2021 In Film: Day Four (The “Not For Me”)

This is a lot more subjective. This is basically “I recognise these films are good, but they’re just not for me”. Basically, this would be where Nolan films would end up if he made any this year.

12 Hour Shift

I probably will watch this again someday, just not for a while, and I wouldn’t pay for it. I think my main issue is tone. The script is dark and intense, but it’s filmed like a teen slasher. It also doesn’t make the most of the setting and situation for scares. Hospitals are terrifying places at night, and this doesn’t do a good job of showing it. The soul-less lighting and blank-walled corridors should be used for better visuals than we get. There is a good washed-out look to the whole thing but it could be better.

+ Good story, great performances.

-Feels too polished for such a dirty story.

Best Moment: The character taking a pepsi instead of a kidney is very funny.

Worst moment: The ending feels a little too convenient.

Best Performer: Mick Foley, although it’s still weird seeing him swear.

Original review here

Black Widow

Yeah I’m putting this here. A lot of people loved this but it did nothing for me. It felt completely pointless. We have had five films since End Game and we’re still no closer to having a clue where it’s going from here. By this point in phase 1 we’d reached Captain America, and was just about to have the first Avengers movie. Is there even a connective story anymore? This has been the most pointless of all the Phase Four ones though. All it did was introduce a few characters who could have been better introduced (it also didn’t explain where they were during End Game). The best way for this to have purpose is for the released Black Widows to form a team and have a t-show based on them, so basically an espionage thriller on disney+ with an ensemble cast. That has potential, but I think Marvel are just going to forget them.

+ Looks slick, good action scenes.

– Adds nothing to the MCU

Best Moment: The opening credits. Perfect.

Worst moment: Prison break scene. Nothing inherently wrong with it, but you’d think the release of all those prisoners would be an important moment. Nope.

Best Performer: David Harbour. I wish his character was introduced earlier as he’s a lot of fun, and he’s played perfectly.

Worst Performer: Ray Winstone, his accent is awful.

Best Line: When Yelena makes fun of Natasha’s “superhero landing” pose.

Original review here

Godzilla Vs. Kong

This film is BIG. I feel you’ve already missed out on the optimum way to watch this. The best way is definitely on a screen bigger than you. You need to look up and be in awe of what you see. This series has been the best at scale and spectacle. The scripts have always been lacking though. That’s definitely the case here, a film this visually impressive should not be as dull as this is. This franchise has been too heavily weighted in Godzillas favour, of the three movies to set this one up, Kongs was the shortest. He was already at a disadvantage due to seeming underpowered in comparison to Godzilla, so the whole thing doesn’t feel as much “Unstoppable Force Vs. The Immovable Object” as it should. Feels more like “Superman Vs. Incredible Hulk”

Really this needed another movie. The section where Kong was in the Hollow Earth could have been a solo movie for him. Set him up in that universe as a force to be reckoned with, build up the Kong side characters more too (since the first one was set in 1973, none of the human characters return, bit of a waste).

+ It looks incredible.

– A lot of the time is wasted.

Best Moment: The Hollow Earth. Creative, great action set pieces, and it looks great.

Worst moment: The final fight. It’s mostly shot from high up so it doesn’t look as good as it should. Low angle shots would have been more expensive, but would have let us really feel the damage.

Best Performer: Kaylee Hottle. Doesn’t say a word but is the emotional core of the movie.

Best Line: If this wasn’t contributing to world destruction, this would be a great DJ booth.

Original review here

Jungle Cruise

You don’t get films like this anymore. Fun adventure films that a family can sit down and watch together on a Sunday afternoon. It’s a fun throwback and I wish more films came out which were like this. Would prefer them to be better though. As fun as this is, it’s not fun enough to cover up some of its flaws. I know it is a throwback, but it still feels dated. Especially in how it treats Jack Whitehall’s character. He’s obviously gay, and there is a nice moment where The Rock’s character responds positively (well, in a “don’t care, love who you love” way). But his character is played like that character would have been played in the 80s.

+ Very fun, good way to kill time.

– The CGI animals. They’re woefully bad.

