2022 In Film: Day Eight (The Very Good)

Belfast

Ups: Does a great job of putting you in the shoes of someone living in that time.

Incredibly personal.

Great performances.

Very funny at times.

Downs: Unless you have knowledge of history, specifically the “why”, you could be lost in regards to character motivation.

Has Van Morrison on the soundtrack. I knew it would be busy so did a COVID test before going to the cinema to see this, and for the next few days after. All that for a film with a fucking anti-vaxxer on the soundtrack

Some people might not like that it’s mostly in black and white. (although I love the moments when it’s not)

Best Moment: His mum dragging him back to a shop in the middle of a riot to make him return something he looted.

Best Performer: Jude Hill. But I did like Lara McDonnell too.

Opening: Sets the scene perfectly. The overhead shots of the are wouldn’t be missed if they weren’t there. Although the transition between colour and black and white, present and past, is visually glorious and I love it.

Closing: “for the ones who stayed, for the ones who left, and for all the ones who were lost.” over a colour scene of the area. Beautiful, poignant, powerful.

Best line: The Irish were born for leavin’, otherwise the rest of the world’d have no pubs

Original Review here

Black Panther: Wakanda Forever

Ups: Handles a delicate situation perfectly.

Very emotional.

Some great performances.

Sets up the future well.

Downs: Too many moments which don’t go anywhere.

Waste of potential moments.

Best Moment: The attack on the ship. Was like something from a horror movie.

Worst Moment: The final fight. Only because it involves people wearing blue, fighting blue people, against a sky blue background.

Best Performer: Angela Basset. Easily.

Opening: T’Challa dies. Really it’s the only way they could have opened it, they had to address it, so it’s brave they did it immediately.

Closing: T’Challa had a son. Bit of a predictable ending, lets it down.

Best Line: Ramonda’s whole speech in the UN.

Original Review here

Clerks 3

Ups: When it hits hard, it hits VERY hard.

Funny.

Nice to see these characters again.

Downs: It’s strange to say but this is trying to hard to be a comedy. It’s so scared to be serious.

Takes a bit too long to get to the actual story

Best Moment: Dante’s rage. It’s the only scene with no laughs and it’s the best part by a long way.

Feels like these characters only exist in the movies, they don’t exist when the cameras not on them.

Worst Moment: Kevin Smith narrating over the credits, explaining what happened to the characters afterwards. Feels incredibly lazy and last minute.

Best Performer: Jeff Anderson. O’Halloran is close, but Anderson takes it.

Opening: Starts with Welcome To The Black Parade, always a good start. Feels weirdly out of tone with the visuals though. The visuals are low-fi, and Black Parade isn’t exactly low-fi. Kind of weird , feels like it’s just playing over and they’re completely separate.

Closing: One of the characters dies. Heartbreaking, I wish the film was more of this and less “typical Smith”

Best Line: “i wish I had a life worth fucking saving”

Original Review here

Doctor Strange In The Multiverse Of Madness

Ups: Scarlet Witch is a truly sociopathic villain

The closest the MCU has got to a horror movie.

Damn fine special effects.

A decent third act.

Some incredibly inventive action set pieces.

Downs: Offscreen inertia is definitely in effect. There are times where it feels like the characters must be just standing around twiddling their thumbs when the camera is not on them

Should be a 15.

If Scarlet Witch is redeemed it will be a complete waste of her potential.

Best Moment: The Illuminati scene.

Worst Moment: The final scene. Easily.

Best Performer: Xochitl Gomez.

Opening: America Chavez and an alternate version of Strange being chased by a demon, then Strange tries to save the universe by killing Chavez. Good choice of opening, introduces America, shows off the visuals, sets up the multiverse, and shows that stakes are high.

Closing: Strange is walking down the street and is suddenly in pain, developing a third eye. Awful closing. Just leaves a “wait, what?” feeling.

Best Line: “What mouth?”

Original Review here

Lightyear

Ups: Emotional.

Deals with very heavy subjects in a way that’s easily understandable.

Fun.

Good characters.

Downs: Doesn’t feel 90’s enough.

Still not entirely sure why it exists.

Best Moment: The montage of failure.

Worst Moment: The twist about the villain. Doesn’t feel earned.

Best Performer: Taika Waititi. A lot of fun.

Opening: “In 1995, a boy named Andy got a Buzz Lightyear toy for his birthday. It was from his favourite movie. This is that movie”. Setting up the general concept very quickly.

Closing: You know how this ends, from the second this film starts, you know how it ends, come on now.

Best Line: “That was utterly terrifying and I regret having joined you.” That’s also what I say after any social activity

Original Review here

Olga

Ups: The gymnastics themselves are astounding.

Beautiful shots.

Made astounding by current circumstances.

Downs: Made depressing by those same circumstances.

