alive, and a massive prick. But considering how the film itself admits the lies that a lot of the main people involved tell, it feels a bit weird that they seem focused on attacking the one guy who can’t defend himself. It’s very easy to make Jeff Gillooly out to be the idiot villain, I mean he’s been arrested for driving under the influence, and sold his honeymoon sex tape. Although he did save the life of an 81-year woman, so he’s not all bad. That’s the main message of this film; people are complex and truth is subjective. Also, telling a group of judges “suck my dick” is never not funny. Go see this whilst you have the chance.

Game Night (2018)

I saw this as the final film in a 3-film binge at the cinema which also included I, Tonya and The Shape Of Water. So it was a weird contrast, started with two films which have pretty much swept all the awards this season, and then ended with one that definitely didn’t. So it came as a surprise that I was really impressed with a lot in this. Visually it did more than I expected it to. A lot of the establishing shots were set up and lit so that the houses looked more like toy models on a board game. It’s a great visual trick and one that wasn’t actually needed, which makes me appreciate it even more. They could have just done them normally, but the fact they did, was cute and added to the film. This film is actually a lot better in a cinematic sense than you expect, not just with the aforementioned establishing shots, but also the action scenes. They’re not quickly done, the action lingers on and is really well constructed. Shout out has to go a scene involving the characters playing keep-away with a Faberge egg. A seemingly one-shot scene that tracks all the way through a house and involves all the characters at different locations in the house. A remarkable achievement and one that will surely land in my “best scenes of the year” come years end.

So onto the rest of the film. This wasn’t the best film I’ve seen, but it was very very good. Was funny, had more twists than a pretzel, and the performances did what they needed to. It’s basically the cinematic equivalent of a burger, it won’t change your life, and you won’t rush out to consume it again, but it is incredibly enjoyable whilst it lasts, and you will have fond memories of it.

Back to the performances; Billy Magnussen, in particular, was impressive. From what I saw in the trailers, and from his opening scene, I assumed his performance would be “Poundland Alan Tudyk”, but it was a great performance. So more like the Pepsi to Tudyk’s Coca-Cola, not quite the same but enough similarities where you like it anyway. His character is basically a smart idiot, which is always a great character for comedy. Actually, the entire thing is full of well-developed characters. 10 characters are given extensive screen time, they all have their own personalities and quirks. Whilst the film itself doesn’t really lend itself to a sequel, the characters do.

I feel special mention has to go to Jason Bateman and Rachel McAdams. Not only for their performances on their own but also their on-screen chemistry. They make an easily believable onscreen couple, which makes it easier to root for them. Also, thank God this film doesn’t go with the traditional “couple fights after a misunderstanding” sub-plot. No matter what goes on in the film they’re a tight couple, it’s actually genuinely heartwarming and sweet to see such an idyllic vision of love and relationships in modern cinema. The montage where we see their relationship develop and grow is a brilliant piece of relationship-building, very good, very funny, and incredibly sweet.

So, in summary. I’d highly recommend this film, a welcome piece of comedy to watch during the overly serious Oscar season. A fun caper that you can lose yourself in briefly. Buy on DVD if you see it in a 2 for 1 deal.