Best Moment: When The Rock makes a hurricane of puns to a tourist group. Funny in a terrible way. And a small child begs his mum to make him stop.

Worst moment: Not much, but that’s the problem. In terms of excitement, it’s very flat.

Best Performer: The Rock. He’s perfect for things like this.

Worst Performer: Jack Whitehall.

Best Line: “If I wanted to go to a primitive backwater where I couldn’t understand a word anyone was saying, I’d visit our relatives in Scotland”

Original review here

Rons Gone Wrong

A lot of people really liked this, and I just don’t get it. It doesn’t seem to be doing anything new. There’s nothing bad about it, but it’s not doing anything I haven’t seen before, and seen done better. It’s nowhere near as bad as Emoji movie or Ralph Breaks The Internet, but it’s nowhere near as good as The Mitchells Vs. The Machines. It even has similarities to Free Guy. It’s bad enough being compared to one film released the same year, two is just unfortunate.

+Looks fantastic

-Can’t help but be compared to better films.

Best Moment: When Ron fights back against the bullies. Deeply satisfying.

Worst moment: The “we were friends all along” moment between the kids feels incredibly forced and unnatural.

Best Line: Old women. Not trending. Widowed dads, downer! Enhance and post!

Original review here

Surge

The kind of film which you don’t want to watch, but when you start watching you can’t turn away. For the soundtrack of Dark Knight, Hans Zimmer created some of the music for the Joker by striking razor blades against piano strings, creating a creepy sense of unease and dread. That’s what this film is like, constant dread and unease and a feeling of uncertainty and uncleanliness. It’s not something you will enjoy watching, but it is fascinating to see.

+ Fascinating character study.

-Script is kind of dull at parts

Best Performer: I mean, obviously Ben Whishaw

Original review here

12 Hour Shift (2020)

Quick Synopsis: A drug-addicted nurse needs to find a spare kidney to stop her sister being killed.

By all rights I should have loved this. It’s an interesting plot, bloody, funny, and it has Mick Foley. For some reason it inspired no bigger reaction than “it was alright”. It was good, but it never felt better than that to me. It never fully grabbed me like I needed it to. I’m not sure why, the performances are great, I’ve only seen Angela Bettis in the 2002 version of Carrie, a film which had many problems but she was not one of them. I think its an issue of the film over-reaching, it attempts a lot more than it needs to. It has so many plates spinning in the air that it never spins them quickly enough. If it cut down some of the unnecessary characters I feel it would be stronger. Because it has so much going on it never really gathers enough momentum to be truly satisfying.

It’s written and directed by Brea Grant, who also gave us Lucky, which was more disappointing but probably had more potential. It’s a shame because she’s obviously really good, it’s just her stuff seems more like stuff I’d see shorts of than features. Not to say this film is bad though, like I said the performances are great, and it’s really really funny when it needs to be.

It’s still weird to see Mick Foley drop the f-bomb considering I always assumed he was allergic. It also looks great, has a kind of washed out greyness too it that really suits the tone. Praise must also go to the uniqueness of the the film. It’s hard to compare it anything because there’s really not much else like this. There’s not nearly enough horror films set in a hospital, especially not one over the course of a nightshift, which is weird as that kind of thing is ripe for horror movie fodder. I feel that may also slightly work against this film, you get the feeling that it’s not quite making the most of the setting and timing. There doesn’t seem to be much in this film that couldn’t be accomplished over the course of a few nights instead of just one. It doesn’t have that race against time that would be great for a film like this. It does seem to do a lot with the location, there are few places this could take place in other than a hospital, although again, it doesn’t make the most of the fact that it’s a night shift. Compare this to something like The Power, which made the most of the creepy nature of hospitals late at night.

Maybe that’s my issue, it doesn’t feel like a horror movie full of darkness and creepiness, it feels a bit like a cheap slasher movie, but the story doesn’t lend itself to that so there’s a real disconnect between tone and story. Also it feels a little too polished for such a scuzzy tale. It needs to feel dirty, but it comes off just a bit too clean. Overall the film suffers a real struggle for tone throughout, and that really hurts it.

This is a film I feel I will like a lot more on a second watch, and I will watch it again someday, just not for a while. Worth checking out though.