2019 In Film Day 4: The Good

Okay, stay with me here because this is where it gets complicated. In this one I’ll be talking about films, that (get this), I think, are good. I tried to subtly imply that with the title but I wasn’t sure whether I was too subtle or not. So, here goes.

Can You Ever Forgive Me?

This film is so good it almost makes up for [insert terrible Melissa McCarthy film, and let’s face it, there’s a fucking lot of them). This is a good one to start this blog off with actually, and not just because it’s alphabetically the first in the list. This one has a definitive thing which stops it being anything better than “good” in my eyes. It has almost zero narrative suspense. You better get used to that concept because it’s going to come back in a big f*cking way later on in this blog. The trailer showed her being put on trial for her crimes, but the entire film is seeing the scheme unfold, the trial isn’t until near the very end. So what we’re doing is watching people hatch a plan that we as an audience know doesn’t work. It’s not just that for me. The music and visual style were weird. They were good but they make it hard to place it in the time frame. They make it seem as though it happened a lot earlier than it did. The film is set in 1991 but the colour scheme used in the film, and the soundtrack, make it seem like it’s set from the 1960’s or earlier. So when you do get something 90’s happening, it can be somewhat jarring. I recognise that’s just a personal opinion, but this entire blog is a personal opinion, so meh.

Original review here

+Richard E Grant, he’s just great.

-Won’t stick with you.

Greta

I think I may need to watch this film again to fully come to terms with it. It’s a deeply flawed film, but it is incredibly fascinating to watch. Part of that is the performances, but also the pacing is pretty damn good too. It’s slow, but it is constantly moving forward. So the story is constantly going, albeit much slower than you may be used to. It also doesn’t treat the audience like they’re stupid, it’s a much more fulfilling film if you notice little details and remember certain situations repeating themselves. It just doesn’t, for some particular reason, stand out as a film that I have a great personal love for. I appreciate it more than I liked it, but I did appreciate it a lot.

Original review here

+The cookie-cutter scene. A great moment to hear the entire audience wince at once.

-Occasionally struggles to hold the attention of the audience.

Horrible Histories: The Movie – Rotten Romans

I thought I loved this film, but it’s been out on DVD for a few weeks now and I have no desire to go out and buy it immediately, so I guess I didn’t. It was funny enough, but I guess it was just a little bit too childish for my tastes. I know, a children’s film was childish, how dare it? If I was younger I’d probably have liked it enough to annoy my parents by constantly watching it. This is never more evident than during one of the songs which completely brings the film to a halt and goes on too long. It’s weird as there are other moments where it seems like the filmmakers have a firm eye on the adults in the audience, references to Monty Python, Jay-Z etc you can argue the kids might understand. But does anybody really think that there are any kids who would understand a reference to the 1970’s television show I, Claudius?

Original review here

+Battle Of Watling Street song. It advances the narrative, is funny, and incredibly catchy.

-The Nero song is kind of cringy

IT: Chapter Two

The further I distance myself from this film, the less I enjoy it as the faults become obvious. The flashbacks contain zero dramatic tension in them as you know the characters are not going to die. It’s also extremely unsatisfying in terms of expanding the lore. It feels like there’s a lot of stuff left to say, but not in an exciting way, but in a way that the whole thing feels unfinished. The way the film is structured and the lore is revealed makes it seem like there’s a third one, but there’s not, so it’s just a bit strange. It’s also way too fucking long. If you include trailers and traffic time you were looking at almost a 4-hour commitment, and that’s just too much.

Original review here

+Bill Hader is amazeballs

-It drags like a 1-legged drunk hyena

Pokemon: Detective Pikachu

This film is weird, in a good way, mostly. The tonal shifts are a bit jarring though. It goes from incredibly serious to Ryan Reynolds in a fucking instant. The humour too is slightly inconsistent, ranging from simple slapstick and dick jokes, then suddenly you get a joke about torturing someone for information by pouring petrol on them and setting them ablaze. So strange, yet kind of wonderful.

Original review here

+The visual world-building is incredible. It all feels real.

-Some of the human characters are so flat they’re almost 2-dimensional

Scary Stories To Tell In The Dark

I expected this to be a bit lighter than it was. I basically expected something similar to Goosebumps. This feels more like the next natural progression from those films. So a kid would watch goosebumps, then this, then start killing everybody as that’s what horror films cause people to do, obviously. After watching the Nightmare On Elm Street series I went through a phase of haunting people’s dreams and killing them in increasingly outlandish ways. That stopped when I watched the Saw movies and just became awful. So, this film. It’s not original, but it is a very good watch. It has some great body horror moments in. Actually, that’s a point I haven’t mentioned, the variety of scares in this. It has a somewhat scattergun approach to them so if there’s not one fear that works there’s another which will. It’s a risky approach but it’s really effective in this.

