See-Saw Day Eight (Jigsaw)

On October 31, 2018 By troubledproductionsIn See-SawLeave a comment

Director: The Spierig Brothers

Budget: $10million

Box Office: $103million

And here we are. The final one. Described by the company as a “return to form” which is their way of admitting the last few were shit.
Open on a really weird shot of a police light taken through a rolled-up set of those spikes police put down to stop cars. Unique shot and I kind of dig it.
A guy has a bomb in his hand which will go off unless a detective Halloran is there.
Halloran turns up, the guy ends up getting shot in the stomach and kill shim, which starts off a new game. We know this because the character says “the game is starting”. Why are people who are dying in films so unhelpful and vague?
People wake up with buckets on their head chained to a wall. Chains pull them towards a spinning blade. The game here is; if they cut themselves on the blade, no matter how little, the blade will stop. They all do it except for one guy who is passed out, but I’m sure he’ll never be referenced again.
“i hope for our sake this is a game, because games can be won”. Tell that to Battletoads on the SNES.
A woman jogs under a bridge, turns around and realises there’s a body hanging from the bridge.
“Think it’s Kramer?” “hope not, he’s been dead for 10 years”. Two things: I know Jigsaws real name was John Kramer. But you can’t say Kramer and not expect me to think of this:

Secondly: what’s the timeline for these movies? Because it’s been about 10 years since the film where Jigsaw died was released, but I thought all the other films happened pretty soon after that one?
Logan, the morgue guy knows the guy investigating it, who tells him “sorry about Christine”. So this guys wife is dead? That will definitely come back later.
Wait, Logan was attacked by the Taliban in Fallujah? That’s racist. Oh you need me to explain? Ok, here goes: Fallujah is in Iraq, the Taliban don’t operate there, they operate in Afghanistan. This would be like saying a gang from California are operating in South Dakota.
Well whoever the new Jigsaw is, he has finally upgraded to digital, leaving an SD card in the body this time.
The people with the chains round their neck all have to admit their sins. The chains have stopped being attached to the wall and are now attached to the ceiling. I wonder how this will end up.
This is aimed at a specific person, someone who stole a purse from someone who then died because the purse contained medication which led to the person dying. There’s three needles in the room, one has an antidote to poison, one has saline solution, and one has acid, one needs to be injected into her or they all die by strangulation from the chains rising up the ceiling. What would have happened if she died in the first room? This game would be unwinnable.
All three end up injected in her neck, so she dies from the acid, but at least she’s not poisoned.
Ryan, (for some reason I thought he was called Mitch, and Mitch was called Ryan) tried to go through a door labelled “no exit”. This ends badly and his feet go through the floor, ending up entangled in razor wire that starts tightening.
The other two (Mitch and Anna) go into a silo, the door locks, and grain starts filling the silo. This on its own I would like, it’s slow, methodical, but unique. But then it kind of ruins it by dropping blades down into them as well. Yes, that’s more gruesome, but it’s not unique to me. For them to escape, Ryan has to pull a handle, severing his own leg.
The woman doing the autopsies (Eleanor) turns out to be a massive fan of Jigsaw. I thought this would go somewhere but nah.
Now we find out why Mitch is there, he sold someone a motorbike with faulty brakes which led to them dying. The tape there is specifically for him, so again I have to ask; what would have happened if he died in the first room? Or in the silo? This film only works because the characters act in the way they need to for the script to develop. If any of the characters do anything else other than what the script tells them to, this plan would fall apart. I mean, what if Mitch got his leg chopped off and died?
The kid who died on the bike; Jigsaws nephew. He ends up being lowered into a thing I can’t really describe; it’s like a spiral blade that gets thinner towards the end. He needs to reach through the middle of it as it’s spinning and stop the brake.
“Stop it, I don’t wanna die” I sometimes wish I’d never been born at all.
He dies. But Bohemian Rhapsody is a great song.
Okay now Eleanor being a fan is making sense. The cops are suspecting her and Logan are murdering people.
Logan said that Halloran is framing him. He proves this by taking the bullet out of the guy who got shot earlier, saying the bullet is one that only Halloran uses. To me, this means it’s definitely not Halloran. As this film series doesn’t plant clues like that, it doesn’t like doing things which are simple. It likes the twist ending which means you can’t trust anything you see, which means you have a real trust issue as you assume no “clues” are actually worthwhile. That’s the issue with these, they try so hard to be intricate and clever they end up being kind of stupid.
Jigsaw unveils himself (not like that) in front of Anna. Thereby proving that this film (or at least the main test section) takes place in the past, because we know he’s DEFINITELY dead and a twin brother hasn’t even been hinted at.
More proof “what are you doing John?”, Anna says, not “Holy fuck it’s a zombie”.
We now find out why Ryan is being tested. He was being a drunken dickhead, which caused his friends car to crash, killing three people.
Anna saying “I didn’t do anything, you know me” which is a stupid thing to say. She knows what she did, so the fact he knows her means he knows what she did. It turns out Anna’s husband didn’t suffocate their baby by rolling onto it. Instead she suffocated it with a pillow to stop it crying. He got arrested, went mad, and committed suicide.
The final trap; a shotgun which John describes as their “key to freedom”. Anna grabs it and tries to shoot Ryan, but it fires backwards and kills her. And turns out Jigsaw meant it literally, there were keys to their chains in the gun, which are now ruined due to the gunshot.
Halloran and Logan have woken up with laser cutters around their necks, buttons on the desk in front of them start up the lasers and they have to confess. Halloran presses the one on Logans side, setting Logan’s trap off, because he’s a dick. Logan confesses he was the one who messed up Jigsaws diagnosis which mean his cancer wasn’t diagnosed in time. Logan “dies”. Halloran now, he admits he’s locked innocent people away and taken bribes so guilty people stay safe. Halloran notices the roof above him was destroyed by lasers, but the one above Logan wasn’t. Surprise surprise Logan rises and turns out to have been faking it. Who isn’t surprised?
Turns out Logan was the first guy, the one who passed out in the first room. The barn game took place 10 years ago. Halloran is responsible for Logan’s wife dying. He put people in identical tests this year to recreate the one from 10 years ago (and we didn’t see this one, because why would we want to see new things when we can see old things?)
This “explaining the film we just saw” (hah, “saw”) thing has taken far far too long, and still doesn’t explain some characters motives.
Wait, that’s it? Okay that’s odd. It has made zero references to the previous films really. On the plus side that means it stands alone. On the downside it means you’re kind of punished for watching the previous ones as it was a waste of time as none of it meant anything. Dr. Gordon isn’t mentioned despite being a very important character apparently. None of the cops come back. This film series has a toxic relationship with continuity. It’s either burying it underground or fucking it.

See-Saw Day Seven (Saw 3D)

