Recasting: The Justice League

So to celebrate (or commiserate: we haven’t seen it yet) Batman Vs. Superman (or to give it it’s full title: Batman Vs Superman: Dawn Of The Rise Of The Planet Of Justice League Of National Geographic) we thought we’d do a blog about it. Marvel’s cinematic universe is in full swing (although after the somewhat muted reception to Avengers: Age Of Ultron, it’s fair to say there is a lot riding on Civil War) but what about the DC one? It’s irrelevant to this blog anyway, as we’re reshaping it anyway with our traditional recasting. So here we go!

Superman/Clark Kent

"The Hunger Games" Los Angeles Premiere - Arrivals

Wes Bentley

This was quite hard to do really. I say this as a completely heterosexual person, but Superman has to be good looking. And in a certain way. He can’t be hipster good looking, and he can’t be the kind of guy you imagine stepping shirtless out of a lake, he has to be 1940’s good looking. The kind of guy you imagine playing snooker in a smoke-lit bar. I was going to go for Afleck for this but then realised someone better: Wes Bentley. Otherwise known as the guy who died in the first Hunger Games film. To me he has the look, he has the hair, and he has the certain “otherworld”ness that he needs.

OR

Matt Damon superman

An American as the American icon! Perish the thought! But really, even as he gets up there in years, Damon still has the boyish charms of a boy scout, but the chin and body of a harden soldier. His charismatic roles in light-hearted films like, The Martian, Ocean’s 11, and The Informant shows he can play adorkable very well, while his Bourne franchise shows he can kick-ass with the best of them. Dye his hair black and bulk him up a bit and, BAM-BOOM-WACK, we’ve got a lovable Clark Kent and a badass and charismatic Superman. Really he seems like an obvious choice, and I’m surprised he’s never been approached before. Admittedly he’d have to be an older Superman, but what’s wrong with that?

Batman/Bruce Wayne

6e14d388jw1elm3nvd5gjj222m2s0x6p

Tom Hiddleston

I know, never going to happen but I think he could do it. The reason why I never really brought Bale as Batman had nothing to do with his performance as Batman, it was his performance as Bruce Wayne that I hated. Bruce Wayne is basically a swaggering cockhead, Bale never had that “I’m the smartest guy in the room” mentality. Hiddleston would. I know some people may doubt he’d be physically imposing enough and to them I say this: Michael Keaton managed it. Side note: I was also considering Tom Hardy for this.

OR

Clive Owen

I really like the look of Ben Affleck as Batman, and I’m not surprised the early reviews for OwenBruceBatman v Superman are siting him as the best thing about it; but as my co-producer said, this is recasting, so we have to recast. So I choose the grizzled British badass himself Clive Owen because… well look at him. Those eyes. That chin! He’s shown he has the charm and wit to play a convincingly smarmy Bruce Wayne in films like Closer, and the action experience and intensity to be a terrifying Batman. Again another older pick, so realistically there would be a restriction to how long he could play the part, but who cares!

Wonder Woman

Lily-james-at-aoul-build-speaker-series-in-new-york_2

Lily James

Yes, I know, Gal Gadot looks like she’ll be f*cking superb. But the name of the blog is recasting so I have to recast. This choice was made entirely because of Pride And Prejudice and Zombies, for which she was absolutely amazing and kicked the right amount of ass. I was also tempted to go with Ronda Rousey before remembering I have no idea if she can act or not. There’s a real lack of women in hollywood who could make believable action heroes.

OR

Emily BluntALL YOU NEED IS KILL

I just like Emily Blunt, can’t lie that’s part of it. But there are a lot of legitimate reasons why she would be a great Wonder Woman. One) she actually looks like a woman, not a teenager (and that’s only a small poke at Gal Gadot, who does look good). And two) with her excellent turns in the recent action heavy Edge of Tomorrow and Sicario, she’s shown she can own complex action set-pieces with the best of them, and can play intelligent militaristic characters with human flaws to a tee; traits a good Wonder Woman needs, coming from an island of Warrior Women and all.

Green Lantern

Nathan Fillion

fb74ee1713c19df60dcf795318028230

Mainly because in my head I can hear him do the Lantern Oath in my head. And he looks like the kind of guy who’s had powers bestowed upon him, rather than having been born.

