Why We Love….In The Loop

It’s election season! Which, just like the football season, is something where the losing team get to claim it’s a close result if they lost by 40 points, and the winners get to claim “nobody can question us” when they win by 4. They both run far too long, consist of people straddling the poverty line claiming “they’re just like us” about millionaires who wouldn’t spit on them if they were on fire, and are likely to dominate the news for months on end. Unless you’re The Sun of course, who decided, in the middle of election season, that THIS was the most important bit of news in the world:

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Hold the front page: women have bums!

Due to the standard of political reporting by newspapers these days (which basically consists of “insult the party that our owner doesn’t support) is it any surprise that people are disengaged with politics? Almost every election now, no matter who wins the results are the same; the largest section of the results belong to non-voters. This is particularly weird when you look at some of the most dominant TV shows of this millennium; The Thick Of It, Veep, The Daily Show are some of the most well-regarded comedies ever made. It’s the same with drama too, particularly in America where The West Wing and House Of Cards are so well liked that if you say you don’t like them you’re likely to get thrown out of whatever room/building/spaceship you’re in. This shows that it’s not politics that people don’t like, it’s the state of politics. It’s like how if you refuse to eat rancid food, it’s not because you don’t like food, you just hate the option offered.

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So, this film in particular. A spin-off from the aforementioned The Thick Of It, featuring just four of the same characters, yet most of the same cast. This film gives a wonderful yet bleak view of what it actually means to be a modern politician; often thrown out of your depth, being put into no-win situations by other people, going from debating going to war whilst in Washington one week, to discussing someone’s garden wall falling down the next. This isn’t glamorous, it’s not sexy, it’s certainly not aspirational.

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Adapting a TV series to a feature length film is never easy, the path to successes like The Naked Gun and 21 Jump Street is littered with the corpses of Guest House Paradiso, Magic Roundabout, and countless Saturday Night Live films. This film works though, and I think part of that is because it uses different characters but the same actors. So you have actors who know the best way to play their roles, but new viewers don’t have episodes worth of character development and history that they need to know to enjoy the film, everyone starts on equal footing. The returning cast are in an odd position, people like Chris Addison now have to act alongside established acting behemoths like James Gandolfini, and the British cast more than hold their own. It also helps that it’s REALLY well done, the plot of this is extremely intricate and well developed. I spoke a short while ago about how you can have Friends on in the background and still get the gist of what’s going on, you definitely cannot do that with this. In fact, to be honest I’d recommend not even sneezing lest you risk missing someone’s facial reaction which then sets up the next plot development. If you don’t pay attention to this, you will be confused, actually even if you are paying attention it could still confuse you, but in a good way. Not in a “the screenwriters have no idea what they’re doing” way, in a “there is so much subtext in every line that I think I misread someone’s intentions”. It’s also REALLY funny, endlessly quotable, not just the political lines, there’s one line in particular I’ve always loved and will probably adapt to a facebook status at one point:

“Have you ever seen a film where the hero is a builder? No, because they never fucking turn up in the nick of time.”

The political stuff also works really well; where you have American and British politicians deciding whether to go to war based on dubious intelligence (good thing THAT’s not still an issue right? Right?). This film is actually quite rare in that it doesn’t present politicians either as evil, or as crusaders against evil. They’re just people who are put into situations they don’t understand by their bosses, which is something everyone can sympathise with. This somehow does the impossible, it makes politicians human. For that alone it deserves accolades, and for everything else, it deserves adoration.

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Oh yeah, it’s also kind of sweary, but never in a way that comes off as crass and infantile, which is a really fucking hard thing to pull off.

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