See-Saw: Day One (Saw)

It’s that time of year again. The time of year where I actually get compliments on my face, mainly because people think it’s a Halloween mask. Like a creepy art student when they see a woman in a coffee shop, the day draws ever closer, creeping slowly until we’re glad it’s over. So we’re going to live-blog another horror series. Was considering doing The Omen, or maybe Halloween, but I came to a decision. After chuckling at Chucky, guffawing at Ghostface, and flipping off Freddy, it’s time to jerk off Jigsaw. It’s the Saw series. We start with the first one, because…..because it’s the first one. This really shouldn’t be this complicated.

Director: James Wan (Insidious, The Conjuring, Furious 7, Aquaman)

Budget: $1.2million

Box Office: $103million

  • I actually like the credits to this. The font etc they use brings to mind a dodgy 80’s VHS video nasty.
  • Very blue tint over everything. Hah! It’s a blue movie.
  • A guy (Adam) wakes up in a bathtub chained to a pipe and accidentally pulls the plug out, sending a key down the drain. This is actually VERY IMPORTANT, so the film decides to show how important it is by barely focusing on it at all so if you sneeze you miss it. You can’t even tell what it is until much later on.
  • Wait, how long was he underwater for? How did he not drown or something? He must have been in there a while otherwise the other guy would have been more aware of him. And why was he in the water anyway? He could have got hypothermia and died, which would ruin Jigsaws plan.
  • I like that Cary Elwes is in this (as Doctor Gordon). He really doesn’t get as much work as he should. He’s also chained to a tub in this. This entire plan rests on the two of them not being able to pick locks.
  • “what’s your name?” “My name is very fucking confused”. Look, I do love the script to this, but the dialogue is sometimes awful. Yet it thinks it’s very funny, weirdly enough most of the supposedly funny lines go to the actor who also wrote the script.
  • “that’s what they do, they take out your kidney and sell it on eBay”. You can’t sell kidneys on eBay. You have to use Amazon or craigslist.
  • “are you a surgeon or what?” It later turns out that Adam has been following Dr Gordon, so he knows he is a surgeon.
  • There’s a lot of luck in this plan. Mainly, luck that the tape in Adam’s pocket wouldn’t break when he fell onto the floor earlier. How long has Dr Gordon been awake to not notice the tape in his pocket, but also know that screaming has no purpose (and yet also somehow didn’t wake Adam up)?
  • So Jigsaw punishes people for their sins. Adams sin is that he takes photos. Bit weird.
  • The doctors’ tape says that he can only escape if he kills Adam. This would have been a lot easier if, you know, he wasn’t chained to the wall.
  • Tape players in movies are fantastic, always being rewound to the right moment.
  • Adam sticks his hand down a dirty, shitty toilet so he can help…..the person who has just been told to kill him.
  • Considering how much shit is in that toilet, the smell must be overpowering.
  • How has he never heard of the Jigsaw killer? If there was a serial killer operating near me, I would know (and be really annoyed at the competition).
  • Hey, it’s Danny Glover!
  • “he’s not really a murderer”, Nah, he is. Just because he’s leaving them to die but not actually striking the final blow himself doesn’t make it not murder. Otherwise burying someone alive wouldn’t count as murder.
  • So they think the doctor is a killer because they found his pen nearby. How did they recognise it as his? Does a doctor with no criminal record have his prints on file?
  • They’ve established it’s not him, his alibi is someone he nearly fucked. They still make him sit in on a survivor interview, because…..erm, so he can tell the story at this point in the film?
  • Flashback within a flashback. That’s too many flashbacks. This is the first really iconic one, the reverse bear trap. It’s put on someone’s face and when the time runs out it opens, ripping their jaw open. Sexy. To unlock it he has to get the key out of someone’s stomach who is supposedly dead. He’s not, however, he just can’t move. Not sure why the detail about him supposedly being dead is in it. He’s her former drug dealer so it would have made more sense if she had to do it whilst knowing he was alive. Would have been more thematically pleasing and a harder choice for her. She’s actually pleased this happened as it helped her get off drugs. Not entirely sure how, as surely trauma would make someone MORE likely to do drugs. And now we’re back in the bathroom.