 

OR

Michael B. Jordan

John Stewart has always been my favorite Green Lantern, and after the disastrous abortionlantern of 2011’s Hal Jordan Green Lantern film, I think a change of pace with the hero is needed. Now Michael B. Jordan maybe a bit young to play the part, but he’s a fast rising star who’s already proven himself to have the chops to carry a film and do action well, so a younger take on the character could easily work, and add some needed levity to the DCCU. Honestly Jordan would make the perfect Cyborg too, having already voiced the character in Justice League: The Flashpoint Paradox, but we didn’t include him on this list because well, who thinks of Cyborg when you think of the Justice League!

Aquaman

eye-candy-ryan-gosling-4Ryan Gosling

Imagine the fanservice! The film would have an excuse to have Ryan Gosling walking slowly out of a puddle of water, thereby doubling your ticket sales AND encouraging a few more puddles of wetness in the audience. He has the looks, he DEFINITELY has the star power, and if you’ve seen Only God Forgives etc you know he has the acting skills necessary. Aquaman is generally regarded as a bit lame by the mainstream audience, so it needs somebody who can kick it back into relevancy. And who better than Gosling?

OR

Charlie Hunnamimg_0665

I haven’t seen Sons of Anarchy, or even Pacific Rim, though heard great things about both. The only things I’ve seen him in are Crimson Peaks, which was fine, and the UK Queer as Folk series, which I didn’t realize was him till just now. So this is based purely on look and reputation, but Hunnam looks perfect to bring the king of the sea to the big screen, and would actually fit the character’s iconic (and heavily mocked) design, adding the much needed edge and toughness too it, instead of just changing it like the Jason Momoa version has.

5 Of The Best Comic Book Adaptation Castings

For those of you who don’t live on twitter or facebook, and as such, don’t exist to me, International Woman’s Day on Tuesday. I felt I should commemorate this by doing a blog about it, maybe the best films directed by women? Maybe the best actress’s, or maybe the best female roles in films. The possibilities are endless. Then I realised, that’s condescending as f*ck so went with this instead: Enjoy!

1. Robin Lord Taylor – The Penguin (Gotham)

robin-lord-taylor-in-gotham

I thought I’d start with the one that will annoy the most people. Not with picking someone that isn’t good, because he is VERY good in this, but because what it means for the rest of the blog. You see, I decided to limit myself in this blog to one per franchise. So this is the Batman one. Think about that, that means I’m not including Heath Ledger, I’m not including Jack Nicholson, Adam West, Anne Hathaway (which considering how much I love Hathaway, really says something), Michael Keaton, Mark Hamill, Robert Swenson.

maxresdefault (1)

That alone should say how good I find his performance. But I’ll try to explain it better: before I watched the series I HATED the character of The Penguin. It seemed to cartooney, too silly to work, so something could never work in a modern gritty show. Yet with him, it works. He’s without a doubt the best part of the show, and makes it worth watching just for him.

2. Robert Downey Jr. – Iron Man (erm, Iron Man)

Robert_Downey_Jr_Iron_Man.jpg

Let’s get something straight, a lot of you don’t like the Iron Man character. You may think you do, but you don’t. You like Robert Downey Jr. as Tony Stark. Let’s face it, when Marvel made this film it was risky, more than it would seem to be now. Captain America would have been a much safer bet as he’s more recognisable. But Iron Man was better as a character to introduce the audience to the universe. Luckily it paid off as now we have Guardians Of The Galaxy etc, on the downside, we also have Avengers: Age Of Ultron. So it’s not all good.

3. JK Simmons – J.Jonah Jameson (Sam Raimi Spider-Man)

fkQYgJel

I’m not doing this blog in any particular order really, just the order I feel like, because I’m a rebel who don’t play by society’s rules, man! If I was doing them in order of how absolutely PERFECT the casting is, this would be top. Numero uno. Number one. Top Gun. Jaws. The Godfather.

It’s often said that certain actors are born to play certain roles, and this is the one that he was absolutely BORN to play. He’s not playing the character here, he is the character. He embodies absolutely everything about it. God knows who they replaced him with when they rebooted the series, probably some blonde sweepy haired blue eyed prick from Dawson’s Creek or something.

