(Re)Bleed American

On July 29, 2016July 29, 2016 By troubledproductionsIn Recasting...Leave a comment

Similar to our re-recording of The Black Parade (as seen here and here) which, considering MCR are now planning something for the anniversary of it probably could have been better timed. For those of who didn’t read those this is simple: I pick an album and then pick the bands I’d like to cover each song. For this week I picked Bleed American (re-titled Jimmy Eat World after 9/11), which celebrated it’s fifteen year anniversary this week. So, here goes.

Bleed American – Fall Out Boy

Fast, raucous and the sound of a drunken house party. This song mainly needed to have the guitar strong at the front, and a strong enough vocal performance to carry this off. So I found FOB to be the perfect choice. On the downside I was going to pick Patrick Stump to do one of the later songs, had to go against that for this, and can’t have two Stumps, that way madness lies.

A Praise Chorus – Less Than Jake

One of the only songs I owned before I had the album (live version on a compilation) so will always have a special place in my heart. I was going to pick an acoustic band to cover this song as I feel that would make a good version and turn it into a kind of sweet piece of music, would add an extra level of emotion to it. Then I listened to it again and pictured someone singing it and doing that weird “jumping with your shoulders” thing at certain points of the song, then realised the jumpy dancy nature of it. As such I thought I should play up that aspect of it, and there’s only one way to do that: MORE HORNS!!! Then LTJ voices were in my head and it just meshed perfectly.

The Middle – Regina Spektor

Weird choice I know. This song is ridiculously peppy and brilliant, so you’d expect me to pick another pop-punk band for this, maybe Green Day, maybe Sum 41, maybe even go slightly ska and go with Reel Big Fish. But I feel that musically they would all sound too similar and would just be “lead vocalist” karaoke. This song is in my top 100 of all time, so if I hear it covered I want to hear something new done with it, I want to hear a completely different version. Maybe a female vocal version? Maybe a female vocal version done on a piano? Maybe Regina Spektor? Yeah, Regina Spektor. Her voice is haunting and beautiful, and to hear her sing this would add an entirely different layer to it and could end up being quite emotional.

Your House – Say Anything

Again, to add emotion. But not a “weepy weepy cry cry” emotion, Max Bemis voice is perfect for that bitter angry sarcastic misanthropic tone. So if anything this will do the opposite of what my previous choices have done, instead of adding emotion, this will change it, it will make the entire song seem angry instead of sweet, but also like he’s broken by the entire experience. Was also considering Saves The Day for this, as his voice would also be perfect for a Jimmy Eat World song.

Sweetness – Tegan And Sara

Mainly because this version would be danceable as hell. It would seem slightly less angry but it would be the perfect song to put a smile on your face and an extra skip in your step as go through your daily routine waiting for death.

Hear You Me – Amanda Palmer

Because I’m not letting you get through this album without crying your eyes out, and what better choice than this song? And what better way to do it than an empty voice at a piano just completely draining you of everything until you’re an empty husk of who you used to be.

If You Don’t Don’t – Desaparecidos

Hot damn I love Conor Oberst, his voice has a kind of shakey uneasy vibe to it, like he’s about one incident away from completely breaking down or going insane, you can’t tell which as it sounds like both at once. As such it would be perfect for this song, but I couldn’t go with Bright Eyes as musically that would be a terrible mix, so I went with his other band, Desaperecidos. Musically very different from Bright Eyes but equally amazing in parts, them covering this song would be the soundtrack to a thousand stroppy teenagers.

Get It Faster – Bright Eyes

I know, more Conor Oberst, I’ll go sit in the corner and think about what I’ve done. And now I’m back and here to tell you why you’re wrong to judge me. Because this would be amazing! Now for this I’m thinking of specific type of Bright Eyes, the kind of weird death-disco/digital-folk from Digital Ash In A Digital Urn. This song revolves around the slow build up and then the vocal release, and few people accomplished this as well as Oberst did on that album.

Cautioners – Get Cape. Wear Cape. Fly

Because it’s practically a Get Cape. Wear Cape. Fly song already, just written and performed entirely by someone else.

The Authority Song – Marina And The Diamonds

This is purely because I’m curious as to what it would sound like. It could be a complete disaster, it could be the best thing since sliced bread warmed up with cheese and Worcestershire sauce.

My Sundown – My Chemical Romance (With Full Orchestral Backing)

Now when I say My Chemical Romance I mean full-on Black Parade My Chem. When they were at there most bombastic, their most theatrical, and (some would argue) their best. Them doing this would be the perfect closing to this project, it would be big enough so that the compilation felt like it had a closer, a grand finale to the audio trip through the album. The orchestra? Well that will just make it better, will make it seem bigger, will make it seem more draining, you will listen to this and feel exhausted by the end of it, which this album needs, as the original is (dare say it) kind of a bland way to close it.

So that’s this over, what do you think ? Where did we go wrong? Where did we go right? What would have been better?

Why We Love….Bojack Horseman

On July 22, 2016 By troubledproductionsIn Why we love1 Comment

1. It’s Fresh

It’s an animated series about anthropomorphised animals, it’s easy to say that there’s not many other shows which are like this. You can never describe it as cliche and obvious. It was kind of a risky move for netflix to do this, but luckily they pulled it off. It was Aaron Paul’s first major release after Breaking Bad so a lot of people were watching for that reason, and it was up to the show to make sure it’s not remembered as “an Aaron Paul show”, and it manages to avoid that.

2. It’s Funny

Considering it stars Will Arnett from Arrested Development, Alison Brie from Community, alongside Kristen Schaal, Stanley Tucci, Olivia Wilde, and (briefly), Rachael Bloom, it’s no surprise that this is very very funny. The concept itself kind of lends itself very easily to comedy; a washed up star from an 90’s sitcom is now a drug-fuelled mess who lives with a freeloading room-mate. Using this as a springboard to satirise celebrity culture and the entire hollywood industry.

3. It’s (Genuinely) Heartwarming

Oh my god the feels! Maybe it’s just me but the difference between good sitcoms, and amazing sitcoms is the amount of depth they have. It’s why I prefer American Dad to Family Guy, I feel it has more heart so it holds up better to repeat viewings. Eventually jokes stop becoming funny once you’ve seen them so many times, but emotional moments always hold up for a longer period. And believe me this show almost drowns you in emotion. Whether it’s subtly referencing with the Bill Cosby allegations with:

“when we know what we know about a monster like that and we still put him on tv every week we’re teaching a generation of young boys and girls that a man’s reputation is more important than the lives of the women he’s ruined”

Or Bojack dealing with problems in a somewhat unique way:

A really depressing quote which will probably me the most insightful thing you’ll ever ee an owl say:

This show also ended it’s second season with one of my favourite quotes from anything:

“Every day it gets a little easier. But you gotta do it every day. That’s the hard part. But it does get easier”

If that quote doesn’t seem like the kind of quote you want to put on your wall then either your life is perfect, you’re delusional and think your life is perfect, or you’re homeless and don’t have walls.

