2010’s In Film Day 9 (2019+2020)

Something a bit different today. I’ll be doing the end of year roundup at the end of the month. I’ll also be doing the end of year awards too, as such I’m going to talk about the films I saw in 2019 quite a lot in the next few weeks. So if I talk about them here then I feel that will be too much repetition in a short time. So I’ve decided to approach this differently, I’m going to talk about films I didn’t see, whether my missing it was intentional, and whether I’m going to see them at any point. Because I feel that might be a short blog, I’m also adding films from 2020 that I’m looking forward to. Enjoy.

January

2019 – The Favourite

This won SOO many plaudits and awards, and that’s why I didn’t watch it. I felt if I came out and didn’t like it, and then publicly said so, a lot of people will think less of me. I probably will like it, and I will watch it at some point when I don’t have to review it, but I felt like I didn’t want to be the only person who disliked a popular film (oddly enough, I felt fine disliking Once Upon A Time In Hollywood).

2020 – 1917

Damn this is a tough month. There is SO much good stuff. Uncut Gems, David Copperfield, A Beautiful Day In This Neighbourhood, The Lighthouse. It’s a packed schedule, most of which probably won’t be shown at my local cinema because reasons. This is the film I’m most intrigued by though. I was going to avoid it because I’m so bored with war films. Then I heard this was presented like it was one long shot, and I was instantly sold. I like to reward creativity in cinema, so I have to see this.

February

2019 – Boy Erased

A film about a gay teen being forced to undergo conversion therapy. The only reason I didn’t see this is because it wasn’t shown at my local cinema. Very annoyed by that and I will watch it at some point. I thought I had seen it but then realised I watched the OTHER really bleak and depressing Lucas Hedges film.

2020 – Sonic

Will it be shit? Will it be okay? Will it be great? It will definitely be one of the first two, but either way it’s going to be a lot of fun to write about.

March

2019 – Dumbo

Unlike Boy Erased, the cinema did play this, a lot. I purposely avoided it. I don’t really remember too much from the original Dumbo, I remember enough to make weird references to it, but not enough to feel an emotional connection to it. So I had no desire to watch a live-action version. Plus, live-action Disney remakes are something I’m trying to avoid on principle, on the principle they’re unoriginal and stifling creativity in cinema.

2020 – A Quiet Place Part 2

I’m really interested to see whether this will fuck up my love for the first one. I’m hoping it won’t and I am genuinely interested to see where they go with it. It does seem to have quite a few flashbacks too, which could be nice.

April

2019 – Puppet Master: The Littlest Reich

I didn’t see this because I didn’t know it existed. I wish I did and watched it now as I get a feeling my review would have been a lot of fun to write. It looks like it’s either going to be schlocky fun, or just terrible. Either way, would have been fun to write about.

2020 – The New Mutants*

That has a star next to it because, let’s face it, it’s probably going to get delayed again. Film in 2017 and not released until now, which is always a good sign for a movie. It can’t be worse than Dark Phoenix though, can it?

May

2019 – Aladdin

Again, purposely avoided this one. I sometimes feel like the only person who didn’t really care about the animated Aladdin movie (or The Lion King for that matter), so I definitely wasn’t going to see a live-action one. I saw a section from it where Will Smith sings the Prince Ali song, and it just made me more determined to not watch this film. It was too visually slow. I maintain they should have had a film crew with more experience in Bollywood cinema, even if it was only just for that scene, to give it the vibrancy and life that it needed. It just seems so plodding and dull.

2020 – Artemis Fowl

I fear this. I love the books and all indications show they haven’t really paid attention to them. For one thing, they’ve got Commander Root played by Judi Dench. Now I LOVE Judi Dench, but it ruins one of the story arcs from the book which is that Holly Short is the first female LEPrecon officer, if Root has already been there then it ruins not only that arc, but also their dynamic. I will admit though, the director is the right choice, as is Josh Gad as Mulch Diggums.