4. Ryan Reynolds – Deadpool

635906234323529824-deadpool-DMC-2670-v068-matte.1045-rgb

I was tempted to go with James “Smugface” McAvoy for the X-Men section. He gave Xavier a certain vulnerability that Patrick Stewart was never really given the chance to. Then I thought, maybe Fassbender as Magneto? I mean, he OWNED that role. Or maybe Hugh Jackman for defying all odds and being amazing at Wolverine (odd to think now, but a lot comic book fans HATED the idea of him as Wolverine when it was announced. But then again they also hated it when Ledger was announced as The Joker and Ben Afleck was announced as Batman, so really this just proves they don’t have a f*cking clue). But then I thought; f*ck it, it has to be Reynolds. It really does. Not just for what he did in the film, but because of how he’s embraced the character out of the film as well.

5. Christopher Reeve – Superman

CW-STM-promo-city-poses-closeup-02

Do you even need to ask why? I mean, LOOK AT HIM!

 

So yeah, that’s it for today. Subscribe, follow, comment, stalk us and send us cake. You know, the usual 🙂

5 reasons Watchmen is my favourite (and the best) superhero film

The year was 2009, the R-rated mega hit Deadpool was but a twinkle in Ryan Reynolds’ eye, and Zach Snyder released his best film to date, the screen adaption of the unfilmable deadpoolgraphic novel, Watchmen. And it was a bit mixed. People either loved it for its gritty, stylish, thought provoking take on the superhero genre, while others hated it for all those things. But you can guess which side of that I fall upon. Hell, I still think it’s the best superhero film ever made, yes, I like it more than any Dark Knight or Marvel film, and here’s why…

1) It’s a dark realistic take on superheroes that really tackles complex themes and ideas, while still being a straight-up superhero flick. Not a crime thriller with Batman, or a comedy with a guy in a suit, at its core it’s a superhero film and is about things only a superhero film could be about, ‘what if superheroes where real’, did change our worldrorschach_quote_2_wallpaper_by_tehgreyfawkz-d383cow, what would that world be like and who would those heroes be?
Of course this is all more thanks to Alan Moore’s seminal original text, but you can’t understate how hard Zach Snyder worked to bring the book to the screen as it’s whole self (it’s whole 215 minute run-time), and managing to make such a dense piece of literature so stylish and well-paced without losing a lot of meaning and depth.

watchmen3

2) Snyder’s style is stunning (what the fucks happened); easily Snyder’s most confidently 345os5hdirected film, his key hyper-reality style that mixes CGI better than almost any film, works masterfully to bring the pages of the book to life, without losing the texture and grit. With the talent he showed here he could have easily gone on to be a blockbuster director like a quirkier James Camron, but instead he made Sucker Punch.

Watchmen_cast

3) The cast; the acting is top notch, with almost every actor born to play their character. Patrick Wilson bringing the likable dorkyness to Night Owl, Billy Crudup selling the tumblr_mkhjcoQy7V1rnqwsco1_250detached humanity of Dr Manhattan, Jackie Earle Haley embodying Rorschach’s grizzled insanity, and Jeffrey Dean Morgan embracing the assholeness of The Comedian, costume changes aside they walk right off the page.
Outside Heath Ledger’s Joker it’s one of the few superhero films with Oscar worthy performances…. all except Matthew Goode who was just too smarmy as Ozymandias, you could tell from the go he was evil so the reveal lost a lot of weight compared to the comic; he’s not bad just too evil. Now a young pre-Thor Chris Hemsworth would have been closer to the book, his more natural charisma and warmth making his dark motives a real shock.

tumblr_miaq0fxfpr1rw2nmso1_500

4) The music; Snyder’s use of iconic 80s tunes to invoke the era and themes of revolution 18m508t0woblxjpgis carefully implemented, from the iconic Bob Dylan opening credit sequence, the cheesy Leonard Cohen sex scene, and the sad Simon and Garfunkel funeral, Watchmen took seminal well known songs, and instead of being distracting fit them skilfully into the story as if they’ve always been there. Oh and the My Chemical Romance cover is badass, they really embrace the 80s punk vibe.

