Tag: Review

Argylle (2024) Review

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Quick Synopsis: Reclusive writer Elly Conway finds herself in the middle of danger when it turns out her spy novels have started coming true.

Mystery and riddles are always good ways to sell a film. You provide a question, and people will want to answer it. You provide intrigue, and people will want to delve further into it. On the other hand, it can also kill a movie. Jennifers’ Body was marketed to appeal to the type of people the film wasn’t meant for and put off those who would have liked it. Argylle is the latest example of a film completely devalued by its marketing campaign. Firstly, it was built around “Who is Agent Argylle?”. The issue is, the type of people who would be intrigued by that are the kind of people who would use Google (well, duckduckgo as Google is pretty much useless at this point) and social media to work it out. If they did, then they’d have seen that the question was answered in the initial press release for the film back in 2021. The other issue I had with it was the line “From the twisted mind of Matthew Vaughn”, it’s a 12A. That pretty much guarantees you’re not going to get the violence that made him famous. So people go into this knowing that they’re going to get a lesser version of what could possibly be made.

There are definitely a few moments where the rating harms the experience. Some of the fight scenes sag when they should soar, the action not being creative enough to make up for the lack of blood. Intense fight scenes are normally the highlight of a Vaughn movie, but with Argylle they’re arguably the worst. There’s a smoke-filled scene near the end which is laughably bad. Nothing about that particular scene works except for possibly the colours. The choreography is poor, everything looks CGI, and the music choice is the wrong one. Note to directors; if you’re looking for an iconic piece of music to score an action scene, a Leona Lewis cover of a Snow Patrol song is never the right choice.

I mentioned the CGI earlier, I have to reiterate that it’s terrible. If someone told me that none of the actors in the film actually met each other and it was all filmed adhering to social distancing regulations, I wouldn’t be surprised.

There are a few things to like about it though. Some of the music choices are fun. It’s a good ensemble cast, and there are some very funny lines. The moments where she’s struggling to write so Henry Cavill’s character keeps restarting the scene are also fun.

But for everything to like about it, there are three things to dislike. There’s a moment in the middle where there is potential for an incredibly tense “she could be killed at any point in this scene” section, instead it’s over far too quickly. That sums up Argylle, great potential, completely wasted. Ironically, completely wasted would be the ideal way to watch this.

The Zone Of Interest (2023) Review

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Quick Synopsis: In this drama written and directed by Jonathan Glazer, a couple (Rudolf Hoss and Sandra Huller) struggle to raise their children under the pressures of his work, that work? Commandant of a concentration camp.

The Zone Of Interest (Tzoi, pronounced Soy) is an important film. The holocaust is a strange and emotive subject. We are taught a lot about it, and the facts are discussed often in modern society. So, we learn a lot about it, but we don’t learn much FROM it. We don’t discuss how the Nazis used language specifically to dehumanise people so that the treatment of them was deemed more appropriate. If we did learn that lesson, we wouldn’t have politicians describing refugees as “vermin”. We don’t discuss how the citizens of Germany ignored what was going on for their own comfort. If we did, then we wouldn’t be okay with the government essentially making homelessness illegal by arresting anybody sleeping rough in the street. So we do need films like this, even in a time far removed from the events. We need something that shows how to some people it wasn’t a constant threat to their lives, it was just something that happened to other people. To some people involved, it wasn’t the most important part of their lives, it was just something they worked on to get a promotion. TZOI’s focus on the “banality of evil” is both its greatest strength and its biggest flaw. The fact that Glazer focuses so much on the mundane and regularness of the family is fascinating and incredibly harrowing. But lets face it, watching people do nothing for 105 minutes soon does become quite dull, that level of boring mundane stops being fascinating and starts becoming, well, boring and mundane.

A lot goes unsaid and happens in the background. But it could have done a slightly better job of pushing some of that to the front. I’m not asking to make it very obvious, but there are a few moments (particularly at the end) where a bit of clarification would have improved not only the understanding but also helped push through the idea and message that the film was trying to put forward.

Outside of the normality of Nazi life, there’s not really that much to it. It makes its point, and then continues to make that same point, never developing or adding to its themes. Once you’ve watched 5 minutes, really you’ve seen it all. In general, it leaves you with a hollow(caust) feeling, a realisation that this would have been far better as a short.

The worst realisation though? The fact that the people who need to learn the lessons from this is trying to teach, are the EXACT type of people who won’t watch a film like this. It’s essentially preaching to the converted.

It’s a shame, as this is at times fascinating, and depressingly real. It’s shot very realistically. Not like a documentary, with static shots and a set of people well aware they’re being filmed. It’s more like you’re an invisible witness to the goings-on. Sandra Huller continues to be one of those performers I now feel guilty for not paying attention to sooner. Christian Friedel as Rudolf Hoss is a revelation. His non-verbal reactions are key to the horrors TZOI contains. He is helped by the script giving him a lot to work with, there’s a moment near the end where he is so overcome with revulsion over his acts that he tries to vomit, but is unable to. It’s reminiscent of the (incredibly disturbing) documentary The Act Of Killing. There are lots of subtle moments which are equally horrifying (finding body parts in the river his family swim in, the soundtrack of slight screaming), but none have quite as much humanity as that moment does.

I do like how the ending shows that his legacy wasn’t as a great commander, but of the builder of one of the most horrific displays of humanity anybody has ever witnessed. His name is not sung in glorious tones but is instead spat out with disgust and hatred.

Like I said, there’s a lot to, well, not exactly “enjoy”, but appreciate. I just, I kind of wish it had bigger ambitions than “Art Student Film”.

The Beekeeper (2024) Review

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Quick Synopsis: After his friend Eloise kills herself in shame after being the victim of a phishing scam, Adam Clay goes on a roaring rampage of revenge.

If you like Jason Statham films, you’ll enjoy The Beekeeper. Actually, that’s incorrect, if you LOVE Jason Statham films, you’ll enjoy this. If you’re on the fence about him as a performer, this isn’t going to change your mind. It’s standard Statham-ware (Not Stathamwear of course, which is his fashionline). It’s actually got quite good reviews so far and I have to be honest; I don’t get it. I never really saw it get better than average. Nothing about it is memorable, not in a good way anyway. The action scenes really should be better. There are a few exceptions; the destruction of the call centre early on is deliciously cathartic, but those moments are few and far between. On the plus side, the action scenes are comprehensible, which is more than could be said for a lot of recent action films. Comprehensibility does not mean excitement though, I don’t find Humpty Dumpty exciting, even if I can understand it (it’s about breakfast, right?). As anyone who watched the first Suicide Squad movie can attest, as a director, Ayer knows how to create colourful shots. But he doesn’t know necessarily how to make them exciting. He just seems to think that adding purple neon makes a shot dynamic.

Similar accusations of laziness can be directed at the performances. It’s a weirdly talented cast; Minnie Driver, Phylicia Rashad, and Jeremy Irons. Performers like that should elevate the film and bring it up to a higher level. Instead, it feels like the film is dragging them down. For example, Statham does a weird not quite English/not quite American accent.