June

2019 – In FabricA

Didn’t even know this film existed until I was looking through the launchingfilms.com page for films released in 2019. I’ll share with you the synopsis: IN FABRIC is a horror-comedy in which an enchanted dress wreaks havoc on the lives of those who wear it. Why do I not already own this on DVD? I now have to see this at some point.

2020 – Candyman

It’s Candyman written by Jordan Peele, you damn right I’m going to see this.

July

2019 – The Lion King

Wait, that was this year too? Damn Disney with the remakes. This film came out about 6 months ago now, it had Beyonce in it, yet I haven’t heard anybody talk about it. The live-action version has made no impact on popular culture.

2020 – Morbius

This seems like a vampire horror movie set in the MCU. I am all for that. The MCU needs to get more diverse and have different genres. It has been unable to do that until now because all the films needed to be linked, you needed to watch them all to fully get Endgame. Hopefully, now that’s finished they can be separate and they can take more risks.

August

2019 – Playmobil

Again, this could have been a vitriolic masterpiece review. But I would have felt a bit weird being the only childless adult in the cinema watching this. Plus at this point I realised I really needed to stop watching bad films, I had seen enough (this was after Dark Phoenix and Hellboy, but before Wolf, so it was going to get worse).

2020 – Bill And Ted Face The Music

I need this. I need this so much. I loved the first two movies and I really hope this lives up to the hype.

September

2019 – Ready Or Not

Now, this annoyed me. It came out just after the worst film I’ve ever seen, a film that was so bad it put me off cinema for a short while. As such I missed the REALLY brief window that this film was at the cinema. Shame as it looked good, and I’ve heard great things about it. Who knows, maybe if I saw at the cinema I would have realised it wasn’t actually Margot Robbie in it.

2020 – The King’s Man

I’m curious about this. A lot of the fun about spy movies are futuristic gadgets, so I’m curious how this is going to work. The trailer didn’t leave me as excited as it should have done. I have faith though, it could be amazing. No matter what, I’m looking forward to it.

October

2019 – Gemini Man

Hahahaha yeah I wasn’t going to see this. It looked stupid, and not fun enough to make up for it. My favourite thing about this film? The poster for it had the cast at the top, which was just Will Smith. But to show that he was playing two roles (well, three) they had his name twice. So it was “Will Smith Will Smith”, which is a grammatically correct sentence enquiring whether Smith can will someone else called Smith to do something

2020 – Death On The Nile

A surprisingly packed month really. You’ve got this, the Halloween sequel, and the remake of The Witches. This is the one I want most though, I loved Murder On The Orient Express. I loved the direction, I loved the performance, so I REALLY want more, and I’m so glad it’s happening.

November

2019 – Last Christmas

I was going to see this, then I had a realisation that I think I knew the ending. I looked it up and it turned out I was right. That instantly turned my feelings on the film from “warm christmas feeling” to outright cynicism.

2020 – Godzilla Vs. Kong

Mainly as I’m not entirely sure how this is going to work. The last Godzilla movie made him really overpowered, so I’m not entirely sure how they’re going to make Kong his equal. Interested to find out.

December

2019 – Cats

This is the only film I’ve heard of that required a day one patch. If the studio doesn’t care about quality, then I don’t give a shit about watching it. And it wasn’t just “small ironing out of issues”, it was this:

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That is unforgivable. There is no excuse for releasing the film in that state.

2020 – Coming 2 America

I’m going to need to rewatch the first film before this, but it could be weird. The only film that beats out Bill And Ted for “sequel in 2020 we’ve been waiting the longest for”. I get the feeling people will either love this, or it will bomb HARD. Either way, I’m keeping my eyes peeled for a trailer.

