Tag: Kathryn Newton

Lisa Frankenstein (2024) Review

On By troubledproductionsIn ReviewLeave a comment

Quick Synopsis: A misunderstood teenager and a reanimated Victorian corpse embark on a murderous journey together to find love, happiness, and a few missing body parts.

I was looking forward to this. I’m not gonna lie, that was mainly because of Kathryn Newton. I absolutely LOVED her in Freaky, and I thought she was one of the best things about Quantumania. I’m unsure as to whether I like Diablo Cody or not. I loved Juno and Jennifer’s Body, but even then in those I was aware of how overly written and stylized the dialogue was.

If you’re on the fence about Cody, this won’t push you towards being a supporter of her. The dialogue is still overly painful to listen to at times, and she feels like she’s holding back a bit. The violence feels incredibly sanitized, which makes me think the studio wanted to lower the rating at the last minute, or they’re planning to release an unrated version later. It’s not just the violence, the dialogue also suffers from a general sense of “edited for television”. And that’s before you listen to the words being said and realise how overly hipster and fake the characters sound. This would be easier to deal with if the characters were likeable. As you can guess by that previous sentence, they’re not. What made Juno work was how relatable and real the characters felt, even when the dialogue was a bit naff. You don’t get that here. There’s also a stunning lack of consistency in characterisation, Lisa in particular seems to change personalities more than me when I’m creating a Sim in that video game where Sims do things in their Sim house, speaking Simlish and living with other Sims (I think it’s called The House That Keeps Burning Down). There’s a way to make it so characters can kill people and still make them likeable. Lisa Frankenstein doesn’t bother with that. As such, there’s a feeling that somewhere there’s another 10 minutes of LF which helps bridge the gap and makes their actions feel more real. As it is, it’s essentially “You killed my stepmother? Well let’s bury her and I’ll sew her ear to your face”. Yes, the stepmother was a bitch, but it still seems like they missed a few steps in making her death feel deserved. Especially since the creature was hiding in a cupboard, and was established as not being able to hear that well, so do we know for certain that he actually heard what she said? Doug was a sex pest so his death would have been much more cathartic. Doug does die, but not for much longer into the film than he should. I feel he should have been explored more, not explained or justified, he’s a date rapist. But he only appears in like two scenes, flesh out that character as a supposed “nice guy” then his rapey tendencies (and taking advantage of a drugged woman IS rape, and it’s weird how that is a controversial statement) would come off as more shocking and would allow an instant death.

Now on the bright side; it looks fucking fantastic. Kathryn Newton’s wardrobe is like someone sitting on a thumbtack; it’s on point. Hard to believe this is Zelda Williams’ feature-length directorial debut. I see in her what everybody else sees in Tim Burton. There’s a beautiful gothic elegance to a lot of the scenes, especially the opening which reminded me a Lotte of the work of Reiniger (possibly the most dated reference I will ever make). That gothic style meshes well with the 80s setting, everything feels oversaturated to the point where it seems to drain all sense of fun out of the colours. It’s stunning, showing great potential for her as a director, but it is a shame she will never get a chance to mesh her visual style with her dad’s acting style.

And now I’m sad.

Oh, and the music is good too. So overall, I’m not angry at this film, I’m disappointed. It’s too difficult to truly like and enjoy this film. Visually it has an identity, but in terms of story etc it just comes off as a parody that’s taking itself far too seriously.

Abigail (2024) Review

On By troubledproductionsIn Uncategorized1 Comment

Quick Synopsis: A group of would-be criminals kidnaps a 12-year-old, and don’t even do that right. Losers.

I’ve spoken before about going into some films completely blind, having not even seen a trailer. I wish I had done that for this. The more you know about Abigail, the worse it is. A lot of the film is spent with the killer in shadow, making you think the killings are being done by a hitman working for Abigails’ mob boss father. But if you’ve seen the trailer, you know that Abigail is a vampire, so you know what’s happening. To be fair, the title and the poster do that too. It’s a film called Abigail, and the poster features that character in a bloodstained dress, so even if you don’t know she’s a vampire, you do know that she is responsible for the deaths. So the whole “what is happening? It’s a secret” aspect of the opening half is wasted. I know we didn’t see a lot of Jaws in the film of the same title, but we were aware it was a shark. We didn’t spend half the time watching that film and being told it was hippo.

