A Monster Calls
Just as depressing as the film, actually slightly more so. This isn’t something you enjoy as such, but it is something you appreciate because of how brilliant and heartbreaking it is. Also, the book I got looked beautiful in terms of artwork, is like everything was drawn with charcoal, really suited it. Although the film had a unique look as well, but that was more “watercolours”, this is very different, childlike, but an advanced child.
Ayoade On Ayoade
I got this, was a fun read, but I don’t need to read it again. I can’t imagine what it’s like to read this if you have no idea who he is.
Bachelor Number 2
I actually love Aimee Mann, first heard her on an Anti-Valentines Day radio show. That single show was probably the most influential radio show I’ve ever heard, I got into Aimee Mann, Regina Spektor, and a few other bands whose names don’t occur to me anymore (one was basically a woman leaving a series of increasingly angry voicemail messages set to a dance beat, loved it for some reason). I describe Aimee Mann’s music as basically “Acoustic Snark”. She’s best known for her work on the Magnolia soundtrack (almost said Memento there for no reason whatsoever, because they both begin with M? That’s stupid even for my mind, might as well have said Monty Python And The Holy Grail, that’s an M too) but her other stuff is great too (in particular The Forgotten Arm, and yes, I would understand it if you forgot that prior to this was a full sentence that you forgot how it began, what with the extended parenthesis).
Kind of sweet. You can tell Pacino is having the time of his life here, it seems like the role was written for him. A very well-written and performed film, with a pretty cool soundtrack. When I first saw it I expected it to be just okay but it’s actually really good. The music is good, the performances are good, and the background characters are rich in terms of characterisation. The trouble with a lot of films is making everybody seem like they’re actual people, making them seem like they exist when the cameras aren’t pointed at them. This does that very well, even the minor characters feel fleshed out.
This film suffers from the same problem as a lot of films about the subject do, the villains are so 2-dimensional that it’s hard to buy into the film. The trouble with doing films about race set in 1960’s etc US is that you can’t create a compelling villain. To me, a good villain is just a misguided hero, one where you can kind of see their point. You can’t have that with this, the bad guys are so obviously wrong they’re impossible to defend, they’re obviously pricks. Which is depressing as that’s what it was like back then, a lot of people in power were indefensible pricks who deserved to be punched in the kidneys. Also, the pacing is weird, you have an entire subplot about a band that doesn’t really add anything except 30 minutes to the runtime.
Pointless. Not entirely sure why this exists. Slightly funny in parts but seems like one of those films that perpetually came out a few years ago and you missed it and forgot it exists.
Brave move killing off who they did. It’s weird as it’s not really sure what it wants to be, is it a remake, a sequel, or something entirely new? Nobody knows, least of all the film itself.
One of the very early Pixar films. Shows a lot of promise but lacks that certain Pixar magic. They got a lot better but you can see the early glimpses of what makes Pixar pixar.
How To Be A Serial Killer
Really enjoyed this. A lot of fun, the kind of film I wish I wrote. Funny, original, and stylish.
Funny, crude, but the second film is a massive disappointment. Weird how quickly this series has left the public consciousness.
Wonderful soundtrack. Some films have had better songs, but few films I’ve seen this year have had songs which suit the film better.
The best use of George Michael in cinema. Ever. Has a great ending too.
Probably the only sitcom I’ver ever seen which features a scene where the main character tries to fashion a splint out of ice lolly sticks so that they can rape a guy who will stop everyone they’ve had sex with dying.
Solace Of The Road
Not too great a start, but a great closing stretch. The writing reminded me very much of someone I went to uni with, but less good.
The Mountain Between Us
When it was just “two people trapped on a mountain”, was a superb film. Once they added the romance bit I kind of tapped out, just didn’t work at all. And the “realisation shot” was straight out of a low-budget music video for a James Blunt soundalike.
This film did something I will forever love it for; it put most the bits from the trailer in the opening half. I liked this as it meant you weren’t thinking “ok, what from the trailer haven’t I seen yet?”. Chilling, well told and well performed. Book is now on my “to-read” list.
A lot more brutal than I expected. The reveal of the killer could have been done better, and it juggled too many characters at once so was a bit of a bloated mess. Not as terrible as I thought it would be though.
The Young Offenders
Kind of charming, rather funny. Has a scene where a disabled drug dealer shoots someone with a nail gun. Seems like a tv show, which as of next year it will be, and I can’t wait.
You Can’t Kill Stephen King
Not a fan. I expected it to be funny and meta, but was just a bit nonsensical. Just wasn’t very fun. Not saying it was serious, far from it, it just seemed a bit “meh”, the film equivalent of dust in the wind.