2010’s In Film Day 8 (2018)

January – Coco

A film that’s just as beautiful now as it was when it was released. This film is incredibly emotional, but it is also life-affirming. Yes, you’ll cry your eyes out, but you’ll also feel uplifted by the whole thing. Another great thing about it is that it used a mostly Latino cast, they didn’t just hire a lot of white people and get them to do a mildly racist accent. On the downside, apparently, when this was released it was pre-empted with a new short film based on Frozen, which is a somewhat misguided thing to do. This was one of the first films I saw that year, so it could really only go downhill from there.

February – Lady Bird

Or it could get better. This is a personal favourite of mine. I know quite a few people who hate this film, and I get it. It meanders a lot and doesn’t really have a plot. Considering how important story is to me, you’d think I would hate this. But something about this film makes me love it. I think it’s the general tone of it, it’s very warm. It’s basically an Instagram filter placed on polaroid pictures of treasured memories. It makes me nostalgic for a life I never even had, for a time which I didn’t really experience.

March – Blockers

I’ve said it before and I’ll say it again; it’s incredibly refreshing to see a teen sex comedy from a female perspective. Not many films admit that teenage girls enjoy sex. It’s mostly teenage boys “conquering” girls until they sleep with them. The idea that women can get pleasure from sex is weirdly missing from films (with the exception of two characters; the slut, and the cheating girlfriend/wife), so it is nice to see this film. Also, it’s hilarious, full of great performances all round.

April – A Quiet Place

In 1952 John Cage composed the piece 4’33”. It’s basically: everyone in the orchestra puts their instruments down and do nothing for four minutes, thirty-three seconds. The intention is that it makes people listen to the background noise, to make them aware of the atmospheric sounds around this. This film does that, Because the audience noise was so sporadic, when it did happen it wasn’t annoying, it was scary. That’s what makes this film unique, every time you see it will be different because you’ll have to listen to the background noises around you. They’ll be people uncomfortable who’ll be adjusting their position, which creates noise that scares you, that exact scare will never happen again for any other screening, it’s unique to that one experience. It’s a horror movie with audience participation. I tried watching it on a plane, though, and it didn’t really work.

May – Deadpool 2

This….this was not a good month for me. Most the films released this month that I’d want to see weren’t released at cinemas (How To Talk To Girls At Parties I can understand as was low budget etc, but the cinema showed trailers for Entebbe all the time so how can they not show that?). I prefer this film to the first one, the story is much better for one. I always felt that most of the first film felt like a set-up to the final scene, rather than one continuous story. This felt like a flowing story with a beginning, middle, and end. Plus it also genuinely surprised me, the marketing campaign hid what this film was actually about better than any film I’ve seen (including Endgame). Luckily it did it in a funny way so you didn’t feel annoyed and disappointed. The big downside is TJ Miller is still in it. I would have understood if they reshot his scenes with someone else.

June – Hereditary

The best way I can showcase my feelings about this film is to quote my original review:

It’s been a few days since I watched this. I needed the cool-down period so that I could approach this with the sophistication and slick analytical nature which we are known for. So here goes: WHAT THE COCKING SHIT-FUCK WAS THAT?

I still maintain it’s worthy of the cocking shit fuck. I may have been wrong a few minutes ago when I said Deadpool hid what the film was about the best. This completely misled the audience. Kudos to the film for having the sheer balls to kill what looked like the main character, and so brutally too, I like marketing that works like that, when it deliberately deceives you, but not in a way that you feel cheated, but in a way that it means the story beats come as a complete surprise. It’s the way of saying “okay, now all bets are off” and it throws you off. That’s what you want from this film, you want to be unsettled and to feel like you’re constantly on the backfoot. That sense of unease and uncertainty is essential to a film like this. I love it, but don’t want to watch it again.