4. It’s Bingeworthy

Netflix is the only way to watch this show, and it’s the best way it can possibly be done. This is one of those shows where you don’t really watch an episode every so often, occasionally dipping back into it. Or even once a week like a standard sitcom. This is a binge-worthy show. This is a show you need to watch in one long block of viewing, you don’t watch this show, you consume it, and that’s rare for a sitcom. Usually shows like that are serious dramas: Breaking Bad, House Of Cards, Orange Is The New Black etc. Somehow this show stands among them, and deserves it’s place alongside them.

5. It’s Out Today

I was going to do a blog about Crazy Ex Girlfriend to celebrate it’s award nominations, will probably do that next week now (although that’s on netflix now so you should all watch it, it’s hilarious). But then I saw this a third series of Bojack was added today, so now it’s all about that Bojack, that will pretty much take up my weekend, and I’m perfectly okay with that.

Watch If You Like/Also Check Out

Archer. For some reason I’ve always associated the two, probably because of the fact they’re both adult orientated animated sitcoms starring Arrested Development alumni.

Why I’m Not A Massive Fan Of Downloading Media

On July 15, 2016 By troubledproductionsIn List1 Comment

1. Lack Of Special Features

I may be in a niche audience here but I like the little things that are added to films for DVD and blu-ray releases. For example, whilst I’m not a fan of the Thor film, the commentary by Kenneth Branagh is superb, insightful and full of interesting details which help you enjoy the film, and when the credits are going on he makes sure to point out how important different members of the crew are even though they’re not talked about that much. David Fincher too has delivered some absolutely stunning commentaries on his films, particularly on the platinum release of Seven which had so many commentaries that you almost feel that you know absolutely everything about that film.

But with downloads you don’t get that as often, you get them sometimes but not as prevalent as they are with physical releases, and that disappoints me. I like the weird stuff, it shows passion that the film-makers have towards what they’ve done.

2. No Ownership

Random fact, if you download something, be it a game or an album or a film, you don’t own it. You’re just leasing the content. As such it’s not really yours to do anything with. If you want to leave your downloads to someone when you die, you can’t do that (well, unless you give them the password beforehand) as it’s not yours to give away. That’s if it lasts that long of course, after Disney’s licensing deal with Amazon ran out in 2013 people found they couldn’t stream or redownload Disney soundtracks or movies that they had already brought. They had been essentially locked out of content that they paid for. You may think “yeah, but if I’ve already downloaded it, what’s the problem?”. Oh you poor naive fool, then it gets deleted off any device you’ve downloaded it onto. In 2009 some users of Kindles found their digital book collection lighter. It turned out the company who supplied the digital books to Amazon wasn’t 100% legit and didn’t own the rights in the first place. So Amazon took the books down from their online store, and then DELETED IT OFF PEOPLES KINDLES! That’s right, even if you pay for, and download something, you still might not be able to access it. Interesting fact; one of the books effected by this: 1984 by George Orwell.

3. The Thrill Of The Chase

The beautiful thing about downloading content is the wide variety it gives you access to. Think back to the 90’s, or even the early 2000’s. You hear about a film that could be good so you scour the local shops to find it, and if they didn’t have it they had to order it in, and who knows how long that will take, especially if it’s an import? Now? Just click on a button and it’s there. There can be a film made on a budget of £1,000 in Brazil (only, you know, in Brazilian Real, not Pounds Sterling) and if the makers decide to upload it onto their website, you can have it. I don’t think people truly realise how great that is, almost every film in history is at your fingertips, accessible in seconds, it’s amazing. But part of me likes buying in a shop. It’s not just having a hard copy of what you’ve brought (although that is quite important, it’s nice to have something you can physically hold), it’s being disappointed that you can’t find a film, being in a dingy charity shop in a random town, and seeing it there. That thrill when you FINALLY find it, after months of searching to no avail and suddenly you have it right there in your hands, the waiting is over. Nothing can touch that moment. There’s no streaming equivalent, it’s far far too easy and convenient. I kind of touched upon it earlier, but there is also something special about actually owning a DVD. You organise them in a way that means something to you, in a unique way that confuses everybody else yet makes complete sense to you (if you ever meet someone who orders their DVD’s autobiographically, give them a hug, they probably need it). You FEEL like you own it, you look at it like a king surveying his kingdom, basking in the greatness of your purchases.

henry-viii-image-553059 — Henry VIII owned all seven Police Academy films on Blu Ray yet still no had son.

4. Rebuying.

This one, admittedly only applies to kindles. People love them, they constantly talk about how convenient they are, and they are, I won’t deny that. But I will never buy one for one simple reason; I can’t transfer my books onto it. You can transfer your CD’s onto your iPod or MP3 player but books you can’t for obvious reasons, and that annoys me. I’ve already paid for these books, I don’t want to buy them again just for convenience. But maybe that’s just me.

5. I’m Old And I Don’t Like Change.

aaa0a01c-686e-4d05-8e7d-cf03e74cb4df — Actual picture of me

Here’s the most important reason, the one that I feel overshadows and is the cause of all the others. I remember when MP3 players came out and I stuck with my portable CD player, which required you to change the batteries every 90 minutes and would skip if you didn’t hold it in just the right way. But I still kept on, even when I had to replace it on an almost yearly basis I still maintained “no, I like cd players better, mp3 players lack that special something”. I now have an iPod and I was wrong, very very wrong. Right now, because of my iPod, I carry around 1,912 albums, 23,717 songs in total, all in my pocket. If you had come up to 10 year old me and said that in the future that would be possible I wouldn’t have believed you (mainly because you’d be an adult talking to a 10 year old child, you creep), and if you told me I’d reject that out of some ridiculous notion of authenticity I’d have slapped you in disbelief, and then slapped myself for being such an idiot. So when you see me in a few years time, reading my kindle and then watching a film on my tablet on the train (with headphones in, I’m not a dick), remind me of how stupid I used to be, I deserve it.

