First off, yes, it is better than Annabelle, although for it to be worse than Annabelle it would have to be basically a group of people shining torches and going “woo” in the dark (and Most Haunted have already got that covered). It contains some good scares, it’s beautifully directed and it has child actors who are actually good.
I preferred this to the first one too, which was one of the most highly regarded horror films of the last few years. Does this mean it’s better? I have no idea, I’m aware of how strong personal bias can be, and I saw the first one in a house, whereas this one I saw in cinema, and horror is a genre made for cinema. Not just for the darkness and the volume, but also because of instant audience feedback, much like laughing, when you hear other people be scared it sets the tone and makes you more scared. And of course you’re forced to pay attention to it, you can’t sit there checking your phone (well, you can, but if you do, you’re a c*nt).
I also worry part of me preferring this is because it’s set in England, and as such it’s nice to see all the little nods and references. Sadly this usually means there’s one other risk; Americans attempting English accents. Luckily they cast an actual English actress as the mother, oddly enough though some of the kids aren’t English, one’s American and one’s Australian. But aside from a few minor vocal discrepancies, it’s very hard to notice and you could easily believe they’re English. Whilst we’re on the subject; when did actress’s in horror films get so good? It’s supposed to be a cliche that if you’re on a film set surrounded by people who can’t act you’re either on a porn or a horror. Yet with Maika Monroe in It Follows, and now Madison Wolfe in this, studios will no longer be able to get away with dud casting. I cannot overestimate how strong Madison Wolfe’s performance is in this, giving a performance well beyond her 13 years, bringing to mind Linda Blair in The Exorcist. She’s been in other films before but usually as a “main character when she was younger”, but on this the entire film is dependent on her. If you don’t buy her character and her fear, then the film is dead quicker than one of Henry VIII’s wives.
The other performances? Well they’re okay, Vera Farmiga seems to be slightly phoning it in as Lorraine Warren this time, Patrick Wilson doesn’t have much to do but furrow his brow, Lauren Esposito does well with what she’s given but reminds me too much of someone I know for that not to be a distraction. Make no mistake though, this is definitely Wolfe’s film and I’m looking forward to see where her career goes from here, she’s definitely got potential. Special mention must also go to the make-up team, who do a fantastic job on the characters, making you question whether they’re possessed or just really exhausted, the pale faces the red eyes really help sell the fear contained within the film. Praise must also go to James Wan, who’s directorial style makes me really excited about Aquaman (which is something I never thought I’d say). There’s a fantastic shot near the end of one of the children standing near an open window in the rain and it just looks perfect, it’s like a poster shot it’s so sublime.
Now, onto the bad, again, the story is a little weak. It repeats the same story beats as a lot of horror films as such you’re never really invested in it and you don’t lose yourself in the moment, and it all got a bit silly towards the end. There’s a reveal at the end (which I won’t spoil for you) which they seem to use as an excuse to throw in different “scary” images and characters, but not really that effectively, it’s too short to stick with you, but so long that you get bored with it, almost like they were trying to get as many iconic characters invented for potential spin offs as they could. Secondly, the scares. Now, this film does have some great scares, but they won’t stick with you, some of them are almost literally a guy sneaking up behind you and saying “boo”, they’re instant scares. They make you jump and provide good reaction shots for people to use in publicity, but once you leave the cinema all fear is over. You don’t see the world differently like you did after It Follows, you’re not left changed by the experience, every scare takes place in the moment. As such it’s destined to be one of those films teenagers watch in groups and sit in the dark (a genre I shall now deem; “frat house horror” as that seems to be the most popular place to watch horror movies according to American TV and films). Basically, it’s the feature length equivalent of one of those jump scare videos your asshole friend sends you, only over two hours long. Oh, that’s another point, this film’s over two hours long (two and a half if include trailers). That’s way, way WAY too long for it to keep momentum. The longer a film, the more chance someone will have to leave to go piss, which in a cinema completely breaks all immersion.
So to sum up;
If you like horror (or are interested in film-making) then see this film, but it won’t change your mind if you don’t like the genre.
