Three Billboards Outside Ebbing, Missouri (2017)

*whispers* I think I liked this more than Coco. Now, obviously, they’re two very different films. But when a Pixar film is one of the first films you see all year it can sometimes seem like the cinematic year has peaked already. Thank god for this film then, showing that there is hope. Well, I say “hope”, this film isn’t one that really gives you that. It’s unrelenting in its bleakness, yet conversely is also incredibly funny. This is not a pleasing film, but it is a satisfying one.

This is the kind of film you don’t really watch as a film, you experience it. There’s no happy ending, good deeds go punished and bad deeds are rewarded. This does affect the way you watch it at the cinema. There’s a certain point in the film where a major event happens (not spoiling it as you REALLY need to see this film) and it feels like this is what the film has been building to. It felt like a natural crescendo for the film, where even if it wasn’t the ending it would be very close to it. I saw people quickly finish their drinks and food in preparation, then the film continued for like another half hour. The enthusiasm and the mood in the room deflated like a…..well, like a balloon being deflated. Kind of annoying, but also kind of wonderful. That’s basically the point of life, isn’t it? That there are no definitive endings and sometimes all you have is more questions.

three-billboards-outside-ebbing-missouri-landscape
This is one of about three scenes in the film which are in contention for best of the year

The story wouldn’t be much though if it didn’t have the right cast to play it out. The cast that’s put together for this is absolutely superb, it’s been well documented how good Frances McDormand, Woody Harrelson, and Sam Rockwell are in this. But the supporting cast is great too. Caleb Landry Jones is smug enough so that even he’s right you still kind of want to punch him and throw him through a window. Lucas Hedges continues to show that his work in Manchester By The Sea wasn’t a one-off bit of luck. Just generally a great ensemble cast. But I do need to point out the leads. I’ve watched a lot of films with Woody Harrelson and Sam Rockwell in, so it should be difficult for me to lose myself in a film starring them. It should be really difficult for me to not think of them as Woody and Sam, and to start thinking of them as the characters they are. But they’re so damn good that you do get lost in their performances, you buy into their characters easily. There’s one scene in particular where Woody Harrelson’s character is in an argument with Frances McDormand’s when he suddenly coughs up blood onto her. The way the actors play it is perfect, they instantly switch gears from an emotionally intense scene to a different kind of intensity. It’s a stunningly beautiful piece of acting, and a scene everybody should watch.

THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI
“So how’s it all going in the nigger- torturing business, Dixon? “It’s ‘Persons of color’-torturing business, these days, if you want to know. And I didn’t torture nobody.”

I will admit I’ve struggled to write this review. It’s much easier to write reviews of bad films or films which could be improved. For this all you can say is “it’s really good”. Can’t point out problems, can’t point out weak links in it. I can’t even moan about it being underrepresented at awards shows. If it had M.Night directing it at least it would have had a twist ending where it turned out to be something to do with aliens. I mean, it would have been shit and ruined the film, but it would have given me something interesting to write about. Damn this film and it’s wonderful, brilliant greatness.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s