The Conjuring 2

On July 8, 2016July 8, 2016 By troubledproductionsIn ReviewLeave a comment

First off, yes, it is better than Annabelle, although for it to be worse than Annabelle it would have to be basically a group of people shining torches and going “woo” in the dark (and Most Haunted have already got that covered). It contains some good scares, it’s beautifully directed and it has child actors who are actually good.

I preferred this to the first one too, which was one of the most highly regarded horror films of the last few years. Does this mean it’s better? I have no idea, I’m aware of how strong personal bias can be, and I saw the first one in a house, whereas this one I saw in cinema, and horror is a genre made for cinema. Not just for the darkness and the volume, but also because of instant audience feedback, much like laughing, when you hear other people be scared it sets the tone and makes you more scared. And of course you’re forced to pay attention to it, you can’t sit there checking your phone (well, you can, but if you do, you’re a c*nt).

I also worry part of me preferring this is because it’s set in England, and as such it’s nice to see all the little nods and references. Sadly this usually means there’s one other risk; Americans attempting English accents. Luckily they cast an actual English actress as the mother, oddly enough though some of the kids aren’t English, one’s American and one’s Australian. But aside from a few minor vocal discrepancies, it’s very hard to notice and you could easily believe they’re English. Whilst we’re on the subject; when did actress’s in horror films get so good? It’s supposed to be a cliche that if you’re on a film set surrounded by people who can’t act you’re either on a porn or a horror. Yet with Maika Monroe in It Follows, and now Madison Wolfe in this, studios will no longer be able to get away with dud casting. I cannot overestimate how strong Madison Wolfe’s performance is in this, giving a performance well beyond her 13 years, bringing to mind Linda Blair in The Exorcist. She’s been in other films before but usually as a “main character when she was younger”, but on this the entire film is dependent on her. If you don’t buy her character and her fear, then the film is dead quicker than one of Henry VIII’s wives.

The other performances? Well they’re okay, Vera Farmiga seems to be slightly phoning it in as Lorraine Warren this time, Patrick Wilson doesn’t have much to do but furrow his brow, Lauren Esposito does well with what she’s given but reminds me too much of someone I know for that not to be a distraction. Make no mistake though, this is definitely Wolfe’s film and I’m looking forward to see where her career goes from here, she’s definitely got potential. Special mention must also go to the make-up team, who do a fantastic job on the characters, making you question whether they’re possessed or just really exhausted, the pale faces the red eyes really help sell the fear contained within the film. Praise must also go to James Wan, who’s directorial style makes me really excited about Aquaman (which is something I never thought I’d say). There’s a fantastic shot near the end of one of the children standing near an open window in the rain and it just looks perfect, it’s like a poster shot it’s so sublime.

Conjuring-2-Poster-560x280 — Very similar to this, but better

Now, onto the bad, again, the story is a little weak. It repeats the same story beats as a lot of horror films as such you’re never really invested in it and you don’t lose yourself in the moment, and it all got a bit silly towards the end. There’s a reveal at the end (which I won’t spoil for you) which they seem to use as an excuse to throw in different “scary” images and characters, but not really that effectively, it’s too short to stick with you, but so long that you get bored with it, almost like they were trying to get as many iconic characters invented for potential spin offs as they could. Secondly, the scares. Now, this film does have some great scares, but they won’t stick with you, some of them are almost literally a guy sneaking up behind you and saying “boo”, they’re instant scares. They make you jump and provide good reaction shots for people to use in publicity, but once you leave the cinema all fear is over. You don’t see the world differently like you did after It Follows, you’re not left changed by the experience, every scare takes place in the moment. As such it’s destined to be one of those films teenagers watch in groups and sit in the dark (a genre I shall now deem; “frat house horror” as that seems to be the most popular place to watch horror movies according to American TV and films). Basically, it’s the feature length equivalent of one of those jump scare videos your asshole friend sends you, only over two hours long. Oh, that’s another point, this film’s over two hours long (two and a half if include trailers). That’s way, way WAY too long for it to keep momentum. The longer a film, the more chance someone will have to leave to go piss, which in a cinema completely breaks all immersion.

So to sum up;

If you like horror (or are interested in film-making) then see this film, but it won’t change your mind if you don’t like the genre.

If You Liked This:

Watch: The Conjuring, obvious really. Now you don’t need to have seen that film to understand the sequel as it does a pretty good job of telling you about the characters without it seeming like it’s repeating itself.

Read: About the Enfield Poltergeist, the situation which this film is based on.

Secret Life Of Pets/The Boss

On July 1, 2016July 1, 2016 By troubledproductionsIn Review, UncategorizedLeave a comment

Two very different films, but both suffer from from the same flaw: the background characters are the best ones in the entire film. Not the only problems however.

Secret Life Of Pets

I have two problems with this film:

As I alluded to earlier; the main characters are the least interesting ones, which, considering one of them is played by Louis CK is kind of unexpected. It’s not just the characters, the main plot is not that interesting either. The entire main plot is shown in the trailer, nothing new or exciting. There is, however, a fantastic B-story that shows up; the idea that animals that were once pets were thrown away and are now bitter and angry and ready to get their revenge. THAT’S a film, that’s the kind of thing that Pixar or Disney would do. On the subject of Disney there’s already been a lot of controversy about Finding Dory. People are saying that it could lead to an increase of people having exotic fish as pets and then discarding them when they get bored (like they did with owls after Harry Potter And The Quantum Of Solace or whatever it was called). The idea of an animal-led film that has discourages people from getting pets just because they saw them in films? Not only would that be good but it would also be a subtle attack to Disney and Pixar, a “This is why we have a problem with you, you’re irresponsible, not like us, we’re truly wholesome and safe for children to watch with their families”.
The realism. I know, it’s an animated film aimed at kids so I shouldn’t expect 100% realism. But at the very least I should expect it to stay consistent within the world it’s created. The world within the film is supposed to be our world. This is decided very early on when a human character hear’s one of the main characters “talking” and it’s just barking. Yet there’s lots of moments in here which break that realism, moments such as a rabbit and a dog driving a bus off a bridge. Pixar usually does this kind of thing very well. Look at Finding Nemo etc, it takes place in our world, and we do see humans, but the interactions between the humans and the main characters is minimal, and the main characters, although living in a human world, don’t effect that world that much. This film has way too many instances where the animals have a major influence on the human world, there’s the aforementioned bus crash, there’s a break in at a sausage factory, a rabbit beating up a dog catcher etc.