5) The ending. I am not to my surprise part of a small community that like the films tumblr_lg1pkquIZ31qej9fmo1_500ending better than the comic, even amongst people who have read the comic. The comic’s ending may work better from a plot stand point (some say), but the film’s use of Dr Manhattan in it’s climax comes from much more of a character and thematic place, and ties into Dr Manhattan’s dehumanizing arc so much tighter, and the ideas of nuclear war. It’s not just that I think the endings better than the book; it’s what that represents about the power of adaption through someone else’s vision, that making changes to original text doesn’t have to come from a hollow, money grubbing place, but from the texts itself…also the giant squid would of looked silly on screen.  But more so because it wasn’t Hollywoodised, it was complex and morally gray and left us with a message not many blockbusters have the balls to tell, that as people we will expect an easy lie over a hard truth.  We are compromised.watchmen11f-620x951

For a deeper look at the film and the comic, check out the Superhero Rewind on it which dives deep into analyzing the work.

Well not our most thorough post, but good enough for now, join us later this week and next week were we’ll…probably be talking about the Oscars.

5 reasons Deadpool could be the best superhero film of 2016 (already)

In a year which also gives us (takes deep breath), Batman v Superman, Suicide Squad, X-Men: Apocalypse, Captain America: Civil War, and Doctor Strange, some truly seminal looking films;  the special little cousins of X-Men may have already topped them all, and changed comic book movies forever.

 

1 – It’s 15/R rating isn’t just a gimmick. Outside of Watchmen, this is the first adult MTM1MzA2OTE2NDA2NDY3MDM4mainstream superhero movie, and it could have just been a selling point to get asses in seats with it being like a lot of action films just barely worth the rating and there being a clear 12A cut ready to go. But nope Mr Reynolds was not lying when he said if they made another cut there would hardly be a movie, the film revels in its vulgarness, its dirty and its violent, and it loves itself for it. But never becomes exploitative with it. I especially like the running gag of cutting away before he finishes saying “motherfucker” (which you see a lot in films) only for him to finish it in the next scene.

2 – I3b94d7dd7603e9ae54a3f957c652e086t got the
character completely right.
Living in this superhero film renaissance we have seen a lot of characters done well; Iron Man, Batman, Captain America, but they’re never perfect iterations. Iron Man never goes as dark as he should, Batman’s never the detective, and Captain America…well I just don’t know much about him. But Deadpool’s character is 10/10, he’s crazy, funny, violent, Ryan Reynolds is perfect, and knows he’s a fictional character, but not without a lil regrowable heart.

3 – It remembers to just be plain entertaining. My favorite superhero film is Watchmen, so I’m all for dark serious superhero films, but that tone seems to be too much of a trend right now, with DC being DC, X-Men being X-men, and even Marvel seeming 1454333009819to be ramping up the drama with Civil War. Okay we had Ant-Man, and that was fun but not great, and Guardians of the Galaxy which was great, but is about as much of a superhero film as Star Wars. Deadpool is a straight up superhero film and is the funnest and funniest the formula has ever been.

4 – The romance is way better than the trailer made it look. That’s actually true for the whole film, but the romance especially. Name one really good romance in a big superhero film? Then give up because you can’t. Almost all romances in superhero landscape-1452594620-deadpool-romcom-bannerfilms are either tacked on as hell or never go beyond “oh and here’s the love interest”, and that’s what the trailer made Vanessa look like, just a woman there to push the plot forward. But the marketing team wasn’t just being funny when it sold the film as a romance. Vanessa’s a real character in her own right, is just if not more lovably vulgar than Deadpool himself, and has crazy chemistry with the man she loves, she’s easily worth advancing the plot over.

5 – It ties into X-men without dragging itself down. Superhero movie continuity is the pooldeadin-thing right now, as after the success of Marvel every other studio with a slice of the moist superhero pie is scrambling to catch up, and while DC is looking ambitious but over crowded with its DCCU, FOX made the surprisingly wise choice of toning down the continuity and playing it fast and loose with itself. So yes the X-men are in it, to hilarious effect, and I doubt we’re going to see Deadpool pop up in X-Men: Apocalypse or any of those films really, but the acceptance that they exist together just adds that little dollop of cinematic depth.

6 – BONUS! The opening credits and post credit scene. And I won’t ruin them for you; all I’ll say is it starts with its right stump forward, and then has the best post credit scene this side of Ferris Bueller’s Day Off.
buller

 

Post blog scene
And 1 thing that didn’t work about it.

1 – It’s the Deadpool character, but it’s not a Deadpool story. It sticks a bit too close to 2288944-1526888_deadpool_cool_story_bro_superthe Superhero origin film formula and with it subverting so much else; I hoped it would pull another fast-one on us at the end. But it far from ruins the picture and leaves it wide open for the sequel to go anywhere.