On October 30, 2018 By troubledproductionsIn See-SawLeave a comment

Director: Kevin Greutert

Budget: $20million

Box Office: $136.1million

Oh boy, this film is also in 3D, that’s a sure sign of quality when it comes to horror films and is not at all a desperate attempt at dragging people to see it by promoting a gimmick.
This film was also known as “Saw: The Final Chapter”. Like almost every single film with that title, however, it’s not the last one.
We’re starting with flashbacks to the first one? Jesus HG Wells
Although the fact they’re doing this shows that the one-legged doctor is back. Let’s face it; they wouldn’t focus on that scene unless something important from it was coming back. It can’t be Jigsaw, we saw his autopsy, it can’t be Adam, we saw him die in the third one too, so that leaves only Dr. Gordon.
Yup, we see a one-legged person crawling.
And now I have Linkin Park in my head.
Ah man he looks rough, love the make-up they do on him, makes him look awful, in a good way.
Fun fact; this film was once shown accidentally at the cinema instead of Megamind.
Now onto a trap, two people are chained to a table with buzzsaws on it. In a shop window. How on earth did this get set up? And why have people only just noticed? I mean, we see people stop and stare, but we also see people who are walking away from it so obviously walked past it before the film started. Would it have been too much to ask for a curtain to be involved? Not exactly a complex problem.
All these people are standing there, none of them try to break down the glass.
Now a curtain comes down, a woman is tied to the ceiling, in basically her underwear.
Now the reason; she’s been cheating one on with the other, getting them to steal stuff for her. They have to either push the saw into the other one, or kill her.
She goads one to kill the other, then quickly switches her allegiance when the other person starts to look like they’re winning. This works as well as can be expected for her, they decide she dies, with the fakest fake stuff that’s ever looked fake. I mean, I get they can’t actually kill people for movies (damn human rights laws) but they can make it look better than this.
Gee this film sure likes its flashbacks, going back to the end of the last movie now, where Hoffman escaped his bear trap.
Jill is at the police station but will only speak to certain people, specifically Internal Affairs, who describe her as “crazier than a sack full of cats”, is that a thing people say?
“You’ve got to give before you receive in this house Jill” that sounds sexual.
Guy called Bobby Dagan is on television talking about how he survived a Jigsaw trap and published a self-book about it. He later turns out to have been bullshitting. He tells a story about how he had to dig two hooks into his pectoral muscles and use them hoist himself up. Weird that nobody asked to see the scars to prove that. Or asked the doctors who definitely would have treated him about his rehabilitation.
“I found a strength I didn’t know I had, I just pulled myself up, and yanked the hooks out of my chest” and then I totally had sex with a really hot cheerleader, she’s from Canada you don’t know her.
Jill has a nightmare that she gets killed by being run over by a train/spike. Weirdly her dreams are in 3rd person view.
Dream sequences are another surefire way that you’re doing a great job with a horror movie btw.
I mean, I’ll allow it for Nightmare On Elm Street.
Chester Bennington from Linkin Park wakes up in a car-based trap. And now I’m reminded of his death and I have a sad.
Okay, it turns out he’s a nazi skinhead, and Jigsaw abhors racism. So to sum up; Jigsaw hates: privatized healthcare, nazi’s infidelity, and extortionate money lenders. #JeSuisJigsaw
Quite a complicated trap, he’s glued to a car and in 30 seconds the car he’s in will drop down, crushing one of his friends, then drive off, tearing off the arms of someone else, and will end up crashing into someone on the other side.
Jigsaws message btw was played on an in-car tapedeck.
Luckily (not for him) the glue is a bit stronger than the glue I’m used to. Otherwise he’d have been lose before he even woke up.
“damn you Evan, you got us into this”. Typical Nazi’s, always blaming each other for their mistakes. It’s usually the Jews though.
Wow, some of the stuff in this looks REALLY fake. The skin peeling off his back looks plastic, the head being crushed is really hard to look at and NOT know it’s fake, you can OBVIOUSLY tell the person who got his limbs taken off is a mannequin. It’s like they just didn’t care, there’s no dedication to their craft in this and it means they end up looking laughable.
A Jigsaw survivors group. I like this as an idea, it makes it seem real. You know what I don’t like? The marketing for this film. The poster showed a statue of Jigsaw being made, suggesting a cult-like following for him or that a lot of people were starting to agree with his methods and make their own piss-poor versions of his traps. THAT would have been a great film, would be like Death Note mixed with The Dark Knight and would have been AMAZING!
This survivor was in a trap with her abusive husband. They were both left hanging above a series of blades and had to kick the other one down into them. Yes, it’s a lovely story about how an abusive husband got his just desserts, but what if he won? He’d have learned that violence is the answer to escape things and got more abusive towards people.
“this is my lovely wife Joyce”. I like when people say that as it seems like they’re about to follow it with “and this is my awful wife”.
Dr. Gordon is definitely still alive, he’s in the group being sarcastic to Bobby. “We appreciate being part of your promotional DVD”
“who’s the creepy guy with the cane? Anyone should be worried about?” Erm, surely you’d know him as being one of the main suspects?
The tape from the car crash still works, kinda. Enough to piece together what it says, and amazingly he rewound it back to the start of the message.
Bobby has been kidnapped and is now in a trap. He must be so happy that his story is finally true.
He’s in a cage that’s being dragged around a house, and the only reason this wouldn’t be a theme park ride in the future is if it already is one.
He finds his publicist, she’s tied to a chair, a fish hook is down her throat, with a key attached to the end of it. He has a minute to get it out or spikes will drive into her, killing her. The spikes will also advance if she makes a noise. So for spreading lies, she now has to stay silent. This is what the series should do, more poetic traps.
He gets the key out just in time but doesn’t manage to unlock the trap because he’s a character in a Saw movie so has no idea how keys work.
Flashback to Jigsaw meeting Bobby, because he takes this kind of thing personally.
The next room has his lawyer. Her eyes will be pierced unless he holds heavy weights up for a minute, but when he lifts them up blades stab into his sides. He doesn’t even lift, bro, and she dies, on her final second before escaping. Because he drops the weights and can’t be bothered to pick them up again. There were lockers etc in there, I’m sure he could have wedged one of them under.
His friend is in the next room. Blindfolded with a noose around his neck, above a hole in the floor with random planks of wood over it. Again, it’s a timed challenge, and again, he doesn’t move until the tape stops playing. Because that wouldn’t be fair play?
Bobby gets the key and tries to throw it to his blindfolded friend, this goes about as well as can be expected.
Flashback again, this time to a time that Hoffman saved the IA guys life, by getting a homeless guy to drop his weapon, and then shooting him in the back when he’s unarmed. Hoffman got reported for brutality and ended up getting promoted.
Next room; his wife is in another room and to get to her he has to unlock the door between them. The code for the door is etched on his teeth, FINALLY utilising the motif from the second or third poster. Only 4 or 5 films too late.
He manages it, although it’s a bit weird the numbers were etched on his roots, as that wouldn’t be possible without either removing the teeth or cutting through the gums.
Now he’s in the trap that he lied about being in. So he has to dig hooks into his pectoral muscles and hoist himself up. He could, of course, just put the hooks in his clothes. and the hooks are big enough for him to put his feet into so he could rest his feet on the dip in the hook. As it is he digs the hook into himself and is surprised to find that it’s actually quite painful.
IA guy finds Hoffmans lab, where it turns out he’s been watching them the whole time and has swapped himself for one of the bodies from the earlier test to get himself into the coronors office. And then a machine gun kills them all.
Hoffman walks around and massacres everyone at the morgue, as the SWAT team are gassed. Yeah, this is not a GREAT way to cover your mistakes as it now means you’re kind of a terrorist.
Hoffman finds Jill and shoots the guard protecting her. But it’s fine as the guard was actually an alien, I mean, the film doesn’t say he is, but his blood is almost pink so do you have another explanation?
Bobby nearly reaches the top and unhooks the trap, but his skin rips and he plummets to the floor.
As such his wife is locked into a kind of brazen bull device, which is engulfed with flames. Yeah, that’ll teach her not to……..believe her husband when he lies to her. Yet again this films kills people to teach others a lesson. It kills innocent people to teach guilty people the value of life.
Oh but it’s okay, he’s super sad about it.
Hoffman puts the bear trap on Jills face. And for the first time in this series it actually works. But because it’s this film, it looks fake as shit.
Seriously, it’s the same director as the last film, and the budget was twice as big this time. So why the sudden drop in blood quality?
Hoffman burns everything and leaves the building. Only to be apprehended by three people in pigs masks. One of which is Dr. Gordon, who after being annoyed that he was accused of being Jigsaw in the first movie, became Jigsaw after it. This reveal that he was in on it the entire time actually makes sense, it explains how all the delicate medical procedures were done. This series can’t be subtle about it though, and decides to show us him performing the surgeries. Because we can’t be trusted to come to any conclusion on our own.
That being said this film doesn’t explain who the other two people in pig masks are. It’s explained in the commentary that they were the two people from the trap at the start of this movie. But it’s never explained or even hinted at. So we’re left with the “who are they” unanswered, and the purpose of the first trap isn’t explained either. This film alternates between holding our hands too much, and tying us in a sack, expecting us to be able to swim when we hit the water. It’s incredibly frustrating.
So that’s it for now. Tomorrow will be Jigsaw, the least terrible of the sequels I think

See-Saw Day Six (Saw VI)

On October 29, 2018October 29, 2018 By troubledproductionsIn See-SawLeave a comment

Director: Kevin Greutert

Budget: $11million

Box Office: $68million

The sixth film in the series. Let’s see what new things this brings to the table.
Two people have woken up in a strange room with no idea how they got there. How new, fresh, inspired and never been done before in this series.
They’re money lenders, well, loan sharks to be more precise. They lend money then ask for extortionate amounts back. Kind of like Wonga did. Actually I doubt they’re worse than Wonga. That company was literally evil. They would quickly lend you money, but at an almost 6,000% yearly interest rate. Then when people couldn’t pay them back (which considering the nature of their business and their advertising being aimed at people who are out of work or in severe financial hardships, was pretty likely) they would phone them and say that them being in debt could lead to them being fired from their job. They would then send letters from fake law firms to them demanding payment. The (I repeat) FAKE law firm charges were then added onto the debt, increasing it even more. The company executives then would store their profits offshore so they didn’t have to pay tax. So, that company can go fuck themselves with a cactus wrapped in barbed wire. Anyway, back to the film. These two are now in competition; whichever one can cut the most flesh off themselves (in terms of weight, not size etc) gets to live. I have criticised this series a lot, but I do like this trap, mainly because of the poetic nature of it. They’re literally asked to pay their pound of flesh.
The fat guy shows his advantage by slicing his fat off his stomach, which considering the other person is a skinny woman, seems like cheating somewhat.
She realises this and chops her arm off, she wins, let’s celebrate, come on, give her a hand. Oops, this is awkward.
Was there any way to check they weren’t cheating by like throwing their shoe onto the scales instead?
We see the end of the last movie. Surprisingly Strahm DIDN’T survive being crushed into a small cube. I know, shocking right?
A guy in an office can’t make dinner. And the look the woman sitting opposite him gives definitely makes me think they’re fucking, and on the (presumably) wifes birthday.
Oh, it’s possible he’s just a dickhead. He runs a health insurance company which denied healthcare to someone with cancer, because AMERICA! The only country where you’ll get shot at a school, then bankrupted when they take the bullet out.
I realise that last comment might seem insensitive considering there was a school shooting today in America. To that I respond with this; if I waited to publish then on a day with no school shootings I might never get a chance. At the moment it seems the most likely way the American government will stop school shootings is by destroying all schools so they don’t have to pay for education.
Wow, there’s a group of people in this, their entire job is to find reasons to deny people health coverage. Imagine that being your job. You get money by ensuring sick people don’t get the treatment they need. You couldn’t pay me to do that job.
Hoffman is at the crime scene of the dead fat guy.
Oh it turns out Perez didn’t die. You know Perez, she was in it very briefly 2 movies ago and didn’t really do much.
Hoffman meets the one-armed girl and seems annoyed she doesn’t seem to have learned anything. She doesn’t even give him applause.
More Jigsaw. Because despite being dead for a long time, he’s still the most compelling character, and the writers know this.
The dickhole character from earlier (William) is walking around his office late at night where he shoots a suspicious character who turns out to be a security guard. He is so fucked, he will lose his job, possibly get executed and his name will be spat on for generations. There’s no coming back from this.
Oh wait, the security guard was black. At most he’ll get a $10 dollar fine.
You know what the best/worst part about that joke is? It will probably always be topical.
He gets kidnapped and wakes up to a Jigsaw tape (how many of these did he make?)
He’s locked up with the janitor from his work. Every time one of them breaths, a vice tightens around their chest. The janitor is a smoker so this is deeply unfair to him. Jigsaw openly admits he is punishing that guy because he smokes. That……..does not seem fair. That’s not equal to causing people to die. Like, at all.
Flashback to William meeting Jigsaw and openly admitting he developed a formula for deciding who to give healthcare coverage to so he could only give it to people who aren’t likely to need it. Because again….America.
The next test he has to kill one of his colleagues. This is kind of weird way to test him, by killing an innocent person. I mean, it is a kind of cool way of showing the choices he is actually making day to day with his business. But it’s punishing people who had nothing to do with it. His colleagues didn’t do anything to deserve this, they’re being killed to punish someone else.
We now see Hoffman putting the guy on the rack from the (I think) 4th movie. The fact I don’t know says a lot. These films have no individual identity. They all run together into one mess.
Oh wait, Amanda is still alive, it’s the 3rd movie this is from. So to summarise, now we have a scene featuring Jigsaw, Amanda, a guy whose name I can’t remember, and Hoffman, planning a trap for Jeff. So we have a scene with 5 people involved, only one of whom is still alive. How does this advance the narrative in any way? Seriously, at times it feels like these films are mainly comprised of deleted scenes from earlier films.
“Did you know that in the far east people pay their doctors when they’re healthy, and don’t pay when they’re ill?” That’s…….actually kind of a better system.
There’s the team from earlier; the ones whose job it was to deny sick people healthcare. They’re tied to a merry-go-round and one of them will be randomly killed until all of them are dead, and to “deselect” someone from being shot he has to put a spike through his own hand when the gun is aimed at them.
The cops (including perez) work out that Hoffman is actually the killer, so he kills her and the other two people in the room. He then burns the room down, because he really wants to be caught.
We find out that it was Hoffman who put the letter that freaked out Amanda at the end of the third movie. It turns out he knew that she was also responsible for Jigsaws wife miscarrying, and unless she killed Lynn then Hoffman would tell him. I’m so glad we have closure on that plot point from THREE MOVIES AGO.
William makes it to the last room. Where he’s met with the two people have who have been locked in the cage (Yeah i should have mentioned them earlier, a mother and her teenage child. They haven’t really done anything relevant yet so haven’t mentioned them). Turns out they’re the family of the guy who William denied health coverage to. They have a choice whether to forgive him, or inject him with acid. They chose the second option. Meaning we have lots of flashbacks of things we’ve already seen in the film which help explain the ending for those who are stupid to understand why it’s happened.
Oh, Hoffman has been put in a bear trap face-hugging device by Jigsaws wife. He escapes by breaking his own hands to escape being tied down, then jamming the trap in between two REALLY conveniently placed bars in the door. But he still has half his cheek torn out.
And that’s how this ends. Again, with not really any closure. If he died, that would be closure. If he got caught by police….closure. This all just feels like another chapter rather than a separate story. It’s admirable how they link together but none of them past the first one stand on their own merits.