Some side characters feel inconsequential

Best Moment: When Olga has to give up her Ukrainian passport and get a Swiss one. It does a tremendous job of selling her guilt at giving up her national identity.

Worst Moment: One or two of the scenes halt the momentum.

Best Performer: Anastasia Budiashkina. Easily.

Original Review here

On The Count Of Three

Ups: Directed very well, especially for a first-time director.

Incredibly funny but also not.

Good performances.

Downs: The ending third felt like it didn’t belong in the same universe.

Best Moment: Character has a meeting with his boss, then calmly walks into a toilet cubicle and attempts to hang himself. No music. All takes place in real time. Meanwhile a guy walks in and pees in a urinal while singing cheerfully, not knowing about the potential unaliving happening in the same room. It’s bleak and horrifying, plus weirdly funny.

Worst Moment: The very last scene. Dialogue-free, only for a few seconds. But I felt it kind of detracted away from the story. I get why it was done, but could have been a better way of doing it.

Best Performer: Christopher Abbott.

Opening: The two characters pointing guns at each other, ready to fire in a suicide pact, gunfire, cut to black. Great opening, gets you immediately invested, and in that short moment you get their love for each other. You get personality, you get motives, you get relationship with each other. Crams so much.

Closing: A suicide. It’s obvious. It’s one of those films where it all feels inevitable. It’s beautifully written. The other guy is in prison. That coda wasn’t really necessary it felt like. Would have been a stronger ending if it did just cut to black with the gunshot.

Best Line: “Do you know that I have been going to doctors since I was 8 years old in foster care. And most of them had private practices by the way they weren’t this state-employed bullshit. And if any of you guys knew how to help me by now you would have fucking done it. Why the fuck are you guys so obsessed with keeping everyone alive anyway? You think all life is precious? All life? If you lived in my head for one minute you realise it fucking isn’t”. The sheer outpouring of emotion and helplessness.

Original Review here

The Black Phone

Ups: Very creepy at times.

Original concept.

Downs: The Grabber isn’t built up enough by the town. You never get the feeling this is a town in fear.

Serious issues with pacing.

Best Moment: The final fight. Very narratively satisfying to see all the knowledge come together.

Worst Moment: The brother of The Grabber realising the truth. His actions don’t really ring true.

Best Performer: Ethan Hawke.

Opening: Standard “meet doomed character” horror opening. Quite weak, especially compared to how creepy the opening credits are.

Closing: Finn sits next to his crush and says hi. Only works because of the age of the characters, if they were older that would be a slightly pathetic closing. As it is, kind of sweet.

Best Line: “Yeah I took him down cause obviously I’m the grabber you dumb f’ing fartknockers” Great line delivery

Original Review here

The Justice Of Bunny King

Ups: When characters do stupid things, they usually make sense because of how well they’re written.

Heartbreakingly true.

Downs: Overwrriten towards the end.

Best Moment: Being shown around the house.

Worst Moment: Her holding someone hostage feels a bit out of tone at the time.

Best Performer: Essie Davis

Opening: Characters washing cars in the rain to the tune of what I always assume is an Alanis Morrisette song. She then goes and helps someone who is having trouble with social services. Says a lot about her character and situation. Very quickly establishes her.

Closing: A phone call with her kids. She knew she’s screwed up, and she knows she’s made it a lot worse. The kids don’t seem phased though. Which makes it worse. They’re too young. Their innocence comes off as apathy and you can tell she’s doomed. Then the police shoot her. It’s really the only way it could end. It’s emotionally devastating but narratively satisfying. It also says a lot about her character that when she’s being loaded into the back of the ambulance she points out the windows are disgusting

Best Line: “why are you talking to her like that?” After a social worker speaks to the character’s disabled child like she’s an idiot.

Original Review here

The Unbearable Weight Of Massive Talent

Ups: The most Nicholas Cage move that exists.

Cage and Pascal have great comedic chemistry.

It’s weird.

Downs: Pedro Pascal is too big a name to not play himself.

JCVD is much better.

Best Moment: The wall scene. Yes it was in the trailer, but it’s so silly.

Worst Moment: The two Cage’s bit could go weirder. Weirder than them kissing each other.

Best Performer: Pedro Pascal. He should do more comedy. Okay, he did also do The Bubble this year, but is it really a comedy if nobody finds it funny?

Opening: Someone gets kidnapped, coincidentally whilst watching a Nicholas Cage film. There was room to be more creative here but they didn’t take it. I’m glad they didn’t do the “fight scene opening, but turns out to be a scene in a movie”

Closing: A film based on the events on this film has been released. Cute.

Best Line: The line of coke Nicholas Cage presumably done before shooting this.

Original Review here

Thor: Love And Thunder

Ups: Works as a standalone.

Rescues Jane Foster as a character.

Love is a great character

A lot of very good scenes, and some real creative visuals.