Once the truth is revealed, it’s a much better film. It’s still good before that, but it definitely feels like it’s holding back on you a little bit. It’s shot like a horror movie before the characters know it’s a horror movie. So the vampiric reveal doesn’t come as a shock, it comes off as “Well that’s what happens next in a horror film”. Compare this to say, From Dusk Till Dawn, which comes off as a heist movie for the first half, which means the vampiric shift comes off as a genuine shock. Here, you KNOW it’s a horror movie, so you’re expecting something similar to what happens. They could have played it off like a heist movie and it would have improved it. I’ll admit, that would have drawn comparisons to the aforementioned FDTD. But heist movies are cinematically different now than they were in the 90’s, they’re now more focused on straight lines, split-screen shots etc. So whilst it would have been similar in terms of genre shift, the styles themselves would be different, which would have lessened comparisons.

I’m overexaggerating slightly, I’ll admit. The sections before them are still pretty entertaining. That’s mainly due to the cast though. I’m a huge fan of both Kathryn Newton and Melissa Barrera, and they’re both given a lot to work with even before shit gets bloody. The characters feel real, which helps sell the believability of this universe. The core group all mesh together well, to the point where their interactions don’t feel like the script is just fleshing out doomed characters. Kevin Durand does look distractingly like an even dumber Elon Musk though.

The real highlight is Alisha Weir as the titular vampire. She is believably an ancient being, there’s no “yeah but that’s clearly just a child speaking, not a 200-year-old person who looks like one”. Her physicality helps too. Her movements (or her stunt doubles movements, I dunno) have a brutal elegance to them, so even when she’s killing someone there’s still an air of beauty and art to it. The ballerina aspect to her character allows some very unique action scenes, of her walking down a bannister with her feet in the ballerina tippy toe pose (I do know the name, it’s called En Pointe, but I’m using that in a pun later). There’s a scene where she dances with someone’s corpse that is very weird and artful, but it did make me sad as it reminded me of Bray Wyatt. The music selection is pretty en pointe (ballet pun! I told you that would come back), mostly consisting of classical music which you’d normally find in ballet performances, operas, and an advert for a Ferrari Pene Piccolo complete with steering wheel, tyres, and can go from 0-80 in 5 seconds which you’ll never manage because you’re only using it to take your kids to school 5 minutes down the road.

In summary; it is just a mindless horror film. But it’s one of the better ones. With humour, some great kills, one truly disturbing moment, and just enough heart to elevate it.

2023 In Film: Day Seven (The Good)

On By troubledproductionsIn Year round upLeave a comment

A Man Called Otto

Ups: Very sweet.

Genuinely touching at times.

Downs: Tom Hanks doesn’t make a believable grumpy old bastard.

Some characters seem a bit pushy, I’d be annoyed at them too.

Occasionally a bit too “old man yells at cloud” with how it treats younger people.

Best Moment: There’s a seasonal transition that is the most perfect I’ve ever seen. It’s a standard shot that I’ve seen many times. But in this, it’s done so seamlessly (and during a scene in motion) that it stands out.

Worst Moment: Marisol laughs when she finds out Otto nearly died because his heart is too big. I get why it’s funny, the irony of a grumpy person having a big heart etc. But for her to react so openly makes her appear slightly callous.

Best Performer: Mariana Treviňo. Her character could be annoying if played badly, but Mariana plays her with an infectious warmth.

Opening: Otto tries to kill himself. Well, he’s at the shop buying the stuff and gets into an argument. It’s an effective way to demonstrate the character, but again it feels a bit “grrr, young people are useless today” because they’re bound by corporate policies they can’t control. News flash to every person out there; the teenager behind the till at Mcdonald’s is not responsible for the prices or the menu, so don’t yell at them about this, if you do, you’re a prick.