But other than those two problems how was it? It was thoroughly ok. The closing shot was beautiful. It’s one of the great things about animation is that you can occasionally get absolutely gorgeous visuals, but apart from the closing shot it never really does that. In fact it doesn’t look great throughout, the animals just look ok, and the humans in it look like they’re made of twigs. The story is serviceable and does what it needs to, but I don’t feel I need to see it again. It’s biggest flaw isn’t the fault of the film, it’s just circumstance. A lot of times studios release films which (judging by poster alone) look very similar. Has happened a lot before: Antz/A Bugs Life, Finding Nemo/Sharks Tale etc. This films competitor? Zootopia. For this film to come anywhere close to that would be difficult. Zootopia (so far) is probably in my top five films of the year. This? Well be at the bottom of the top half so far. But considering Kubo isn’t out yet, this can easily be pushed down. Although this film did have a subtle Mario green shell reference, which is kind of cool.

The Boss

Nope. Just no. Here’s my massive problem with this film: you have a character get arrested, then when they’re released they go to a Girl Scouts meeting and decides to set up a new business luring Girl Scouts from their group into a new group helping her in a business with communist workers overtones (their logo is a red badge with a picture of a girl raising her fist in the air and wearing a hat). When one of the mothers at the group objects to this, she calls her a cunt, then insults her daughter, whom she later knocks out. The daughter’s age? Between 11-15. So, the “hero” of this story bullies and beats up a school girl just because she doesn’t like her mum. Comedy!

Actually this film, tonally is kind of weird and all over the place. It attempts to get cheap laughs and sacrifices story to do that, destroying all story momentum for the sake of a joke. For example: there’s a scene where she goes to her old business associates, and they all tell her they hate her and want nothing to do with her. It’s the kind of scene that’s like a large roast dinner, it’s a lot to take in and you need to give it time to settle. Instead, just after the scene takes place the film makes her fall down a flight of stairs, thereby pouring custard on the emotional roast dinner of the previous scene. It’s like the film was written by different writers who never contacted each other to check if their bits lined up. You have important characters turn up for one or two scenes and then are never mentioned again.

It’s a shame as I really want to like Melissa McCarthy; she was great in Bridesmaids, and Spy was excellent. I just feel she has a habit of picking bad films, films where she is only asked to do her usual shtick and doesn’t allow her to stretch herself (otherwise known as Jim Carey syndrome). Which is a shame as when she’s good she’s amazing, check out the aforementioned Spy for evidence of that, and St. Vincent, where she manages to be one of the best characters in a film which contains Chris O’Dowd and Bill Murray (or to give him his full title: Bill Fucking Murray). She can do better than this, and her continual choosing of below-par films just provides ammunition to her increasing number of detractors. Luckily the next film she has lined up is Ghostbusters, I’m sure that is under no pressure.

I also saw Independence Day; a film which (ironically) seemed like it was written by aliens, completely devoid of human emotion and everything seemed slightly fake and contrived.

5 Films To Watch When Everything Goes To Shit

On June 24, 2016November 9, 2016 By troubledproductionsIn ListLeave a comment

Because sometimes people do something unbelievably stupid and you need to do something to not go insane.

1. Airplane

airplane

Really any of the 80’s/early 90’s parody films: Airplane, Hot Shots, Naked Gun etc. The trouble with a lot of comedy lately is it’s too serious. Everything needs to make people think, to have a higher purpose, it’s almost as though comedy is a swear word. I saw someone on Twitter complain about the length of a lot of comedy films by saying “Airplane is 87 minutes long and fits in loads of jokes, your film doesn’t need to be longer”. For better or for worse this film is also responsible for the okay Scary Movie, and the just plain awful Epic Movie. This film is also responsible for changing Leslie Nielsens career. Before this he was actually a serious actor. After this he became a comedy legend. Before this: Poseidon Adventure, Forbidden Planet. After this: Naked Gun, Spy Hard. And let’s face it, the world is all the better for having him discover comedy, as I discuss here.

airplanee

2. Cloudy With A Chance Of Meatballs

CLOUDY

The sequel too. Yes, the sequel was mainly just an excuse for a lot of food puns, but I’m a fan of food and puns so I was perfectly okay with that.

03efa89b8ea923755a95a11e22a02ace — And this is adorable

But like most films, the original was the best. This film does have a stupid title, and I’d like to say the film itself is more mature, but it’s not; it’s just as silly, gloriously so. But it also teaches you important lessons: be yourself, being smart is awesome, and don’t get in an ice cream fight with a monkey,

CWACOM

3. Buried

Because it’s hard to feel worried about your own life when you’re watching something that kills your soul and any hope you ever had. This is a fantastic achievement in film-writing, the entire film is set within the confines of a coffin. When I first heard about it i thought that that couldn’t possibly work. Surely they have flashback scenes? Or he gets out about half hour into the film and suddenly it turns into an action film? But no, it’s just one guy, in a box for the entire film. And it is a remarkably effective piece of filmmaking. The singular location means the audience feels just as trapped and claustrophobic as the character. If the film had any cutaway scenes it would only serve to break up the tension. I recommend that everybody see this film at least once.

4. The Muppet’s Christmas Carol

muppetchristmascar_2771947b

There are two types of people in this world, those who like this film, and those who beat their partners. I am on the former. To me this is one of the best Christmas films around, and is also my favourite adaptation of A Christmas Carol, probably one of the most faithful too, it has quotes directly from the novel, and yet it never seems out of place. This is one of the most effective displays of adaptation you will ever see. Michael Caine gives a fantastic performance, the songs are catchy, plus, it’s the f*cking muppets.

Muppet-Christmas-Carol-Ghost-od-Christmas-Future — This is still terrifying though

5. 50/50

Because sometimes the best way to deal with stressful situations is just to have a good cry, and believe me, this film will reduce you to a quivering wreck of tears and sadness. This will kill you emotionally, and yet it’s also ridiculously funny. Now the first thing people will ask when you tell them you’re going to see a film is “what’s it about?”. In this case your answer will be “it’s a comedy about someone with cancer”. “Comedy” and “cancer” are two concepts which usually go together as well as cheese and cardboard (although if anybody has any cardboard recipes they’d recommend then send them to the usual address). However in this case it goes together as well as cheese and marmite. If you’re looking for a standard feel good film then don’t see this one; it will depress the living hell out of you at some points (although it’s a film about cancer so that’s to be expected), although it will also make you laugh so hard you choke a little bit. It’s actually ended up being probably the best film I’ve seen at the cinema all year . It’s smart, funny, and ridiculously heartfelt with some fantastic performances all round. Seth Rogen and Joseph Gordon-Levitt have an on-screen chemistry that makes it seem like they’ve known each other for years; and that really helps the film. Also it is great to see Anjelica “morticia adams” Huston back being awesome (and looking surprisingly like one of my primary school teachers)

maxresdefault

So that’s it for today. What kind of stuff do you watch when you need emotional assistance? Because one thing’s for sure, we’re all going to need it.