In their defence, the script doesn’t really give them much to work with. It’s hard to deliver a good performance when you have to give some of the worst dialogue ever committed to film. Some films improve when you think about them, this actually seems like it gets worse the more you think about it. Not in a “plot holes reveal themselves when you think about them” way, but for the events of this film to happen, certain things must have happened or will happen after the film ends. In this universe, “Beekeepers” is the name of an organisation of highly trained assassins who operate and kill with complete impunity from the law. I’m not quite sure how they’re funded, it possibly mentioned it but I stopped caring. But what makes it weird is the idea that their training library includes not only “How To Sneak Past Things” by “S.Tealth”, and “How To Fight” by “That Guy In The Pub Who Doesn’t Have Training But When He’s In The Zone You Totally Better Watch Out, Bro. fka. Keith”, but also “The Naked Apiarist; Elementry Mistakes In Beekeeping”. Statham’s character really commits to the bit, by actually keeping bees after he retires from the service. Weirdly enough, it’s only his beekeeping that alerts people to the organisation in the first place. If he stopped living the gimmick and started an alpaca farm, then the bad guys wouldn’t have had a clue how to identify him, so they wouldn’t have set so many highly trained killers on him.

I’d also like to see more of what happens after this film. It’s been revealed that the president’s son is behind a multinational operation that scams people’s life savings from them. and used that money to fund the election campaign. How would the world react to that? That’s the most interesting part of the story, and it’s not in the film itself.

In summary, an incredibly frustrating watch. If it was more in-depth and intelligent that would have allowed it to say something important about corruption and election funding. Although, in some ways, if it was trashier, that would improve it too. As it is, it’s stuck in this middle ground between shlock and serious, so just ends up shlerious, which isn’t a word. It does have one huge plus for it though; it genuinely is an incredibly effective way of teaching basic cyber security to those who aren’t that computer literate. Okay, all that lesson is is “don’t give your bank details to a stranger”, but you know, baby steps.

Do do do do do do

Poor Things (2023) Review

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Quick Synopsis: Bella Baxter is a young woman with the brain of a child, who goes on a journey of self/sexual discovery before her impending marriage.

I’ve been looking forward to this for a while, specifically, May 30th 2022, when I posted my review of On The Count Of Three, and mentioned that the two leads (Jerrod Carmichael and Christopher Abbot) will be sharing the screen in this. They didn’t actually share the screen at any point, but they are both vitally important to the plot in how they affect the lead character of Bella. Abbots’ character of Alfie Blessington is incredibly vile, one of the most despicable characters in modern cinema. It’s not just him though, the world of Poor Things is full of cruelty, abuse, and manipulation. It’s so cruel that it’s kind of uncomfortable to watch. The whole film is uncomfortable really. Bella’s sexual awakening is treated as a feminist story about her escaping the trappings of man and discovering herself. But considering she’s treated by men as the Ultimate Sexual Fantasy it’s kind of unsettling once you realise the implications. I mean, she has the mind of a child, clearly not understanding consent. There’s a lot of that, characters show their true selves not by how they act in public, but by how they treat Bella. There’s a fascinating “you’re defined by who you are in the dark” message, but it seems underdeveloped and like it’s not given enough care.

Something which was given care and love is the world that Lanthimos has created. It’s a visual masterpiece with ancient architecture and bright colours creating a real treat for the eyes. The skies in particular are breathtaking to watch, full of true beauty and wonder. The beauty of the visuals is matched by the performances. The aforementioned Abbot and Carmichael are great. Ruffalo is suitably pathetic, Dafoe brings his usual creepy energy, and Ramy Youssef is innocent but with dated notions of gender equality. But the real star is obviously Emma Stone. Most of the other performers could be replaced by someone similar, but only a handful of performers could bring what Stone does. It helps that she brings a tremendous physicality to the role. If she brings anything less than 100% she’d risk coming off (weirdly) as overacting. But because she throws herself completely into it, she’s believable, she does so much that she kind of feels grounded because “well nobody who was TRYING to be weird would do that”.

Now onto the downside, some of the music makes it difficult to pay attention. At times it’s so abrasive it feels like it doesn’t want you to be comfortable. I’m used to that when it comes to visuals, but uncomfortable sounds are different, it’s not just uncomfortable, it’s painful. It backs up my theory that sometimes Lanthimos doesn’t want you to like the film, and is actively hoping you’ll dislike it. It’s sometimes so weird that you can see it being off-putting to a lot of people. I wasn’t put off by the weirdness, but I was put off by how the script sometimes seemed to be made up as it was going along. At times it feels like it’s forgotten that it already made a point, and so makes it again in a slightly less effective way. There are a few things which feel like Chekovs Guns, but when they are eventually fired feel like a damp squib, like the writers realised “Oh shit, we set this thing up earlier, we need to pay it off quickly” and just had a quick line (as in, a line of dialogue, not cocaine).

It may be weird at times, but it does raise a lot of questions. Is it, as Samira Ahmed described it “a heterosexual middle-aged man’s fantasy about nymphomania, with the flimsiest covering of “satire” and a tagged-on message about female genital mutilation being “bad””, or is it as Leslie Felperin puts forward, just a tale of a woman “unburdened by any of the inhibitions women of her time would usually be tethered by, limiting their interests and ambitions”? Is it feminist? Misandrist? Misogynist? Or is it none of those things? That’s always up to interpretation, and no matter what you say about this film, you can’t say it’s boring and doesn’t inspire discussion. And sometimes that’s what you want from a film.

One Life (2023) Review

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Quick synopsis: The story of British humanitarian Nicholas Winton, who helped save hundreds of predominantly Jewish children from the Nazis on the eve of World War II.

Something I don’t hide particularly well is that I am in general quite a cynical person (probably due to living in the UK in the 2020s teaching me that nothing good ever happens), I’m also not a fan of predictability in cinema, plus there have been so many films about the second world war that, to be honest, I’m kind of bored of them. We get it, it was the last time Britain was important on a global stage, plus it’s one of the few examples of war where there was one side that was undeniably evil and unjustified, so it makes good cinema. But my word, I’m bored of seeing it on screen.

So you’d think I would not really be a fan of this. But I have to admit, it got me. You know how it ends, there are no twists or surprises, and everything is incredibly obvious. But it’s so well made that it’s still effective. I’m glad I saw this at the cinema as it meant I could confirm that it wasn’t just me, the whole cinema felt emotionally affected by it. When the film ended and the credits started to roll, nobody moved. Normally you get people who stand up to go pee or beat the traffic, but when this ended, everybody in the screening stayed seated for a good minute. There were no angry mutterings, or even excited chatter, the only sound was the distinctive sound of everybody trying to hide the fact they were crying.

