Quick Synopsis: A janitor is turned into a superhero when he’s dumped in toxic waste.
Gonna get this out of the way now; I was not a fan of this movie. I know quite a few people are, and the reasons they like it are likely to be the same reasons I don’t: the tone, the shoddy quality of the filmmaking, the feeling that it’s outdated. That’s fine, there is no right or wrong when it comes to liking a movie; it’s entirely subjective (unless you like the Ice Cube version of War Of The Worlds, which was objectively bad).
I’ve always been interested in works made by Troma, ever since I heard about Tromeo and Juliet, but this is the first time I’ve actually watched one, and I have to believe the others are different from this. My main problem is that it feels deliberate. It feels like the cinematic equivalent of buying pre-torn clothes; a lot of effort put in to seem low effort. Some of the editing choices are a bit weird, and I feel like the soundtrack could have been better (with two notable musical choices which are pretty damn perfect).
It has a unique look, but I can’t quite figure out how. It doesn’t look like it’s been heavily altered in post-production, but there’s something weirdly crystal clear about the visuals; everything looks sharp and real, with great focus work. There are good performances too; you can tell that everybody is having a lot of fun, and while I do criticise this film, there is a small part of me that is jealous of the obvious camaraderie that everybody involved in it has.
This film is gory as hell, kind of. Heads get chopped off, guts are displayed, there’s so much blood that even track 8 of AC/DC’s 1979 album Highway To Hell would say “yeah, we get the point”. Mostly, there are times when it feels weirdly restrained; when it cuts away from violence that is in no way more violent than what we just saw. There’s also one death that I think should have been more violent. When Winston kills a band onstage, almost every death is violent and brutal, full of blood and gore. But then he kills the only female member of the band by electrocution. It’s hard to believe that that was an accident; it feels like the director made a conscious decision to shy away from showing extreme violence against women, even if they have been responsible for deaths. For a film based around chaos and gore, it feels weirdly conservative and politically correct. It is consistent with the tone, though, all of the deaths happen to truly terrible people. There’s no attempt to humanise the villains, which is refreshing. If someone is dumping toxic waste into lakes, they shouldn’t be humanised because they are vile, evil scum who deserve life in prison. No matter how violent and gory this movie is, it does have heart. Not just in the film itself, but the fact that the studio has declared it will wipe out (at a minimum) $5 million of medical debt. That is admirable.
As I said, there is quite a bit to like about this. And I’m glad it was made. I saw it in a cinema with (at most) 8 other people in, on a cold, damp Saturday night after a 6-day run at work which left me exhausted both physically and mentally. That’s not the right place to watch this. You want to watch it either at home with your friends while you’re drunk/high as fuck, or in a room full of people who are excited and audibly reacting. So yes, this is a negative review, but with caveats.