Films to look Forward to in 2016

Batman V Superman: March 25

PHDHoUG4AUNdHI_1_lBecause despite the last trailer giving WAY too much away, who isn’t going to see this film? It’s Batman fighting Superman…for at least a third of the film anyway. And despite that trailer there’s still hope. The idea that Batman is turned against Superman because of the chaos he caused in Man of Steel is good screenwriting; it makes sense from a character point and helps bring the films together. The casting is also very solid, with Batfleck actually looking to be one of the best iterations of the Dark Knight yet. But we all still need to take a step back to wait and see whether Jesse Eisenberg’s Lex Luthor is the trainwreck everyone is HOPING it will be, or whether like Keaton and Ledger before him he will turn in a great performance despite the naysayers. I have no idea, but I at least love how much fun he seems to be having.

 

Deadpool: February 10

I limited this list to only Deadpool_postertwo superhero films because I didn’t want it to be inundated with them, and I wanted this to be a cut away from a lot of most anticipated lists by not just focusing on the big blockbusters coming our way (but saying that I am looking forward to Civil War and Dr Strange).
Now Deadpool; the reason I chose this over the many superhero flicks of 2016 is because this is by far the riskiest. R rated, fourth wall breaking, X-Men Movie universe expanding, and Ryan Reynolds’ starring; it’s had the best advertising campaign of any superhero film that manages to introduce the character while staying true to his roots, and is being made by people who clearly care deeply about making it an authentic adaptation. So let’s hope all those good intentions don’t pave the way to hell this time.

 

Hail,_Caesar!_Teaser_poster

Hail, Caesar!: February 26

Because it’s the Coen brothers (who I’m not the biggest fan of so not just dick sucking), doing a satire of the golden age of Hollywood with an all-star cast of old (Clooney and Brolin) and new talent (Hill and Tatum), with a the truly Coeny plot about a Charlton Heston type movie star being kidnapped, and the hapless Hollywood fixer who has to find him. It should be a very gaudy picture, with its only hurdle to clear is the early February release date, which could be a) a sign that the Coen’s just don’t give a shit, or b) the studio wants to drop it where no one will see it. We will see.

 

 

 

Everybody Wants Some: May 13

everybody-1

His first film since his cinematic milestone and masterpiece Boyhood, Linklater returns to his stoner roots, with the spiritual sequel to possibly the best hangout film ever, Dazed and Confused; the 70s set stoner comedy that always found the chuckles, but never lost the poignancy of leaving your teenhood behind. This latest outing is set in the 80s and picks up exactly where Boyhood left off (if a few decades earlier) with a group of teens (played by refreshingly unknown actors) integration into their first year of college life and their college baseball team. Now this doesn’t sound that different from your typical stoner/gross out comedy of today, but with Linklater’s sensitive directing and thoughtful mind for youth and character, what sounds like a typical set up will (hopefully) be another timelessly funny and heartfelt film that captures that moment between teenhood, everything else, and who knows what.

 

Fantastic_Beasts_and_Where_to_Find_Them_poster

Fantastic Beasts and Where to Find Them: November 18

I like the Harry Potter films about as much as the next guy, I grew up with them. But honestly I might be looking forward to this more than any of those films, because I always found the most fascinating part of them to be the world itself. And now we have a film set in that world, Seventy years before the original films (so in the 20s), set in New York, led by one of the best young British actors working today Eddie Redmayne, and was penned by J.K Rowling herself…I’m shocking myself how game I am for this film, and you all should be too! It’s Harry Potter without Harry Potter!

 

The Disaster Artist: TBA

MV5BOTcyYzQwNmItY2FlMC00ODM5LThiOGMtM2E0NjZlMjIwZTE2XkEyXkFqcGdeQXVyMjc2NTc3NDA@._V1_SY317_CR51,0,214,317_AL_

The adaption from the unsurprisingly hilarious but surprisingly poignant novel about the making of The Room, the infamously best worst movie ever made, but is really about the friendship between its crazy maker Tommy Wiseau and his co-star Greg Sestero. Produced by Seth Rogan and directed by James Franco (who with his directing record doesn’t scream hope), but with a screenplay adapted by Scott Neustadter and Michael H. Weber, the screenwriters behind The Fault in Our Stars, The Spectacular Now, and 500 Days of Summer, I became far less worried. And that was before the all-star cast started flocking to it like moths to an eccentric flame. James Franco of course is taking the role of Mr Wiseau himself, and his little brother Dave is Greg, but as well as them; Seth Rogan, Zac Efron, Alison Brie, Sharon Stone, Josh Hutcherson, and Bryan fucking Cranston, are also co-starring. With such a shockingly A-list cast, we can only hope they’ve all gathered because of the strength of the script and talent involved, and nothing less. If Franco can make this even half as good as the novel, this could be one of the best films of 2016.