He seems to be doing a lot of schlock lately (Armageddon Time, Zero Contact, Transformers etc), but when you see a performance like this, it reminds you that Anthony Hopkins is a phenomenal actor. When I saw the trailer, I thought it would be a case of Hopkins just appearing at the beginning and the end, with the bulk of the narrative being flashback, and as such, the younger version of the character. I’m glad that’s not the case, we’re given enough of present-day Nicholas Winton that Hopkins is given a lot to work with. Johnny Flynn as the younger version of Winton? He’s okay. He mainly suffers from two things which he can’t control. One is that he’s playing the younger version of a character played by Anthony Hopkins, and it’s constantly switching between the two which means that comparisons between the two are inevitable. It’s difficult to give a good performance when you’re being compared to one of the best actors of all time. The other comparison is more in his control, but I don’t blame anybody for not making the comparison; Harry Enfield’s character Tim Nice-But-Dim. Once I noticed the similarities in vocal cadence, it became hard to take it seriously.

The other performers are all fine, but they obviously pale in comparison to Hopkins. Helena Bonham Carter does what she needs to, but could be replaced by a cheaper performer without affecting it too much. Samantha Spiro does an almost pitch-perfect imitation of Esther Rantzen, but is only seen for a few minutes. To see the similarities, you do need to watch the original clip online, which is weird as I thought they would have played it during the credits. It’s standard to show real-life photos of characters in biographies, and it doesn’t do that for this, which is a bit weird.

This isn’t a perfect movie though. I’m not sure the story has enough legs to justify a nearly two-hour movie, there was just enough for a one-hour television episode. The predictability also harms it, and it’s not that interesting from a visual or audio perspective. From a technical standpoint, it feels like there’s a lot of “well this will do”. The actual operation feels kind of underbaked as well, with the story focusing on the people in Britain who are in no danger.

To summarise; this a hugely emotional experience. It’s a good reminder that the people being helped aren’t soldiers, politicians, or anybody who had a choice in the war or where they live. They were just children who were at constant risk of being arrested and executed just for existing in their current location or as their current ethnicity/religion. It’s impossible to comprehend something similar in modern society.

Unless you’re Ukrainian

or Palestinian

or….

2023 In Film: Day Ten (The Amazeballs)

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Barbie

Ups: Very funny

Depressingly relevant

Creative

Unique look

Downs: The final third is a little messy.

A lot of the supporting actors are wasted.

It’s going to lead to studios learning the wrong lesson. They’re going to think “let’s make movies based on toys”, rather than “let’s have movies which are well written”.

Best Moment: America Ferrara’s monologue about womanhood. Absolute perfection.

Worst Moment: The chase scene in the office is a bit drab.

Best Performer: Ryan Gosling. Robbie is good, but if she didn’t have Gosling to bounce off, it wouldn’t work.

Opening: Essentially 2001: A Space Odyssey but with Barbie instead of a monolith, showcasing how she was the first doll that wasn’t a baby. The kids respond to this by throwing away their old dolls. Somehow, this was described in at least one review/commentator as “children say they want to kill all babies and then massacre them”.

Closing: Barbie goes to a gynaecologist. Again, some reviewers misconstrued this scene and said it was her “getting a sex change/having an abortion”. This is why media literacy is important, it stops idiots. It could have ended slightly more powerfully than it does, but it works.

Best Line: The aforementioned monologue.

Original Review here

Bottoms

Ups: Hilarious.

In your face.

Fun performances.

Downs: They never really feel like outcasts. They say “We’re at the bottom” but it never feels like it.

More could be done to set up the school rivalry.

The dickhead jocks never get their comeuppance

The use of music at some points could be better

Best Moment: The final fight. Violent, stylistic brilliance.

Worst Moment: The falling out between the characters feels a little fake.

Best Performer: Ruby Cruz

Opening: The main characters at a fair. Sets up their characters well enough, gets some jokes out the way quickly too.

Closing: A tree bomb explodes, disappointing a local goth who is displeased about the gimmick infringement. Such a hilarious coda.

Best Line: “Let’s do terrorism”

Original Review here

Godzilla Minus One:

Ups: Visually stunning.

Has a purpose.

Mature.

Godzilla is terrifying.

Compelling story.

Downs: Bit too unsubtle.

There are a few moments where the effects are a bit too “man in suit”.

Hard to see it appealing to casual movie-goers

Best Moment: The attack on Ginza. Especially when it ends on a nuclear explosion.

Worst Moment: Shikishima receives a telegram, only because it kind of telegraphs the ending.

Best Performer: Ryunosuke Kamiki.

Opening: Godzilla attacks an island. I like that we got to see him early, and the scene is BRUTAL. This is not a monster who is aiming for balance etc, this is one that wants to kill humans.

Closing: Godzilla flesh starts to mutate. I really hope we get a sequel.

Best Line: Is your war finally over?

Original Review here

John Wick: Chapter 4

Ups: Some great fight scenes.

Donnie F’ing Yen

Keanu Reeves continues to kill it.

Good world-building

Downs: Bit too long.

Requires you to remember too much from the previous films.

Lacking “THAT” scene.

Best Moment: John in a hotel. Mainly because of how it’s weirdly shot and I loved it. Was like a video game at times.

Worst Moment: The Continental being destroyed could have been done better.

Best Performer: Keanu Reeves

Opening: John travels to Morocco and kills the elder. Unless you’ve seen (and can remember) the previous films; this meant nothing.

Closing: It ends the only way it could. The place it’s been heading to since the first film.

Best Line: “You arrogant asshole”.

Original Review here

Missing

Ups: Very original idea.

Ties into Searching brilliantly.

Incredible twists and turns.

Great performances.

Rewards a second viewing

Downs: The gimmick will be hated by some people.

Best Moment: The twist, it’s so good.

Worst Moment: There’s a death which seems out of place.

Best Performer: Storm Reid

Opening: Camera footage of a 6-year-old June with her father James, who died shortly after the video was made. Very good, and when you learn the context later, so much better.

Closing: The story has been adapted into a Netflix show. Weirdly funny and feels so true.

Original Review here

Past Lives

Ups: Very sweet.

If you let yourself into it, it opens itself up to you beautifully.

Stunning shots.

The leads have great chemistry.

Downs: Might be a bit too slow for some.

Not much happens.

Best Moment: The diner scene, it says so much about the relationship between the three.

Worst Moment: The title drop, seems like it was only there to get the title in.

Best Performer: Teo Yoo

Opening: The two main characters meet as children before leaving each other. Very sweet.

Closing: Essentially “we’ll see what happens in the next life”.

Best Line: You make my world so much bigger and I’m wondering if I do the same for you?

Original Review here

Polite Society

Ups: Great twist

Fun fight scenes.

Likeable characters

Good performances

Downs: The twist may put people off

As good as the stunt scenes are, there are none that stand out as “best scene ever”

Best Moment: Torture wax.

Worst Moment: The school fight scene might be a bit too silly for some.

Best Performer: Priya Kansara

Opening: She introduces herself, fun, and gets her character across well.

Closing: Not saying, the entire final third of this is a huge head-fuck, I love it.

Best Line: The gods whispered to the warrior, ‘You will not withstand the fury.’ The warrior whispers back, ‘I am the fury!’

Original Review here

Spider-Man: Across The Spider-Verse

Ups: The animation.