5 Best Films Dealing With Dark Subjects (A.K.A: How Films Help Us Cope)

On June 17, 2016August 16, 2021 By troubledproductionsIn ListLeave a comment

So when the world seems to be turning to shit, who you’re going to call?

ghostbusters2016 — No, not them. Never them.

On an individual level people turn towards music, most people have that one album they turn to in times of need (for me it’s I’m Wide Awake It’s Morning) but on a wide scale it’s films. It’s films that give us hope, that force us to stare into the abyss and envelop us. Films can effect us in a way other media can, music you can take in bitesized chunks whereas films you usually take it all at once. And unlike books everybody experiences it at the same pace, everyone is going through the same journey at the same time. So which films are the best at dealing with these kind of subjects? Well, these.

1. The Middle East – Persepolis

Yeah, I know I mention this a lot. But it is very good. A bleak, yet still hilarious account of growing up in Iran during the most turbulent time in their recent history, made all the more depressing when you realize it’s all true. It’s one of those films that really makes you realize how awful it is over there, you realize exactly why hordes of people are attempting to escape, and how it was all kickstarted by British and US governments attempting to install a puppet dictator during the Second World War. That’s the great thing about being British, you look over the world, at Israel/Palestine, at Iran, at Ireland, and you can just sit their thinking “See that chaos? We did that”.

persepolis — Just one moment of many which is made better when you realize it happened.

2. The Holocaust – Life Is Beautiful

I was torn between this and Schindler’s List. What won this one over is the fact that it doesn’t start awful, the holocaust elements don’t happen until about half way through the film. Before that it’s a somewhat silly Italian romcom, and I think that is kind of essential. The characters characterization is as a jokester, a clownish figure surrounded by horrific things. That’s what drives his character, it influences his relationship with his son, with the other inmates, and (spoilers) even his death. That’s why the first part is needed, we need to see the character in his natural environment, we need to establish his character. As such this film is, without a doubt, the best holocaust-based comedy of all time. Although the only competition is apparently awful and hasn’t been released.

3. World War 2 – Grave Of The Fireflies

There are two types of people in this world, those who cry at this film, and those without a soul. Animated, and done by a company generally known for doing the kind of heartwarming fantasy tales that used to be the forte of Disney, only with more violence and raccoon testicles. The typical US attitude to nuclear power is it causes superpowers, Japan see’s it as either unleashing monsters or causing horrific events, it’s almost as though they have completely different views on nuclear warfare for some reason.

atomic-bombing-hiroshima-nagasaki-70-years — Can’t imagine why.

This, alongside Barefoot Gen create a horrific narrative. One which focuses on the impact that war has on people. How much someone’s life can change and be impacted by somebody with no idea of what he’s done, somebody who never has to look into the eyes of the people he’s killed. This films is generally seen as an anti-war film in the US. Which is a bit weird, all this is doing is showing the effects, this is not anti-war, it’s just honest about what it entails. It could just as easily be seen as pro-war, you could argue that “we need this war to stop things like this happening”.

4. Heart Transplants – Bogowie

Or, as it’s often called by me: “Fucking Bogowie! Holy shit!” Without a doubt the best film ever made about a ragtag group of misfit heart surgeons in 1980’s Russian-occupied Poland. This film is not just about surgery, it’s also about just living in that area at the time, how you could not get anything done without some form of bribery. You can really feel the frustration going through everyone involved. I knew this was based on a true story, but I didn’t realize how big the story was until the final moments, where it showed a picture from the aftermath.

This-is-Zbigniew-Religa_-Former-Minister-of-Health-of-Poland-who-died-in-2009-due-to-lung-cancer_-The-photo-taken-by-James-Stanfield

The above image (taken by photographer James Stanfield) was chosen as one of the best 100 photos ever published by National Geographic. The picture shocked the world, a doctor, carefully watching out for the patient, whilst another doctor sleeps in the corner. The patient, laying there, his life in the hands of equipment which is (let’s be honest) not fit for purpose. People were wondering if the patient will survive the week, yet he’s still alive today (sadly, unlike the doctor, the cigarette smoking former Minister Of Health Zbigniew Religa, who passed away from lung cancer in 2007). Look again at that picture, see the exhaustion on the doctors face, that’s there for good reason; the surgery itself took 23 hours, the doctor in the corner isn’t being lazy, he couldn’t physically stand anymore. It was physically and mentally demanding, as can be seen in this video (it’s in Polish, but worth watching purely for the footage of the surgery). Today, heart transplants save lives all over the world, and it’s thanks to doctors like Religa that that happened, but importantly, it’s also down to photographers like James Stanfield that we can truly get a glimpse at their dedication.

5. Terrorism – Four Lions

A somewhat different one from all the others. This is the only one on the list which isn’t based on a true event, but it’s still important and relevant. This a film that managed to annoy everybody, the tabloids were annoyed because “it’s mocking dead terrorist victims” whereas terrorists were offended because they were made to look like idiots. The thing is, when you watch it, it’s actually not that offensive. The subject matter itself is the only offensive thing about it, there’s nothing in the film really that makes you thin “ok they’ve gone too far now”. Basically, he made an inoffensive film about the most offensive subject matter, for some reason I really connect with that. This film does have one thing in common with the rest of these films though: they’re all films which I would consider to be among the best I’ve ever seen. This is one of only two films I’ve seen applauded mid-film (the other was the sublime In The Loop)

So that’s our favourites. I think the lesson from this is this; it’s okay to talk about dark themes. You need something to shine a pinprick of light into the darkness. So bring on the darkness! Let me dive headfirst into oblivion so that I can burst out the other side with a new viewpoint on the world, so I can be permanently scarred and changed by what I’ve seen. Don’t get me wrong, being needlessly shocking or offensive is just lazy (seriously, fuck A Serbian Film, a film I’m lucky enough to have never seen) and pointless. But films that will shock you, and keep you entertained? That’s just the perfect mix. So I’ll end it there, if anybody needs me I’ll be swimming in a pool of nothingness.