  • “you have something I don’t, information” That’s not exactly his fault. If you’re not aware of a serial killer in your own town, that’s on you.
  • “this is the most fun I’ve had without lubricant”. Okay then.
  • Dr Gordon continues work instead of checking his daughter’s room to let her know there are no monsters there. This is supposed to show him as a work-obsessed monster. But he just finishes the paragraph and then goes to check the room. And stays with her, singing songs to her until she’s okay. He did exactly what he should do. He’s doing a job which he can’t really abandon, it’s an important job which he needs.
  • This film is essentially a live-action version of Condemned. That game was freaky. And had more pigeon-collecting than most games.
  • About 50% of Danny Glover’s dialogue is the word “asshole”
  • Actually, love the way detective Sing dies in this. Tripwire setting of shotguns. It’s simple but effective, is the mark of someone who is just starting to set up traps. Although this kind of goes against Jigsaw’s modus operandi to kill people who deserve it, he’s killing a lot of cops.
  • They’ve found a box containing a phone and cigarettes. The phone isn’t useful though as it was only meant to receive calls, not make them. Which is kind of bullshit tbh, because all phones can dial the emergency services in case of….you know…emergency.
  • And now another flashback. This film deserves credit for the main action taking place in one room, but it doesn’t half take liberties with flashbacks.
  • It turns out the doctor was kidnapped by a person wearing a pig mask who sneaked up on him. Why did they wear the pig mask if they were sneaking up on him? All it would have taken is someone seeing them and shouting out “oi, piggy”.
  • “my last girlfriend, a feminist vegan punk broke up with me because she thought I was too angry”. Love that line.
  • The make-up on this is on point. Doctor Gordon looks emotionally distraught and near death.
  • The lights go off so the camera can’t see them, and they start to whisper to discuss their plan. Why did they turn off the lights when it was them speaking that would have given the game away? He could have just sneakily written something on the back of one of the many pictures and threw it over.
  • I can’t tell whether Adams “death” is bad acting or great bad acting. I’m leaning towards the latter.
  • “this thing electrocuted me” how? It doesn’t seem to be part of a circuit.
  • “The guy who paid me to stalk you, he’s a tall black guy with a scar around his neck”. And you didn’t connect this to the story the guy told earlier about the black guy who got his throat cut who was following him earlier?
  • “I don’t care if you covered yourself in peanut butter and had a 15 hooker gang-bang”. Are we sure I didn’t write this?
  • The way they set up Zepp as a red herring villain is kind of genius, to be honest.
  • Adam is just around the corner taking pictures, like a few feet away. How did Dr Gordon not notice him from that distance? He would have seen him, at the very least heard him.
  • All this computer and equipment is set up in the home of the kidnapping victim. That’s not normally how it’s done, is it?
  • And now we have the scene; the one that defines this film; Doctor Gordon sawing his leg off. I do like how brutal this bit is, but after seeing it done differently in another film, it could be done a lot better.
  • This is where it goes from being good to great; the ending. It turns out Zepp was just another player in the game, the actual Jigsaw rises up, turns out he was the body in the middle of the room. A great twist, like, nobody saw it coming. Mainly because it’s a bit strange. I mean, nobody noticed him breathing for about 6 hours? He didn’t move, defecate, or even cough in that entire time? An ageing cancer patient managed to stay perfectly still on a cold floor for that length of time? But forgetting that this is a magnificent piece of storytelling.
  • “The key is in the bathtub”. Two points: 1) the film gave no indication that was important. 2) Let’s say it didn’t go down the plughole when he emptied it. That means he’d be able to unlock his chain and escape almost instantly.
  • I do like this film more than the others, mainly because it forgoes the torture-porn the series became known for tight plotting and character work. It’s not perfect, there are a few moments which are inconsistent with character motivations etc. And the timing is a bit off at times with nothing happening for hours in-universe.

So, day one down. And that’s the best one out of the way. I can’t remember exactly when they started going downhill, but I know it happened and I’ve got that to look forward to.