Best use of the multiverse in cinema this year (ordinarily that would be damning with faint praise, but lately?)

Has one of the best villains in superhero movie history

The different Spider-men are all great

Emotional

Downs: The soundtrack isn’t as memorable as the first one.

Ends on a cliffhanger

The studio treated the animators like dicks apparently.

Best Moment: The explanation of canon events.

Worst Moment: About 5 minutes from the end where you realise they don’t have enough time to wrap the stories up.

Best Performer: Shameik Moore.

Opening: Gwen Stacy fights a version of the Vulture from a universe made to look like an Italian Renaissance painting. Visually interesting, and very cool. But some people might have preferred it to start with Spider-Man

Closing: Miles is in trouble, and Gwen is establishing a team.

Best Line: Almost everything Hobie said

Original Review here

2023 In Film: Day Nine (The Almost Amazing)

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Aftersun

Ups: So many sweet moments.

So very sweet

Nostalgic

Downs: A lot happens off-camera and goes unsaid, which some people might not like.

Some shots could linger a bit longer

Could do more with the present-day sequences.

Best Moment: The Losing My Religion scene does a lot for something so simple.

Worst Moment: When the dad is talking about his 11th birthday. It’s a very poignant scene, but I don’t like how it was shot. I get why Charlotte Wells did that, but it just didn’t work for me.

Best Performer: This is tough. Both leads are perfect. Ordinarily, I’d give it to Frankie Corio because Paul Mescal got enough attention, and I’m always more impressed by a younger performer. But I’m going to break from tradition and give it to Paul Mescal because of how much depth he has to give every scene. He’s not just a dad, he’s a dad who is trying to give his daughter a memorable holiday while he’s suffering from depression.

Opening: Home video of the dad dancing, being recorded by his 11-year-old daughter. We know this as she points out her age, which is a very smart way of getting her age out there. The footage then freezes and starts going weird. Artfully done. It did make me think the whole film would be found-footage style.

Closing: Calum says goodbye to Sophie at the airport then shuts the camera off. I know that sounds boring and meaningless, but in the context of this, it’s incredibly powerful and will bring a tear to your eye. Then a slow pan of the room current Sophie is in as she watches the videos.

Best Line: “I just feel a bit down or something. Don’t you ever feel like you’ve just done a whole amazing day and then you come home and you feel tired and down and it feels like your bones don’t work. They’re just tired and everything is tired. Like you’re sinking”

Original Review here

Are You There, God? It’s Me, Margaret

Ups: Very sweet.

This could so easily be creepy, but is skillfully directed so that it’s not.

Funny.

Surprisingly timely

Good performances.

Downs: Will put off certain audiences.

Changes a few things from the book which might annoy some people.

Best Moment: When she finally speaks to Laura. Very sweet and allows Laura to showcase her character more.

Worst Moment: The grandparents visiting doesn’t seem to do that much in the script.

Best Performer: Abby Ryder Forston

Opening: Margaret gets back from camp and finds out she’s moving house. It might have been nice to see more of her settled before the move, as at the moment all we see is “moving anxious Margaret”

Closing: She gets her period.

Best Line: I’ve been looking for you, God. I looked for you in Temple. I looked for you in Church. I didn’t feel you at all. Why? Why, God? Why do I only feel you when I’m alone?

Original Review here

Creed 3

Ups: Better fight/action scenes than some big-budget blockbusters

Emotional

Compelling story.

Downs: Rushed middle section.

We don’t get to see Damian as the champ (or the reaction to him)

Best Moment: The final fight. Incredibly creative with how it’s shot. Really helps you understand what being in that situation is like.

Worst Moment: The shop theft. It’s a good moment, but it’s repeated too much.

Best Performer: Phylicia Rashad.

Opening: Flashback to a young Adonis Creed watching his friend Damian win a boxing match, then Adonis beats the crap out of some guy. Gets you hooked in, lets you know of the characters’ relationship etc. But it’s a little hollow. There’s nothing gained from watching the moment again, it’s all very surface-level.

Closing: Adonis boxes with his daughter. It’s a very sweet moment but I feel that relationship could have been fleshed out a tiny bit more.

Best Line: The higher you get, the harder it gets.

Original Review here

Scrapper

Ups: Great performances

Likeable characters

Funny

It’s nice to see a British working-class movie where people are happy.

Probably the most creatively shot movie of the year

Downs: It’s a bit strange that nobody at the school questions the fact that her uncle is called Winston Churchill, or how she’s paying for everything. She is shown making some money, but will that be enough to cover all bills?

Characters don’t develop that much.

It doesn’t feel like some of the characters are taking the situation as seriously as they should.

Best Moment: When Georgie and her dad play a game at a train station where they imagine what other people on the station are saying. They do this for a few minutes before someone on the other side says “we can hear you, you know”.

Worst Moment: The revealing voicemail, feels slightly underwhelming.

Best Performer: Lola Campbell

Opening: An almost empty house, and Georgie marking off where she is on the stages of grief chart.

Closing: The two enter a truce to get to know each other. Sweet, but could be better. It’s not helped by the fact the conflict between them doesn’t feel that divisive.

Best Line: “we were just making sure all these bikes are road safe. Oh, yours isn’t by the way” A great demonstration of her quick thinking but also her childish nature that she thinks it will work. I mean, it does, but still.

Original Review here

Teenage Mutant Ninja Turtles: Mutant Mayhem

Ups: Looks fantastic.

Funny.

Great anarchic energy.

Downs: The constant pop culture references can get tired quickly.

If it’s not followed up then it will be a huge disappointment

Best Moment: The “What’s Up” scene.

Worst Moment: The horse mutation. Only because it feels really weak compared to the rest of the mutation effects.

Best Performer: Jackie Chan

Opening: The genesis of the turtles. It’s somewhat standard to see a father figure/creator get murdered in the opening of a kids’ movie, but it’s rarely as cruel as it is here.

Closing: The Turtles go to school and get to live out their dreams of being normal teenagers. But Cynthia aims to bring Shredder to defeat them.

Best Line: “Our dads definitely not a giant rat”

“That makes me think he is a rat”

Original Review here

The Blackening

Ups: Hilarious

The characters all feel real

Downs: Needs a better soundtrack

Jermaine Fowler feels a bit out of place.

Could be more violent.

Best Moment: The group answering the question about Friends.

Worst Moment: The reveal. A bit weak and predictable

Best Performer: Grace Byers

Opening: Standard “characters we don’t know get kidnapped/killed” horror opening. It comes back later and is a major plot point so it works.

Closing: The fire department sprays the survivors with a hose. Made me laugh a lot.

Best Line: You got Rosa Parks on your shirt, right? Would she be sitting down right now?

Original review here

Totally Killer

Ups: Her mum actually shows some decent self defence skills. Makes a change from the usual female survivor we see in films like this.

Some really fluid camera work.

Incredibly satirical.

Great soundtrack

Not enough horror movies use Banarama

Kiernan Shipka is actually really good

Downs: The editing is a bit choppy.

The reveal of the first killer would have been better if we knew more about them.