Downs: Tonal issues.

Occasionally goes a bit too silly.

Feels like a lot of wasted potential of some stories.

Best Moment: The montage of Thor and Foster falling out of love. Works as a mini-film on its own.

Worst Moment: Everything with the goats.

Best Performer: India Hemsworth. Not in it much, but owns every scene she’s in.

Opening: Thor is fighting with the Guardians, and ruining everything. Funny, but does make the rest of the Guardians feel a bit weak. Plus, do they just not care about looking for Gamora now?

Closing: Foster dies, Love lives with Thor. Bit weird, he hasn’t expressed much desire to be a father before. Sweet though. But I still can’t shake how out of nowhere it feels.

Best Line: “Once we bring the children back, we shall feast! Not on them. We don’t do that any more. That is a dark part of our history”

Original Review here

Three Thousand Years Of Longing

Ups: Phenomenal visuals.

Interesting stories.

Downs: Really loses steam in the third act.

The romance feels rushed.

Sub plots aren’t picked up on.

Best Moment: That trailer. That got you hyped up for it like a good trailer should.

Worst Moment: When you realise it’s a box office bomb.

Best Performer: Idris Elba

Opening: Alithea goes to Istanbul and suffers hallucinations. The hallucinations are kind of a weak point for the film. But it does have some interesting visuals.

Closing: The Djinn visit Alithea and says he’ll check in every few years. Kind of sweet, but they never really felt like a couple so it’s a bit weird he has this connection with her.

Best Line: Love is a gift. It’s a gift of oneself given freely. It’s not something one can ever ask for.

Original Review here

Umma

Ups: A great opening credits sequence.

Shows that the director is meant for great things.

A haunting look at family trauma

Everyone feels like real people.

Downs: Some jump scares are a little corny.

Best Moment: Really clever scare involving a face under a sheet. Really creative.

Worst Moment: There’s a moment where the main characters mother attacks from the grave, using clothes. It looks a bit hokey and silly.

Best Performer: Sandra Oh

Opening: The sound of knocking and someone asking their mother to open a door. The daughter apologising, the mother rejects her apologies and we hear electric noises and screaming. Good start, suitably creepy.

Closing: The daughter goes off to college, showing she’s being allowed an independent life. Yes, it’s cliche, but really it’s the only way this narrative could end.

Best Line: Look, I know you think people think you’re weird, and I’m not gonna lie, you are. But, no, you think being weird is a bad thing, you think you’re the only one. But you know what? You’re not. There are tons of other weirdos out there, cool interesting people like you. You just have to out into the world and find them.

Original Review here

Violent Night

Ups: Very bloody.

Clever allusions to Home Alone

Deeply cynical whilst also heartwarming.

Downs: A bit longer than it needs to be.

Could go deeper with the satire.

Best Moment: The reveal of Santa’s past.

Worst Moment: The villain’s motive is a little meh.

Best Performer: Leah Brady is incredibly adorable and likeable. I’d also like to point out Mitra Suri, but that’s for different reasons.

Opening: Santa is drunk. Seen this kind of thing before, but the fact it’s actually Santa does mean we can get a scene of him drunkenly vomiting from up high.

Closing: The reindeers come back, with gifts. Little bit plot convenient that they happened to miss the whole thing.

Best Line: Now, I know you’re an idiot, but don’t be an idiot out loud.

Original Review here

We’re All Going To The Worlds Fair

Ups: Some great make-up. Best demonstrated when someone puts his fingers under loose skin in his arm and starts pulling out tickets. Incredibly creepy and weird and disgusting.

Reminds me of Gone Home, and I’ll always appreciate thinking of that game.

The scene where she paints her face and tears her stuffed toy apart is weirdly creepy.

Weirdly hypnotic.

Both the lead performer, and the writer/director, are clearly meant for bigger things.

Downs: Definitely too slow and weird for a lot of people.

Needs a clearer narrative.

Best Moment: The message she gets with the image of her face distorted. It’s so simple but it’s expertly done.

Worst Moment: The ending where it changes focus. Bit of a narrative miss-step.

Best Performer: Anna Cobb

Opening: Casey sitting in her room on her own, eating (I think) cheesestrings before introducing herself and saying she’s going to take the “Worlds Fair Challenge”. Good use of silence as it makes you lean in and pay attention. But it goes on a bit too long. Especially since she stops, changes the lights, and then starts recording again and continues talking to the camera. Which consists of her saying “I want to go to the worlds fair” into the camera, smearing blood on the computer, then sitting in strobe lights. The opening credits, much more effective, just a series of shots of the local area in ruin. Not “apocalpyse” ruins, economic ruins. Shops are closed down and boarded up. This plays alongside a great piece of music which may well be one of the best original compositions of the year in terms of made movie soundtracks (although the one for Olga was close)

Closing: She has (possibly) met up with JLB. There’s a strange ambiguity to it that could leave an audience frustrated. It’s all done from JLB’s perspective. It reminds me of the opening, in a bad way. That sense of “nothing is happening”.

