2010’s In Film Day 7 (2017)

January – A Monster Calls

This month was STRONG. It had this, La La Land, Manchester By The Sea, Young Offenders (which is now a GREAT sitcom on BBC), so yeah it was a pretty good month. Okay, it also had Assassin’s Creed and The Bye Bye Man so it didn’t have everything. I chose this because it was the first film I saw that year, it’s also REALLY depressing. This is not an easy film to watch on an emotional level, one of the few films I’ve seen lately that seeks to emotionally blackmail the watcher. Reminiscent of a mix between Pan’s Labyrinth and a Neil Gaiman book, can be best described as a modern-day fairy tale. Bayona did a fantastic job of directing this, whilst the Liam Neeson tree is telling stories (it’s an odd film) the film switches visual styles so it almost becomes a living watercolour painting, it’s awe-inspiring and genuinely new, never seen anything that was done like this (the closest is when Hermione was telling the stories of the Three Brothers in Harry Potter and the style switched to a weird animated one). The book is beautiful too.

February – A Cure For Wellness

When I saw this at the cinema the ending of this film was met with silence. Not a “well that was shit” silence, more a stunned silence where nobody was sure what to do next. Everyone slowly came to their senses and walked out the screening, feeling like we’d been bonded by trauma. It was a unique experience, and one I loved. I didn’t love the film though, it had the unfortunate double whammy of being too long, and having underdeveloped characters. It is definitely worth a watch though. It’s ugly, but beautifully so. You may not like it, but I don’t think you’ll be able to turn away from it.

March – Logan

One of the few truly mature comic book movies. A lot of film studios (and audiences tbh) mistake “mature” with “violence” and think to make a mature film all you need to do is add tits and guns (or in extreme cases, penis’s and guns).

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Or this, a penis with a gun

This doesn’t do that, it deals with mature themes. It’s like the entire genre has grown up to lead to this moment. And they decided to follow this with Dark Phoenix? Oh hell no. THIS is where it should have ended. It provided a logical closing point to the franchise and gave it an emotional ending. It felt like closure, and that was shown even by something as small as the song that plays over the end credits. They didn’t pick a bombastic rock song, or a current pop song, they chose Johnny Cash’s The Man Comes Around. And it works. Comic book movies will never reach some of the heights this film hit again.

April – The Promise

I was going to talk about Table 19, because nobody talks about that film and it’s fucking great. Instead, I went with this, not so much because of the film, but the reaction to it. It’s a 2-hour film about the Armenian Genocide which is really good (the film, the film is good, not the genocide). But it seemed to annoy a certain type of people. By certain type, I mean genocide deniers, a.k.a; dickheads. This is one of those “debates” where there’s only a debate because one side refuses to admit they’re wrong, see also; drink driving (yes, there are people who think drink driving should be legal, at least one of which is a UKIP MP), vaccines, global warming, and the holocaust. The sides are basically this; the people who committed the genocide vs. everybody else. Well I say “everybody else”, America still refuses to officially call it one as they don’t want to upset Turkey (also their autocorrect probably changes Armenian Genocide to American Genocide and it makes them feel guilty when they think about the Native Americans, and the slave trade). This film was flooded with fake reviews condemning it, most of which came out before the film was released, so you know they were genuine. Sadly this film was a box office bomb, so it could be argued that the wrong side one.

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I’ll just post this picture again for no reason

May – Sleepless

I’ve seen quite a few bad films at the cinema, but rarely are they as f*cking tedious as this was. You’d think a 90-minute action film set in Las Vegas would be exciting, you’d be wrong. The only reason certain things happen is because characters are idiots, for example at one point the villain points a loaded gun at the main character, now instead of shooting him, he takes a few steps backwards and gets run over a van (which he somehow didn’t hear coming, in an empty parking lot, the emptiness of which I have a problem with also). I’ve seen defences of this say “yeah but as long as you don’t think too hard about it it works. It’s just dumb fun”. And they’re half right, it’s dumb. It’s not nitpicking to point out that someone who has been stabbed (and for whom the wound continues bleeding for 4 hours) should be weakened by that. But nope, the only indication of it is that he occasionally stops and goes “ah”. A stab wound has the same effect as an ice cream headache. It’s a shame as the cast do their job well, it’s just the script is kinda dumb. There are some odd choices when it comes to directing too. You know that “shaky cam fight scene” that the Bourne movies use? They do that here, only they do it for EVERYTHING in the fight. Someone walks away after the fight; Shaky Bourne Camera, someone gets their phone out to phone someone: Shaky Bourne Camera. It also ends with the most obvious sequel hook in a long time. This film somehow ended up with a B rating from audiences, which just goes to show you can’t trust the general public.

