Quick Synopsis: The Addams Family drive across the country, Wednesday thinks she’s not a proper member of the family, somewhere there’s an evil scientist.
I have seen the first one of these, but I didn’t review it for this site. If I had it would have just been me shouting the word “nooooooooooooo” for a few minutes. I had multiple issues with that film, none of which have been really fixed in the sequel. There has been a slight improvement in character design. The first one had almost every human character look more like a bratz doll, every step making it look like they’re going to break an ankle. The human characters look a bit more human here, but there’s still something wrong about them.
The casting is still wrong, but also weirdly right. Charlize Theron and Oscar Isaac would be absolutely perfect in a live action version, but having just their voices feels wrong, especially when the way the characters look doesn’t really seem to suit them. None of this is helped obviously by the casting of the live action ones in the 90s being near perfect. Occasionally a film has one or two perfect castings, those ones had the fortune to have the perfect Gomez, Morticia, Wednesday, and Uncle Fester. So any castings will be compared to those, and are unlikely to come off favourably.
Some castings are just the wrong choice. Nick Kroll as Fester for example is just not a good choice. Know who would have been a better choice? Danny DeVito. It would be much less annoying a voice than Krolls is. Also, as much as I love Chloe Grace Moretz, her Wednesday leaves a lot to be desired. Instead of coming off as calm and calculated, she just comes off as flat and bored.
As you can tell by now, I did not enjoy this film. I feel part of that is because it never FEELS like an Addams Family movie. It feels like an animated movie starring them. Like it’s trying way too hard to be cool, way too much music aimed at a younger audience. And yes, I do know the 90s series had MC Hammer in it, but that was mainly restricted to “a song played at some point”. It didn’t do with him what this film does with Snoop Dogg as Cousin It: have him dropped into the plot by private jet, do absolutely nothing, get lifted off again, and then appear at the end to do a rap. You could remove his scenes entirely and you wouldn’t notice they’re not there. They add absolutely nothing to the narrative.
Well I say narrative, it’s mostly “stuff happening”. The plot (that Wednesday might not be an Addams) is predicated almost entirely on Fester juggling with the babies in the hospital, causing a possible mix-up. But the villain, how does he know this? He doesn’t. All of the things that convince Wednesday that she doesn’t belong to the family are things out of the villains control (not just the juggling babies, but also a DNA hair test Wednesday performs coming up “no relation” because Gomez wears a wig). Unless those things happen, the plot doesn’t move forward, but he has no idea those things will happen, he just lucks out. The screenplay is based almost entirely on you not thinking about it for a second, and just hoping you’ll go along with the lazy nature of it.
Great films inspire you to ask questions. The only question I have after this film is: Why?
Not bad, just disappointing. Very bland, the kind of film you see and then immediately forget. Shame as it has some very good moments in it, but some of the jokes fall flat and land not with raucous laughter, but with silence. Same with directing too, a lot of the visual and editing decisions are kind of strange. All in all it seems like every part of it was a first draft, every shot closing not with “perfect, one more for safety” but “that will do for now”. Same with the script, entire scenes seem like bits which should have been taken out in a second draft.
One of the best films I’ve seen all year. Oh it’s flawed as hell (particularly in terms of time and establishing exactly “when” certain scenes take place in relation to each other) but all those flaws do is take it from a 10/10 to a solid 8. Anne Hathaway gives a performance which equals Rachel Getting Married (which if you haven’t seen, you really should, it’s superb), and Jason Sudeikis is creepier than I ever thought he could be, the kind of performance which makes you think he could easily move into more dramatic roles, or play a serial killer. So well written too, so much so that I immediately looked into the writer and made a note to watch everything he’s done. It’s also extremely unique, I can’t think of a film to compare it too, stands alone in a genre of one, and I can’t see anybody doing it better.