The 5 Best Football Stories (With No Major Films About Them)

On June 10, 2016 By troubledproductionsIn ListLeave a comment

So, Euro 2016 kicks off today, and what better way to ~~take advantage of~~ celebrate than by an in-depth look at every team in the tournament? Yeah, we’re not doing that. I was going to do a blog looking at the movies from each country and try to work out which one would win if football tournaments were decided based on which country made the best movies (like they should be), but then realised that would require watching Russian cinema, and I already spent far too long with a knife to my wrists so watching “Life Is Awful And You’re Going To Get Killed By A Bear Whilst Drinking Vodka, Unless You’re Gay Then You’ll Just Be Killed By Police 2: The Sequel” won’t help. So I decided to showcase the hidden side of sport, the side I find fascinating, the stories told within. People love a good sports movie (maybe not as much as they did in the 90’s but still), even more so if they’re based on a true story. So here’s my favourite football stories which are yet to be (major) films.

1. Leicester 2016

Let’s start with the obvious. Hands up everybody who saw this coming. Liars! Sit down. Leicester barely escaped relegation last year so the odds of them not being relegated, let alone winning were astronomical. This isn’t hyperbole, the odds of it happening were 5000-1. With a squad which cost less to put together than some teams spent on one player, those odds were well placed. To put those odds in perspective: it was more likely that Q-Unit herself, Queen Elizabeth II would not only release a song, but also get to Christmas Number 1, five times more likely in fact. And it was over two times more likely that Kim Kardashian would be president.

8635f8036484fbea9ec50e4c64f42248 — Still better than Trump.

So what else is 5000-1? William Hill have Nick Grimshaw winning olympic gold at Rio this year at the same odds. Think how preposterous that idea is, that someone with no sports training at all would win gold, THAT’S the level of surprise we’re dealing with.

2) Football War.

“Football” and “war” are two words which are normally only associated together in the following circumstances:

When the English national team plays Germany.
When the English national team plays Argentina.
When the English national team plays France.
When the English national team plays Scotland.
When the English national team plays anybody we’ve invaded (which is all but 22 countries)

But there was once a Football War, it was a conflict between El Salvador and Honduras that lasted for four days in 1969. Although it is called the Football War the reasons for it go far deeper, mainly about land reform and immigration (thank god those things are no longer problems). Honduras enforced a law which meant taking and from Salvadoran immigrants (no matter what their legal status is) to give to Hondurans (something which UKIP would probably do too, because they never learn from mistakes). This caused tensions between the two countries, tensions which came to a head when the two teams played each other on 8 June in the Honduran capital, which was marred by violence from both sets of supporters. Violence was repeated in the return fixture 7 days later. Then after another game later on in the month took place in Mexico City, with again more violence (it’s almost as if getting two countries who are on the brink of war to play three high pressure games against each other in the space of one month is a bad idea). The violence at this final game was so bad that the Salvadoran government severed all diplomatic ties with Honduras. The Salvadoran government responded by attaching explosives to the sides of passenger planes and using them to bomb Honduras, which of course led to the inevitable:

Oh, wait. No, not group hug. The other thing. War, that’s the thing. I’m always getting those two mixed up. Luckily the war ended shortly after, yet an official peace treaty wasn’t signed until 1980, and the effects of the war resonated through El Salvador which was plunged into civil war in 1979. All in all, perfect for a story starring Zac Efron, or whichever young person hollywood loves right now.

3. Hillsborough.

In case the last one wasn’t depressing enough. The Hillsborough disaster was a defining moment in English football, a tale which is still unfolding almost 30 years later. For those unaware: On 15th April 1989 Liverpool and Nottingham Forest met in the FA Cup Semi Final, an inexperienced police superintendent who had no idea how to handle an occasion like this was put in charge of police presence there. Inept handling by the police (including directing fans into an already overcrowded pen instead of empty side pens) led to overcrowding, which led to the deaths of many fans through compressive asphyxia. 96 people died due to the sheer stupidity of David Duckenfield who was in charge of the event. But if that was all that happened it would be sad, no doubt about it, but it wouldn’t be as notable as it is today. What gave this event the notoriety was the reaction. Margaret Thatcher’s press secretary Bernard Ingham, blamed “tanked up mob of Liverpool supporters” and this viewpoint continued, with rumours that everybody involved was drunk, even the children, the dead, innocent children. The Sun handled it with the sensitivity they’re known for, publishing false allegations on the front page of their 19th April edition, claiming Liverpool fans urinated and beat up the police as they were trying to help the victims. This was, like most accusations levelled at the fans, complete bullshit. The response to this from Liverpool is still felt today, with a lot of newsagents still refusing to stock the paper. It got the point where when Alexei Sayle did a documentary about Liverpool, he couldn’t even give it away. People in the area just wouldn’t accept it, he had to put them in a pile and burn them. In 2016 the truth emerged, it was a mixture of bad luck and inept organising, finally the fans were found innocent. It’s this which makes it a good story for me. It’s about a group of people taking on a national newspaper, taking on government officials and the police force, and winning. It’s the ultimate underdog story, albeit one I hope we never have to see again.

4. Mobutu-Zaire.

Mobutu Sese Seko was the “president” of what is now Democratic Republic Of Congo, and was, to put it politely, a bit of a dick. Renaming the country Zaire in 1971 he ruled the land with an iron fist, and guns, mostly guns. Zaire qualified for the 1974 World Cup in some style, with many tipping them to be the surprise package of the tournament. As such, Mobutu decided to use this to showcase his country and how great it was, the team were referred to as his lions, but this didn’t keep them from danger. Defender Boba Lobilo’s brother was a highly regarded newsreader (on a news show which started with an image of Mobutu descending through the clouds, because dickholes don’t do subtlety) when he was arrested. What crime did he commit? He said the name of former finance minister Emmanuel Bamba. That arrest may have been a slight overreaction, but was par for the course for Mobutu, who also threatened to arrest two players for daring to not change their names from Christian ones to more Africanised ones. Of course, in typical dictator fashion he had a lavish palace whilst his people starved. He promised the team riches beyond their wildest dreams if they played well at the world cup. They didn’t, losing their first game to Scotland, and being absolutely humiliated in their second game, losing 9-0 to Yugoslavia. Mobutu sent his people to have a “meeting” with the team. A meeting which consisted of Mobutu’s people telling the team:

“You have all brought shame on to the country of Zaire. You are scum, and sons of whores. The great leader says that if you concede more than three goals against Brazil, you will never see Zaire or your families again”

With 11 minutes of the game left, Brazil were 3-0 up and had a free kick in a good position. As the Zaire wall lined up, defender Mwepu Ilunga rushed out and kicked the ball away before Brazil could take the kick. The commentators used it as an example of African football’s naivety and indiscipline, but in reality he just panicked in the heat of the moment. Brazil retook the kick, and it came to nothing. The final result was 3-0 and the players were sent home, disgraced but still alive and allowed back. Once they got back home the players had their club contracts cut and found it very hard to get work again. A heartbreaking story for the players involved, made worse by fact that Mobutu seemed to escape any form of karmic justice, staying in power until 1997, the first African leader invited to the White House by George H W Bush, and got his country to host Ali/Foreman, to the cost $10million dollars which his country could have used.