July – The Incredibles 2

The first one was Incredible, and this one was Incredible two (I’m so sorry). Everything about this film just works beautifully, the voice-work, the way it looks, the story, it all interacts with each other in the most wonderful way. The story is serviceable, it doesn’t come anywhere near the depth of Toy Story 3, or the heart of Finding Dory, but that doesn’t actually matter. You’re not sitting there thinking “well this story is pedestrian” because the way the film is done you don’t really care, you’re just sitting there amazed at what you see unveiling in front of you. It does what it needs to do, and it does it well. That’s not to say it’s a simple movie, it’s probably the only mass-market animated movie this year that has dealt with the themes this does. Themes of masculinity and feeling worthless because you’re not the one the family depends on, the emasculation that can cause. Was it worth the wait? Kind of. I mean, I’d be annoyed if they said we had to wait 14 years until the next one, but I’d rather they get everything perfect than rush it out. Like A Quiet Place, I watched this on a plane too. Well, I attempted to, the guy sitting next to me was watching it too and he was about 2 minutes ahead of me. I had to stop the film as I knew I would never win that race.

August – Searching

It HAD to be this. It HAD to. This is one of my favourite films, not just of that year, but of all time. A true hidden gem. It’s so good I struggle to talk about it. It does SO much right, and I can’t wait to see it again. *spoilers* even the happy ending doesn’t feel forced or tacked on. Some films are so good they inspire you to make similar films, this film is so good it will kind of make you want to give up as you know you will never touch it. It’s apt that I reviewed this after finishing the Saw series blogs, because that series could learn a lot from this about how to craft a compelling mystery. The film is about a girl who goes missing, and her fathers attempts to find her, but the entire film takes place on computer screens.  This has been done before; with Unfriended, which considering I now call that “Unfriended. A.k.a, fuck that film” should show how highly I regarded that film, and my expectations for this. I have a love/hate relationship with “gimmick” films. You know what I mean, the kind where the biggest sell of it isn’t the plot or actors, but the way they made the film. When they’re done well, like Buried (one person in a casket for the entire film), they’re a great piece of film-making, but they have to be great, because if they’re only okay (Unsane), then the fact it’s a gimmick-heavy film works makes it seem worse. Every writer should watch this film, so should every editor. In fact, everyone who wants to get involved in film-making should watch this film, it’s just so damn good.

September – The House With A Clock In Its Walls

This film is the work of someone who knows what they’re doing, but is toning it down slightly for the younger audience. This is definitely a film for kids, it is a slight horror but it has that warm feeling that you associate with films from the ’80s like ET etc. There’s an air of warm nostalgia to the whole thing that will warm the hearts of fans of those films. It’s incredibly, I don’t know, cosy. Just because it’s a difficult film to dislike, does not mean it’s an easy film to love. It just doesn’t really do much to make you remember it for years to come. The final third almost manages it, with a chaotically fast-paced piece that is logical and weird. The whole film is weird, which makes sense as that’s the message of the film: weird is good, embrace the weirdness. Also; bullies are dickholes.

October – Halloween

I’ve never seen a Halloween film. Well that’s a lie, I might have seen the first one, but when I was like 10 so I wasn’t really paying attention to it. As such my knowledge of the film series is stuff I absorb through pop-culture osmosis. So I know a little bit (He’s called Michael Myers, the third one is unconnected to the rest of the series and was originally meant to be the second one, THAT music etc), but not enough that I feel emotionally connected to. Despite that; I still REALLY enjoyed this. It seems to ignore all but the first one, and is all the better for it. You don’t need to have watched a lot of films to get this, as long as you know the basics of the character you should be fine, actually considering how well scripted this is I don’t even think you’ll need that. It does a great job of bringing you up to speed, explaining what’s haunting certain characters. The downsides of this film; there’s one death which is kind of embarrassing to watch. It’s where Michael Myers stamps on someone’s head, it looks incredibly fake and is almost comical. It breaks the tension completely and takes you out of the moment. There are also issues with the characters. The ones who survive are fine, it’s the ones who die that you don’t really care for. There are some characters with promise who then die before they get to fulfil that promise. And there is a twist which is completely unnecessary and stops mattering after a few minutes, it seems like it is only there because it was the only way they could think of to move the plot from one moment to the next. Luckily the moment that builds up to is superb.

