2019 In Film Day 6: The Amazeballs

Avengers: Endgame

I wasn’t going to put this in this one originally. It’s so deeply flawed, not within the film itself, but in terms of what it closes off. It basically means so many things I was excited for will now never happen; Civil War meaning anything, a villain taking advantage of the chaos of half the universe disappearing to motivate himself, or even one that’s motivated by his family disappearing, blaming the Avengers for not doing enough to stop him. None of that will happen now. I decided to put it here because it’s a three-hour film that I watched on a flight and didn’t feel the urge to skip any of it.

Original review here

+The sheer sense of scale.

-What it closes off. Also the “big emotional moment” was incredibly obvious.

Childs Play

Damn this was entertaining. This had a lot working against it, not only was it a remake (I say “was”, still is, not as though it’s status as a remake has changed), it’s a remake of a film franchise which I’m very familiar with and kind of love. It was made without the consent of the original creators, whilst the franchise is still going strong (unlike Nightmare On Elm Street etc, where it’s pretty safe to say the original franchise is dead). If this had major flaws, trust me I would have picked up on them and used them as a stick to beat the bloated corpse of a terrible movie with. But it was hard to think of any major flaws with this movie. The biggest one isn’t even a dealbreaker for me; it’s just that it feels a little restrained, like it could go further. I’ve read some reviews which talk about the teenage characters being annoying; personally, I found them funny. They weren’t fully realised people, but then again teenagers aren’t. Their decisions made sense considering their age and personalities. So yeah I enjoyed this film. I found it a worthy addition to the name and a good way to kick-off a new franchise (which this is so obviously trying to do)

Original review here

+Mark Hamill’s performance.

-The scene in the toy store near the end REALLY needs to be more brutal and more chaotic. Some scenes feel slightly neutered, and none more so than this.

Fighting With My Family

Personal bias; I loved this movie. I found it heartwarming with great performances and engaging characters. Yes it takes A LOT of, shall we say, “creative liberties” with the truth but I feel it has to. Professional Wrestling is a really weird industry at the best of times, once you get into “yeah she was in the developmental company which gets higher review ratings than the main show, but MUCH lower ratings, so whilst she was never likely to lose her job, her promotion to the main roster was still a bit of a surprise”. This film would not work if it wasn’t for Florence Pugh. She doesn’t do a great impression of who she plays, but she embodies the character so perfectly that it’s hard to unsee her as who she’s supposed to be. Essentially she’s not doing a good impression of her, she’s doing an impression of what your memory thinks of her. Subtle difference but very important.

Original review here

+So darn lovely at times.

-The woman it’s based on was forced to retire before this movie came out and the movie never mentions it, just bad timing.

Happy Death Day 2 U

This is not as tight as the first one, not by a long shot. It’s still a great movie though. Yes the sci-fi based plot isn’t as good as the more straight-up horror of the first one, but there’s just something so endearing about this film. A lot of if is down to the performances of the two leads; Jessica Roth and Israel Broussard. Not only do they have great chemistry but they are great individually too. There’s a scene where Jessica Roths character is in an alternate universe and realises her mother is alive in this one, I defy anybody to watch it and not feel for her. Similarly when she’s trying to decide whether to go back to a universe without her parent in it, or to stay in one with a parent who has memories of things she doesn’t. It’s a compelling character piece and would be ideal for a really depressing short film.

Original review here

+The montage editing is superb. Plus it feels like a second part of the first movie, rather than a sequel. It doesn’t feel tacked on, it slots in perfectly.

-Not quite as good as the first one, and the ending feels a bit cruel

John Wick Chapter 3: Parabellum

This film features Keanu Reeves riding a horse in a city and killing people. Of course, I’m going to love this. I will admit this is not as good as the first two; it goes on a little bit too long and the sequel-hook is a little bit too obvious. Quite a few scenes really drag to the point where if the cinematography wasn’t as impressive as it is you’d be bored. This rating all depends on the next move though. If the next film is poor then this will be known as the film where the cracks started showing. I have faith that the next film will still be good though, so it stays here, for now.