I Scream Too

Nothing much to say about this, fun fact, I used to own this on video, I think. I don’t know, I might have done. I say “fun”, I mean “pointless and tedious”, which is the same thing, right? Right? Oh I’ve wasted my life

  • Not really anything to do with the film, but the DVD menu for this is really weird. It’s a close up of a blinking eye. Kind of creepy but doesn’t really suit the tone of Scream, more Saw.
  • “I don’t want to be here” “baby, these tickets are free”. Ah, young love, where “it’s free” is somehow an acceptable reason to make someone miss important studying time to do something they don’t want to do.
  • It’s weird watching this film in [insert current year here], the first two people we see are Omar Epps and Jada Pinkett-Smith, both of whom would never do these roles now.
  • “It’s a dumbass white movie about some dumbass white girls” that’s racist
  • “I guess Sandra Bullock is Miss Ethnicity” only when she blacks up.
  • “horror movies have historically under-represented black people”, that’s not true, there’s nearly always a black person in horror films, where do you think the “black guy dies first” trope comes from?
  • Jada’s response to being given a “Ghostface” costume is to complain that it’s white. Only the face, the rest of it is black.
  • Okay, there’s an usher outside the cinema, then another one inside, 3 people working the Stab puppets, and someone handing out costumes. Yet nobody is handling security so it’s chaos. The kind of chaos you only get at sneak previews in films. Unless it’s a sequel or something unique I don’t think people would be this excited. In fact, it’s weird they are this excited considering that in-universe the film is based on a true story. This would be carrying sparklers into a film about 9/11. They’re all dressed up too, this would be dressing up as a dead student during a screening of a film based on Columbine massacre, or the Virginia Tech shooting, or Sandy Hook, or

 