Best Line: I swear, someday soon, I am just gonna disappear, and you won’t have any idea what happened to me.

Original Review here

Black Panther: Wakanda Forever (2022)

Quick synopsis: A bluefish with achilles wings tries to protect his homeland, by invading another.

This was always going to be a curious watch. How exactly would they deal with the death of Chadwick Boseman? It was going to need to be handled delicately, not just because of what happened, but who it happened to. Boseman was regarded as one of the nicest people in Hollywood, and the circumstances of his death, where he went to children’s hospitals to meet fans even whilst he himself was dying, which could not have been easy for him. Often the goal with watching a film is to forget the external influences and review it on its own merits. It’s why I didn’t watch Don’t Worry Darling, because the on-set conflicts overshadowed everything about it and it would be difficult to watch it and not analyze everything for hints of the backstage drama. It’s like how you can’t read old lostprophets interviews without looking at every sentence for clues of the singers misdeeds (polite way to put something horrific). But this is different, you CAN’T go into this blind, you know the circumstances of Boseman, and it’s too big for the film to ignore.

They don’t ignore it, they have the character die of an unspecified illness off-screen. I’m glad they did that, if they just had him disappear there would be the worry he’d be recast in the future, and if he got killed by the villain it would seem a bit cheap. His death hangs over the film and defines the characters, you feel that this, more than any other film in the MCU, was one that was needed. It was needed as a tribute, and it was needed for the cast (and to a lesser extent, the audience) to help them grieve and get through it. None of this would matter if the film itself wasn’t good though. Phase Four has been divisive, some of that has just been due to people complaining that it’s not the Infinity Saga again, and some of it has been because “too many women”, but when the phase has also included its weakest film to date (Eternals), and a general lack of focus, it’s hard to get the same level of excitement as you used to get. Especially since lately they’ve eschewed plot and instead gone with “surprise cameos”. This doesn’t really have many surprises, it focuses on good storytelling. This is probably the most mature Marvel has been in a long time. I hate that saying “mature comic book movie” because it usually means (ironically) that it’s just full of blood and swearing, in a way that only really appeals to 15 year olds. This is actually mature. It deals with themes of loss and legacy. It’s genuinely heartbreaking at times and is well done.

The script is helped by the performances, Tenoch Huerta Mejia probably needed more to do but he does brilliantly and I’d like to see him return in the future as there’s a lot that could be done with his character. Letitia Wright looks a natural to lead the franchise going forward (if she stops making enemies on set). But the best performance was Angela Bassett, who gives a tremendous performance, thre’s one scene in particular where we see all her characters pent up rage and emotion, it’s the kind of scene which makes you wonder if she could get an Academy Award if given the right script. It’s weird that in an action movie the best scene is one which is just dialogue, but it has so much power that it’s hard to deny that’s the case. Although I’d be lying if I didn’t say a part of that is how pedestrian some of the action scenes are. There’s a running theme in Phase Four of overly busy final fight scenes. Shang-Chi is the best example of something that should have ended with a small one on one fight scene full of emotion, but instead they went with a multi-person CGI one. They do the same here. If this ended with a hand to hand fight between Namor and Shuri it would allow it to not just be a fight, but be a scene with emotion and character work. But it keeps cutting from that fight to another scene where blue creatures fight people dressed in blue in the middle of the ocean against a bright blue sky. This makes it hard to maintain momentum. Plus, personally I hate when films cut away from fight scenes then cut back a few minutes later; either the audience missed some of the fight, time stood still and the two timelines now aren’t concurrent, or they just stood around doing nothing. A fight between two hardened warriors should have an air of “any mistake will be punished” and like it could all be over in an instant. But when you cut between two seperate fights, film-making rules determine that usually those two fights end at the same time (or follow the same momentum), so you can tell the one on one isn’t going to end early when the multi-person scene is only just starting. There also multiple “that should have killed them” moments, there’s one in particular that stands out as being especially egregious.

A big downside for this is that it, even more than most Marvel films, will lose A LOT if you haven’t seen the previous entry in the series. Say what you want about Black Adam, but it works as a stand-alone film (I know people for whom that’s the only superhero film they’ve seen this year, and it made sense to them). The same cannot be said about this, it’s so dependent on you knowing who people are, and who they are to each other too. The continuity lock-out is strong, and that’s a shame as this deserves to be seen by people who wouldn’t watch this genre normally. It would do well with them, IF it wasn’t for the lockout.

So in summary, the best possible way for them to end this phase, and they achieved it by aiming small. It’s not about the end of the universe, or the world imploding, it’s smaller, and because of that, it’s much better.