A 2 hour film about the Armenian genocide, no, wait, come back, it’s actually REALLY good. Brutal without being exploitative, which is the risk you take when doing a film like this. If you don’t do it right it can come off like you’re exploiting the reality for the sake of drama, you have to stay grounded enough, and honest enough, for the film to work. It also REALLY annoyed a certain group of people, who flooded IMDB with negative reviews of it, calling it propaganda and lies without a hint of truth, saying that the genocide never happed. Most of these “reviews” were posted before the film was even released, so you know they’re definitely trustworthy. Oscar Isaac is REALLY good in this by the way, believable throughout, but special mention has to go to Marwan Kenzari, who plays his character with such conviction, and does such wonderful facial work throughout that it’s one of the most genuine performances of the year. I would highly recommend seeing this, and not just because it annoys genocide deniers (which is always fun)
I’ve seen quite a few bad films at the cinema, but rarely are they as f*cking tedious as this was. You’d think a 90 minute action film set in Las Vegas would be exciting, you’d be wrong. The only reason certain things happen are because characters are idiots, for example at one point the villain points a loaded gun at the main character, now instead of shooting him, he takes a few steps backwards and gets run over a van (which he somehow didn’t hear coming, in an empty parking lot, the emptiness of which I have a problem with also). I’ve seen defences of this say “yeah but as long as you don’t think too hard about it it works. It’s just dumb fun”. And they’re half right, it’s dumb. It’s not nitpicking to point out that someone who has been stabbed (and for whom the wound continues bleeding for 4 hours) should be weakened by that. But nope, the only indication of it is that he occasionally stops and goes “ah”. A stab wound has the same effect as an ice cream headache. It’s a shame as the cast do their job well, it’s just the script is kinda dumb. There’s some odd choices when it comes to directing too. You know that “shakey cam fight scene” that the Bourne movies use? They do that here, only they do it for EVERYTHING in the fight. Someone walks away after the fight; Shakey Bourne Camera, someone gets their phone out to phone someone: Shakey Bourne Camera. It also ends with the most obvious sequel hook in a long time, yet considering everybody in the cinema stood up the very second the credits started, I don’t think it’s going to be looked forward to that much. Maybe I’m spoiled by John Wick, which set my standards unbelievably high, but still, not a great film, it’s not even a good one. In fact, probably one of the worst films I’ve seen this year.
See, now this is dumb fun. Very very fun. I can’t remember who told me to watch this, but whoever it was; thank you very much. Best watched whilst drunk and with other people. It’s on netflix now so if you’ve got that, watch it, and if you don’t, get netflix, watch it, then cancel after the free month.
The Office (US)
A US remake that is without a doubt superior to the original. I have a major issue with the UK version; the main character starts off disliked, then ends up with all the characters embracing him, without changing anything about his personality. His character does not deserve his happy ending, all he’s done is bitch and moan and be bitter and spiteful, he should not be the good guy and it feels like it’s done mainly because he was played by the writer. The US one handles it differently, because it has more episodes it allows the main character to have more depth and be a fully developed person, so he comes off a lot more likeable. This show is also helped by the fact that Jim and Pam are one of the best relationships I’ve ever seen in television, so often everything about them is said just with a look, or with body language, you could watch it in silence and get a sense of how they respond to each other.
1000 Years Of Annoying The French
A book that’s pretty self explanatory, a look at complex history of anglo-french relations. Definitely has an English bias, but never really comes off as hateful and angry. Fascinating read which goes in depth into a lot of historical fallacies, and tries to examine why the two countries occasionally seem like one of those couples who constantly argue and cheat on each other, yet still stay together for some reason.
Really interesting, but I don’t think you need to read it more than once. Very honest about his own flaws, yet seems to hold back when discussing others. So it’s interesting but kind of frustrating, yet it makes sense, a biography shouldn’t be entirely about settling old scores, and I’ve read many biographies which have been ruined by hot angry and bitter the person has seemed.
The Damned United
Almost exactly as good as the film, and the film was amazing. Possibly the only sports story where the hero comes from ahead and loses.
One of the best (read: the only) manga series I’ve read. Fantastic character work, it can be difficult to write genius’s as sometimes writers just research a lot of information and have the characters repeat what they’ve researched, so it comes off kind of sterile and bland. The two main characters in this are obviously incredibly intelligent, but this isn’t shown through facts and figures, it’s shown through logic. They come to nonsensical conclusions, and then explain how it’s not only logical, but the only possible thought you should have (much like the Sherlock series often did). Kind of an intellectual cold war between the two characters, they both KNOW whom the other one is, but need to try to get the other one to drop their guard and reveal more information.
The best kind of thriller; nailbiting, bleak, and full of characters you actually give a shit about. The director of the amazing Prisoners and Enemy solidifies his place in the Western filmmaking world with this all-star thrill-ride. Hosting an Oscar worthy Emily Blunt, a shit-ya-pants Benicio del Toro, and an oddly chilled out Josh Brolin who adds the much needed levity between all the torture and mutilation. Directed with a Finchian level of detail and pristine, it follows by the books SWAT officer Emily Blunt as she is submerged into the murky work of the War on Drugs, and is tasked along with the mysterious Benicio del Toro to bring down the head of the Mexican Cartel. Sticking well clear of action tropes this isn’t a glorious, FUCK-Yah-‘Merica tale of beating the bad guy, this is a twisted, gritty, and dark morality tale that tells us that rarely the right thing to do, is the best thing to do.