Original review here

+The sense of dread never leaves the screen.

-A bit too restrained at times, plus I found one of the characters really annoying.

Stan And Ollie

This was the first film I saw in 2019. So the film got off on a pretty good year. Very heartwarming and emotional. Maybe my opinion of it was somewhat muted by not knowing much about the pair. As such I couldn’t really catch any references, also the film didn’t give much background about the pair, assuming we were familiar with them. Because of this I always felt slightly like I was watching two strangers, as opposed to two characters.

Original review here

+It seems very honest. Fully aware that they have flaws and made mistakes.

-Too slow at times

Stuber

This is very funny, but that’s all it is. It never goes beyond that. If I caught this on netflix I’d love it. But paying full price at the cinema sours it somewhat. This would have been the perfect film for video rental stores. It’s not quite good enough to push either of the leads into superstardom (they are huge, but not like “build a multi-million dollar franchise around them” huge yet), but it is a worthwhile addition to both of their filmographies. I really wish this was better, but it just doesn’t do enough to take it to the next level. Plus there’s one scene which just feels like padding and takes you out completely.

Original review here

+Great chemistry between the leads.

-A few moments take you out of the film and remind you that what you are watching is not real.

The Day Shall Come

It’s funny because it’s true, but it’s also super depressing for the exact same reason. I don’t mind downer endings sometimes, but in this case it just seemed odd. The film had spent 90 minutes punching you in the face and it never gave you that catharsis of a happy ending. I don’t think it was helped by the high standards I have of the creator. His stuff is some of my favourite stuff of all time, so when something is only very good, it seems worse by comparison.

Original review here

+It could inspire people to go fuck shit up.

-The satire is a little unfocused at times.

So that’s it for this one. Don’t worry, I’m finishing with 2019 soon, I realise now I’m stuck more in the past than an Empire fanatic (both British and Imperial/Galactic), and so far from 2020 the films have been good. So you’ve got that to look forward to.

Scary Stories To Tell In The Dark (2019)

I saw a trailer for this months ago (I think was about March), and as such, I had forgotten some things about. Mainly, how violent it was. For some reason, in my head, it was like Goosebumps (a severely underrated film btw). You know, not “scary”, but “spooky”, the kind of thing schools would show at Halloween. Yeah, I’m a f*cking idiot. The director, Andre Ovredal, previously directed the Autopsy Of Jane Doe, and is currently working on a film version of a Stephen King novel. So that’s a good indication that this film is not for kids. It’s not exactly aimed at die-hard horror fans either though. It’s aimed at that middle ground. It’s not quite “My First Horror Movie”, but it is like the third or fourth one you watch to help establish yourself to the genre once you realise you like it and want to find more.

This won’t end up in my list of scariest stories of the year, but I will still highly recommend it. The first story (about Harold the Scarecrow) is a truly disturbing piece of body horror, but it’s just too restrained to be truly effective. I’m not asking for full gore, but a little bit more would have helped it a bit. Considering the limitations, Ovredal did a fantastic job here. An uneasy sense of dread hangs over the entire film (kind of reminds of the film Ghost Stories from a few years ago). Even within slightly comedic moments, that sense of fear never leaves the screen. The effects on the “monsters” are also remarkable, genuinely creepy. I’ve looked at some of the illustrations in the book some of the stories are based on, and he nailed it, especially the Pale Lady. I’m not that familiar with the series as a whole, but I can’t help but feel fans of it will be pleased by what they say.

The acting, now horror movies aren’t known for great performances, but they’re getting better. This is towards the higher end of the talented performances spectrum. There’s one performance I wasn’t a particular fan of as it just annoyed me, but looking at reviews and comments I seem to be the only one as a lot of people considered this character a highlight, so what do I know? Zoe Colletti is a revelation as the lead, even if she did remind me of someone I know for a lot of the film. Michael Garza has the potential to be a great obnoxious anti-hero in a family-friendly television series.

I saw this the same day I saw IT: Chapter 2. They’re kind of similar films, young kids in a bygone America fighting evil (for parts of Chapter 2 anyway), as such it would be easy for this to look weak by comparison, especially since it’s going towards a younger audience. I loved IT, and I will say that this film stands proudly alongside it