5. Christmas Truce

Probably the most well known story in this list. Christmas Day 1914 saw a series of unofficial ceasefires along the Western front, some taking part in football matches. This is simply beautiful, soldiers putting their differences aside to fraternise, seeing each other as equals, not caricatured enemies. This film wouldn’t even need dialogue, the entire thing could just be shown with music, the frantic firing in November, the slowing down in December, the first person going over the trench, the game itself, then the slow realisation that this will never happen again and some of these people will end up dead, killed by the people they played with, then an old man, reliving the war, visiting the grave of an enemy soldier, carefully placing a football down on the grave.

The 5 Best HBO Shows

On May 27, 2016May 27, 2016 By troubledproductionsIn List, Why we loveLeave a comment

The American television industry had shockwaves running through it this week as president Michael Lombardo left after 33 years at the network, 9 of them as network head. Lombardo has spearheaded some of the networks most loved programming, notably he was responsible for guiding Game Of Thrones into development. The future for the network is now somewhat uncertain, not in a “they’re going out of business” way, but in a “wonder what’s happening next” way. Longtime collaborator Terence Winter quit halfway through development of the second series of Vinyl, Westworld had production halted when it was decided it needed retooling, and Game Of Thrones is suffering from rumours that it will end after another two seasons (or in other words; the time it takes George R.R. Martin to decide on a verb). So let’s celebrate the network with this, a look at the best work they’ve produced. This isn’t ranked by order of popularity, or critical success, just personal preference, so statistically nobody will agree with this, if that’s the case, comment and tell us where I went wrong.

5. Sopranos

One of THE shows of the 2000’s. It was almost like they saw Lock, Stock and Two Smoking Barrels, and said “Awww, Britain thinks they can make gangster related media, how adorable” and reclaimed America as the centrepiece for gangster films and television shows. I said “almost like”, the pilot was actually ordered in 1997, so it’s just a coincidence. But meh, still an awesome show. The effect it had on television cannot be understated, it could easily be argued that it was this, not Breaking Bad that legitimised television as an artform, not as a stepping stone on the way to film. If it wasn’t for this there wouldn’t be Six Feet Under, there wouldn’t be The Shield. It was this, more than anything, that legitimised HBO as a network that provides high concept dramas, a network that will produce content you wouldn’t get anywhere else. This was a show that could only really be done on this network, it was too brutal, too uncommercial to be made by anyone else.

4. Game Of Thrones

A show so good it deserves its place here despite me having never seen an episode. A show once described (not by a critic, or anybody important, but by a woman behind me on the bus) as like “Merlin with muff”. Everyone knows roughly when Harry Potter was published, and it’s the same with a lot of book adaptations, but I think a lot of people would be surprised to discover the first book was published in 1996, yet most people weren’t aware of it until the TV series (the series didn’t really pick up until A Feast Of Crows in 2005). Without the show the book series would be highly regarded, but with it? It’s become a cultural phenomenon, and shown that you can do not just high concept, but high budget adaptations too. If the show was made sooner then the chances of Harry Potter being a TV series instead of film would be much higher, and we might have got Rik Mayall as Peeves, AS WE DESERVE!

3. Veep

A show so good that it’s replaced The Office as evidence that American adaptations of British sitcoms can occasionally work out. Is this better than The Thick Of It? Not quite, but is it worthy enough to be discussed on its own? Definitely. It wasn’t really the easiest show to adapt, ABC attempted it in 2007 with Michael McKean (of Spinal Tap and Better Call Saul fame) and Oliver Platt in the leads. They made the pilot, and by all accounts it was pretty awful, they turned it into a conventionally shot sitcom, removed all improvisation and swearing, and then were surprised when it didn’t work. It would be like if you remade Transformers and took out all references to any robots, removed baking from Great British Bake Off, or added jokes to Joey. So when a second adaptation was announced, people were kind of worried. Then it was announced that Armando Iannucci would be directly involved and people were excited again. Then it was announced that Julia Louis-Dreyfus was the lead and I became very excited as I was a massive Seinfeld fan. I was slightly concerned how an American version of this would be, but it’s just as sweary and brilliant as the original. The original was good, but it didn’t have the line “That’s like trying to use a croissant as a fucking dildo, it doesn’t do the job, and it makes a fucking mess”. It’s probably helped not just by Iannucci as showrunner (at least until the 5th season when David Mandel took over almost seamlessly), there’s other talent behind the camera too. The list of director’s is like a who’s who of British television comedy: Chris Morris, Chris Addison, Tristam Shapeero etc. This show is a mesh of British and American talent, and is all the better for it. Long may it continue (still needs Peter Capaldi though)

2. Curb Your Enthusiasm

Seinfeld is undoubtedly one of the biggest American sitcoms of all time (sadly, one which has never really got the love it deserves over here) so it was always going to difficult for the creator, Larry David to pull off that greatness again. Yet he managed it, this show not just matches his previous show, at many times it beats it. Seinfeld had a weak period, the last two seasons in particular are nowhere near as good as the earlier seasons, but Curb hasn’t suffered that problem. The first season is a little off as the show is still finding its feet, but the second one is just all kinds of brilliant and details the character attempting to make a show after the success of Seinfeld, so lots of meta-comments and the media, lots of in-jokes, and a season long story arc. Basically, all the pretentious stuff that film students love. Oh yeah, the cameos. Because Larry David plays himself, and he konws famous people, there’s a lot of celebrity cameos; Ricky Gervais, John McEnroe, Mel Brooks all send themselves up beautifully. The Ricky Gervais one is important because he also made a cameo-heavy sitcom: Extras. There’s one major difference between the way the cameos are handled thought: Extras is defined by the cameos, episodes can almost be titled after them. People think “oh, that’s the Samuel L Jackson episode”, or “that’s the Orlando Bloom episode” and that’s how they’re defined, in Curb, the story comes first, and it’s all the better for it. The best one is probably Michael J. Fox, where he uses his Parkinsons as an excuse to be a bit of a dick in one of the best “I shouldn’t be laughing at this” moments, of which the show has plenty (a highlight is the episode where a holocaust survivor has dinner with someone from the TV series Survivor, and they argue over which one is the true survivor).

