Tag: Adele Exarchopoulos

2022 In Film: Day Six (The Quite Good)

On By troubledproductionsIn Year round upLeave a comment

Beast

Ups: Good length

The CGI animals have a real presence

Wonderfully directed.

Downs: Not essential

Dialogue is a bit simple.

Quite cliche at times.

Best Moment: When the characters walk through the village and discover all the dead bodies. Haunting, like something out of a horror film.

Worst Moment: Lion in the house, only because it didn’t feel as natural as the other parts.

Best Performer: Elba, obviously.

Opening: The characters arrive at the reserve. Good way to showcase the scenery.

Closing: Surviving members of the family recreate an earlier family photo. Cliche, but kind of sweet.

Best Line: Death came calling to my wife and daughters and i wasn’t there to say no you can’t have them

Original Review here

Elvis

Ups: Is great at telling you who he was, not in a “facts and important dates” way, but in a “understanding who he is” way.

Austin Butler. He is phenomenal.

Will make you cry at times.

Downs: Weirdly edited.

Tom Hanks is a strange choice.

Terribly paced. Tries to do too much. There are at least three stories worth telling, and they’re not given enough time.

Best Moment: The Christmas special. Punk as anything.

Worst Moment: The assassination of MLK, trying to tie that into Elvis feels a bit cheap.

Best Performer: Austin Butler, obviously.

Opening: Tom Parker is on his deathbed. He then talks about how he met Elvis. Kind of a lazy framing device.

Closing: Elvis, fat and depressed, sings at Las Vegas. Truly emotional.

Best Line: His entire speech on stage to Tom Parker. Blistering fury.

Original Review here

Looking For Venera

Ups: The central relationship between the two.

The sociopolitical subtext to everything

Some really interesting shots.

Downs: Not very engaging at times.

Best Moment: The family dancing around a room to music being played on a tinny radio. The enthusiasm the characters have for the activity and for each other is heartwarming to see. And completely stopped by a man coming home and telling them to go to bed, all that happiness and joy, gone in an instant. Really demonstrates the power that the patriarchal system has over them.

Worst Moment: There’s a scene just after that at the breakfast table. It’s really well acted and has some shocking moments, but the characters are out of focus. Very picky I know but it’s too basic a mistake to make in a professional film.

Best Performer: Kosovare Krasniqi 

Opening: A sex scene in the woods between two fully clothed people. Strange choice as you don’t know who they are. Filmed from behind some trees so you do get a wonderfully voyeuristic feel to it. It’s later talked about by the characters, so we didn’t really need to see it.

Closing: A young boy drinking water at a table at a family dinner. At first, I thought “that’s a weird way to end it”, then it hit me. He’s observing. He’s watching the family interactions, he’s seeing how men treat women, and that’s what he’ll grow up to be too. A simple shot implies that everything will repeat. Kind of genius.

Best Line: “I’m not a coward like her”, that line shows her growth so much, but also her immaturity, as saying that to an abusive dick just means they’re going to take it out on the other person.

Original review here

She Will

Ups: Very claustrophobic.

Great sound work, both in terms of music and general sound design.

Downs: The fire incident doesn’t have a narrative follow-up.

Needs to set up some of the background characters better so we know how they’re regarded in-universe.

Feels like it should be better.

Best Moment: When she enters the lodge. You really feel the claustrophobic nature of it.

Worst Moment: A close up of a slug. Really specific but it cuts to it, and then cuts back, way too quickly to the point where it seems like a mistake.

Best Performer: Alice Krige.

Opening: Closeup on a womans eyes looking up at lights. Eye close ups are always good in horror movies as they can be so expressive. We see surgery being performed on her, intercut with her putting on makeup. A nice contrast, and intriguing enough to make you wonder what’s going on, especially when she talks about her mask being one of “preservation”

Closing: A scene of chaos and female reckoning.

Best Line: “The mud here is thought to have healing properties because of all the ashes from women who were burnt as witches” *blank-eyed stare* holy fuck.

Original review here

Sonic The Hedgehog 2

Ups: Better than the first one.

Funny.

Actually has a plot.

Downs: Still inconsistent with the speed.

Quite forgettable.

Tries too hard with the comedy sometimes.

The lead character is kind of obnoxious.

Best Moment: The fact that the villain is basically defeated by a punch in the balls, much like Hitler was.

Worst Moment: The bar dance.

Best Performer: Idris Elba, he is hilarious.

Opening: Sonic is attempting to be a hero. Fun start, and demonstrates both his speed, his morality, and his naive nature.

Closing: They play baseball. Quite funny actually.

Best Line: “It’s so nice when diabolical evil lives up to the hype!”

Original Review here

The Adam Project

Ups: Perfectly cast.

Always good to see new ideas given a big budget.

Downs: Some characters are sidelined unnecessarily

The dialogue could be better.

Bad CGI at times.

Best Moment: The goodbyes. Incredibly emotional. There are two fight scenes I nearly chose, which looked good. But this section is incredible.

Worst Moment: The villain’s death. Mainly because the CGI looks atrocious.

Best Performer: Walker Scobel.

Opening: Ryan Reynolds has stolen a jet and uses it to escape through a wormhole. Sets up the central theme almost immediately.

Closing: Back in the future. Adam meets his wife again. Sweet, but not sure it was the right choice. We don’t see that much of them together.