Wastes some potentially interesting ideas.

Best Moment: There’s an action scene on a centrifugal force fairground ride. Haven’t seen anything like it before and it’s incredibly creative.

Worst Moment: Conversation with her and her mother at the start, mainly because of the editing.

Best Performer: Kiernan Shipka

Opening: Narration setting up the story of the original murders, we don’t see the murders, but we do see the crime scene reconstruction. An effective way of doing a scene like this on a low budget and not having it come off as cheap.

Closing: Lauren hands over a notebook listing all the things which are different because of the time travel. Really cool and a way to do the “what happened to everybody” cliché in a way that’s original

Best Line: “Just think. Maybe if she did do blow jobs, she’d still be alive.”

“yeah, let’s not make that the lesson”

Opening Review here

Wonka

Ups: Some great jokes.

Looks fantastic.

Sense of playfulness.

If you’re a fan of British comedy then spotting people you recognise becomes the greatest game of “Where’s Wally” ever

Downs: Chalamet can’t really sing like he needs to for this.

Some cast members feel underused.

Best Moment: The “reveal” of the secret ingredient his mum put in chocolate. Yes it’s obvious and trite, but it’s so damn sweet.

Worst Moment: The reveal that he can’t read seems like it’s just there to explain him signing the contract.

Best Performer: Calah Lane, she’s the beating heart of the whole thing.

Opening: Wonka sings a song about his hopes and dreams. Sets the tone perfectly; funny, charming, and weird.

Closing: The factory is built. Meh. But then the credits show what happened to everybody, and it’s done delightfully.

Best Line: May I present, Willy Wonka’s wild and wonderful wishy-washy Wonka walker! Please, don’t make me say that again.

Original Review here

2023 In Film: Day Eight (The Very Good)

On By troubledproductionsIn Year round upLeave a comment

Anatomy Of A Fall

Ups: Genuinely compelling.

Likeable characters

Flows beautifully.

Downs: Feels a bit too ITV at times.

Best Moment: The courtroom scenes themselves are sensationally tense.

Worst Moment(s): A moment that’s not there; the year between the event and the trial. I’d have liked to have seen more from that.

Best Performer: Sandra Huller

Opening: Sandra’s interview keeps getting interrupted by her husband playing a flamenco cover of a 50 Cent song. Rather damn tense, but doesn’t really set up the genre until later.

Closing: The court case is adjourned. It does seem to end rather quickly, with no idea of what happens next.

Best Line: Sometimes a couple is kind of a chaos and everybody is lost. Sometimes we fight together and sometimes we fight alone, and sometimes we fight against each other, that happens

Original Review here

Guardians Of The Galaxy Volume 3

Ups: Genuinely emotional.

Funny.

An utterly detestable villain

Good cast chemistry

Downs: The music isn’t as good as the previous entries.

Some issues with the tone.

It really is time that the MCU started advancing its overall narrative.

Best Moment: The hallway fight scene. One of the best action set pieces in the MCU

Worst Moment: The post-credits scene is a waste of time, even by phase four MCU standards.

Best Performer: Chukwudi Iwuji

Opening: The group are attacked at their new headquarters. Standard Guardians opening, but not as good as has been done before.

Closing: Everyone goes their separate ways; still alive. Because Marvel isn’t going to kill any characters now.

Best Line: Someday I’m gonna make great machines that fly. And me and my friends are gonna go flying together, into the forever and beautiful sky.

Original Review here

Holy Spider

Ups: Shockingly violent.

The police officer going from “I’m a sensitive nice guy” to “Well what if I don’t want to leave? Slut” is painfully real to see play out. His wife blaming the women is also up there.

Ali Abbasi NEEDED to tell this story.

Downs: Some of the subtitles haven’t been translated properly.

The editing isn’t too great in some places.

Best Moment: The brief look of pride on his son’s face when he’s talking about strangling people

Worst Moment: When she runs for safety, it cuts too quickly to really be effective.

Best Performer: Mehdi Bajestani

Opening: “Every Man Shall Meet What He Wishes To Avoid”. Then a naked woman doing her hair, with her back covered in bruises. Few more random scenes, then footage of 9/11. It does everything it can to cause emotions.

Closing: He gets hanged. He thought he was going to get away with it but turns out his friends had sold him out. I like the fact that he died afraid, and the irony of him being killed by lack of oxygen is nice to see. That should have been how it ended, as it was, it carried on to her on a couch watching videos. Disappointing. Or so I thought. But then she watches videos of his son, and he’s talking about how he plans to continue his dad’s work; demonstrating how his dad killed them, like he was doing something great. Demonstrating on his sister. Thankfully just a soft recreation, not actually killing her. But it’s still horrific to watch in terms of what it implies about societal bullshit.

Best Line: “Prostitution is a societal problem. You don’t sell your body on the street unless you’re poor and desperate”. I think that line actually leads a bit of nuance to the guy’s belief and helps you realise that he has a genuine reason for wanting to end prostitution.

Original Review here

Joy Ride

Ups: Very funny

Utterly filthy.

Great performances.

Unapologetically Asian.

Downs: Some scenes go on a bit too long.

Some side characters feel wasted.

Best Moment: The video recording from her birth mother.

Worst Moment: The WAP scene, it drags ever so slightly towards the end of it.

Best Performer: Ashley Park

Opening: The two characters meet. A sweet and funny scene that showcases their relationship, and give the parents some depth two. One set are nervous and fed up of not being thought of as American, and the other set of parents just want a friend for their daughter. It also features a racist being injured and sworn at.

Closing: Simple “one year from now”. Nice, and doesn’t sequel hook.

Best Line: My vagina is the devil and she’s here to stay!

Original Review here

M3gan

Ups: Very funny

Has a superb Chekov’s Gun involving a giant robot.

Weirdly sweet at times.

Downs: There’s a few moments where the editing is a bit off. Most of the time it’s fine. But there’s a moment in the office where it’s a bit sudden and disorientating.

Best Moment: When M3gan is being disconnected. You know what’s going to happen, it’s obvious, but it’s still incredibly tense trying to figure out WHEN it will happen. It’s the cinematic equivalent of Buckaroo, only with slightly more death.

Worst Moment: The bits which aren’t in there. Like, what happened to certain people? And what impact does this have on the company?

Best Performer: Violet McGraw. Although I did think she was Ava Acres until about five minutes ago.

Opening: A very cutesy/disturbing advert for a fictional toy. Followed by a car crash which kills the parents of Cady. Her parents are actually shown as fully realised characters, so it doesn’t feel like it’s wasting time.

Closing: The not-Alexa turns itself on, implying M3gan is now in that. That’s how you do a sequel hook: there’s potential for it to continue, but it still feels like a complete story. It CAN have a sequel, but it doesn’t NEED one. Although I will be curious how they’ll have an excuse to keep the same design for M3gan if they do continue. Her look was a big part of her charm.