See-Saw Day Five: Saw V

On October 29, 2018October 29, 2018 By troubledproductionsIn See-SawLeave a comment

Director: David Hackl

Budget: $10.8million

Box Office: $113.8million

We open on lightning and rain. All that’s missing is demonic chanting and it would be cliche horror opening #151
A guy has woken up in near darkness. FINALLY, the director of one of these films realises we might actually want to see what’s going on and shines a spotlight on him.
Turns out the guy is called Seth, he killed somebody and escaped a full jail sentence. He’s chained down with a pendulum slowly making it’s way down. To escape he has to put his hands in blocks and crush them. He crushes his hands, driving his brain into an agonising pit and the pendulum rises. He still can’t get up, however, and the pendulum comes down, slicing his stomach open. So it’s going to be one of THOSE films, where Hoffman uses the motifs of Jigsaw without using the concept of game theory. So in other words; he’s just a random guy who tortures people. That’s what these films have become at this point, no longer about people testing their limits and us seeing it, it’s about torture and murder.
Yeah, he dies.
And now we flashback to the fourth movie. Specifically the part of the fourth movie that took place at the ending of the third one. So Strahm finds a hidden exit and escapes. Which is something I really wish I could do at this point. He finds a tape, because Jigsaw never went digital. He’s a purist in that way, a hipster.
He gets abducted by someone in a pig mask and placed in a trap. You know, just like almost every other character in this series.
The trap is this: his head is in a box that fills with water. And to escape….well he can’t, because this isn’t the first movie, aka the only one where that mattered.
He manages to escape still though, well he performs a ~~tracheoctmy,~~ a ~~trachoctomie~~, he makes a hole in his throat. This works.
Jigsaws wife is watching his video will. It turns out he’s left her something, a box. A box, which, despite belonging to a known serial killer, hasn’t been opened by police. Even if it was locked the police could still do it. I mean, security at airports tear the lock off your bag even if you’re not a serial killer.
A press conference announcing Jigsaw is dead and Hoffman caught him. They announce this in respect for those who have died, which somehow includes Danny Glover. I thought he lived for some reason.
How do people not know Hoffman is evil? Do they not listen to him when he speaks or see his face?
Hoffman goes back to his office, please as punch (with his punchable face) and finds a note saying “I know who you are”.
We flashback again to Perez getting her face blown off, the assumption being that it killed her. The last thing she said was “Detective Hoffman”, leading to Strahm believing that Hoffman is responsible (pretty accurately). Hoffman threatens him, which is definitely the actions of an innocent man.
Five people wake up in a room with a collar around their neck attached to massive razor blades. The five people are a mix of different genders and races, and an English guy.
This trap seems like all they need to do is do nothing for 15 minutes. Finally, my time to shine.
“I am fucking relaxed!” the guy screams.
They go to discuss their sins, but never actually do it. Shame.
An arsonist runs off, setting off the timer for the trap. What a dick.
Everyone starts to run off to get their keys. None of them thinks to also break the box next to theirs to get the other keys out too. Then everybody would relax. As it is, one of them dies, a blonde girl called……blonde girl. Who is there because……reasons.
So the guy in the first trap of this movie killed Hoffman’s sister. Which is probably why he died.
Strahm goes to the building where Seth died. Luckily the building is in the exact same state; even the hole in the window is still there. If that had been knocked down and replaced with luxury flats this wouldn’t be possible.
So the police who found Seth’s body knew who he was, and that he’d just got out of prison, and what for. And yet still didn’t know he was connected to Hoffman until he told them? These guys suck as detectives. I mean, wouldn’t they have known that his sister was murdered and the guy had just got out of prison? I mean, it was in the news and everything.
“I can see where the body was through this hole in the wall, this means Hoffman must have done it and made it look like Jigsaw!”. Or……Jigsaw did it because of his sense of justice, he’s killed people for similar reasons before. The only reason you know it’s Hoffman is because of the flashbacks, and you as a character don’t see those.
They go through their history, sadly they do it through speaking, not singing like in Chicago.
Oh, the English guy is an investigative journalist, that’s how he knows things.
The journalist beats the drug guy with a bat. But does it before they’ve got the key. Logically he should have waited until they got the key, and then hit them and stolen the key. If you’re going to be an asshole, do it right.
One of the women hits the English guy from behind, letting the drug addict take his key. See, this is why you should have waited. Also, what was her motivation? The drug guy is the one who set off the trap in the first room. Also, who would you rather have with you? Who would be more useful?
More flashbacks. This time to Jigsaw abducting Hoffman because he’s annoyed that he stole his gimmick. “they say imitation is the sincerest form of flattery”, I tried using that as a defence in court for identity theft. Didn’t work.
See this is a compelling scene, where Jigsaw is convincing Hoffman to join him. Jigsaw is definitely the best character in these movies, which is why they keep using him long after he died. Really, killing him off was a terrible idea from a narrative standpoint as it kills the story and means you need to depend a lot on flashbacks to use your most valuable asset. But the trouble with using so many flashbacks is it’s hard to use them skillfully enough to advance the current narrative.
Back to the test subjects. We’re now down to three. Three really underdeveloped characters because the film has felt it more important to develop a character who died 2 films ago.
More flashbacks! This time to before the first movie, shows them abducting the guy who died in the barbed wire thing from the first film.
Now we have flashbacks to the second film, showing Hoffman dragging everybody into the house. I think about 50% of this story takes place via flashbacks
Back to the main trap people. Three of them in a room, they have to complete an electrical circuit to open the door. They decide to throw the junkie in a bathtub and connect all the electrical bits to him so he completes the circuit. One of them then decides “fuck that”, stabs the other woman in the back of the neck and uses her instead.
And now the two that are left FINALLY realise that if they stopped being selfish and actually helped each other they all would have survived. Every game was meant for 5 people. So this was essentially a team-building exercise?
They finally find what connects them. The junkie was paid to burn down an “abandoned” building which still had people inside. The woman at the start filed a bogus report, the city planner pushed through permits after being bribed, the journalist buried the story, and the other woman who was still alive set it all in motion.
Strahm has followed Hoffman somewhere and knocked him into a glass cabinet. Meanwhile another cop who hasn’t really done much finds the woman who was in the trap (the guy is dead due to blood loss), and suspects Strahm, putting out an APB on him.
The glass casket thingy hoffman is in falls backwards into a hole in the floor, as the rest of the room rises slowly, crushing Strahm. That has to be the only time I can recall a “slow crushing room” thing actually working in a film. Thing is, he really should have killed him another way. If he just shot him he could have said “I went to arrest him and he went to shoot me so I got him first”. How’s Hoffman gonna cover this up?