Closing: Otto dies, leaving the house to Marisol and her family. It is very sweet and lovely, although maybe he should have left something to his lifelong neighbour who is about to incur huge medical expenses in the next few years due to an early diagnosis of Parkinson’s.

Best Line: “Your father doesn’t support you just because you’re trans? Then he’s an idiot”. It’s nice that even though the character is fueled mostly by anger, he is still pro-trans rights.

Original Review here

Air

Ups: 2 hours, but doesn’t feel it.

Incredibly well-written.

Downs: There’s no dramatic tension because we know how it ends.

None of the actors feel like they’re pushing themselves.

Distracting amount of swearing at times.

Best Moment: Where Matt Damon is telling Jordan’s parents about how his life will go. How the public will both worship and resent him.

Worst Moment: In that same moment where we find out about his fathers’ death. Such an important part of his future life is underplayed.

Best Performer: Matt Damon

Opening: Nike are nearly closing down their basketball shoe division. It’s weird to think of Nike being shown as an underdog.

Closing: Standard “what happened next”.

Best Line: Damon’s entire speech to Jordan’s parents.

Original Review here

Ant-Man And The Wasp: Quantumania

Ups: Kang looks like a formidable villain for the next stage.

Some good visuals.

Funny

Kathryn Newton is a good addition to te MCU

Downs: M.O.D.O.K

Inconsistent CGI

The MCU REALLY needs to start moving forward.

Best Moment: How Kang gets Scott to help. Spectacularly brutal.

Worst Moment: M.O.D.O.K . Words cannot exaggerate how stupid that looked.

Best Performer: Kathryn Newton

Opening: Opens with Janet meeting Kang. Nice way to get people excited for what’s next.

Closing: Everything is fine, but it might not be. There’s an ominous feeling that Scott can’t shake off.

Best Line: “Oh, you’re an Avenger. Have I killed you before? They all blend together after a while.” Really sells Kang as a threat.

Original Review here

Champions

Ups: Funny.

Has more heart than you’d expect

Surprisingly subversive at times.

Actually cast actors with Down syndrome.

Downs: Doesn’t have that little extra something to make it stand out

Too predictable at times.

May come across as patronising to some.

Best Moment: When we find out why Darius won’t play for Marcus. Some great character stuff.

Worst Moment: The NBA coaching sub-plot

Best Performer: Madison Tevlin

Opening: Marcus gets fired from his job after shoving his boss. Good way of showcasing both his talent and his anger issues.

Closing: A chumbawamba sing-along. Fun.

Best Line: Your heart’s a long way from your knee. Suck it up!

Original Review here

Elemental

Ups: Very sweet.

Good pacing

Downs: I get what they’re going for, but if you’re pushing a story about tolerance, maybe don’t have one of the people involved be a constant threat to the other one. “People who are different from you can kill you” may give out the wrong intention.

The music is a little weak.

Very predictable story.

Best Moment: When Ember is taken to see a flower, incredibly sweet and gorgeous to look at.

Worst Moment: The whole leak sub-plot feels first draft.

Best Performer: Mamoudou Athie

Opening: Bernie and Cinder move to Element City. Very cute, but nowhere near as good as similar scenes you’ve seen before.

Closing: Wade and Ember move to a different city. Again, very predictable, but sweet.

Best Line: The shop was never the dream. You were the dream. You were always the dream

Original Review here

How To Blow Up A Pipeline

Ups: Incredibly important.

Well-written characters

Best website.

Downs: Needs to be shorter.

Weak music

Doesn’t focus on the wider implications as much as it should.

Best Moment: The conversation about what they’re about to do. Feels genuine, and says a lot about how society treats revolutionaries.

Worst Moment: The explosion itself. Its not that it’s bad, it just doesn’t feel like something that everything has been building towards.

Best Performer: Ariela Barer

Opening: A woman is nervously walking down a street, making sure nobody notices when she lets the air out of a tyre. She then places a leaflet on the vehicle explaining why. I checked, and the leaflet is fully typed out. I appreciate that. We then see a small group of other people preparing in different ways; some clone their security cameras, some throw their phones away etc. Very “heist”.