Best Line: Cady, you lost your parents. The worst thing that could’ve happened to you in this world happened. And it is so unfair, and there is nothing anyone can say to make sense of it. Not even M3gan. I am so sorry. I should’ve talked to you about what happened. I didn’t know what to say, so I did the only thing I knew how to do. But she’s not a solution. She’s just a distraction. I can’t promise you that these feelings you’re feeling are ever gonna go away. But I can promise you that you’ll get through it. We both will.

Original Review here

Quiz Lady

Ups: Funny.

It’s nice to have something just designed to make you feel warm and fuzzy.

Good subversions of the expected character types.

Downs: Predictable.

Could do more.

Doesn’t use the music available to it in the best way.

Best Moment: The quiz show itself.

Worst Moment: The Ben Franklin-themed hotel seems like an idea that was hilarious on paper but didn’t really add anything on screen.

Best Performer: Awkwafina.

Opening: Anne sits down to watch a quiz show in 1996 as an argument goes on around her. Her older sister is on the phone nearby and reaches for the remote. I assumed she was going to turn the volume down so she could talk on the phone, but she turned it up instead so her sister could hear it. It’s weirdly sweet. Helps that the child actress they got looks SOOOO much like Awkwafina.

Closing: Ends exactly how you think it would end. But then you get a “what happened to everybody” montage which is hilarious.

Best Line: “Linguini became a social media star, making $200k per post. This makes him richer than most families and proves capitalism has gone too far”

Original Review here

Rye Lane

Ups: Very believable relationship between the two leads.

Adorkable

Very creatively shot

Downs: The traditional third-act argument doesn’t feel real, and the grand gesture feels underwhelming.

Best Moment: The dinner with Dom’s ex.

Worst Moment: The argument.

Best Performer: David Jonsson

Opening: The meet-cute. Happens very early on and I’m all for it. Actually, that’s another point, this film is remarkably paced.

Closing: They end up together. Obviously.

Best Line: So apparently there are two types of people in this world. The ones who wave at boats, and the ones who hate joy.

Original Review here

The Creator

Ups: Looks incredible.

How was it done on this budget?

Gets you asking questions.

Downs: Missing THAT iconic needle drop.

Important plot points are glossed over too quickly.

Best Moment: The reveal that the disaster that wiped out humanity was human error, not AI. Changes everything.

Worst Moment: 3 seconds later when you realise that the reveal has changed nothing.

Best Performer: John David Washington

Opening: Newsposition. Goes from real news to fictional seamlessly and makes the world seem real.

Closing: The two main human characters die but the world is saved. Cliche but works.

Best Line: Go make love to yourself. Go make love to your mother.

Original Review here

The Marvels

Ups: Fun.

Iman Vellani is a delight.

Perfect chemistry.

Good visuals.

FINALLY starts to set up the next stage.

Downs: Villain is defeated too easily.

Wastes the swapping gimmick.

Best Moment: “Memories”. Just absurd.

Worst Moment: The singing planet. Mainly because it could have been sooooo much better.

Best Performer: Iman Vellani

Opening: Standard “villain finds weapon” opening.

Closing: Confirmation of X-Men/young avengers.

Best Line: Okay, no more touching shit. Especially glowing, mysterious shit.

Original Review here

2023 In Film: Day Seven (The Good)

On By troubledproductionsIn Year round upLeave a comment

A Man Called Otto

Ups: Very sweet.

Genuinely touching at times.

Downs: Tom Hanks doesn’t make a believable grumpy old bastard.

Some characters seem a bit pushy, I’d be annoyed at them too.

Occasionally a bit too “old man yells at cloud” with how it treats younger people.

Best Moment: There’s a seasonal transition that is the most perfect I’ve ever seen. It’s a standard shot that I’ve seen many times. But in this, it’s done so seamlessly (and during a scene in motion) that it stands out.

Worst Moment: Marisol laughs when she finds out Otto nearly died because his heart is too big. I get why it’s funny, the irony of a grumpy person having a big heart etc. But for her to react so openly makes her appear slightly callous.

Best Performer: Mariana Treviňo. Her character could be annoying if played badly, but Mariana plays her with an infectious warmth.

Opening: Otto tries to kill himself. Well, he’s at the shop buying the stuff and gets into an argument. It’s an effective way to demonstrate the character, but again it feels a bit “grrr, young people are useless today” because they’re bound by corporate policies they can’t control. News flash to every person out there; the teenager behind the till at Mcdonald’s is not responsible for the prices or the menu, so don’t yell at them about this, if you do, you’re a prick.

Closing: Otto dies, leaving the house to Marisol and her family. It is very sweet and lovely, although maybe he should have left something to his lifelong neighbour who is about to incur huge medical expenses in the next few years due to an early diagnosis of Parkinson’s.

Best Line: “Your father doesn’t support you just because you’re trans? Then he’s an idiot”. It’s nice that even though the character is fueled mostly by anger, he is still pro-trans rights.

Original Review here

Air

Ups: 2 hours, but doesn’t feel it.

Incredibly well-written.

Downs: There’s no dramatic tension because we know how it ends.

None of the actors feel like they’re pushing themselves.

Distracting amount of swearing at times.

Best Moment: Where Matt Damon is telling Jordan’s parents about how his life will go. How the public will both worship and resent him.

Worst Moment: In that same moment where we find out about his fathers’ death. Such an important part of his future life is underplayed.

Best Performer: Matt Damon

Opening: Nike are nearly closing down their basketball shoe division. It’s weird to think of Nike being shown as an underdog.

Closing: Standard “what happened next”.

Best Line: Damon’s entire speech to Jordan’s parents.

Original Review here

Ant-Man And The Wasp: Quantumania

Ups: Kang looks like a formidable villain for the next stage.

Some good visuals.

Funny

Kathryn Newton is a good addition to te MCU

Downs: M.O.D.O.K

Inconsistent CGI

The MCU REALLY needs to start moving forward.

Best Moment: How Kang gets Scott to help. Spectacularly brutal.

Worst Moment: M.O.D.O.K . Words cannot exaggerate how stupid that looked.

Best Performer: Kathryn Newton

Opening: Opens with Janet meeting Kang. Nice way to get people excited for what’s next.

Closing: Everything is fine, but it might not be. There’s an ominous feeling that Scott can’t shake off.

Best Line: “Oh, you’re an Avenger. Have I killed you before? They all blend together after a while.” Really sells Kang as a threat.

Original Review here

Champions

Ups: Funny.

Has more heart than you’d expect

Surprisingly subversive at times.

Actually cast actors with Down syndrome.

Downs: Doesn’t have that little extra something to make it stand out

Too predictable at times.

May come across as patronising to some.

Best Moment: When we find out why Darius won’t play for Marcus. Some great character stuff.

Worst Moment: The NBA coaching sub-plot

Best Performer: Madison Tevlin

Opening: Marcus gets fired from his job after shoving his boss. Good way of showcasing both his talent and his anger issues.

Closing: A chumbawamba sing-along. Fun.

Best Line: Your heart’s a long way from your knee. Suck it up!

Original Review here

Elemental

Ups: Very sweet.