See-Saw (Day Four: Saw IV)

On October 27, 2018October 27, 2018 By troubledproductionsIn See-SawLeave a comment

Director: Darren Lynn Bousman

Budget: $10million

Box Office: $139.3million

Fine. Let’s do this.
We open with an overly-long autopsy of Jigsaw. I’m going to give this film the benefit of the doubt and say this was done so we know for certain Jigsaw is dead so the audience doesn’t expect him to come back to life. No excuse for it to be quite this long though. And in quite so much detail. It’s odd, they’re playing it like it’s a scene from a horror movie. They’ve got the spooky scary music, dark lighting, and intense close-ups of body parts. But it’s not meant to be scary, it can’t be. How can it be?
We get the in-story reason for this now. They find a tape in his stomach. The one that he was shown to have covered in wax in the last one and eaten. They show that scene again in case you couldn’t remember it. This series has a weird approach to how it treats the audience’s memory. It replays A LOT of stuff from previous films, but also has so much where if you weren’t taking notes in previous films you wouldn’t remember who certain people were or why they matter.
I’m not lying about this being overly long by the way, it was five minutes long.Five minutes of someone just being cut open.
The tape is played, is pretty much what you expect. “my work will go on” etc.
Two people wake up in a room, one with his eyes gouged out, one with his mouth sewn shut. They’re chained to a machine that is gradually pulling them closer to a machine that will kill them. Who are these people? Does it even actually matter this point? Does anybody care?
Fight scene, and I have to say this isn’t really a fair fight, the guy with his mouth sewn shut is at zero disadvantage, you don’t need your mouth to fight really, whereas the guy with his eyes gouged out is fucked, not literally.
The guy with mouth sewn shut wins the fight and gets the key from the back of the other persons head. Because of course he wins. Don’t worry, you won’t see the guy from this scene again for like an hour, by that point you’d have forgotten who he was.
The police find Kerry from the last movie. Again, not much reason for this to be in this movie and not the last one. I actually want to see what this series would be like if it was edited into one long chronological story.
The police assume Jigsaw has a new accomplice.
There’s a book about Jigsaw, titled “John Krama aka Jigsaw. Is he the murderer the police say he his”. That’s not a typo on my end by the way, it genuinely says “he his”. Also, why would lead with his real name, then the fake? Also also, that book got published really damn quickly.
Daniel Rigg (who I think has been in previous Saw movies) seems to be the lead of this one. A cop who feels guilty for not being able to save people, particularly Eric Matthews (donnie whalberg from the 2nd one, who is still listed as missing). This film series has to be commended for that though; it’s done the film series equivalent of promoting from within. Most of the main characters for each film have been introduced in previous ones. It’s a great way of doing things and shows forward planning, rewards loyalty, and makes it feel less like a film and more like an actual world that exists.
He’s kidnapped, as a lot of people are in these films. Yeah, he’s definitely the lead. As condescending as this sounds it’s great to see a black lead in a horror movie. Especially one where his being black isn’t his main character trait. He’s not the black lead from Saw, he’s just the lead from Saw.
Oh, Donnie wahlberg is still alive it turns out. Barely, he’s being kept alive as the test for Daniel, who has 90 minutes to save both him and Detective Hoffman (who was in, erm, the 3rd one I think, I don’t know at this point).
His first test: he finds a woman in a pig mask tied to a chair, her hair tied to a machine that slowly pulls her head back. The tape tells him to let her die as it’s not his job to save her. From what I can tell her crime was being a prostitute. That does not seem worthy of death and torture. Or she might have been a pimp. Yeah that’s pretty bad.
He can’t find a knife to cut her hair loose so decides to deal with the problem in the most American way possible; he shoots the machine.
He gets the combination and saves her, but not before she gets nearly scalped and looses a lot of blood. What would have happened if her hair was fake and mainly made of extensions?
She grabs a knife and tries to stab him. In her defence, he was a black man with a gun, in his own house. The police have shot people for similar reason.
Oh that’s how she knew where to get the knife from, her tape said she had to kill him as he was going to arrest her for prostitution, so the only way for her to escape jail was to kill a cop. Obviously.
Wait, for him to have listened to that tape, she would have had to rewind it after listening to it?
Back to Donnie, who is chained to a ceiling suspended above an ice block. We flash back to the third one where he was knocked out by Amanda, because otherwise how else would we remember who he is? And we’re shown him being kept alive through tiny portions of food and an awful disgusting room. If he was on benefits the British government would describe that as “luxury”
Daniel goes to a disgusting motel run by an overweight guy in a white vest who owns a dog. He’s almost definitely a pervert/rapist/paedophile.
When he gets to the room there’s the picture of the motel owner and instructions to go to his room and do something whilst disguised with a pig mask. He’s still wearing the exact same clothes though and didn’t get the mask until he was in the motel room. So if there’s cameras all over the place as the tape said, then that would be noticed.
Yup he’s a rapist. We’re shown video evidence, he recorded it. I mean, I don’t care what happens to this guy, he’s a serial rapist who tried to deny it until the final moment.
He’s made to climb into a bed and tie himself up. Then gouge his own eyes out. He succeeds until the final part, and his limbs get torn away. Ah well.
Flashback to the time Daniel beat up a guy for abusing his wife and kids. Most the victims are kind of assholes so there is a cathartic quality to the deaths.
More flashbacks, this time to when Jigsaw was alive and his wife (oh yeah, she’s been in this movie, but her scenes have been really dull) worked at a health clinic and got robbed by a drug addict who caused her to miscarriage, causing him to become Jigsaw. Nice touch, kind of unnecessary.
Daniel now goes to a school where he finds the guy abused his wife and kids. They were being held together with spikes running through both them. To survive she has to pull the spikes out, she’ll live but he will die. This is weird as it’s a test for her. She seems to be being punished for being abused. We don’t need Jigsaw punishing women for being in abusive relationships, the police and courts already do this. He decides to let her save herself by giving her the key and setting off the fire alarm so that people are alerted. I don’t get what Daniel’s lesson in that was.
Crime scene technician there seems to be the worst ever and accidentally sets off a harpoon that kills another person at the scene. That’s not Jigsaw that did that, that’s not applying health and safety rules.
The cops (one of who i’ve already forgot her name) go into a room where the puppet is. They play the tape round it’s neck, obviously (seriously, why do none of the people in these movies remove the tape from the room and play it somewhere safe where more people can help solve it). The puppet explodes in her face giving her a shrapnel facial. I really wish the make-up team did a better job here, she looks fine just with stuff in her face. It’s not particularly devastating to see.
Just realised Donnie and Hoffman trap is being overseen by the guy who had his mouth sewn shut at the start. I haven’t mentioned that much but only because there’s not much happening there. I think Hoffman can die but not sure how. This film has WAY too much going on yet also somehow manages to have nothing happen for a lot of it.
Flashback to what was possibly Jigsaws first test. He kidnapped the guy who killed his unborn child and nailed him to a chair.
Jigsaw puts a torture device on his head, a series of knives where the drug guy has to push his head into them to unlock it. Jigsaw refers to it as a “tool”, which sounds silly, but that’s how Americans refer to guns.
The trap doesn’t work, mainly because the chair breaks. The guy decides that whilst he’s been heavily mutilated and lost a lot of blood, it would be a good idea to attempt to kill the guy who put him there. Jigsaw just moves out the way, causing the guy to fall into barbed wire.
Daniel, and another cop (Peter Strahm) end up in the same building the third one took place in. We get more flashbacks to that movie.
Wait, this isn’t a flashback, the entire film is. It’s taking place alongside the third one. Clever idea, but not cleverly done enough.
Daniel bursts through the door before he should, despite them not being any real warnings against this this is seen as a cardinal sin, it releases ice blocks which finally kill Donnie. He does this after shooting the mouth-sew guy. He shoots him again as he was reaching for his own tape recorder. Weird, a black cop shooting a white guy for reaching for something innocent. That never happens the other way around.
The tape tells him that “your impatience killed Donnie, if you did nothing he would have been saved. You failed”. That just seems unfair as he didn’t know what he was supposed to do. He was penalised for rules which weren’t really stated. I mean, he was told “don’t rush through a door, ever!” but that was by a cop, a long long time ago as part of a different moment.
And now we find that Hoffman is the real accomplice. Oh no, not Hoffman, he was so……he existed.
Hoffman locks Strahm in a room and I’ve gone past caring tbh. I don’t care about any of these people. There are too many twists and character turns that make zero sense and add nothing. It’s like watching late 90’s wrestling, just without the actors later killing their wife and child due to brain damage.
Oh, that’s the end? So to sum up the ending; one cop is locked in a room, one has been shot, one has had something blow up in their face but is still alive, one has become evil. Does that sound like the end of a movie? Or the end of a second act? NONE of these films stand on their own. I can only imagine how fucking pissed I’d have been if I saw these at cinema, having to wait a year to find out if a character died, but not really caring either way.
Wait, I forgot to say. Jeff died too.

Okay this film makes many many mistakes. The big one is it focuses too much on Jigsaw and his teachings. He’s an interesting character but he’s now dead and his disciples are ignoring his teachings, so as a character he is completely irrelevant to the narrative going forward. Yes, it improves the narrative of the previous movies. But Saw IV is not Saw II (despite containing a lot of the same fucking scenes), Saw IV is Saw IV, and as such it needs to focus on the characters in THIS movie instead of developing ones we know have no future development. It’s a huge logical storytelling flaw.

See-Saw: Day Three (Saw 3)