Original review here

+The world building is immense.

-A bit too long at times.

Knives Out

Was genuinely surprised by this, which is a bit weird as it had really good reviews and people seemed to love it. I guess I just thought that it would be one of those films that I would just not “get”. But yeah I loved this. I have a soft spot for ensemble cast films, mainly because they’re really hard to do without having some characters seeming underwritten. Now that I think of it though, that’s usually a bigger issue with multi-story films (such as Men, Women And Children) than ensemble films. I’m also a sucker for mystery films, I like it when they’re so well written that when the reveal happens you feel like an idiot for not getting it earlier because in retrospect it was obvious but you didn’t realise at the time. This gets it out of the way by revealing the “killer” very early on, but then giving you another mystery to solve, albeit one which isn’t as unobvious as it thinks it is.

Original review here

+The script, it’s that damn good

-Not quite as slick as it could be.

Late Night

I have a lot of personal love for this film. I loved the story being told, the characters, and how funny it was. It had a real warmth to it, but not a nice warmth that you feel envelop you like a hug, this was a warmth that stings. The satire is razor-sharp and accurate, to the point where it’s kind of depressing as the points they’re making are ones we should be past as a society by now. The main draw is the chemistry the two leads have; the role was allegedly written specifically for Emma Thompson by the other lead (Mindy Kaling) and you can tell this is kind of a dream project for Kaling. When I criticise films I often say “I can’t imagine someone fighting and dreaming to write this script”. With this I can. It feels like a script that Kaling NEEDED to get out of her.

Original review here

+So damn relevant

-Doesn’t seem to make the most of opportunities to make it seem like it exists in this world. There are a lot of chances to have cameos but it doesn’t take them.

Rocketman

Why was this not a bigger film? The fact that this film got less Oscar nominations than Bohemian Rhapsody is a travesty. Everything Bohemian Rhapsody did well, this did a lot better. The performances, the directing, the story, all of it was better; plus it didn’t tell lies about a real persons death to sell the narrative. Some people didn’t like that the film occasionally resembled a musical, I thought that was a perfect way to do it though. This is Elton John, you can’t do a standard film for someone like him, it has to be something extravagant and extra. Let’s be honest, does Bohemian Rhapsody really tell us ANYTHING about who Queen were as a band? This film tells you who Elton John is through the style, and that’s brilliant. It also shows you how many brilliant songs he’s done in his life.

Original review here

+Incredibly honest about his flaws.

-Some of the supporting characters seem a little underwritten.

Shazzam

So damn warm. The second best DCU film (Wonder Woman is top in case you were wondering) I’ve seen. I realise this film is heavily flawed; the pace is slow at the start, there are sections where the villain is missing, and it doesn’t have a unique visual style. It didn’t matter to me though. It was so enjoyable it allowed me to ignore the multiple flaws. I realise now that feeling matters a lot to me in films. If it gives my cynical self that feeling of magic it increases the chance of me loving it. If when I watch it I’m genuinely transported outside of myself. This does that perfectly.

Original review here

+Zachary Levi NAILS the performance perfectly.

-Needs a distinct visual style to truely be great.

Spider-Man: Far From Home

OMG, Mysterio turned out to be the bad guy? Who would have guessed? Well, everybody, let’s face it. It still worked though. We knew he’d be bad, but the way they did it was brilliant (albeit the worry that both of the Spider-Man villains seem to hate Iron Man more than they hate Peter Parker won’t go away). Watched this again recently and it still holds up. It’s probably one of the most visually interesting earth-based MCU films, some of the hallucination sequences are stunning to watch, incredibly inventive. You do have to question the logic of having such an obvious sequel hook when you’re not 100% certain you’re going to retain the rights to the character though.

Original review here

+So funny.

-Can we please have a Spider-man villain who’s motivation isn’t Tony Stark?