November – Ralph Breaks The Internet

I enjoyed the first movie, it was fun, heartwarming, smart, and funny. It was done by people who had an obvious love for video games, specifically arcade and retro ones. This one……doesn’t really work, for many reasons. Firstly, it kind of feels like a generic movie, not a Wreck It Ralph sequel. The first movie doesn’t seem to come into play much here, it’s not a natural progression and feels like it could have been written featuring any characters. Too many of the jokes veer into “this is a thing, we are referencing the thing, now laugh!” territory. There are some funny moments but they’re few and far between. This wouldn’t matter as much if the script was engaging, but it’s not. It’s incredibly bland, I was actually bored many times throughout this. When it approached what I thought could be an ending I was actually disappointed to be proven wrong. There’s an entire subplot about characters from the first movie starting a family which takes up a grand total of about 3 minutes of screentime. It’s kind of strange as you can tell the film was aiming to be emotionally heavy, and that would have been a good subplot to cut to to relieve tension and provide juxtaposition. It’s way too reminiscent of The Emoji movie for its own good.

December – Spider-Man: Into The Spider-Verse

This film loves the character of Spider-man, you can tell this by the way it mocks him sometimes. It’s like the lego batman movie in that way, it does make fun of previous films, but it’s done with such knowledge and love. This is a different kind of comic book movie, for one thing, it’s REALLY weird. It’s a film for kids that deals with multiverse theory. It’s also incredibly meta, but not too much so. The voice work here is great too. The film-makers didn’t skimp when it came to casting, you’ve got real talent here: Hailee Steinfeld, Lily Tomlin, Nicholas Cage, Liev Schreiber, Kathryn Hahn etc. It also features what has to count as the best and most heartbreaking Stan Lee cameo ever. This is the first film released after his death (not counting the Deadpool 2 re-release), he appears on screen after Spider-man dies and says “I’m going to miss him”. F*cking heartbreaking. The most depressing part of the film, and there’s quite a lot of them, I mean, the original Spider-man gets killed early on, and all the alternate spider-men/pig/women are haunted by a death of someone, they’re defined by guilt about who they could not save. This is the best time to mention the characterisation of the different universe characters; they are all fully-fledged characters with motivations and backstories. This could be a film to launch a franchise.

The animation is some of the best you’ll see, with multiple styles displayed across the film, each incredibly distinct and gorgeous. The fight scenes are done brilliantly too, you never lose track of what’s happening, the final fight, in particular, is a masterpiece of surreal film-making that plays out like a AAA video game boss level. The soundtrack too, is amazing. It really suits the film, the songs are not only great but they go perfectly with the images. It does what a soundtrack should do, it complements the film perfectly. Yeah, I’ve said a lot of good things about this, with good reason, it’s BRILLIANT. The one downside is the flashing lights could cause a seizure, and that really should have been better publicised. Other than that? A great way for me to end the year, and this blog.

2018 In Film Part 5: The Amazing

Right, you can probably guess what I thought about these films. Enough faffing about, let’s do this!

A Quiet Place

This is a film that gives zero shits about you being comfortable. It kills a child in the opening scene. I genuinely loved this film, not just because of what it was, but what it represented; an innovative idea in cinema. I hope the sequel doesn’t destroy the legacy that this one built, fingers crossed. Everything about this is superb; the performances, the look, the originality. Well worth a watch.

Original review here

+It changes how you watch cinema, you end up being an active watcher, too scared to make any noise.

-This film doesn’t work in certain conditions (I tried watching it on a plane and it just did not work at all)

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This admittedly plays fast and loose with the truth, and to be honest is all the better for it. It seems to acknowledge its own falsehoods which makes it okay. At first I thought the ending went on too long, but by the time it finished I felt inspired to go fuck shit up. This is a film that will inspire you, not to make films, but to make a difference.

Original review here

+The fact it’s true.