On October 26, 2018 By troubledproductionsIn See-SawLeave a comment

Director: Darren Lynn Bousman

Budget: $10million

Box Office: $164.8million

Okay the advertising to this features lots of teeth ripped out of mouths. That shit better actually be relevant.
“game over”, weird start to a film.
This starts as the second one ends, with Donnie Wahlberg in a room in near darkness. What’s that, it’s been a year since you saw the last film and you can’t remember too much about it, and the lack of light makes it even harder to see what’s going on? Pfft.
Like seriously, you can see what’s lit up by a flashlight that never stays still. It would be great as a video game, but this is a film, you kind of want to see the basic layout of what’s going on.
Ok from what I can tell he just broke his own foot so he could get out of being chained up. Why the police didn’t follow him there I have genuinely no idea.
The police think they’ve found him, but nope it’s just a random guy called Troy. He had eleven chains inside him that he needed to rip out of his body before a bomb went off. You’ll notice this as being quite similar to the traps in the previous films, only turned up to 11.
Oh good. Seizure-inducing editing. Why do horror movies hate people with epilepsy?
He doesn’t make it and he explodes, then how do they know where the chains were located in his body if the body is now mushy sludge?
Okay something VERY clever just happened. They found the tape that was left at the scene (Jigsaw still hasn’t gone digital, hipster). One of the other cops called Mark Hoffman immediately went and grabbed it. Now in a future film he’s revealed as working for Jigsaw (as seemingly everybody in this series does. You either die a hero or live long enough to be a…..okay that’s too much Batman for me).
Detective Kerry is caught in a trap, she can’t get out, she can’t believe a word you say. I had to say something here, she’s in 3 films and barely made an impression. That’s an issue with this series as a whole actually, with the exception of Jigsaw himself, none of the other characters are memorable enough. It’s not enough to have a good villain, a horror series needs a great hero too. Nightmare On Elm Street has Nancy, Halloween has Laurie Strode, the Scream movies have Sidney Prescott. If you want to you can do a Child’s Play and not use the hero eventually, but you need to do enough with them before doing so. This doesn’t have that, it tries to provide different “heroes” every film. But there’s nothing to them.
Kerry dies, but before she does she says “you” to someone we don’t see as the face is in darkness. The body looks like Amanda from the last two movies, and we already know Amanda is an accomplice of Jigsaw. So why is this being treated as if it will come as a surprise to the audience when it’s finally revealed near the end?
Amanda has been setting these traps but making them impossible to survive. Jigsaw disapproves. Yet somehow it’s still his voice on all the tapes presented to the victims.
Here’s a doctor, helping people. She’s going to be kidnapped.
And there it is, being abducted by Amanda from the last movie. Bought to jigsaw who is clearly in bad health, that’s probably from the cancer. She got abducted from the hospital where she works. Because hospitals are well known for being easy for people to sneak into without people seeing them.
“who are you?” asks a character who then says she knows who he is.
They force a weird necklace on her neck which will explode if Jigsaw dies. Very Battle-Royale.
So the main character is a dude named Jeff who has a dead child, and is very annoyed about that. He’s still mourning his son, so Jigsaw has kidnapped him, like a shitty therapist.
Jeff walks into a freezer and finds a naked woman. He also finds a tape recorder telling him the woman was a witness to the hit and run that killed his son, but she didn’t testify, she’ll be sprayed with freezing water until she dies. This is where the film falls apart for me and shows the difference between a great plot, and a great script. Firstly; why did she have to be naked? Once clothes are soaked in freezing water they won’t exactly keep her warm, if anything it will make her colder and will stick to her body causing her more pain. Is it because “booooooobs”? I fear it is. Because even when a woman dies, she has to be sexy, damnit! Now my next point, and the most important one. Why does the tape explain who she is? He knows, he obviously knows. If he’s been obsessing over this court case he obviously knows her, so why does the tape say it? It’s just for the benefit of the audience. It’s the horror equivalent of a character saying “as your sister who you haven’t spoken to properly in a while because of an argument we had years ago” (which I swear is pretty close to actual dialogue I’ve heard in a film). Jeff tries to save her but fails and she dies anyway. I mean you could argue that because she drove away he didn’t know who she was. But then how did Jigsaw find out who she was?
And we’re back to Amanda and the Doctor (not the doctor from the first one, this one’s a lady doctor, so she automatically gets hate mail from lonely nerds, her name is Lynn). Her and Amanda are having tense moments, Amanda teases her in a way that would be a lot better if it was a more charismatic character. Telling her about the way she could kill her but it would be pointless as she’s going to die anyway.
Amanda: “you’ll be surprised what tools can save a life” then she picks up the torture device she was locked in. Symbolism! Really, really, really unsubtle symbolism.
We get another flashback, this time to Amanda being put in the trap. I’m genuinely interested whether all this stuff was filmed at the same time as the first one, or whether they just re-recorded/recreated a lot of it. If they did it all at the start I’m impressed at their forward planning.
Now back to *checks notes* Jeff. In his next room: the judge who sentenced the driver that killed Jeff’s son. He’s at a bottom of a vat slowly being covered in liquidised pig bodies. The only way to get the key is to burn his sons belongings. This REALLY should be better than it is. It should be full of emotion and despair, but it’s not. I don’t know whether it’s the acting, the fact it’s shot like a standard horror movie, or the music being completely wrong, but it just rings hollow. You don’t feel the gravity of what’s happening. He does it, and saves the judge’s life. This is the other reason this film doesn’t really work for me, he should have tried to save everybody. He should have gradually come round to the idea of saving people. So there’s not really any “will he attempt to save them or will he not?” as we’ve already seen that he will. It completely robs it of any dramatic tension.
And back to the doctors office. Lynn is planning to relieve the tension on Jigsaws head by drilling into his skull. Pretty disgusting but again, it could be better. You see it happen but you don’t feel it. You don’t wince when she cuts it with it a saw, or anything. Compare that to the arm severing scene from 127 hours. You FELT that. When he went through the nerves in his arm, it was uncomfortable to watch as you felt how much it hurt. You don’t get that in this. The only editing tricks they use are the typical “quick cuts and bright lights” they’ve used throughout these movies.
And now more flashbacks back to Amanda surviving the first test. Jigsaw points out that the old Amanda is a completely different person and she needs to devote herself to him now. Incredibly creepy the idea that he can have a cult of followers. Never really touched upon though. I mean, yeah, he has a lot of followers it turns out, but never really feels like a cult.
We see Amanda abducting Adam from the first movie. I hope you remember the first movie, because if not then a lot of this film will mean absolutely nothing to you. MAJOR problem with these films actually; absolutely none of them stand up on their own. Every film feels incomplete somehow.
Oh, we’re seeing the entire preparation for the room in the first movie. Because that’s what this horror movie needed; flashbacks of people moving stuff. It adds to the first movie yes, but it adds NOTHING to this movie. If you take that entire section out it would take nothing away from the narrative, all we discovered from it was “Amanda helped Jigsaw with the room”.
A bit with Lynn, and then BACK TO THE FLASHBACKS. This film is attempting three narratives at once, and none of them are working. Amanda kills Adam, I think. It was mostly dark.
We’re back with the (I think) main story of Jeff. The judge is alongside him, and seems remarkably well-composed considering. Actually, they both seem really clean considering. Jeff triggers the next trap by kicking something, I think he kicked the door open. A guy (the one who killed Jeff’s son) is tied in what is essentially an iron crucifix. It slowly twists, breaking the guys limbs, but doesn’t start until the end of another recorded message on tape.
The judge is smart, he looks at the key to the machine and tries to figure out what to do. Jeff wastes the entire time just staring at the kid being tortured. This is one where time is of the essence, so now he’s realised he’s wasted all that time just standing there when he should have been doing something, and now with a definite time limit, he monologues. Jeff’s a dick.
The key activates a shotgun, killing the judge. That entire trap could have been avoided if they pulled the key out and got out the way. Or if they hooked it with a coat-hanger.
The trap twists the guys head, killing him, but after Jeff got the key. If he hadn’t dicked about he definitely would have managed to save him, it’s the same for the first trap too.
Lynn calls Jigsaw a murderer. His response “I despise murderers”. Really? So you don’t count “rigging 5 shotguns so it kills a police officer when he triggers it” murder? You can’t claim manslaughter as you knew what would happen, and you know what it would cause, and it’s five fucking shotguns.
Jigsaw covers a tape in wax, and Amanda freaks out over a letter. Why did either of these things happen? You won’t find out. Not in this movie anyway.
More flashbacks! Amanda killed Donnie Whalberg. This scene doesn’t belong in the third saw movie, at least not near the end. It’s not part of the narrative of this film, it’s the narrative of the second one. Yes, it’s about Amanda, who a lot of the narrative of this has been about, but it’s the conclusion to his arc, so it’s more his. He dies because he taunted Amanda by saying “you’re not Jigsaw, bitch”. Which, I can’t explain why, but is just a shockingly bad piece of dialogue. This scene went on way too long, and was so badly lit it was kind of hard to see what was going on.
Okay and now we’re back to Lynn etc. Amanda has a kind of monologue about how Lynn isn’t shit, and she’s better and still needs help. She cries, emotes, but…..nothing. The performance just doesn’t work. It’s first-year drama student level of “emoting”.
Amanda manages to shoot Lynn. You knew it was going to happen, and you knew Lynn was Jeff’s wife. I think it was supposed to be a twist but the whole “Lynn and Jeff are a couple” was really obvious. The only surprising part is that Amanda shot her without looking at her. Of course, Jeff sees this and shoots Amanda. She lives long enough to hear Jigsaw monologue his motivations to her for a few minutes in a scene which again isn’t needed as we kind of guessed everything he said. More to the point; how did Amanda not realise Lynn was Jeff’s wife? She didn’t realise they shared the same last name? Or look at ANY photos in their home?
Just realised Jigsaw uses tapes a lot. Is he buying hundreds of tape players in bulk?
Jigsaw makes a reference to Jeff’s daughter, making it obvious she’s been kidnapped.
Jeff goes to his wife’s side. She’s in pain but doesn’t seem to make it clear to him that if Jigsaw dies, she dies too. Which would be pretty useful information considering that Jeff then slices Jigsaw’s throat, with a saw, possibly a jigsaw, I’m not that well versed on my saw types. Okay, I get that her voice is wavering due to the blood loss, but she could hit something metal against something else to get Jeff’s attention.
Oh, this is the twist. Jigsaw plays a tape as he dies indicating that he’s kidnapped his daughter (was that a twist? It was pretty obvious really). And now he’s dead nobody else will know where Jeff’s daughter is. So, Jigsaw essentially killed a child here. Will she be saved? Find out in another movie! Because god knows this film can’t be allowed to close it’s own stories.
And so yeah that’s that over. The main villain of the franchise is dead. So I’m sure they’ll be no more sequels. I mean, it would be stupid for them to do more, right?
One final point; why did so much of the promotional material depend on ripped out teeth when there was NOTHING like that in the film?