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  • Aaaaaand we’re back. What year is it? Is Trump still president? Fuck!
  • Back to that point, it’s weird the studio is making costumes of an (in-universe) real-life killer and selling them. You don’t see many Gary Glitter costumes in the stores. Oddly enough you do see a lot of blacking up for Halloween, it turns out an oddly high amount of people, when they think “scary”, their first thought is “black people”.
  • Why does her shower have a giant window next to it?
  • Okay I know it’s a movie within a movie but why is this woman making popcorn on the stove when she’s getting a shower? Surely doing both at once is a bit stupid and is likely to cause a fire?
  • People are sitting in the audience watching the film wearing masks, as such, they can’t see shit.
  • How did the studio who made Stab get the voice of the original killer? Bit weird.
  • Jada lives up to the “black cinema viewers yell at the screen” stereotype. That’s a really weird stereotype by the way that I’m 97% sure only happens in films.
  • “hey we sold out”, sneak previews are usually free, trust me I know, I’ve been to a few. So you didn’t sell out, you didn’t sell anything.
  • If everybody is in the screening, why are so many people just standing in the lobby?
  • “medium pepsi, medium popcorn, no butter”, a note to America; not everything needs butter.
  • “scary movies are great foreplay”, for psychopaths. So yeah it works great for me.
  • Omar Epps death is entirely luck-based. If his head wasn’t in that exact position he wouldn’t have died. More to the point, how did the killer know he would use that toilet? If he doesn’t put his head up against the door he survives, and the odds of anybody putting their head against a cubicle wall in a public bathroom is statistically very very low. I’d say near impossible, I’ve never done it, and I’m weird.
  • NOBODY in the audience realises this woman got stabbed to death, this is the stupidest cinema audience since millions of people decided to see the Transformer movies.
  • Journalists respond to murder by crowding round Sidney and asking “do you think they’ll be anymore?”. Bitch, how the fuck does she know?
  • “you can’t blame real-life violence on entertainment”, anybody else get the feeling this scene was just there as a response to criticism of the first film? I mean, I get it, and it’s funny, but still.
  • “the killer was wearing a mask, just like in the movie, it’s directly responsible”. Erm, how? The film wasn’t even released yet and the murder happened in the opening scene of the sneak preview. It’s impossible for it to influence someone like that, now if you said the actual murders inspired the killer, then yes I’d say you could be right. So what’s the solution; ban murder? Not in my Britain! Political correctness gone mad! *foams at mouth*
  • Film students discussing the recent murder of one of their classmates, we never did at my uni, we just discussed how Resident Evil is objectively not a great film.
  • “that’ll be a wrap”, not even a film studies tutor would end a lesson like that.
  • “So how would you make it different?” “I’d let the geek get the girl”. Just like in American Pie, Spider-man, or any other 80’s film which a nerdy lead character?
  • “you got any tricks for getting me back to a pseudo-quasi happy existence” Have you tried drugs?
  • So Gale Weathers, who has a best-selling book out is reduced to using inexperienced cameramen?
  • Why are they having a press conference at the college? There are lots of better places, this only happens so Sidney etc could see Gale again.
  • Few things can take you out of a horror movie like seeing one of the Bluths in it talking like a valley girl.
  • “Dewey I never meant to imply” you didn’t imply anything, you flat out said he was inexperienced.
  • “now if you excuse me, I have some oozing to do”. Does he mean masturbating?
  • “Sarah dumped Bailey”, a reference to the show Party Of Five, which stars Neve Campbell from Scream. So how does that work in this universe? Does Neve Campbell exist in the Scream universe? And why has nobody pointed out to Sidney how much she looks and sounds like her?
  • So EVERYBODY who lives in that house has gone to a party? There’s nobody who is unsociable or ill or just wasn’t feeling it? Bullshit!
  • Sarah Michelle Gellar is watching a vampire film, I feel there’s a really obvious joke here.
  • What was Sarah Michelle Gellar’s plan here? Run onto the balcony, and then what? Her only option would have been to jump off, which would have killed her.
  • That’s Matthew Lillard (the killer from the first one) in the background there, hugging the killer from this film. Nice subtle thing there.
  • “The Ewoks, they blow”. They do? I must find one.
  • Why does Sidney answer the phone, it’s not her house.
  • Why is Gale allowed in the police station? She’s a reporter, do they generally get access to confidential information?
  • “My film is about a girl who finds out her boyfriend is this serial killer who also killed her mother the year before that”, Tori Spelling just ruined the twist ending of Stab. This is why they don’t let her take lead roles anymore.
  • “He wasn’t gutted, I made that up, his throat was cut”, why did she change that part?
  • “I need you”, yes because it must be so hard to find someone who can operate a fucking camera at a college. Ask Randy, I bet he knows local film-makers.
  • Why does the drama teacher make Sidney do a scene in a play where she’s being attacked by people with knives?
  • “have you ever stabbed someone and felt the knife scrape against bone?” yes, every Tuesday at pilates.
  • “is that the best you can do? Billy and Stu were much more original”, how do you know that? Only people they phoned were Sidney and those who died, and I doubt Sidney told you much about it.
  • What were the killer’s plans if Randy didn’t coincidentally stand up and walk next to that exact van the killers were in? Or if people didn’t play music loudly as they walked past, masking the sound of murder? This and Omar Epps death rely almost entirely on luck.
  • Does this college not have security cameras? They should be able to see who left the van, a piece of piss.
  • “You have a message, you just need to hit alt+m”, she then hits at least 4 keys.
  • Sidney wondering how she can get a message when she’s not signed on. I wonder the same thing when I go on outlook and it automatically signs me into skype because outlook is a piece of shit.
  • “get her away from the computer”, you know the killer isn’t literally inside the computer right?
  • “that’s not a crime” “but homicide is”, wow! Thank you, Mr. Policeman for telling me that, I never would have guessed that.
  • “if the killer really is watching us, he’ll be on these tapes” they then decide to watch the tapes at the college, instead of, you know, in her newsroom, or anywhere that’s more professional.
  • “There’s gotta be a VCR player around here somewhere?” Millions of Millennials shout out as one “what’s a VCR?” only to be answered by a hail of gunfire aimed at them.
  • This shot of Omar Epps and Jada Pinkett-Smith is seemingly shot from a car next to them on the street, only if you watch the scene earlier there was no car. This film lies! It’s a lying liar!
  • Who’s editing these tapes? And why? That’s also my number one question for almost every single found footage film.
  • “where are you taking me?” “If we told you, we’d have to kill you” Dude! That’s not an okay thing to say to someone whilst a serial killer is around.
  • Did the other students just leave Derek tied and duct taped whilst there’s a killer around? Wow, the actual killers barely had to do any work, they lucked into almost every single murder.
  • Sidney thinks her boyfriend is the killer, she only finds out he’s not when he gets killed. What would have happened if he didn’t die? Seriously, how would that have impacted their relationship in the future? He would win every single argument forever. “you cheated on me with my best friend” “yeah, you suspected me of being a killer”.
  • “My motive is just good old-fashioned revenge”, then why did you kill anyone else? It doesn’t make sense!
  • “I’m sick of people blaming the parents, want to know who’s to blame? Your mother”. Odd she managed to contradict her own logic in just one sentence.
  • Dewey is still alive, despite losing blood for hours, again. Why is the ambulance response to these things always so slow? The final murders happen at night (which is another thing; nobody yawns or looks tired), yet no ambulances arrive until morning.
  • And we’re done the same way every film ends in the 90’s, a happy song sung by a happy band, and they all lived happily ever after, apart from all the people who are dead, obviously.
  • So over the end credits of a brutal horror movie; Less Than Jake, obviously.