-Some of the characters seem a bit one-note.

Black Panther

This film so damn good. First off, the villain could easily be the hero of a different movie. I think its the first Marvel film to be nominated for Best Picture at the Academy Awards, and it’s fully deserved. Not the Marvel film I’ve enjoyed the most, but certainly the most complete and cinematic they’ve got, and without a doubt the most culturally important.

Original review here

+The effort that went into the set and costume design.

-The CGI in the final fight scene is a bit off at times.

Blockers

I’d understand if people didn’t agree with this, if they thought it should have gone in the “good” section instead of this one. But I don’t hide that this is entirely subjective and based on personal opinion, and in my personal opinion this film was amazing. It was great to see a sex-based teen comedy from a perspective that wasn’t just teenage males. This had the teenage girl perspective, and the parent perspective. Incredibly funny and sweet, I just love it so much.

Original review here

+Geraldine Viswanathan is a star in the making (if there’s any justice)

-Some questionable music choices.

Coco

What can I say about this film that hasn’t been said already? I could say it’s bad, nobody has said that, because it would be bullshit. This film is amazing. It’s almost as emotional as Inside Out. Everything about it is just so perfectly done. It’s done with love, love for the story being told, love for the culture, and love for the medium of film.

Original review here

+It’s great at showing the love and passion people have for music.

-Might not resonate with kids due to the themes.

Deadpool 2

Is this film going to change your life? No. Does it have a great plot? No. Is the pacing great? No. Is it visually impressive? Not really. Is it INCREDIBLY fun? Yes. I actually preferred it the first one. It had a better plot, was funnier, more meta (What’s a meta? Nothing, what’s a meta with you?), and much better directed. I love the first one don’t get me wrong, but even when someone was beating the shit out of Deadpool you couldn’t really feel it. In this one, when he gets hurt, you really feel it, so even though the character is effectively unkillable, he doesn’t feel invulnerable.

Original review here

+The opening scene set to Dolly Parton’s 9-to-5 is perfection.

-Drags in some places.

Ghost Stories

Was a massive fan of this. Not really “Arghhhhhh” scary. But very “sitting behind the sofa in fear” scary. It was essentially the cinematic equivalent of reading a ghost story. Everything about it was just perfectly done. And you’ll find yourself annoyed that you didn’t guess the ending considering that really it’s the only logical way it could have ended.

Original review here

+The never-ending sense of dread.

-Some of the make-up and effects could be a bit better.

Halloween

Full disclosure. I don’t think I’ve ever seen a Halloween movie. I’m aware of them, and the tropes they have, and the history of the franchise etc but I’m not sure I’ve ever seen them (I’ve seen bits of the first one when I was younger) so I wasn’t exactly going into this with the weight of the franchise on me. I wasn’t going in thinking “this will be the comeback”. That being said, this is the comeback. It’s a back to basic horror, he doesn’t set elaborate traps or depend on luck. He moves slowly and he kills things, that’s it. That’s the character. And it works in this. He is utterly terrifying as a character in this movie. People talk about how they would beat certain movie characters, you would struggle to beat this one, he’s a real force to be reckoned with. And Laurie Strode gets just as much attention as he does, which is important for horror movies. The reason I don’t like a lot of horror films is I don’t care for the characters. There is usually so much focus on the killer that the victims aren’t fleshed out so you don’t really care what happens to them. This is the opposite, if some of the characters in this died, you would feel emotionally impacted.

Original review here

+Laurie Strode is bad-ass.

-There’s one death in particular which just looks a bit silly.

I, Tonya

I enjoyed this film, and will gladly watch it again. Despite knowing the basic story of what happened, I still wanted to see how it unfolded. It’s difficult to trust it as a historical source but you’re so entertained that it doesn’t really care. The soundtrack is also great, as are the performances. I don’t think it deserved academy award nominations, but it was incredibly good.

Original review here

+The attention they took on some of the interviews to make them look dated.