See-Saw: Day Two (Saw II)

On October 25, 2018 By troubledproductionsIn See-SawLeave a comment

Director: Darren Lynn Bousman

Budget: $4million

Box Office: $147.7million

We open with a guy who wakes up having to look at something truly awful: his own face in a mirror. Oh, he’s also got a mask in his face which is like a small iron maiden, for the face.
The TV showing the puppet is set to channel 3. I know ITV are struggling but weird they show this.
Jigsaws reason for killing this guy? He was an informant. Damn, snitches get stitches, yo.
The editing for this scene is disorientating. And not in a good way. In a “I’m not sure the editors knew what they were doing” way. It doesn’t flow, just random interjections into a standard shot. It makes it look like the DVD is broken.
And he’s dead, is telling the police about criminal behaviour really on a par with some of the other stuff he kills people for?
Hey it’s Donnie Wahlberg, proving exactly why he’s not the famous one.
“your mother won custody, I get to take you into custody” You can tell the writer was so proud of that.
“crackhead punks don’t have engineering degrees” I don’t think you’d need a degree to make that contraption. You’d need to know what you’re doing, yeah. But really all it is is a spring-mounted closing mechanism on a metal mask.
So he figures out who it is because of the company that made the lock? I guess in the Saw universe people don’t buy anything from companies they don’t work for.
For a specialised SWAT team, these guys are not smart. They go into a house and don’t check for wires. Did they not see the last movie when the guy got a shotgun to the face?
They tripped a wire and something happened, I genuinely have no idea what though as the way it’s filmed means you can’t tell what happened.
Somehow they still managed to find Jigsaw. Which considering how dumb these guys are is surprising.
“put him in restraints” you find a serial killer and your first thought is to have a hardcore bondage session?
Jigsaw tells Donnie he needs to go into the other room, and he actually does it, because he has no idea how people who make traps work.
“oh yes, there will be blood” Hey, that’s the title of…..well not this movie, but a movie.
“he’s in a safe space” Hah, he’s literally in a safe. Wait, that isn’t revealed until the end though. So ignore I said that.
Jigsaw even changed the voice message on Donnie’s sons (Daniel) phone. Now I’m going to spoil this by pointing out that the scene in the house has already happened before what we’re seeing now. So if anybody tried to phone him for the entire duration of the house-thing, it wouldn’t have worked.
Oh right, the house. Daniel and a group of other people have just woken up in what looks like a crack house (or my first year uni house).
“What is this, house arrest?” Yes, because the typical way the police give you house arrest is to drug you and throw you in a derelict house with a group of other people. Wait, is this movie in Texas? If so that’s probably accurate.
All these people are a mix of different race and personality. And one old guy. I think he’s going to die early on.
They’re all shocked when a seemingly unconscious woman (Amanda, the drug addict from the first movie) wakes up. I’m more shocked they didn’t notice an unconscious woman laying in the middle of the floor.
Why has she been kidnapped again? She said he saved her in the last movie. So why would he go after her? Unless……she’s in on it (spoilers, she is)
“this house has a nerve agent pumped through it. Those of you familiar with the Tokyo subway attack will know of its danger”. First of, nobody knows about that attack. Nobody. Secondly, that attack killed 12 people, yes, but on an entire subway line over course of a day that’s not that many really.
“what did he mean gas?” He didn’t say gas, he said nerve agent.
This trap would not have worked if someone wasn’t looking through the peep-hole whilst the door was being opened.
“how do you know who’s doing this?” Does nobody in these films watch the news? Or even just hear rumours.
“if we don’t find my son, I’ll hurt you” “bitch I got cancer, my life is pain” Not a direct quote.
“the puzzle piece I cut from people is only a symbol that they’re missing something”. This is bullshit. I know the movie (and for some reason, a lot of the “fans” of the character) see him as a source of righteousness, but his reasons for going after people are sometimes so flimsy. “He’s a police informant”. I’d have thought you would want police informants if you’re so high up on justice punishing those who do wrong. Same with “he takes photos”.
“the only door you open is between your legs”. That’s not a door. FFS someone please explain the vagina to him. Show videos.
“you’re the last person I saw before I woke up here”. How do you know? Your back was to him the entire time.
Oh no, the kidnapper and arsonist died. Oh dear.
Amanda (you know, the woman who is almost definitely in on this) says “he had a choice”. Did he? Did he, really? He was pushed into it, and only died when he was getting the second valve of antidote. If he just got the one for himself and used it, he’d have been fine. So really the lesson is “don’t try to save others”
Next trap: a pit of needles with a key in it somewhere. Xavier (who until this point has done nothing really) decides to throw Amanda in it. Because he’s a dick. This film is REALLY trying to build up Amanda as a sympathetic character so that the reveal does more damage. Tip for horror movies: if there’s a really sympathetic female character; she kills people. Goes for The Gallows, Scream 4, and this.
“what are you in here for?” “does it matter?” Well, it kind of does for character motivation etc. Could the writers just not think of anything?
So the reason that Jigsaw is going after Donnie is that he’s a crooked cop who arrests people without evidence. Would be a stronger justification if it wasn’t for the fact that Jigsaw was killing people for doing things that aren’t illegal.
Xavier figures out that the combination to get out is on the back of their heads. So decides to use a knife to slice the numbers off the back of peoples necks (including his own), rather than, you know, just lining them up and reading them.
He’s now killed, erm, Dave? Mike? I don’t know his name, the black guy. He killed him by using a spiked baseball bat and hitting him in the back of the neck with it. You know, the same area where the number that he needs is.
Now we find out what bonds them; they’ve all been wrongfully convicted by the same cop, apart from the kid who’s his son. Yeah, that will show them the error of their evil ways. How dare they get wrongfully arrested, they should know better. And how dare he be somebody’s son. That totally justifies his death.
Jigsaw takes them to the house, and it turns out to be the same house from the first movie. Nice callback, but the voiceovers of the characters really weren’t needed, you should depend on people recognising it by itself. This seems like they weren’t confident people remembered the first film. They go the complete opposite later on in the series, and you start to actually study ever film in the series due to how many characters they re-use in minor parts.
None of the cops are visible on the cameras, and nobody seems to realise this might be because of tape delay.
Okay now they’ve figured it out, it was being played on VHS. The scariest of all ways. Donny continues looking for his son and finds a lot of the bodies from earlier on in the film.
He finds a tape-recorder where we find out that Amanda was in on it all the time. What a surprise that nobody saw coming. It would have made more sense if his son was involved instead in a protest against his fathers methods.
We now have a 2-3 minute sequence where they explain the ending, in case you’re too stupid to realise.
“game over” and with that she shuts the door on him forever! Well, until the team that knows where he is finds him anyway.

So, not a terrible film but the sins of later movies are starting to show: the over-complicated plotting that is somehow still too simple, the bland characters, the terrible editing techniques.

See-Saw: Day One (Saw)

On October 24, 2018 By troubledproductionsIn See-SawLeave a comment

It’s that time of year again. The time of year where I actually get compliments on my face, mainly because people think it’s a Halloween mask. Like a creepy art student when they see a woman in a coffee shop, the day draws ever closer, creeping slowly until we’re glad it’s over. So we’re going to live-blog another horror series. Was considering doing The Omen, or maybe Halloween, but I came to a decision. After chuckling at Chucky, guffawing at Ghostface, and flipping off Freddy, it’s time to jerk off Jigsaw. It’s the Saw series. We start with the first one, because…..because it’s the first one. This really shouldn’t be this complicated.

Director: James Wan (Insidious, The Conjuring, Furious 7, Aquaman)

Budget: $1.2million

Box Office: $103million

I actually like the credits to this. The font etc they use brings to mind a dodgy 80’s VHS video nasty.
Very blue tint over everything. Hah! It’s a blue movie.
A guy (Adam) wakes up in a bathtub chained to a pipe and accidentally pulls the plug out, sending a key down the drain. This is actually VERY IMPORTANT, so the film decides to show how important it is by barely focusing on it at all so if you sneeze you miss it. You can’t even tell what it is until much later on.
Wait, how long was he underwater for? How did he not drown or something? He must have been in there a while otherwise the other guy would have been more aware of him. And why was he in the water anyway? He could have got hypothermia and died, which would ruin Jigsaws plan.
I like that Cary Elwes is in this (as Doctor Gordon). He really doesn’t get as much work as he should. He’s also chained to a tub in this. This entire plan rests on the two of them not being able to pick locks.
“what’s your name?” “My name is very fucking confused”. Look, I do love the script to this, but the dialogue is sometimes awful. Yet it thinks it’s very funny, weirdly enough most of the supposedly funny lines go to the actor who also wrote the script.
“that’s what they do, they take out your kidney and sell it on eBay”. You can’t sell kidneys on eBay. You have to use Amazon or craigslist.
“are you a surgeon or what?” It later turns out that Adam has been following Dr Gordon, so he knows he is a surgeon.
There’s a lot of luck in this plan. Mainly, luck that the tape in Adam’s pocket wouldn’t break when he fell onto the floor earlier. How long has Dr Gordon been awake to not notice the tape in his pocket, but also know that screaming has no purpose (and yet also somehow didn’t wake Adam up)?
So Jigsaw punishes people for their sins. Adams sin is that he takes photos. Bit weird.
The doctors’ tape says that he can only escape if he kills Adam. This would have been a lot easier if, you know, he wasn’t chained to the wall.
Tape players in movies are fantastic, always being rewound to the right moment.
Adam sticks his hand down a dirty, shitty toilet so he can help…..the person who has just been told to kill him.
Considering how much shit is in that toilet, the smell must be overpowering.
How has he never heard of the Jigsaw killer? If there was a serial killer operating near me, I would know (and be really annoyed at the competition).
Hey, it’s Danny Glover!
“he’s not really a murderer”, Nah, he is. Just because he’s leaving them to die but not actually striking the final blow himself doesn’t make it not murder. Otherwise burying someone alive wouldn’t count as murder.
So they think the doctor is a killer because they found his pen nearby. How did they recognise it as his? Does a doctor with no criminal record have his prints on file?
They’ve established it’s not him, his alibi is someone he nearly fucked. They still make him sit in on a survivor interview, because…..erm, so he can tell the story at this point in the film?
Flashback within a flashback. That’s too many flashbacks. This is the first really iconic one, the reverse bear trap. It’s put on someone’s face and when the time runs out it opens, ripping their jaw open. Sexy. To unlock it he has to get the key out of someone’s stomach who is supposedly dead. He’s not, however, he just can’t move. Not sure why the detail about him supposedly being dead is in it. He’s her former drug dealer so it would have made more sense if she had to do it whilst knowing he was alive. Would have been more thematically pleasing and a harder choice for her. She’s actually pleased this happened as it helped her get off drugs. Not entirely sure how, as surely trauma would make someone MORE likely to do drugs. And now we’re back in the bathroom.
“you have something I don’t, information” That’s not exactly his fault. If you’re not aware of a serial killer in your own town, that’s on you.
“this is the most fun I’ve had without lubricant”. Okay then.
Dr Gordon continues work instead of checking his daughter’s room to let her know there are no monsters there. This is supposed to show him as a work-obsessed monster. But he just finishes the paragraph and then goes to check the room. And stays with her, singing songs to her until she’s okay. He did exactly what he should do. He’s doing a job which he can’t really abandon, it’s an important job which he needs.
This film is essentially a live-action version of Condemned. That game was freaky. And had more pigeon-collecting than most games.
About 50% of Danny Glover’s dialogue is the word “asshole”
Actually, love the way detective Sing dies in this. Tripwire setting of shotguns. It’s simple but effective, is the mark of someone who is just starting to set up traps. Although this kind of goes against Jigsaw’s modus operandi to kill people who deserve it, he’s killing a lot of cops.
They’ve found a box containing a phone and cigarettes. The phone isn’t useful though as it was only meant to receive calls, not make them. Which is kind of bullshit tbh, because all phones can dial the emergency services in case of….you know…emergency.
And now another flashback. This film deserves credit for the main action taking place in one room, but it doesn’t half take liberties with flashbacks.
It turns out the doctor was kidnapped by a person wearing a pig mask who sneaked up on him. Why did they wear the pig mask if they were sneaking up on him? All it would have taken is someone seeing them and shouting out “oi, piggy”.
“my last girlfriend, a feminist vegan punk broke up with me because she thought I was too angry”. Love that line.
The make-up on this is on point. Doctor Gordon looks emotionally distraught and near death.
The lights go off so the camera can’t see them, and they start to whisper to discuss their plan. Why did they turn off the lights when it was them speaking that would have given the game away? He could have just sneakily written something on the back of one of the many pictures and threw it over.
I can’t tell whether Adams “death” is bad acting or great bad acting. I’m leaning towards the latter.
“this thing electrocuted me” how? It doesn’t seem to be part of a circuit.
“The guy who paid me to stalk you, he’s a tall black guy with a scar around his neck”. And you didn’t connect this to the story the guy told earlier about the black guy who got his throat cut who was following him earlier?
“I don’t care if you covered yourself in peanut butter and had a 15 hooker gang-bang”. Are we sure I didn’t write this?
The way they set up Zepp as a red herring villain is kind of genius, to be honest.
Adam is just around the corner taking pictures, like a few feet away. How did Dr Gordon not notice him from that distance? He would have seen him, at the very least heard him.
All this computer and equipment is set up in the home of the kidnapping victim. That’s not normally how it’s done, is it?
And now we have the scene; the one that defines this film; Doctor Gordon sawing his leg off. I do like how brutal this bit is, but after seeing it done differently in another film, it could be done a lot better.
This is where it goes from being good to great; the ending. It turns out Zepp was just another player in the game, the actual Jigsaw rises up, turns out he was the body in the middle of the room. A great twist, like, nobody saw it coming. Mainly because it’s a bit strange. I mean, nobody noticed him breathing for about 6 hours? He didn’t move, defecate, or even cough in that entire time? An ageing cancer patient managed to stay perfectly still on a cold floor for that length of time? But forgetting that this is a magnificent piece of storytelling.
“The key is in the bathtub”. Two points: 1) the film gave no indication that was important. 2) Let’s say it didn’t go down the plughole when he emptied it. That means he’d be able to unlock his chain and escape almost instantly.
I do like this film more than the others, mainly because it forgoes the torture-porn the series became known for tight plotting and character work. It’s not perfect, there are a few moments which are inconsistent with character motivations etc. And the timing is a bit off at times with nothing happening for hours in-universe.