Closing: The pipeline is blown up; a few members of the group take the fall. A very dark ending considering what we know is going to happen to some of them soon.

Best Line: “But by the time the market solution does shit, billions will be dead……we need to start attacking the things that are killing us”.

Original Review here

Puss In Boots: The Last Wish

Ups: Some of the best sound design you’ll see (hear?)

The best Shrek film since the first

Provides a good sense of existential dread for a kids’ film.

Downs: The suitcase of villainy is a bit overpacked.

Two of the voices seem a bit too similar.

The physics doesn’t work sometimes.

Best Moment: The death montage

Worst Moment: The sequel hook.

Best Performer: Harvey Guillen

Opening: Standard fairy-tale opening about wishes. Doesn’t inspire hope.

Closing: A sequel hook. Eugh.

Best Line: “You’re not gonna shoot a puppy, are you?”

“yeah, right in the face. Why?”

Original Review here

Renfield

Ups: Fun

Bloody

Clearly made by people who have researched the mythos

Dracula looms over the film even when he’s not physically in it

Downs: Could go further

Predictable at times.

Needs stronger supporting villains

Best Moment: Renfield disposing of gang members in a restaurant

Worst Moment: The ending.

Best Performer: Awkwafina

Opening: A retelling of the Dracula myth.

Closing: A group of dead people have been brought back to life. Because who wants consequences in their movie?

Best Line: You know when something crazy happens and someone’s like, “It’s okay. I’ve seen way worse?” Everything I saw you do today is gonna be my “way worse.”

Original Review here

Return To Seoul

Ups: Very sweet.

Park is incredible.

Truly emotional.

Cool music, reminds me of 27

Downs: The sound is a bit off at times. Particularly in the restaurant scene. Feels like they forgot to put in background noise for a lot of it.

Given a UK release in the same year as Past Lives

Best Moment: An employee has found her mother. Top work from everybody involved performance-wise. She is never more vulnerable than at that moment.

Worst Moment: When she’s dancing on her own in a bar, it’s written and performed brilliantly. But it’s shot via a lot of close-ups so you don’t really get her sense of social isolation. Not the “worst” moment per se, but the gap between what it could have been and what it is is quite huge.

Best Performer: Ji-Min Park

Opening: K-Pop on headphones being listened to by a hotel worker who is then interrupted by a customer who wants to check into the hotel, rude I know. A quite cute moment between two people ended with “But you’re French!”. Good way of showing her cultural identity and confusion. And it’s a very cute moment between the two characters.

Closing: She sends an e-mail to her mother, getting a “This e-mail address is no longer valid” response.

Best Line: “You’re A Very Sad Person”

Original Review here

Saw X

Ups: Bloody.

Has one of the most despicable characters in the history of the franchise.

More mature than it needs to be.

Rewards patience.

Downs: It’s a prequel, so all sense of tension is gone from certain scenes.

Not as cathartic as other entries

Pointless.

Best Moment: The bone marrow trap is deliciously disgusting.

Worst Moment: The conclusions to most of the traps. They feel too timed-based. So many of them nearly make it and if they were given 5 seconds more would have completed it. This goes against Jigsaws’ modus operandi of testing people; technically they did pass the test and proved how much they were willing to sacrifice, but because they were slightly slower than Jigsaw thought they should be, they die.

Best Performer: Tobin Bell

Opening: Kramer is at a cancer support group. An incredibly mature and bloodless way to start, almost like a proper movie.

Closing: The main villain is left trapped in a room, presumably to die. Shame, she’s truly detestable and it would have been good to actually see her comeuppance rather than just know.

Best Line: This is not retribution. It’s a reawakening.

Original Review here

Scream 6

Ups: It doesn’t miss Sidney as much as you think it would.

New York changes it, turns it into a completely different type of slasher.

Disgustingly brutal kills,

Downs: The online conspiracy that Sam really killed everyone doesn’t ring true.