-The fact that the idiot character is the only one of the main characters who is dead right now. Felt a little uneasy

I Kill Giants

Knew barely anything about this film going in, and it was on netflix so I was uneasy. I loved it though. So much. The main character was engaging, the story was heartbreaking, and Madison Wolfe continues to be great. This was going to go in the “good” one, then I remembered this.

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I cannot put a film that has THAT line in it in just the good. This film was great and I loved it. Also the unwritten rule for this blog is “Do I really NEED it on DVD?”. I got the DVD for this the day after watching it, so I guess that answers that.

Original review here

+The main character is one of the best of the year.

-Slightly too reminiscent of A Monster Calls (this is a plus for me though as I loved that film)

The Incredibles 2

This film was incredible and I loved almost every moment of it. Yes the reveal of the villain was obvious, but I didn’t care because I was so into the story. The animation as well is as great as you expect, EVERYTHING looks crisp and loaded with detail to the point you forget it’s animated at times. Also need to show love for the action scenes, they’re stunningly thought out and inventive.

Original review here

+It’s a mainstream animated film that deals with masculinity and feelings of worthlessness.

-Fourteen years! Fourteen years we waited for this!

Lady Bird

I can get why somebody would not like this film. Actually screw that, I can get why people would HATE this film. It’s not for everybody, and that’s okay. The structure is all over the place and you probably will find the character annoying. I LOVED it though. I found it was like watching a series of polaroid pictures. This film felt incredibly personal, and it will forever hold a place in my heart, I’m just not sure why.

Original review here

+The general ambience. It FELT lovely.

-Be wary of showing this film to someone as they could easily hate it.

Searching

Where did this come from? Gimmick movies usually stop being great once you see past the gimmick. And the gimmick in this was also used in Unfriended, and I hated that film. So how did this end up being one of (if not THE) greatest film I’ve seen this year? The performances were good, yes, but it’s not that which elevates it. I think it all comes down to story. The script for this is GREAT. A mystery film which takes so many twists and turns you think it’s lost. Everytime you think the answer is obvious this film tells you why you’re wrong. The ending is the only logical way the story could go, and it’s genius. Everything about it is fantastic.

Original review here

+Original concept, brilliantly done.

-As a writer it will make you intensely jealous.

The Shape Of Water

Certainly an interesting film. There is a chance you might be too weirded out by it, I mean, it’s a woman fucking a fish-creature. But it’s so full of warmth and magic that if you like it you’ll adore it. All the pieces fit together like a beautiful puzzle piece; the music, the performances, the universe its set in, it all merges together to create something truly beautiful.

Original review here

+The music. So good,

-Might be bit too weird for some.

Spider-Man: Into The Spider-Verse

An incredibly good movie. Easily matches up (and possibly surpasses) Homecoming. Emotional, funny, and written with a true love for the character and the genre. It also has one of the best soundtracks of the year. If you didn’t hear it you wouldn’t immediately think “Spider-Man”, but once you’ve seen the film you won’t be able to unmake the connection. Some films have great songs, but they don’t particularly match the film that much, and are more compilation albums than soundtracks. This is different, the songs really suit this, they seemingly transport you to a certain mood.

Original review here

+The love for the character is really obvious to see here. This was done with great affection.

-The flashing lights which happen without warning and could trigger migraines in people or cause issues for epilepsy sufferers.

Three Billboards Outside Ebbing, Missouri

So good, so, so good, but brutal as fuck. Not in terms of violence, mainly in terms of tone. A film that makes you hate the world, but love film. Won a lot of awards and every single one of them was deserved. Featured some of the best performances of the year, and incredible dialogue which will make you laugh in spite of yourself. Well worth a watch, but prepare something nice for afterwards.

Original review here

+The natural flow of it feels incredibly realistic.

-The lack of a definitive ending may put people off.