So, day one down. And that’s the best one out of the way. I can’t remember exactly when they started going downhill, but I know it happened and I’ve got that to look forward to.

2017 In Film; Part 2 (The Meh)

On January 5, 2018 By troubledproductionsIn Year round upLeave a comment

The qualifier for this is somewhat more complicated than the previous one. These aren’t necessarily bad films, just films that I don’t need to see again. Mainly films that I didn’t like, but can appreciate one thing in it. So quite bad, but had a single redeeming feature that makes them slightly worthwhile as a curiosity. There’s a few here which I can see people being annoyed about are in here. So I should point out that this is nearly all personal opinion, so please don’t firebomb me.

Alien: Covenant

I can’t really make a fair judgement on this as I have never seen any of the others. Despite that, I did recognise a lot of scenes from this that seemed to be taken straight out of the other films in the series. And if I managed that I can only imagine how infuriating it must have been for people who are fans of the series, must have felt like they were watching a remake.

+Katherine Waterston is fucking superb.

-Doesn’t really do enough to stand out on it’s own. I can’t imagine anybody saying “you know what? I hate most of the Alien films, but I really love Covenant”

American Assassin

Not quite as good as the trailer would make you think. Not slick enough, not polished enough, not quite good enough.

+Really good opening scene showing off the panic that attacks can have on the general public.

-A weird view of revenge. Constantly told how revenge poisons the soul but then shown lots of shots of the lead actor kicking ass and being awesome. It’s like when you play Grand Theft Auto IV and dialogue about how the main character doesn’t want to go back to crime is interspersed with him shooting everybody in the face. A film that tries to not just have its cake and eat it, but also spends all the time telling you how unhealthy cake is and nobody should ever have any.

Annabelle: Creation

It’s odd, these films always have REALLY good trailers, full of tense moments and good scares, but they never really work full length. That being said, this is a lot better than the first one. Although considering that is still one of the worst films I’ve seen, that’s not difficult. Renders the original (which is technically the second Conjuring film, and a sequel to this, it’s odd) completely pointless as an origin story. Has some okay performances in it but most of them are just standard. No actual scares really, all jump scares. The scariest moments in this film had nothing to do with this film; 1) I thought there was only one other person in the cinema, who was sitting behind me. But near the end a phone went off near the front. Made me jump. 2) A seat was broken and had a white sheet covering it. Whenever someone opened the door (like when a cinema worker came in to check things were okay) it caused a draft which made the sheet rise, made it look like someone was standing up underneath it.

+A few scenes are spectacularly done. And it ties in well with the rest of the franchise.

-Only does so by rendering the previous origin film pointless. It would be Batman Begins having a prequel where it turns out he was bitten by a radioactive bat whilst in the well, and the rest of the films are a result of that.

ac-fp-035rv2 — She got better as the film went on, in the closing section she was superb.

Battle Of The Sexes

Great performances, Steve Carrell, in particular, seems to be throwing himself into this with everything he’s got. And the story is compelling and it does a great job of setting the time and place it’s in. So why so low? This is a one scene film. No matter how good the rest of the film is, the audience knows it’s all building up to a single event/scene. In a film like that you need to make sure that scene is superb, and in this, it’s not. It’s quite blandly shot. It’s shot like an actual tennis match from the time would be, which I suppose at least gives it an air of authenticity, but also makes it quite a dull watch. Compare this to Creed from a few years ago, the boxing scenes in that were not filmed like a TV channel would film them, they were filmed like a movie scene, it gave them angles which you’d never get in an actual boxing match, and it was all the better for it. This doesn’t do that, most of it’s filmed from a distance, and this robs the scene of so much.

+Set design/costume were brilliantly done, to the point where just a still photo would set the scene.

-That final match. Just doesn’t work.

Baywatch

Why? Why does this exist? Who is an r-rated version of Baywatch for? People who liked the original won’t like it, and people who didn’t like the original won’t like this. Nobody was calling out for it and it feels like it was one of those films that were only made so they could hold onto the copyright. Also, does it need an R-rating? The only point of it would be nudity, to be as sexually exploitative as they can be, but it doesn’t really do that. Only has the rating because of the swearing, which I also have a problem with; there’s far too much swearing just for the sake of swearing. Now onto the actual film; the opening scene is basically “Look how fabulous The Rock is. He’s basically perfect”. Just full of other characters complimenting him so much that it almost seems sarcastic.

+The line “I can’t save you if you’re being a dick” made me laugh.

-As with a lot of these sequel/reboot it’s far too in debt to the original to make its mark as an original film.

Cars 3

I liked this a lot more than the previous two. Although it should be said that I detest the previous two. I think they’re the only blots on Pixar’s record. Ties into the first one a lot better than the second one did, making the second one seem kind of like a spin-off.

+Genuine emotion in a lot of scenes. And there’s less Larry The Cable Guy, which is always a good thing.

-For a film called Cars the plot is really pedestrian.

Death Note

Oh dear. Oh dear. More like “Death No”, amirite? But yeah this was not a good film. Quite annoyed actually as I wanted this to be good. If only to prove people wrong. This had people against it from the start just because it was a remake. So when bad reviews came in I thought “that’s just idiot fanboys who can’t let go and see objectively, I’m going to watch it and I’m going to like it”. I was wrong, it was bad. The characterisation is completely wrong. They made a lot of mistakes but the biggest is they made Light average. There’s no sense of a tense cat and mouse game between Light and L, and a lot of the rules from the book have actually been changed for the sake of the film for seemingly no reason at all.

+Soundtrack/cinematography. And Willem Defore.

-Doesn’t so much throw away the mythology of the series, so much as burn it then piss on the ashes.

Screen_Shot_2017_06_29_at_10.33.09_AM.0 — L was good though

Despicable Me 3

This came really really close to being in the previous one. Like, really close. Then I remembered the amount of 80’s music and references in it which made me slightly smile.

+A love letter to the 80’s, albeit not a very well written one.

-Waaaaaaay too scattergun. Has no idea what the main plot is, there seems to be about 4 of them all vying for attention and it never really focuses on any of them. It’s basically cinematic ADHD.

Detroit

This film suffers from the same problem as a lot of films about the subject do, the villains are so 2-dimensional that it’s hard to buy into the film. The trouble with doing films about race set in 1960’s etc US is that you can’t create a compelling villain. To me, a good villain is just a misguided hero, one where you can kind of see their point. You can’t have that with this, the bad guys are so obviously wrong they’re impossible to defend, they’re obviously pricks. Which is depressing as that’s what it was like back then, a lot of people in power were indefensible pricks who deserved to be punched in the kidneys. Also, the pacing is weird, you have an entire subplot about a band that doesn’t really add anything except 30 minutes to the runtime.

+From a technical viewpoint it looks superb, and has moments which feel really claustrophobic and tense.

-Occasionally seems like it doesn’t know what it’s wanting to say.

Flatliners

Brave move killing off who they did. It’s weird as it’s not really sure what it wants to be, is it a remake, a sequel, or something entirely new? Nobody knows, least of all the film itself.

+Looks and sounds superb.

-Entirely forgettable.