Best Line: “Hey. You have her to take care of you. She has no one. You understand? Do you understand? She wakes up every morning with a broken heart and a, and a closet full of his clothes and gets nothing from you but a fistful of crap, and not even, like, ten seconds of genuine empathy. You know, thity years, you still get sick to your stomach every time you remember how you treated her now.” More moments like that please.

Original Review here

The Princess

Ups: Bloodier than I expected.

Some good fight scenes.

Downs: Really bad CGI at times.

Feels too much like a video game at times.

The whiff of pandering never really goes away.

Best Moment: The opening because it sets it up as being something different

Worst Moment: When she sets someone on fire. Only because the CGI is REALLY bad

Best Performer: Dominic Cooper

Opening: The Princess (hey, that’s the title of the movie) wakes up in a tower and finds herself chained to a bed. Flashbacks to her being kidnapped. She breaks her own thumb to escape. Surprising but effective.

Closing: She slits a guys throat. There’s a lot of blood and his head comes off (which was a bit weird as she didn’t initially seem to cut that deep). The king announces that now women can rule the kingdom. Yay, finally equality for all rich people of that one family. Her friend didn’t actuallly die, then a guy who’s been searching for her the whole film recognises her. Kind of expected. Then there’s a completely neutered cover of White Wedding

Best Line: “You’ll learn to sleep with one eye open. To never turn your back. I’ll be in heaven, just thinking day and night of ways to kill you. And you’ll be in hell, wondering when it’s coming. And you know that it will be coming. Because you know that I’ll never rest, never idle, never stop, until i am standing above your corpse, holding – in my delicate, manicured hands – your still beating heart!”

Original Review here

Zero Fucks Given

Ups: Has the best drunk acting. They don’t make sense and they talk mostly shit.

Adèle Exarchopoulos, she’s quite good isn’t she?

Downs: There are a few plot points which don’t really go anywhere. Some more interesting plots are suggested but not followed up on.

Best Moment: Montage where everyone is recording safety videos and have to end it by standing still and smiling for 30 seconds in silence. Very awkward and weirdly funny.

Worst Moment: The moments when she’s not on a plane.

Best Performer: Adèle Exarchopoulos, obviously.

Opening: Pre-shift meeting of airline crew. Being told to focus more on individual sales. Then some beautiful shots of flying through clouds. That meeting doesn’t really lead to anything.

Closing: Her in Dubai (wearing a face mask incorrectly btw, it’s not covering her nose) watching a fountain show. Impressive but does seem a bit too much like someone’s holiday video rather than something in a film. It was all supposed to be from her phone, hence the very final shot of her turning the camera towards herself and pulling her mask down. Slightly underwhelming.

Best Line: I prefer to be the irresistible one than the good girl. There is no past, there is no future it’s just you as a cabin manager in this precise moment and her in front of you. Nobody cares about your personal life or your personal issues or what you did yesterday or what you’re going to do tomorrow.

Original Review here

Zero Fucks Given aka Rien à foutre (2021)

On By troubledproductionsIn ReviewLeave a comment

Quick synopsis: A tale of a flight attendant on a low-cost airline dealing with idiot customers, senseless management, and the death of her mother.

I’m going to get it out of the way, this is frustratingly uneven. There are moments of greatness, and then moments where it feels like it’s just treading water. When she’s on the plane it’s engrossing, entertaining, and horrifying in how people treat staff they see as “below them”, yet when she steps away from that, the film loses something.

It’s weirdly ironic as that’s one of the central points of the film: that she has no identity outside of her job. It’s very reminiscent of Sweat in terms of how the character feels she has no personality outside of what she portrays to the world, she is not an independent person, but someone who is to be moulded and shaped as her audience wants.

There are a few missteps in the opening. She’s in a meeting at work and being told they’re now being measured on individual sales rather than as a group. You’d think this would lead to the staff being very cut-throat in terms of stealing sales opportunities from each other, but it doesn’t. It’s a missed opportunity. Her next shift is just a standard one, and then she goes drinking. Personally, I think if we were shown her being hypercompetent, a real genius at her job, or stressed out and near breaking point, that would have made the transition to drinks and drugs in the next scene a better contrast.

On the subject of alcohol, the drunken conversations are terrible, but in a good way. Drunk people don’t make sense, they ramble, and they say stupid shit. They swerve from topic to topic like a drunk driver. Usually, when films show drunk dialogue, they do it by just having them slur their words a bit while expressing their true feelings, so it’s good they did something different here. It’s without a doubt among the most realistic drunk dialogue I’ve seen on screen.

The dynamic changes when she’s told her job is no longer needed, and she’s being put forward for another one which she’ll need training for. Maybe it should have started here as that section is one of the most telling moments of the sheer hell the staff have to go through. It’s said out loud there that they’re not human, they’re just smiling faces whose job is not to help the customer, but to sell stuff. It’s remarkably dehumanising, and if this was shown earlier in the film it would have improved it. There’s a moment where her manager is yelling at her because she’s not downrating her crew for things beyond their control, anybody who has worked in retail or customer service feels that pain.

As good as some of the dialogue is, as interesting as the story is at times, and as stunningly beautiful it looks at times, Adèle Exarchopoulos is the definite highlight. When she’s on screen it feels like the weight of the world is on her shoulders. She’s probably best known over here from Blue Is The Warmest Colour, which is great but she doesn’t have pleasant memories of, due to the director being a, let’s put this diplomatically, a complete prick. Hopefully, this becomes her stand-out film, she deserves a film that the western world adores and that she doesn’t have negative feelings attached to. It is a good film, and definitely worth a watch, I just feel it could have been slightly better.