Toy Story 4

I had doubts about this, how can you make this film work after the almost perfect ending of the third one? Well, you do it like this. The Toy Story franchise has a great approach to sequels. You never think they’re essential until you watch them and then you wonder how the franchise coped without them. The new characters work well too, Tony Hale, in particular, gives a wonderful performance full of just enough depth and comedic background to make a suicidal spork seem like it fits into the universe.

Original review here

+It looks GLORIOUS

-Wait, so sporks are sentient now? Great, I now have to feel guilty about how I treat cutlery. Thanks.

Us

Expectations were high for this after the success of Get Out. Personally, I think this met them. The story is great, with smart social commentary and absolute genius use of foreshadowing meaning you don’t fully get it until the second viewing, when you can watch it and appreciate all the genius moments in it. The performances are great two, almost everyone plays two distinct characters in it, yet I think even without the costumes you’d be able to understand who is who due to how the actors distinguish each character through facial expressions and how they carry themselves. Best horror I saw all year, by a long shot.

Original review here

+The sense of unease over the entire thing so that even something as simple as a family walking on a beach is somehow unsettling.

-Not quite as well written as Get Out.

Wild Rose

Another film that I feel was robbed from an Oscar nomination it deserved; specifically, best original song. Bear in mind that’s coming from somebody who doesn’t like country music. But the music in this is so well done, so full of emotion that it doesn’t matter to me. It’s helped by the central performance. Jesse Buckley plays the role with such iron vulnerability that it’s hard to feel anything but joy for her when things start to go well for her.

Original review here

+The heart to it.

-Occasionally it seems like things only happen because the story needs it to.

Late Night (2019)

I had medium hopes of this, on the plus side; Emma Thompson and Mindy Kaling. On the downside; almost no trailers at the cinema, almost no advertising at all to be honest, almost like the studios had no faith in it. So I thought it might be good, but I had worries I would be disappointed. Thankfully that’s not the case here, this is probably one of my favourite films of the year so far. It was incredibly funny and VERY heartwarming. That was actually the most annoying part, word of advice; don’t eat salty popcorn in a film where you’ll need to wipe your eyes, if anything it will just make it worse.

So why does this film work? Well, the main reason is the cast: Emma Thompson and Mindy Kaling are both at the top of their game here. Kaling doubly so as it’s her script. She’s probably best known from her performances in The Office and The Mindy Project, but anybody who knows about the crew of those projects also knows that she wasn’t just a performer, she wrote a lot of them too, so she’s not exactly inexperienced when it comes to writing. This is her first attempt at a feature and it does kind of show. There are moments where it seems like she’s not used to having that much time, so a lot of plot points occur really quickly when in reality they could have been held off slightly more. This is definitely true when it comes to the relationships between some of the characters, characters become close slightly quicker than they need to, then because there’s still a lot of the film left, they’re pushed back, then they’re close again, and so on.

Mostly though…..this film works. It really works. When it bites it does so with the ferocity of a rabid goose (can geese even get rabies?). And the points it makes are still important and relevant ones to make. They’re not just walking around going “sexism is bad!”, they’re pointing out how institutions which have historically been full of white men do not respond well to people who don’t fit that mould and as such deem people who don’t as outsiders, which makes it harder for them to get work. It also has a lot to say about female sexuality, and how the media treats them as they age.

This is as good a time as any to mention my (very) minor quibble with this film; it doesn’t really feel like it takes place in this universe. There are moments where they could refer to real shows, but in the end, they go with fictional ones, it just kind of breaks the immersion ever so slightly. Like I said, that is a VERY minor quibble though. I loved this movie and would highly recommend it to almost everyone (except Keith). I won’t recommend it passionately, I won’t scream my love for this film from the rooftops like I do other films (Persepolis, Bogowie etc), but if someone says “I feel like going to the cinema, not sure what to see though, I might go see the new X-Men film”, I will recommend this film to them, because it’s great, and Dark Phoenix is f*cking terrible (spoilers for Thursday’s blog).