So Gale can do research on finance records of dead people but isn’t a good enough journalist to realise family connections? BS

Worst reveal in a Scream movie so far.

Gale’s character seems to have relapsed into her Scream 1 version

Best Moment: The subway scene. A perfect use of location.

Worst Moment: The reveal. Have you seen a movie before? Then you’ll be able to guess at least 2 out of the 3 killers. It’s far too obvious.

Best Performer: Melissa Barrera

Opening: A professor is killed by Ghostface, who then immediately unmasks. Genuinely shocked me.

Closing: Somehow everyone survives. That’s a big issue with this film is how unscathed the main characters remain throughout.

Best Line: “Not every movie needs a post-credits scene.” as a post-credits scene

Original Review here

Ant-Man And The Wasp: Quantumania (2023) Review

On By troubledproductionsIn ReviewLeave a comment

Quick synopsis: It’s a Marvel movie, you know what the plot is.

M.O.D.O.K looks fucking stupid. Sorry, I just had to get that out of the way before I start this.

*gathers notes and restarts*

Since Endgame, it feels like the MCU has been stagnating slightly. It’s doing the cinematic equivalent of setting up a lot of dominos, which will hopefully all tie together wonderfully, but at the moment it’s kind of uninteresting. Quantumania looks like it may end that, the next stage is set up so heavily that it needs to start being acknowledged soon.

First off, yes, this film has flaws. The visuals are a bit inconsistent. It’s both beautiful yet ugly, technically astounding yet a cheap mess. Everything looks green-screened, and the Quantum Realm itself is a bit bland. It’s a shame as there are moments where it is glorious to watch, where you truly get a sense of scale and wonder. But for the majority of it, it’s kind of bland. There was a chance to fill this world with colour, so that every scene pops off the screen, as it is, it’s just there. I mean, it’s still impressive that it was all created, but it still doesn’t look like a $200million budget film.

There was some controversy before Quantumania was released due to the recasting of Cassie Lang. Nobody was assuming that Abby Ryder Forston was going to come back due to being too young, but there was an assumption that Emma Fuhrmann would. I don’t know why they cast someone in Endgame when they were planning to look to recast if Cassie Lang came back. Secretly, I’m glad they did, Kathryn Newton is one of my favourite performers around at the moment, and she is a REALLY good Cassie. So yeah, I get why, and she is the better choice, I just, I think it’s a shitty thing to do to recast like that.

In terms of the other performers, the main issue is that Bill Murray feels wasted. I don’t want him as a main character, but having him in it then doing what they do with him feels like such a weird casting decision.

There are some people annoyed that Michael Pena didn’t come back. Luis was one of the most popular characters in both Ant-Man, and Ant-Man and The Wasp, with his rapid-fire delivery and vocal style of summing up events being a highlight. Truth be told, there wasn’t really a way for Luis to fit into this. If they did, then Luis would have felt unnaturally shoe-horned in and would have been weird. Part of this is because Quantumania does SUCH a good job in terms of pacing. Sometimes you can be waiting around for a lot of the running time waiting for the story to kick off, but it happens here incredibly quickly. Same with the way it ends. It doesn’t linger long after the story is resolved, they resolve the story, give a quick coda, then end it.

There is no Luis, but there is Kang (weak segue, I know), and Kang is a fantastic villain. Part of that is due to Jonathan Majors, he CRUSHES it. Josh Brolin was fantastic as Thanos, there’s no doubting that. But if they let Majors do what he is capable of doing, Kang could end up being better. Majors has such a screen presence, especially physically. He is a hell of an actor for the MCU to have going forward, and the concept of different multiverse versions of him is incredibly exciting when you think of the potential for Majors to show what he can do.