 

The Nice Guys: May 20

THE-NICE-GUYS_Teaser-Poster

If my look at Shane Black’s Kiss Kiss Bang Bang didn’t give it away, I love Shane Black when he does buddy movies. So it’s great to see him return with what looks like a spiritual sequel (or prequel) to that, with this 70s set dark comedy crime thriller that brings us the inspired pairing of Russell Crowe and Ryan Gosling; an enforcer and hapless private eye who team up to find a missing girl and solve the murder of a porn star…how can you not be stoked for that! So let the guilty violence and laughs commence!

 

 

 

 

Moana: November 23

moana-poster-conceitual-camundongoDisney’s next animated film after the disappointing Big Hero 6 (and fuck you it wasn’t that good) brought to us by the directing duo behind some of Disney’s greatest films (Aladdin, The Little Mermaid, Treasure Planet) and will follow an ancient Oceania tribal girl as she searches the South Pacific for a fabled island, helped by a demi-god voiced by Dwayne Johnson. Don’t know much beyond that, but with the talent involved we can but hope for another Disney classic, or at least something up there with Tangled and Frozen.

 

 

 

kuboKubo and the two strings: August 19

 

But this is the animated film I’m looking forward to most in 2016! Brought to us by the same team and studio behind the stop-motion masterpieces Coraline and ParaNorman, comes this action fantasy set in ancient Japan about a teenager fighting demons and searching for the magic armor his legendary samurai father once wore….it’s a STOP MOTION ANIME! I MEAN…how can you not be wetting yourself at the awesomeness of that! And with an all-star cast, the talent behind the scenes, and the recent trailer for it, all we can do now is wait and hope.

La La Land: July 15

Stars On The Set Of 'La La Land'

 

A musical dramedy about the romance between a jazz pianist played by Ryan Gosling, and an actress played by Emma Stone, and J.K. Simmons is in it too. Really the only reason this has made the list is that its writer and director Damien Chazelle’s follow up to his jaw-breakingly great Whiplash. Whether he’ll be able to live up to that will have to be seen, but I find it a good sign he appears to be going for a very different vibe for this film.

 

 

High-Rise: March 18High_Rise_2014_Film_Poster

The new and probably highest profile film from the bizarre director of Sightseers, A Field in England, and Kill List (the only of his films I have seen), Ben Wheatley; and stars Tom Hiddleston as the newest resident in a self-contained block of highrise apartments with a vicious classiest system, in this dark comedy Sci-fi thriller…or something like that. Co-starring Jeremy Irons and Elisabeth Moss, there is still a bit of mystery about this film, for all those who haven’t read the books it’s adapted from, as the advertisement has done a good job in being vague on plot but specific on tone and style. And with early release reviews beginning to come in I’m seeing almost equal people calling it a failed attempt at something grand, or hailing it as a masterpiece. So I’m glad its release date isn’t too far into this year, before we get a chance to judge for ourselves whether Mr Hiddleston has been using his Marvel down time on worthy projects.

Live by Night: October 7

2E0BBB1A00000578-3300941-image-a-62_1446500565850Ben Affleck finally took a break from acting to get back to his much more interesting career as a director, with this follow up to Argo. Adapted from another Dennis Lehane novel like his first and best film Gone Baby Gone, it’s a period crime thriller that follows the prodigal son of a police captain as he becomes a bootlegger and later a gangster legend. Again here because of the director and writer’s track record, he’s currently three for three on great thrillers, and I doubt Affleck’s in a hurry to break the streak; especially with his next directorial project being the first solo Batman film in the new DCCU. And that’s before mentioning that Mr Leonardo Dicaprio has taken on a producer hat for it.