Good pacing

Downs: I get what they’re going for, but if you’re pushing a story about tolerance, maybe don’t have one of the people involved be a constant threat to the other one. “People who are different from you can kill you” may give out the wrong intention.

The music is a little weak.

Very predictable story.

Best Moment: When Ember is taken to see a flower, incredibly sweet and gorgeous to look at.

Worst Moment: The whole leak sub-plot feels first draft.

Best Performer: Mamoudou Athie

Opening: Bernie and Cinder move to Element City. Very cute, but nowhere near as good as similar scenes you’ve seen before.

Closing: Wade and Ember move to a different city. Again, very predictable, but sweet.

Best Line: The shop was never the dream. You were the dream. You were always the dream

Original Review here

How To Blow Up A Pipeline

Ups: Incredibly important.

Well-written characters

Best website.

Downs: Needs to be shorter.

Weak music

Doesn’t focus on the wider implications as much as it should.

Best Moment: The conversation about what they’re about to do. Feels genuine, and says a lot about how society treats revolutionaries.

Worst Moment: The explosion itself. Its not that it’s bad, it just doesn’t feel like something that everything has been building towards.

Best Performer: Ariela Barer

Opening: A woman is nervously walking down a street, making sure nobody notices when she lets the air out of a tyre. She then places a leaflet on the vehicle explaining why. I checked, and the leaflet is fully typed out. I appreciate that. We then see a small group of other people preparing in different ways; some clone their security cameras, some throw their phones away etc. Very “heist”.

Closing: The pipeline is blown up; a few members of the group take the fall. A very dark ending considering what we know is going to happen to some of them soon.

Best Line: “But by the time the market solution does shit, billions will be dead……we need to start attacking the things that are killing us”.

Original Review here

Puss In Boots: The Last Wish

Ups: Some of the best sound design you’ll see (hear?)

The best Shrek film since the first

Provides a good sense of existential dread for a kids’ film.

Downs: The suitcase of villainy is a bit overpacked.

Two of the voices seem a bit too similar.

The physics doesn’t work sometimes.

Best Moment: The death montage

Worst Moment: The sequel hook.

Best Performer: Harvey Guillen

Opening: Standard fairy-tale opening about wishes. Doesn’t inspire hope.

Closing: A sequel hook. Eugh.

Best Line: “You’re not gonna shoot a puppy, are you?”

“yeah, right in the face. Why?”

Original Review here

Renfield

Ups: Fun

Bloody

Clearly made by people who have researched the mythos

Dracula looms over the film even when he’s not physically in it

Downs: Could go further

Predictable at times.

Needs stronger supporting villains

Best Moment: Renfield disposing of gang members in a restaurant

Worst Moment: The ending.

Best Performer: Awkwafina

Opening: A retelling of the Dracula myth.

Closing: A group of dead people have been brought back to life. Because who wants consequences in their movie?

Best Line: You know when something crazy happens and someone’s like, “It’s okay. I’ve seen way worse?” Everything I saw you do today is gonna be my “way worse.”

Original Review here

Return To Seoul

Ups: Very sweet.

Park is incredible.

Truly emotional.

Cool music, reminds me of 27

Downs: The sound is a bit off at times. Particularly in the restaurant scene. Feels like they forgot to put in background noise for a lot of it.

Given a UK release in the same year as Past Lives

Best Moment: An employee has found her mother. Top work from everybody involved performance-wise. She is never more vulnerable than at that moment.

Worst Moment: When she’s dancing on her own in a bar, it’s written and performed brilliantly. But it’s shot via a lot of close-ups so you don’t really get her sense of social isolation. Not the “worst” moment per se, but the gap between what it could have been and what it is is quite huge.

Best Performer: Ji-Min Park

Opening: K-Pop on headphones being listened to by a hotel worker who is then interrupted by a customer who wants to check into the hotel, rude I know. A quite cute moment between two people ended with “But you’re French!”. Good way of showing her cultural identity and confusion. And it’s a very cute moment between the two characters.

Closing: She sends an e-mail to her mother, getting a “This e-mail address is no longer valid” response.

Best Line: “You’re A Very Sad Person”

Original Review here

Saw X

Ups: Bloody.

Has one of the most despicable characters in the history of the franchise.

More mature than it needs to be.

Rewards patience.

Downs: It’s a prequel, so all sense of tension is gone from certain scenes.

Not as cathartic as other entries

Pointless.

Best Moment: The bone marrow trap is deliciously disgusting.

Worst Moment: The conclusions to most of the traps. They feel too timed-based. So many of them nearly make it and if they were given 5 seconds more would have completed it. This goes against Jigsaws’ modus operandi of testing people; technically they did pass the test and proved how much they were willing to sacrifice, but because they were slightly slower than Jigsaw thought they should be, they die.

Best Performer: Tobin Bell

Opening: Kramer is at a cancer support group. An incredibly mature and bloodless way to start, almost like a proper movie.

Closing: The main villain is left trapped in a room, presumably to die. Shame, she’s truly detestable and it would have been good to actually see her comeuppance rather than just know.

Best Line: This is not retribution. It’s a reawakening.

Original Review here

Scream 6

Ups: It doesn’t miss Sidney as much as you think it would.

New York changes it, turns it into a completely different type of slasher.

Disgustingly brutal kills,

Downs: The online conspiracy that Sam really killed everyone doesn’t ring true.

So Gale can do research on finance records of dead people but isn’t a good enough journalist to realise family connections? BS

Worst reveal in a Scream movie so far.

Gale’s character seems to have relapsed into her Scream 1 version

Best Moment: The subway scene. A perfect use of location.

Worst Moment: The reveal. Have you seen a movie before? Then you’ll be able to guess at least 2 out of the 3 killers. It’s far too obvious.

Best Performer: Melissa Barrera

Opening: A professor is killed by Ghostface, who then immediately unmasks. Genuinely shocked me.

Closing: Somehow everyone survives. That’s a big issue with this film is how unscathed the main characters remain throughout.

Best Line: “Not every movie needs a post-credits scene.” as a post-credits scene

Original Review here

2023 In Film: Day Six (The Fairly Good)

On By troubledproductionsIn Year round upLeave a comment

These are films I did like, but there were a few things that just put me off needing to see them again anytime soon.

Blue Beetle

Ups: Good performances

Almost every character is a highlight

Unashamedly Latino

Some great body horror moments

Downs: Formulaic story

Some people may be put off by the random non-English parts which aren’t subtitled.

The superhero sections are the weakest parts.

Some strange sound mixing.

Best Moment: The backstory for Carapax.

Worst Moment: The parts involving Rudy on the island at the end. He’s great and played brilliantly. But his parts feel rewritten as it’s difficult to get a good grasp on where he is at certain times.

Best Performer: Adriana Baraza as Nana. Although I’m quite fond of Belissa Escobedo

Opening: Victoria Kord finds the Scarab. A relatively weak opening tbh, “Look, we found a thing” doesn’t launch into “high octane opening credits” as much as the film seems to think it does.

Closing: The neighbours help the family rebuild. Very sweet and wonderful, but it doesn’t really feel earned. We haven’t seen any of the neighbours before so their coming around at the end feels a bit odd. If we met them before or had a sense that the family members helped them it might work better.