It Comes At Night

I liked it, but not as much as I thought I would. Probably because I saw at the cinema. I know some horror works great at the cinema, but I feel this would work better on your own in a small room. You need to feel part of that world, feel isolated, like a visitor in their world, and sitting in a vast room full of other people takes you away from that. I think I’m going to need to watch it again on headphones on my own, I might appreciate it a lot more then, but watching it on a massive screen in an empty room gave me a sense of freedom that the film couldn’t stop.

+Superb job of keeping you invested in the story.

-Doesn’t quite know what it’s doing sometimes. Some scenes are oddly unsatisfying

Jigsaw

Well it’s better than the last one, I’ll give it that. Trouble with these films is all the crimes exist on their own, there’s no investigation into the crimes effect on the outside world. Is crime going down because people are scared of being punished? Are there a lot of copycat killers? Do people see him as a hero or a villain? This is never touched upon, except in some of the posters for the one before this. Very disappointing. If you bring back a dead franchise, you best do it well. You need it to justify it’s own existence. This doesn’t really do that, it seems like just the next step in a yearly franchise. It doesn’t need to exist, adds nothing new, doesn’t really do much. This does something worse than being bad, it’s pointless.

+Brilliantly inventive traps.

-Pointless and adds nothing to the franchise. Would have been acceptable a year after the last one, but a massive gap means it’s a waste.

Power Rangers

Pure nostalgia fest.

+Some moments are a lot of fun. Especially in the opening “did you just slap me?” “yeah, weird right?” made me laugh.

-Takes itself far too seriously. You cannot make this film seriously, yet they attempted.

Rings

Unpopular opinion time; this film should not have been a horror, it should have a psychological drama with scary moments. I feel under the service of this story is a really solid detective/ghost story, but it’s restricted by being a horror so puts in scares which don’t do much to enhance the film. Also, I’m getting very annoyed with films being ruined by their trailers. I’d seen two trailers for this; one of which I saw back in November and was mainly focused on one of the characters in the shower and freaky shit starts happening. A well made scene, but it’s also the final scene of the film, it takes place after the “monster” is supposed to have died, so after the “death” you just sit there thinking “I know it’s not the end as we haven’t seen the scene which the entire advertising campaign was based around”. Especially since I think the revelation at the end was supposed to be a twist. It would be like if The Usual Suspects had the tagline “Kevin Spacey is….Keyser Soze”.

+The way the film opened was fantastic and was one of my favourite 10 seconds of cinema of the year so far. They put the Paramount logo into the film itself, by showing it on tv screens on an airplane. They also distorted the logo as it was playing. I love when films do things like that, it grabs your attention immediately

-That closing scene does so much damage to the film.

Split

Nothing inherently wrong with this movie, I just never brought the central concept. It’s like if I was watching a film where Ryan Gosling plays a character who is too ugly to get a date, they’d need to be a moment in the film which means you can buy the central concept as otherwise you’ll just be sitting there thinking “yeah this is BS”. This film never has that moment, as such it kind of fails. The acting in it was superb though, Anya Taylor-Joy continues to impress after last years The Witch, whilst James McAvoy does fantastic facial work, it gets to the point where you can tell which personality is in control of him from a still shot of his face.

+McAvoy is great. And it’s got me very excited for the sequel.

-Was this film just to make a sequel to unbreakable? Seems like a waste, because that film seemed like it was only made to be a prequel.

Suburbicon

Disappointing. Has a sub-plot which goes absolutely nowhere. It keeps seeming like it’s going to interact with the main story but never does, it could be cut entirely and the film wouldn’t change. It seems like it’s just there to say “people used to be racist, which is bad”, and then does nothing else other than that.

+Tremendous ensemble cast.

-Doesn’t live up to its potential.

The Book Of Henry

Read this was the worst film of the year, and responsible for director losing Star Wars job. I actually kind of liked it. I never need to see it again but it wasn’t the worst film I’ve seen. I mean, yeah it does seem like two different films awkwardly put together but the performances are compelling enough.

+Opening half is great character work.

-Closing half doesn’t match it, at all.

The Lego Ninjago Movie

Doesn’t seem to be done with as much love for the subject matter as the original lego movies. The Lego Batman movie was obviously done by someone who loved Batman (or at the very least knew a lot about it), this isn’t. There’s no subtle references to films of the genre, it’s just a standard boring film with the only lego-ness being a villain who’s a cat.

+The villain being a cat is very very funny.

-Bit dull.

The Mountain Between Us

When it was just “two people trapped on a mountain”, was a superb film. Once they added the romance bit I kind of tapped out, just didn’t work at all. And the “realisation shot” was straight out of a low-budget music video for a James Blunt soundalike.

+The first two thirds are fantastic. Brilliantly tense and haunting. And it looks great.

-The romance bit is a bit, erm, shit. And the make-up team needed to do better. Despite them being near death, they never really looked it physically.

The Snowman

A lot more brutal than I expected. The reveal of the killer could have been done better, and it juggled too many characters at once so was a bit of a bloated mess. Not as terrible as I thought it would be though.

+Looked superb, and was suitably brutal.

-Really unsatisfying reveal. And a lot of the scenes were hard not to laugh at.

the-snowman — I much prefer this version

Valerian And The City Of A Thousand Planets

I get both the love the hate for this film. Nothing I can say will do it better than I did earlier in the year here.

+The opening scene is tremendous. Like, seriously brilliant. Almost worth watching the film for, sets the world brilliantly. From that moment I had seriously high hopes and thought I’d love this film.

-The visuals, the story, the characters. In short…so so much. I can forgive bad films, I can’t forgive dull ones.

2017 In Horror (From Worst To Best)

On December 18, 2017 By troubledproductionsIn ListLeave a comment

13. The Bye Bye Man

This was originally going to be a bit higher, but then I realised this has a few advantages over the one in 10, and as such should have been better. It had a higher budget, a wider cinema release, and an actual advertising campaign. Was actually kind of looking forward to this as it seemed intriguing. I thought at the very least it would be an interesting watch. I was wrong. It was boring, pointless, and did the whole “scary thing, scary thing, actually those scary things didn’t actually happen so nothing matters, repeat” thing that I hate about modern horror. Also, it has a stupid name.

The-bye-bye-man-poster-099178297d2f630b — Don’t Watch It (and with that this film wins Easiest Diss Of The Year award)

12. Wish Upon

Have you heard of this film? No, there’s a good reason for that. It’s not great, the story is stupid, the characters are annoying as hell, and it’s not even original. Every idea it has comes from a better film. It also meant that I could no longer put Joey King’s performance in Going In Style in my “end of year notable mentions” list, which I’m sure she’s absolutely devastated about.

11. The Belko Experiment

Not the worst film, but definitely the most disappointing. I expected this to be either fun or smart, it was neither. Didn’t help that it completely ran out of ideas before the trailer ended. If this was 20 minutes long I’d have loved it. It just didn’t have enough ideas to stretch to a feature.

10. Annabelle: Creation

Well it was a LOT better than Annabelle (or as I call it: Annabelle, fuck that movie). But it’s a prequel to an origin story, which makes me uncomfortable. Some very good performances in it, but ultimately rather forgettable (very forgettable actually, I only just realised that for some reason this wasn’t on my list of films seen this year).

9. Rings

Only ahead of Annabelle based on thing: the PHENOMENAL opening scene. Sadly almost negated by the ending being in the trailer.

8. Split

A fun film, albeit kind of disposable and not one I ever really need to see again.

7. Jigsaw

If you bring back a dead franchise, you best do it well. You need it to justify it’s own existence. This doesn’t really do that, it seems like just the next step in a yearly franchise. It doesn’t need to exist, adds nothing new, doesn’t really do much. This does something worse than being bad, it’s pointless.

6. A Cure For Wellness

This film disturbed me. It made me feel very uncomfortable. I liked it, but wouldn’t really say I enjoyed it. Pretty gross, but a fascinating watch. Seriously, this film has a visual style and it just runs with it. I’m not sure whether Dane DeHaan is supposed to be creepy at the end, or whether it’s just because he looks kind of creepy. Either way, it worked, he was great in this. As was Mia Goth. This is one of those films I would definitely recommend you watch at least once. Actually, you don’t really watch this, you experience it.

fullsizeoutput_48cc-e1485355181904 — “Why don’t we do the poster for Slither, but sexy?” “Genius! More cocaine”

5. Prevenge

As I said in August: “The best horror film about a pregnant woman being controlled by a homicidal fetus that I’ve ever seen.”.

Still the case. A great British horror quirky slice of cinema. Definitely worth a watch.

4. The Ritual

The book is now on my “to-read” list. Not a nice watch, but a very very good one. Chilling to the bone with a great story and remarkable performances. Probably going to be one of those films that are going to be really hard to find on DVD, I hope not as it would be a great Halloween watch.

3. Happy Death Day

This was hard to place, as a film it was great, as a horror it was good. This is mainly here to break up the depressing creepiness of this list. Also, it was a new idea that was risky and worked, I like to reward things like that.

2. It

Holy crap! Holy crap this was great. Everyone needs to not just watch this, but to own it and cherish it. This had a lot working against it, mainly because it was a remake. If this failed it would have failed spectacularly. Luckily it succeeded, and it’s easy to see why. Good story, fantastic setting up of the universe, great performances, and most importantly, it’s fucking terrifying.

1. Get Out

This was close. Very, very close. If you asked me to do this again on a different day there’s a good chance the top two on this could be switch around. Today I’m favouring this because what’s on my mind is that weird feeling I had when watching this film. It wasn’t “arrrrrrgh” it was just 2 hours of everything being ever so slightly off somehow. Deeply, deeply unsettling and should win ALL THE AWARDS. Yup, even best musical, it’s that damn good.

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Troubled Productions

Tag: Jigsaw

See-Saw Day Eight (Jigsaw)

See-Saw Day Seven (Saw 3D)

See-Saw Day Six (Saw VI)

See-Saw Day Five: Saw V

See-Saw (Day Four: Saw IV)

See-Saw: Day Three (Saw 3)

See-Saw: Day Two (Saw II)

See-Saw: Day One (Saw)

2017 In Film; Part 2 (The Meh)