Together (2025) Review

Quick synopsis: Tim and Millie are a couple who are slowly drifting apart. They then find themselves having the complete opposite problem in this Romantic Horror (is that a thing?).

Together is 70 minutes of pure body horror, incredibly weird disgusting-ness set against a backdrop of romantic co-dependency. The trouble is, the film is 102 minutes long, and that over 30 minutes really brings it down.

There’s not a specific section that’s the problem. It’s not like The Watchers, where the final section significantly dragged it down. There are just moments throughout which don’t really feel necessary, where the premise is stretched thinner than someone who curses a witch whilst saying how they want to lose weight. I get the theme it’s going for, as will every audience member, as it bashes you over the head with it. There are also some incredibly misguided moments of comedy. I also didn’t buy some of their reactions as genuine. With a premise like this, you have to wonder “how will others react to this?” We’ll never know, as the only person they discuss it with has already had it happen to them. They do meet one of the characters mothers at the end, but at the very end, just before the film cuts to black, so we don’t see how she reacts to it. This is probably because if they discuss it with some people, it would make it too difficult to not have THAT overwhelm the story, but I’m not sure ignoring it makes it any better. It’s a relatively simple fix, have them on a week away in a remote cabin somewhere, with no people nearby for miles.

This is all pretty negative so far, I know. But when Together works, it REALLY works. The climactic fusing together (does it really count as a spoiler when its ALL OVER the marketing?) is absolutely vile, in a wonderful way. It reminds me of The Substance, but more painful. The use of “2 Become 1” on the soundtrack during that scene is incredibly unsubtle, but this film can’t have subtlety when it’s as gross as it is. The performances are pretty damn good, the real-life chemistry between the two leads shines off the screen, and really adds to the story being told. On the subject of performance; Dave Franco has never sounded less like his brother, and more like Aaron Paul.

Back to the body horror. That’s really the main reason to watch this, and it doesn’t disappoint. I like how it actually has a reason behind it. There’s a narrative reason for the merger to happen, it’s explained why and how it happened. It also has a thematic reason, ties into the central messages well. It’s not just stuff happening for the sake of it, the horror has a reason and a message. That has to be commended, and is the reason for me recommending this film, even if I didn’t think of it quite as highly as everyone elses seems to. Is it a very good film? Yes. Is it an all-time classic? Not quite. But it’s quite close, and that’s more than most films could manage.

Together (2021)

This is available on iplayer, so if you’re in the UK right now it’s available easily and for free. It’s worth more than that. I actually messaged people before it was over, telling them they need to watch it. The opening is essentially two characters (played by McAvoy and Horgan) arguing with each other via you, so they’re just talking to you about how much they hate each other. So yeah, just two characters talking, that should be incredibly dull, yet the writing and the performances draw you in beautifully.

The way the characters interact is masterful, the genuine anger between them is there for everyone to see, but it’s not cliche anger. It’s not the anger that comes from a misunderstanding, it’s anger that comes from philosophical differences. They have the kind of arguements that long term relationships have, it all feels so real. Amongst that, it is incredibly funny, with some of the best dialogue I’ve heard in a long time. For a stretch of this film I considered this one of the funniest films of the year.

And then it’s suddenly very not.

They start talking about the government response to COVID, about how their inaction led to deaths and the disease spreading out of their control. About how everybody could see the warning signs and the government continued to do nothing. The film becomes less funny, but much more important. It feels like film as a way of protest, as art, as a timepiece of when our government took the worst possible choice in every scenario then wondered why the situation won’t get better. The anger switches at this point. Well, it doesn’t really switch, so much as infect. The anger of the characters start effecting you. You start realising a lot of things. Everything starts connecting in your head and you get incredibly pissed off. But the good kind of pissed off. Not the kind of anger where you need to drink, but the kind of anger where you rise up and shout that shit needs to change. We can’t go on like this, we can’t allow what happened to happen again, and we can’t allow the people who allowed it to happen to continue to act in the way they did. You realise decisions were made for the betterment of their careers and finances, they never gave a shit about human lives or the general economy as long as their personal bank statements grew. As long as their friends companies got given multi-million pound contracts for things they had no experience in, it was acceptable for small businesses, the lifeblood of communities, to fail. It was okay to screw over millions, if they made millions.

I have hated a lot of films before. I have ranted about how much I detested things about certain films. About how the ending ruined it, about how the plot made no sense, about how the film has such an ugly soul that it’s impossible to like. And those films annoyed. But I have never, in my entire life, been as fucking furious as I was when I watched this. And you need to feel that anger. You need to hear some uncomfortable truths. And you need to start questioning a lot of things.

Things are not okay, and it’s up to films like this to help us change that.