Now onto the big issue I have: M.O.D.O.K. I’ll admit, I’m not that familiar with M.O.D.O.K as a character, but I assume we’re supposed to take him somewhat seriously? It doesn’t help that when I look at M.O.D.O.K I don’t see a “Mechanized Organism Designed Only for Killing”, I see Krang from Teenage Mutant Ninja Turtles. It doesn’t help that the CGI is awful and just looks ridiculous. To be fair, I don’t think there is a way to make a giant human head look threatening, so there’s not much they could have done to help that. Well, they could have just kept the fucking mask on and NOT SHOW THE ACTUAL FACE. Do the reveal through dialogue instead of unmasking. That would then make it seem like the face has been disfigured, and let the audience wonder how badly it has been ruined by what it’s been through.

Overall, Quantumania is a bit like the last few Marvel films; entertaining enough, but won’t change your mind on the genre. On the plus side, you don’t need to have watched all the TV shows for the film to make sense, although Loki will need to be watched to understand the post-credits scene.

Freaky (2020)

On By troubledproductionsIn ReviewLeave a comment

Quick Plot Summary: A serial killer (Vince Vaughn) bodyswaps with a teenage girl (Kathryn Newton).

I went into this with high expectations. It was recommended for me, and it was directed (and written) by Christopher Landon, who was responsible for Happy Death Day and it’s sequel, both of which I absolutely loved. On the downside, he also made Scouts Guide To Zombie Apocalypse, which was not great. And a lot of the joy of Happy Death Day was around the character, so there was a chance that without Jessica Rothe this film would be weaker.

My worries were heightened by the complete lack of information I saw. I didn’t see any trailers for it, didn’t see any posters outside. All I saw was one small poster inside the cinema. The only things that gave me hope were:

  • As I said, someone recommending it to me
  • It was covered in a Kill Count video, and I trust that guys judgement.
  • It was delayed. The fact it was delayed, this shows the studio had some faith in it, otherwise they would have just thrown it straight to VOD. This film was shown more faith than Wonder Woman 1984.

It took longer than it should have done for this film to win over my doubts. It’s nowhere near as sharp as Death Day was. There’s a few moments here which could have been cut, and there are also a few things missing. One of which is we don’t really get that much on Vince Vaughn’s character, so when the body swap happens it’s not quite as effective. It works for Vince Vaughn, as we got introduced to Newton’s character and saw a lot of her, so we recognise her personality when Vaughn plays it. But we never get that the other way around. We see him kill a group of teens, but we don’t see him talk to anybody, so we don’t get his personality really. There’s nothing to ground the character personalities so we recognise them after the swap.

We get to see a lot of Vaughn as Vaughn at the very end though, but that’s too late really. Plus, the ending was the weakest part of the film for me. The bodies get swapped back to normal, and he gets put in an ambulance and taken away, but it shows signs that he’s going to recover. THAT’S how it should end. It’s a logical closing point. But the film then continues for another unnecessary scene. It’s a good scene, but it disrupted the flow and would have been better as an ending to a sequel.

Now onto the good, and there’s A LOT of good here. It’s stylish as hell with a unique look that showcases a real love for classic slasher flicks. The dialogue is hilarious, with one exception where a guy responds to “that seems kinda rapey” with “good”. Kind of uncomfortable dialogue, and it makes the character hard to like. No matter what the character does, you can’t unknow what he said. Everyone else is great though, and they’re performed wonderfully. Vaughn plays a great teenage girl, he could be slightly better at mimicking Newton specifically but otherwise he nails it. The real star of the show is Newton, I know her better from Blockers and Detective Pikachu. This is a completely different performance from her. Well it’s two performances really as she’s playing her original character, and Vaughn’s character. She does both great, the insecure teen, and the Myers-esque killer. It’s when she’s the killer where she really shines, giving the character a coldness and determination that is chilling in how effective it is.

There’s one area where this film is clearly superior to Death Day: the kills. It’s MUCH bloodier, it’s aimed at an older audience which allows it to go further with how gory it gets. It also allows it go further with the sex, that’s something that only happens once really, but the way it’s edited is glorious. They cut to the sex scene straight after a death, but it doesn’t feel gratuitous, the way they match-cut them between the two is brilliant and I love it, really shows a proficiency in film-making that I love to see.

So overall, you definitely should see it. It’s fun, slick, and a hell of a watch.