If You Liked This:
Watch: The Conjuring, obvious really. Now you don’t need to have seen that film to understand the sequel as it does a pretty good job of telling you about the characters without it seeming like it’s repeating itself.
Read: About the Enfield Poltergeist, the situation which this film is based on.
nd an oddly chilled out Josh Brolin who adds the much needed levity between all the torture and mutilation. Directed with a Finchian level of detail and pristine, it follows by the books SWAT officer Emily Blunt as she is submerged into the murky work of the War on Drugs, and is tasked along with the mysterious Benicio del Toro to bring down the head of the Mexican Cartel. Sticking well clear of action tropes this isn’t a glorious, FUCK-Yah-‘Merica tale of beating the bad guy, this is a twisted, gritty, and dark morality tale that tells us that rarely the right thing to do, is the best thing to do.
I know this is basically a comedy, but it is also an intense Sci-fi thriller and if I didn’t put it here this section would be pretty spare. Ridley Scott’s best film in years (though I think I’m the only guy with a soft spot for The Counsellor), is a beautifully shot adventure following a marooned astronaut on Mars and his optimistic fight for survival. Now I don’t think there’s much more I can say about this, its just a damn good film, Matt Damon reminds us why he’s a superstar, and “Science the shit out of this” is destined to become an obnoxious over used phrase. But what allot of people I think fail to mention, is just how damn fun the Earth team is. Yeah the focus is on Damon, but 
Jeff Daniels, Chiwetel Ejiofor and their team on Earth are just as engaging to watch as they have to ‘Science the shit out of it’ there end, to work out how to get to Damon before he dies. If you haven’t caught it already, it’s more than worth the two hour plus run time.
year. Essentially a spy flick parody with a real plot and its gun barrel firmly planted in its cheek; it’s bloody, stylish, and with a perfect twee British sense of humour. It’s like if the Pythons directed a James Bond flick, but not without some studio supervision. Taron Egerton proves himself a bankable action lead and rising star in Hollywood, and I can’t wait to see where he goes next; while Colin Firth does a clean 180 and flawlessly reinvents himself as a very convincing action star without losing an of his preppy Britishness we’ve come to love and treasure. The bad rep this seems to be getting from some critics should be completely ignored as high-brow snobbery and the last thing I’ll say is go in expecting something silly but amazing, and be ready for some ultra-violence
Who knew the best super-hero film of 2015 would be Ant-Man. Plagued with production issues for years, worst of all being the walk out of geek god Edgar Wright from directing, but despite all that Ant-Man STILL came out kicking. Helped by a great cast led by an always loveable Paul Rudd and an enjoyably cranky Michael Douglas, Ant-Man found its strength by keeping the comedy present throughout, in character scenes, exposition scenes, and action scenes, it always stays funny. Which makes it’s few moments of seriousness hit that much harder, him shrinking to the quantum realm was truly amazing, and gave the film the weight it needed. Is it perfect? Far from it; but it was a fun ride, with good action, and a much needed breath of fresh air for the quickly staling Marvel verse.
It Follows
Does this have problems? Yes. Are all of them made up for by pure retro-charm and heart? YES. I don’t know what people went in expecting with this film; some epic Sci-Fi drama that would change the world itself? Who knows? But if you went in just looking for entertainment, you got it in space-spades. A glories throwback to science fiction films of the 1940-50’s when the future was still fun, Tomorrowland may be slow to launch, but when it does it rockets through so many awesome set pieces, ideas, and so much enjoyable pseudoscience and alternate history bollocks , you can’t help but be charmed. Britt Robertson proves herself to be more than Jennifer Lawrence light, George Clooney shows he can wear the old curmudgeon
hat with panache, and Raffey Cassidy is becoming one of the most unique child stars acting today. Is it a perfect film, no, but not everything has to be! We seem to be living in a world where if something isn’t ‘#tHeBeSTThInG_EVEEER’ then it’s terrible…No. Not everything has to be perfect in every aspect if it wasn’t trying to be. This film wanted to be nothing more than a fun family adventure with a good message, and it was hung because that’s all it was.
Troubled Productions 