I know this is basically a comedy, but it is also an intense Sci-fi thriller and if I didn’t put it here this section would be pretty spare. Ridley Scott’s best film in years (though I think I’m the only guy with a soft spot for The Counsellor), is a beautifully shot adventure following a marooned astronaut on Mars and his optimistic fight for survival. Now I don’t think there’s much more I can say about this, its just a damn good film, Matt Damon reminds us why he’s a superstar, and “Science the shit out of this” is destined to become an obnoxious over used phrase. But what allot of people I think fail to mention, is just how damn fun the Earth team is. Yeah the focus is on Damon, but Jeff Daniels, Chiwetel Ejiofor and their team on Earth are just as engaging to watch as they have to ‘Science the shit out of it’ there end, to work out how to get to Damon before he dies. If you haven’t caught it already, it’s more than worth the two hour plus run time.
Kingsman: The Secret Service
Screw the next film on this list, THIS was the funnest action film of the year. Essentially a spy flick parody with a real plot and its gun barrel firmly planted in its cheek; it’s bloody, stylish, and with a perfect twee British sense of humour. It’s like if the Pythons directed a James Bond flick, but not without some studio supervision. Taron Egerton proves himself a bankable action lead and rising star in Hollywood, and I can’t wait to see where he goes next; while Colin Firth does a clean 180 and flawlessly reinvents himself as a very convincing action star without losing an of his preppy Britishness we’ve come to love and treasure. The bad rep this seems to be getting from some critics should be completely ignored as high-brow snobbery and the last thing I’ll say is go in expecting something silly but amazing, and be ready for some ultra-violence
Mad Max: Fury Road
Because it Mad Max fucking Fury Road. The action is kinetic, Charlize Theron is jaw dropping, and it tells us more about it’s world with barely any dialogue than three Star Wars prequels could. What else needs to be said?
God damn I love me some good old Sci-fi mind fuckary, and I love Oscar Isaac. This was his other big Sci-Fi film of the year, you know apart from…you-know-what, and in my opinion it’s the stronger of the two. In almost every way a closed box thriller, Domhnall Gleeson plays a dweeby programmer brought to an underground house by his eccentric bro-y boss to perform a turing test on a Female robot he’s created, and work out if she really can feel. And from that it breaks out into a tense psychological game of cat and mouse and fox, and I won’t ruin who gets eaten.
Who knew the best super-hero film of 2015 would be Ant-Man. Plagued with production issues for years, worst of all being the walk out of geek god Edgar Wright from directing, but despite all that Ant-Man STILL came out kicking. Helped by a great cast led by an always loveable Paul Rudd and an enjoyably cranky Michael Douglas, Ant-Man found its strength by keeping the comedy present throughout, in character scenes, exposition scenes, and action scenes, it always stays funny. Which makes it’s few moments of seriousness hit that much harder, him shrinking to the quantum realm was truly amazing, and gave the film the weight it needed. Is it perfect? Far from it; but it was a fun ride, with good action, and a much needed breath of fresh air for the quickly staling Marvel verse.
It Follows Easily the best horror film of the year. A real 80’s throw back to the likes of Halloween and Nnightmare on elm street, you can practically see Wes Craven’s fingerprints. With a focus on building atmosphere and tension over moderns mindless jumpscares, an actually likeable cast, and an intriguing story, It Follows will leave you glancing over your shoulder and watching off into the mid-distance.
Does this have problems? Yes. Are all of them made up for by pure retro-charm and heart? YES. I don’t know what people went in expecting with this film; some epic Sci-Fi drama that would change the world itself? Who knows? But if you went in just looking for entertainment, you got it in space-spades. A glories throwback to science fiction films of the 1940-50’s when the future was still fun, Tomorrowland may be slow to launch, but when it does it rockets through so many awesome set pieces, ideas, and so much enjoyable pseudoscience and alternate history bollocks , you can’t help but be charmed. Britt Robertson proves herself to be more than Jennifer Lawrence light, George Clooney shows he can wear the old curmudgeon hat with panache, and Raffey Cassidy is becoming one of the most unique child stars acting today. Is it a perfect film, no, but not everything has to be! We seem to be living in a world where if something isn’t ‘#tHeBeSTThInG_EVEEER’ then it’s terrible…No. Not everything has to be perfect in every aspect if it wasn’t trying to be. This film wanted to be nothing more than a fun family adventure with a good message, and it was hung because that’s all it was.
Oh and like Star Wars happened I guess. It was pretty good.