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Again, posted without context.

June – Gifted

A lot less Nicholas-Sparks than I thought it would be. Bit formulaic but it plays to the formula very well. Chris Evans is very good in it, but is overshadowed by Mckenna Grace, who is very very good, probably one of the best performances this year. Is it just me or are child actors getting better? Manages to do a performance which is funny, moving, and hits all the right spots in terms of body language and facial acting. Great performance. Jenny Slate was also REALLY good in it, but wasn’t in it as much as she should have been. I mentioned this, and not, say, Wonder Woman for this month because of how nobody knows it. And for when Mckenna Grace officially becomes one of the best actresses of our generation it will make it easier for me to find this blog and be like “I fucking told you”.

July – The Big Sick

Incredibly funny, and with the right amount of heart. You’d need to be made of stone not to feel touched by this film. I’ve seen horrors where a few people have sat there not flinching or jumping in fright, I’ve seen spectacle films where people are bored, and I’ve seen comedies where nobody is laughing. Everybody in the screen I was at reacted to this. They laughed at every joke (to the point where the laughter in the room was louder than the laughter on screen, in a scene set at a comedy club), people “awww’ed” at the right parts, it couldn’t have been more perfect if the film studio paid them to react like that. The characters are so well-written as well, every character seems fully fleshed out. They seem like they exist outside of the film. I highly recommend everybody watch this film, it’s still one of my favourites.

August – Atomic Blonde

Essentially a companion piece to John Wick. It looks superb and the music is brilliant. Had one of my favourite soundtracks in a long time And there’s one scene which everyone has to see; a single-shot fight scene that lasts about 15 minutes, one of (in fact probably the) best fight scene I’ve seen all year. It doesn’t cut away before the impact like most do, it’s mostly silent, no music so you hear every hit, and the fight has an effect on people, you can see them get gradually more exhausted as the fight goes on. It’s just so damn impressive and I want more.

September – Kingsman: The Golden Circle

It’s pretty much the first film again, but I liked the first one so it doesn’t matter. It is a very good film, and the use of Elton John is perfect. It’s just missing that something to make it different. Maybe it’s the underutilization of some of the new cast, maybe it’s the way fan favourite characters are disposed of too easily. Or maybe it’s that the villain kind of has a really good point when she points out sugar is more deadly than a lot of drugs. I was going to put “Almost Heaven” for this month, and then just sing “Take Me Home Country Roads” instead of typing anything. That would have made more sense as a video blog though.

October – Happy Death Day

Yeah I had no idea whether to go for this or The Death Of Stalin. Both are REALLY good but for different reasons. Despite not being a horror, Death Of Stalin is more horrifying. But this? This has something about it. The script is incredibly clever and brilliant, plus it’s helped by Jessica Rothe’s performance. She adds JUST the right amount of emotion needed for the role. This is probably one of my favourite horror movies of all time, I have so much love for it.

November – Murder On The Orient Express

Because fuck you this is a great movie. I knew the murderer going in and still highly enjoyed it. There was building work going on at the cinema when I saw it so every few minutes you could hear the faint sound of hammering (and not the sexy kind) going on, and I still enjoyed it. It’s so well done and I am genuinely excited for the sequel.

December – Jumanji: Welcome To The Jungle

I HAD to talk about this. Not because it’s good (but it is), but because it’s the only film released that month that I’ve actually seen. I was busy with stupid stuff like working two jobs so I didn’t get time to do really important things, like go to the cinema. It’s a shame, and is a regret that will forever live with me. The world has punished me for missing The Greatest Showman by making me listen to songs from it EVERYWHERE I go lately, so I believe my debt has been paid.

Trust me, SO MUCH has been missed from this blog: Baby Driver, Blade Runner, Colossal, Lego Batman, AND HOW COULD I NOT MENTION GET OUT! WTF Lee?

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