 

How We Got Through: July 2017

Alien: Covenant

I can’t really make a fair judgement on this as I have never seen any of the others. Despite that, I did recognise a lot of scenes from this that seemed to be taken straight out of the other films in the series.

ASDF

Funny, easy to get through, and kind of quotable too. Great youtube series.

Baby Driver

The opening scene alone ranks it among one of the best films of the year. Very well done. Great films usually inspire you into film-making. I think this has the opposite, this is like “yeah we can’t match that”. Bound to inspire a lot of poorly-done imitators.

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Canadian Bacon

Not the best film ever but a great time-waster. The kind of film which I could see buying on VHS from a boot fair in the 90’s. Some great jokes, and very unsubtle. Odd that this is seen as a John Candy movie, I see it as more of an ensemble piece. Alan Alda, in particular, is great. Unlike a lot of satire, this has actually aged REALLY well, particularly in regards to the American invasion of Iraq/Afghanistan/Cornwall. There’s one line in particular which has aged, erm, weirdly. When they’re trying to find a new enemy to declare war on, someone suggests international terrorism, to which someone replies:

“Well, sir, we’re not going to re-open missile factories just to fight some creeps running around in exploding rental cars, are we, sir?”

Cars

Doesn’t really seem like Pixar. More like Dreamworks. Even the way they use music seems very Dreamworks. Pixar movies are supposed to be monumental events that change your life, this really isn’t one.

Cars 2

The worst Pixar film I’ve seen (and I think I’ve seen all of them). Doesn’t help that it focuses on the worst character from the previous film. I usually describe Pixar films I don’t like as being “almost like a Dreamworks movie” (see above for evidence). This was more like “Mid 90’s Disney straight to video sequel”

Cherry Blossoms – Ala.ni

A song I loved so much I used it in a script almost immediately after hearing it.

Despicable Me 3

Too much going on. Has about five separate plots going on. The story (well, stories) are only there as an excuse to tie chaotic scenes together. It’s like the scenes were written first, then the actual story was thought of later.

Dunkirk

One word to describe this: impressive. Visually, in terms of performance, in terms of the way the story is told, it’s all very impressive. The one thing that stops it being perfect (in my eyes, anyway), is that it’s missing that one standout scene. That one “even if you don’t watch the film, you have to watch this” scene.

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This guy, this guy is going places. AMAZING performance.

Ever Fallen In Love – Billy Talent

Picture what you think this song sounds like, yup, that’s exactly what it sounds like.