Best Line: “Batman’s a fascist!”

Original Review here

Chicken Run: Dawn Of The Nugget

Ups: Some genuinely unsettling scenes.

Downs: Still bitter about recasting.

Best Moment: The eye scanner joke is ridiculously silly and I love it.

Worst Moment: The chase towards the end is sometimes too convenient.

Best Performer: Josie Sedgwick-Davies

Opening: Rocky sums up the first movie. Smart move as it’s been a while. Then we find out where the characters are. Effective way of catching people up, and good character work. Could do with more jokes though

Closing: Everything is fine, the chickens now continue their liberation techniques across the land. Would have been nice to see more of those raids in the credits. Could have had some funny moments.

Best Line: “You can’t right all the world’s wrongs”. Perfectly sums up her character.

Original Review here

Killers Of The Flower Moon

Ups: Incredible performances.

The best ending I’ve seen in a long time.

Beautiful to see.

A story that needs telling.

Downs: Sooooo long.

Some characters are underutilized

Too white-centric

Best Moment: The ending.

Worst Moment: All the “look at this random thing” insertions.

Best Performer: Lily Gladstone

Opening: A quick history of the tribe and how they made their money.

Closing: A standard “what happened to them?” epilogue, created like a radio show. It’s incredibly creative and one of my favourite moments of the year.

Best Line: “” Mrs. Mollie Cobb, 50 years of age, passed away at eleven o’clock Wednesday night in her home. She was a full-blood Osage. She was buried in the old cemetery in Gray Horse beside her father, her mother, her sisters, and her daughter.” There was no mention of the murders””

Original Review here

Next Goal Wins

Ups: Funny

Has genuine heart

Unique story

Downs: Needs more football.

Too many pivotal moments were in the trailer.

Risks coming off as slightly condescending

Best Moment: The daughter reveal. It’s obvious, yes, but it’s done sooooo well.

Worst Moment: “We didn’t send you there to help them, we sent you there to help you” It feels a little weird

Best Performer: Kaimana

Opening: A priest (played by the director) welcomes us to the film, telling us what we saw is (mostly) true. Funny, and a good way of setting the strange tone.

Closing: Standard “what happened next”, along with footage of the actual people it’s based on. Very sweet.

Best Line: “We’ve worked too long and hard” “You’ve only just got here”

Original Review here

Oppenheimer

Ups: Great practical effects

Good ensemble cast.

The idea that someone’s career can still be ruined by accusations of communist affiliations is depressingly relevant today.

Downs: Might be too much to unpack for some.

The sex scene is a bit pointless, and cost the film a lot of money in some markets due to the use of religious text.

It’s so long.

Best Moment: The explosion itself.

Worst Moment: The sex scene. Just feels a bit out of place.

Best Performer: Murphy, obviously.

Opening: Oppenheimer poisons his teacher

Closing: The realisation of the effects the building of the bomb will have.

Best Line: You drop a bomb, and it falls on the just and the unjust. I don’t wish the culmination of three centuries of physics to be a weapon of mass destruction.

Original Review here

Piggy

Ups: A good look at the effect that bullying can have.

Doesn’t shy away from what it needs to say.

Unique

A very pink colour scheme. Like an anti-Barbie.

Downs: Seems to run out of momentum

Best Moment: When the bullies try to drown Sara. It’s at that point they go from “standard bullies” to slightly sociopathic.

Worst Moment: There’s one shot (when she goes in the water the first time) which is weirdly lit, to the point where it kind of looks cloudy

Best Performer: Laura Galan

Opening: The credits are intercut with food being prepared; pigs being hung on hooks, knives being sharpened, and animal bodies being hacked. It’s hauntingly quiet. We then get our first look at Sara; chewing on her own hair as very pop-punk music plays. Kind of weird that the first look at her face was covered up by the title card. Does a good job of showing her position in her social circles.

Closing: A blood-soaked Sara walks home before getting picked up by Pedro on his bike. I think it might have worked better without Pedro, the visual of her walking covered in blood could be iconic, so might have been a smart idea to end the film with that as opposed to a shot of two characters on a bike and then a shot of the local area. Would have been a better transition into the credits too.

Original Review here

Shazam: Fury Of The Gods

Ups: Funny

Levi is still perfect in this role.

The family relationship is much better defined than it was in the first one.

Downs: Helen Mirren is the wrong choice

Not as playful as the first one.

Bit creepy at times.

Predictable

Best Moment: A teacher being forced to walk off a building. Terrifying.

Worst Moment: The Wonder Woman cameo feels like an ass-pull to the extent I haven’t seen, outside of surgery videos.

Best Performer: Levi, obviously.

Opening: The daughters break into a museum and kill everybody there. A really good start actually, suitably creepy, and sets the villains up.

Closing: Wonder Woman cameo, the sacrifice means nothing.

Best Line: The message to the gods that was dictated by Steve.

Original Review here

The Night Of The 12th

Ups: Honest

Does a great job of putting you in the shoes of the characters

Good performances.

Downs: The lack of a conclusion could annoy people.

Jarring time skip.

Best Moment: The murder itself. It’s shocking and brutal without being exploitative or creepily sexualised.

Worst Moment: The cycling scenes are too long

Best Performer: Bastien Bouillon

Opening: A piece of text saying how “a lot of murders are not solved, this is one of them” so not as though you can claim to be surprised when the case doesn’t get solved

Closing: The crime is unsolved.

Original Review here

The Super Mario Bros Movie

Ups: Goes by quickly enough.

Jack Black.

The suicidal star.

A lot of great visual references to the series.

Downs: The jokes and script seem very “by committee”. With the exception of the aforementioned visual references, a lot of the dialogue and jokes in this could be used in any animated movie.

Some of the references feel a bit forced.

Best Moment: The Peaches song.

Worst Moment: The Mario Kart section, only because it feels unnatural in how they got to it. If Mario Kart wasn’t a thing, that entire section would not exist. It’s only there to make references.

Best Performer: Jack Black

Opening: Mario and Luigi have started a plumbing business, but it’s not going well. Simple start, and has some good references to the video game franchise.

Closing: The brothers now live in the Mushroom Kingdom, but work in New York, so commuting is gonna be a bitch.

Best Line: Peaches peaches peaches peaches

Original Review here

The Whale

Ups: Haunting.

Great performances

Sadie Sink looks a lot like Samantha Morton, which helps sell the relationship.

Downs: Hard to shake the feeling that the main character is supposed to be a figure of disgust.

It’s a little hard to give a shit at times.

Feels like it hates the main character.

Ellie’s characterisation feels inconsistent at times.

Best Moment: The reveal of why he likes the essay that much.

Worst Moment: The Thomas sup-plot feels like it doesn’t achieve much.

Best Performer: Sadie Sink

Opening: We see the main character and his condition is explained. Effective enough.

Closing: He (probably) dies, because that’s all this film thinks that character deserves.

Best Line: I need to know that I have done one right thing with my life!

Original Review here