 

So, that’s the films of 2018 ranked, the awards will be coming soon, and lets just say some will fare a lot better than others. Reviews of Stan And Ollie, and Glass will be up soon so enjoy them. Let’s hope 2019 is even better

A Quiet Place (2018)

Words alone do not do justice to this film. A true game-changer in terms of horror. The typical approach to directing horror films is “quiet, intense music, quiet, LOUD, OH SO LOUD”, replacing genuine terror with jump scares. Which are fine, they scare you during the film, but they don’t completely mess you up and fill you with dread. This film shows the importance of sound in horror, actually, screw that, it’s the importance of sound in cinema in general. It’s a great showcase of the power of cinema, not in a “this film will emotionally devastate you for days” way, but in that it changes the way you watch films. The disadvantages of going to the cinema to watch films normally involve other people: they make too much noise talking or eating or (when I went to see Hunger Games) getting drunk, falling asleep and snoring, then getting annoyed at the cinema staff that they didn’t pause or rewind the film for you (if you think that’s a reasonable request to make: go fuck yourself). This film is different, from my experience (and from what everyone who has seen) everyone in the cinema partakes in an unspoken (hah) pact; if you speak we will hurt you. I haven’t seen a film influence the audience this much since….well, ever. Nobody made a noise, and it was a busy screen. It was actually pretty great, as when there was a loud scene, you could just hear everyone finally open their food/cough etc. When I say “nobody” made a noise, there was a few coughs here or there but that can’t be helped, and if anything, that enhanced the experience. In 1952 John Cage composed the piece 4’33”. It’s basically: everyone in the orchestra puts their instruments down and do nothing for four minutes, thirty-three seconds. The intention is that it makes people listen to the background noise, to make them aware of the atmospheric sounds around this. This film does that, Because the audience noise was so sporadic, when it did happen it wasn’t annoying, it was scary. That’s what makes this film unique, every time you see it will be different because you’ll have to listen to the background noises around you. They’ll be people uncomfortable who’ll be adjusting their position, which creates noise that scares you, that exact scare will never happen again for any other screening, it’s unique to that one experience. It’s a horror movie with audience participation.

It’s not just the sound, the way the film looks is superb too. John Krasinski has done a GREAT job with this. Even more so considering it’s only his third film, and his first horror. Horror is a genre where you need a good director for it to work. Comedy you can kind of get away with it looking bland if the script is good, horror doesn’t allow that, you NEED someone who is a master behind the camera, and the fact he’s this accomplished is a great sign. With him and Jordan Peele doing work like this, this early in their careers, other directors will need to step up their game for their films to be considered great. Films will no longer be allowed to be as cartooney and silly looking as Saw 3D (holy hell that film looks cheap), which is great, as it means more greatness.

His performance was good too. Him and Emily Blunt share an obvious chemistry (can’t imagine why) which really sells their characters plight. He’s been in a lot of other films, but I think THIS is the one where he finally sheds his “Jim from The Office” status. The true star of the film though, is Millicent Simmonds. Not just because it’s good to have an actual deaf person playing a deaf character as opposed to someone with perfect hearing, but because she brings really subtle nuances to the character that just break your heart, and in doing so brings a non-verbal performance that’s up there with Sally Hawkins in The Shape Of Water. Also she made a few script alterations that improved it a lot. Adding “I’ve always loved you” to a father saying “I love you” to his daughter, which added SOOOOO much.

This is the best time to mention the sign language in this film. Due to both a character being deaf, and the fact the characters can’t make noise, sign language plays an important part in this film. And this is where the film does something which turns it from good to great; the characters all sign in their own unique way. Some characters sign very poetically and flow, showing the importance of beautiful language, whereas some sign very short and curt, like they’re in the military.

So yeah that’s it. Watch this film, then watch it again, and again. It has an absolutely heartbreaking moment in it, features an elderly character committing suicide over the death of his wife, and it kills a child before the opening credits, this is a film that truly gives absolutely zero shits about your comfort, and is all the better for it.