Gone Baby Gone

Amy Ryan is really good in this. Almost unrecognisable from her role in The Office. I wrongfully assumed she was just a comic actress, but her performance in this is sensational, almost makes me wish this was released this year so I could put her in the “best performance” category at the end of the year. Casey Affleck is, erm, he’s okay. Nowhere near as good as he was in Manchester By The Sea, but you can see the genesis of his performance in that film in this one. It also has one of the most brutal endings I’ve seen in a while.

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Honey – The Hush Sound

The sound of a drunken party in New Orleans. But a “teenage movie” drunken party where the worst thing that happens is somebody spills their drink. Nobody vomits, nobody fights, and nobody gets angry. They just drink and dance.

It Comes At Night

I liked it, but not as much as I thought I would. Probably because I saw at the cinema. I know some horror works great at the cinema, but I feel this would work better on your own in a small room. You need to feel part of that world, feel isolated, like a visitor in their world, and sitting in a vast room full of other people takes you away from that.

Next Goal Wins

A documentary about the Western Samoa national football team (or “soccer” team to those of you are wrong) who suffered one of the biggest defeats in international football when they lost to Australia. Interesting moment in here where they talk about one of the players who is “third gender”. At first, I was annoyed at how they talked about it, to me that seemed like a much more interesting story than the one being told, then it hit me; the fact they’re not treating it as a big deal is fascinating, and is a big deal. It’s not about them, it’s about the team as a whole. The fact they are so nonchalant about it is wonderful, and kind of beautiful.

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Saw

Some of the dialogue makes me think the writer has a rom-com in him somewhere. So natural and brilliant. Performances are a little stilted at times, very “end of year school play” air to some of the line deliveries. There’s a child in it, very briefly, who has the best delivery out of all of them. Her tortured cries are so realistic it makes me wonder whether this is actually a snuff film. This film is actually a lot better than its reputation would have you believe. Yes, the series did eventually descend into torture-porn, but the first film has one hell of a plot (also, one hell of a plot-related issue, but meh). Remarkably restrained, a lot of the horror comes from the situation, and one of the most brutal scenes is one where you don’t actually see anything, you just hear it.

Spiderman: Homecoming

I love it. So so much.

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This scene is genuinely one of the best-written scenes so far this year

Stuart Saves His Family

Dark, but could afford to be darker.

The Fuzz

The opening episode features a puppet prostitute getting shot in the head. What more do you want from a TV show? A buddy cop comedy set in a world where puppets not only exist, but deal jelly beans instead of drugs. The main character is called Herbie Smooshiloops, and at one point gets a ukelele out for a police press conference. Very funny, and a really good story. That kind of thing is usually not done in comedy, people have a tendency to think “well if the laughs are good, you don’t need a story”, wrong. Very very wrong.

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The Last Word

Holy crap where did this come from? It’s like High Fidelity mixed with Christmas Carol. Really good. I really wish this film had a better marketing campaign so that more people would have seen it. Genuinely one of my cinematic highlights of the year. Seemingly just with me though, a lot of reviewers really hate. I loved it though, very dialogue and character-heavy. Genuinely sweet and heartwarming, there’s a scene near the end which is a bit “meh”, but other than that I loved it. A story about an elderly woman who hires someone to write her obituary before she dies, only a lot better than I made it sound.

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The Omen

Weird references to 9/11 and Katrina (i think it’s Katrina anyway). On the one hand, it places it in the world. On the other, it seems a bit, I dunno, weird to use those things where thousands of people died as a plot point in your piece of shit movie. I think that might actually be my biggest problem with it, not that it uses real life deaths in a film, but that it uses real life deaths in a shit film.  This series will definitely have to suffer through a Halloween-watching live blog at some point.

The Space Between Us

I was actually looking forward to this. But no, just no. Asa Butterfield, Britt Robertson, and Gary Oldman do the best with what they can, but what they’re given was not great. My main issue is the obvious lack of scientific accuracy. May seem a bit nerdy, but it’s not high-level science they fail, what they do is the equivalent of a medical TV show saying “she got pregnant because she held hands with a man”. You wouldn’t see that in a TV show as it’s obviously false and only belongs in Alabama sex education classes.