1. Last Week Tonight

An odd choice for number one, I know. Not the funniest, not the best made, but definitely the most important. Like a surprisingly high amount of American political comedy, this owes its existence to The Daily Show. When Jon Stewart took a break from the show in 2013 to make Rosewater, he handed the show over to John Oliver, who filled the role admirably. That’s not an easy role to fill, as anybody who has been on the comments section of the facebook page of the show since Trevor Noah took over can attest (for the record, I think he’s doing an excellent job). John Oliver’s stint was so successful HBO offered him a series. Unlike the Daily Show this only has one episode a week, so isn’t really suited for extremely topical stuff. But what this does mean is the areas they do focus on, they REALLY focus on, aiming for them like US Military planes aim for terrorist training camps, only unlike the military, this show usually hits what it’s aiming for. Whether he’s creating Jeff The Diseased Lung in a segment on tobacco companies, or starting Our Lady Of Perpetual Exemption to show how televangelists should by all rights be told to go f*ck themselves with that knife-penis from Seven, this show constantly creates amazing segments which are perfect for sharing on social media. His reaction to the terrorist attacks in Paris last year was particularly fantastic, basically telling ISIS “if you gigantic arseholes are hoping to win a war of culture with France, good fucking luck”. To me, a personal highlight will alway be his war of words with former FIFA vice president Jack Warner, which led to the corrupt former executive to respond, calling him a “comedian fool” in a really badly made video. It’s weird, you’d think a guy who (allegedly) diverted relief funds from a Haiti earthquake appeal, and illegally sold black market tickets (not allegedly, this definitely happened, and he was punished for this million dollar making fraud by being made to pay back $250,000) would have enough money to make sure his videos were of a better production quality.

The 5 Best Film-Based Video Games

On May 13, 2016 By troubledproductionsIn ListLeave a comment

Happy Friday The 13th everyone! Now like all of you I’ll be celebrating this most holy of days by killing horny teenagers near a lake somewhere (lake, puddle, it’s all the same). But other people celebrate it differently. Since the days of Jesus fighting a Pterodactyl in the Roman Colosseum, some people have watched some of the Friday The 13th films on this day. So it makes logical sense that I should ~~take advantage~~, celebrate this by blogging about it. But I’ve never seen any of the films so instead I’m going to talk about video game adaptations of films, because there was once a video game adaptation of the film, and do I need another reason?

5. Goldeneye

GoldenEye007box

Let’s get the obvious one out of the way. This is the first game everybody talks about when they talk of truly great video games. There’s not a word missing there, that should be “video games based on films”, that’s how good this game is. At the time I’d never watched a James Bond film, and even now I’ve seen one I still think he’s a prick, he’s a sociopathic monster who probably has so many STD’s that he should pretty much change his name to Mydia, Chlamydia. But despite that, I still love this game. It has not aged well however, but that’s mainly because of the lot of the things we found innovative in the game are now standard. Before this game it was normal for weapons and ammo etc just to be laying around, this made ammo collecting logical: you could only pick up what had been dropped by people you killed. Yes, there were a few bits of ammo laying around, but your main source of it was the people you killed. Then there’s the multiplayer. There are two types of people who played video games in the 90’s. Those who spent hours shooting their friends in the head in multiplayer and obeying the “no oddjobs” rule, and liars! Dirty stinking liars!

4. Hitchhikers Guide To The Galaxy

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This game comes from a different time, whereas modern games help the player, sometimes with tutorials, sometimes with guidance during the game, and sometimes with just skipping parts of it if you find it too difficult. Gaming is now focused on enjoyment, making the player have fun (with a few notable exceptions). It wasn’t always the case, however. Some video games used to make you wonder what you had done to piss off the creators. The biggest genre for this were text adventure games. Games which by their nature were quite annoying: you could spend hours trying to talk to a character before you work out the exact phrasing needed (for example: “Talk to person” wouldn’t be accepted, but “converse with person” would). This game is fiendishly difficult, but also very funny. It will make you laugh, scream in anguish, and then hate yourself, a bit like having sex with a clown. I’m not exaggerating by the way, the game is available here if you don’t believe me.

3. Aladdin

aladdin

Oh, should have mentioned, I am not doing these in any particular order, otherwise there’s no way this would be higher than Goldeneye. But it is very very good. A 2D side scrolling platformer that stands out on a console which it seemed like almost every other game was a platform game. I don’t think people can appreciate how hard it must have been for a platform game to stand out in the early 90’s. You were competing against Mario and Sonic at their peaks. The Mario games had some of the best level design in video game history, easing you into an unforgiving game with innovative gameplay that filled you with wonder, whilst Sonic went “vroom” and moved quickly. So for a game to stand out it must be truly great, and this is. I would talk about why, but I already did it here so anything I’d say would just be repeating myself. So because anything I say would be repeating myself, and I don’t like repeating myself I won’t say anything more, because I don’t like repeating myself.

2. Scott Pilgrim Vs. The World

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Because rarely has a video game of a film been so faithful in tone to the film. Anybody who has played video game versions of films and television shows know that the games can play fast and loose with the themes of the film. For example: there’s a Doctor Who game where you play as the famous pacifist, and go around shooting and killing everyone. In Scarface, crime totally pays, and the Fight Club game has Fred Durst. This game doesn’t suffer from that. It’s a throwback game based on a film which loves 80’s video games. It’s not just the film it uses for inspiration, the graphic novel has a scene where two characters get beaten at the same time and an achievement pops up, if you recreate this in the game, the same achievement pops up. It’s little touches like that which are missing from a lot of games.

1. Alien Isolation.

alien

This game is terrifying, it makes the Alien scary again, which it should be. It should be a fearful beast, it shouldn’t be something you can handle with a few shots from a pistol. This game makes you fear it, and that’s wonderful. You know how highly regarded this game is? It put faith back into the franchise after Colonial Marines, a game so bad someone attempted to sue the makers, and won. Whereas that game had you running around shooting aliens by the hundreds (and just made them into another enemy), this game only has the one alien, and you can’t kill it, all you can do is hide and survive. This is the survival horror game the latest generation has been waiting for. I am in no way saying that the genre is not good anymore, just that it’s mainly indie developers doing it now, you don’t have many major releases anymore (I mean, P.T got cancelled for f*cks sake), most of the franchises people used to turn to for the genre have now changed into more action games, so it’s good to see a game where you’re completely helpless, a game where (contrary to video game logic) exploration and discovery will probably kill you.

So yeah, that’s it. Hope you enjoyed it, and Fuck You Konami

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