Of course these are only vague predictions on what will be some of the best films in the coming year, as we all know that best films tent to come out of nowhere with a sharp left hook, not let us see it coming from months away.

Why we love…Kiss Kiss Bang Bang

ironman33Kiss Kiss Bang Bang is one of my favourite films (I know, another one!). It’s also, technically, a Christmas film (like EVERY Shane Black film), so by that logic it must also be my favourite Christmas film….Okay no its not, as it’s not a film I associate strongly with Christmas, like Home Alone or Die Hard. But it is an underrated classic, it is Christmassy enough, and it’s a film I can ramble on about its awesomeness for a post. So here I go.

Kiss-Kiss-Bang-Bang-Movie-Direct-DownloadNow the film itself is a pulpy Neo-noir mystery, which follows a petty crook played by a pre Iron Man Robert Downy Jr, and a badass gay Private-eye played by post Batman and relevance Val Kilmer, who are forced to work together to solve a classic and very compelling murder mystery in LA.

Now based on that description the film could really be anything, from hard edged thriller, to straight to DVD action flick. But like most Shane Black pictures it’s one of my favourite genres, outrageously dark comedy, with some of that best pitch black humor this side of In Bruges (which would actually make a dapmnbk5i5mn fine double feature) and it is also gleefully Meta. It turns the classic hard boiled narration into a rambling fourth wall demolishing spiel delivered by whom else but Downy, who spends much of the film deconstructing film narrative and murder mystery tropes, in an enjoyably if sometimes too smugly, nit-picky and self-referential way.

kiss-kiss-bang-bang-movie-quoteBut the heart of the film, what really makes it tick, is the razor sharp, character driven, machine gun dialogue. In a world, of Tarantino and Brother’s Coen, this is one of the sharpest scripts in cinema. There is not a minute that goes by, where a clever bit of word play or a visual gag or a marriage of both isn’t being pulled off. And it’s not just a series of funny but generic one-liners that could be said by anyone in anything, the comedy is pulled from its characters, from their plight and problems, and walks of life. To laugh with them and at them, is to get to know them.

tumblr_ma0nd0s3bx1ractwko1_r1_500And there are characters beyond Downy and Kilmer…well character. With most of the cast ranging from two note Hench-men and campy as hell villains, the only other big character is Michelle Monaghan (one of the most drop dead gorgeous women ever). The fem fatale of the film, who really isn’t in anyway, but is actually the ditsy heart of the flick, adding the much needed warmth and tonal levity to this dark and funny tale of murder and sexual abuse….yup. Whose dynamite chemistry with Downy not only helps ground both characters and gets the plot moving, but will make you wish she’d pop up in a Marvel film just so you can see them bounce off each other again.

Now this may be hard to hear, but as great as Downtumblr_mw8h9tn6bN1r60h6bo1_250y and Monaghan are…this is Kilmer’s film. He is pitch perfect as the aforementioned badass gay Private-eye, known as, what else, Gay Perry. Now this is a 2005 film, so the handling of his gay character isn’t perfect, my biggest issue being how other characters overreact a bit too much to his gayness (though in funny ways). But his kisskissbangbang3-copycharacter itself is one of the best in fiction; because despite the name, it doesn’t define him. He’s a tough, foul mouthed, no nonsense talking, gun toting, sassily witted, motherfucking pimp, who also happens to be gay. And it’s not just shoved to the side either; it’s just one part of a whole character, who steals scenes like Robert Downy Jr steals hearts.

Oh and the films like set at Christmas and stuff, and there’s like fairy lights everywhere and Christmas parties and tings. It’s a Shane Black film. He even made Iron Man  a Christmas film!

tumblr_mxa8fpMjWd1qcga5ro1_500
Shane Black’s apology for Iron Man 3

 

Picture1But It’s movies like this along with other Downy classics like, Wonder Boys, A Scanner Darkly, Zodiac, and the very good A Guide to Recognizing Your Saints, that still have me convinced that Robert Downy Jr did his best work pre Iron Man (not to knock it), when he was exiled from Hollywood (you know because of drugs), and was trying to crawl his way back in. And I wish he would go back to doing smaller more interesting films, than just the Marvel flicks; hell just films more interesting than The Judge. But I doubt he ever will, with everything Marvel still happening, the piles of money just his goatee is worth, and his recent comments about his hatred towards indie films. So I won’t hold my breath.