Chip N Dale: Rescue Rangers (2022)

Quick Synopsis: Chip and Dale are two animated friends who haven’t spoken to each other in years after their show was cancelled. When a former cast mate gets kidnapped they have to reunite to save him.

Oh boy, a live-action Disney remake of a beloved cartoon, premiered on Disney+, AND it’s full of cameos from other animated shows? Wow, this is going to suck. I mean, the last few things I watched which premiered on Disney+ were Artemis Fowl and Home Sweet Home Alone, and the last few films I watched where it was mainly about the cameos were Ralph Breaks The Internet and the new Space Jam. Added to that, I don’t think I ever watched Rescue Rangers growing up, so I’m not going to have a warm nostalgia towards it. So I’ll admit, I went in with a somewhat negative mindset, so it would take something special to overcome my preconceptions.

This is something special. I knew it would take something good to win me over, it won me over in the opening scene with this piece of dialogue:

“What’s the first thing that pops into your head when I say Chip N Dale? I’m willing to bet it’s Thomas Chippendale, the london cabinet maker. I bet the second thing is these guys *shows the chippendale dancers*

The plot is pretty impressive too. The two characters were actors in the original series, and one of them now wants a reboot. It’s very meta, but really that’s just the backdrop for the main story: someone kidnapping animated characters, alter their appearance slightly with drugs, then ship them overseas to star in bootleg movies for the rest of their life. It’s really dark, kind of reminiscent of Who Framed Roger Rabbit (who cameos in this). It also brings to mind The Lego Movie in terms of style of humour. It’s cynical, but in a weirdly optimistic way. It’s also full of references which you’ll love, so many unexpected characters and moments make it a real joy to watch.

That is possibly a downside too though. If you’re a 5-year old child, are you going to understand who a lot of these characters are? The film does a pretty good job on catching you up on who Chip N Dale are, but some of the other cameos are so in your face that if you don’t know them it may feel like you’re missing out.

The quality of the film is helped by the cast. Andy Samberg is quickly becoming a really dependable performer for comedic films, and he’s helped by John Mulaney’s more dour delivery. It’s also nice to hear Rachel Bloom in a large movie, albeit only briefly. There are not many live action performers, but of those who are there, KiKi Layne more than holds her own in what must be a difficult role (acting in a similar role drove Bob Hoskins nuts, and that’s a man who survived Super Mario intact). It never feels like she’s acting on her own, you always get the feeling she’s interacting with the animated characters. It’s a very natural performance and her characters enthusiasm for the franchise shines through in her performance.

So in summary, as much as I would have been expected to slate this, it’s really good and if you have disney+ you should definitely watch it soon. The hype train for this is coming, and you want to get on their early.

The Witches (2020)

I love the original (as evidenced here), I love Anne Hathaway, and I like a lot of Robert Zemeckis’ work, he has made some great films which are both terrifying yet also suitable for kids (I’m thinking primarily of Who Framed Roger Rabbit). So I was really looking forward to this. Well, I would have been if I had known about it. I didn’t even know it existed until about 3 weeks ago when I glimpsed a trailer for it. I’ve seen more from films which aren’t out for another year than I did for this, it’s almost like the studio had no faith in it, and for good reason, it’s a mess.

First off, the film has narration from the lead character. But the lead character is a child, and the narrator is obviously an adult, so you know that no matter what, they’re going to survive. Also, it’s Chris Rock, which, I love the guy, but he’s wrong for this. He works for Everybody Hates Chris, because it’s a comedy, but he doesn’t inject either the sense of playfulness, or the dread necessary for this film to work.

This film has a real issue with voices, now I think about it. Anne Hathaway is playing it like she couldn’t pick between five different accents, so just decided to do them all, sometimes switching mid-sentence. It pained me to say that, as I LOVE her stuff usually, her performance in Rachel Getting Married is still one of the greatest performances I’ve ever seen in film. But her accent in this film is soooooo bad. I suppose it wouldn’t seem quite AS bad if the role in the original wasn’t Anjelica Huston, who is perfect and I will hear no arguments against it.

There is another vocal performance that was much much worse, and almost hurt my ears with how piercing it was, but I won’t name them as I haven’t heard the performer in anything else, so that might be their actual voice and saying it’s awful would be kind of bullying.

The lead performers are great though. Octavia Spencer continues to be amazing, providing the emotional depth the film needs. I’m unfamiliar with the work of Jahzir Bruno, but he gives a performance behind his years here. You can criticise a lot of this film, but you definitely can’t fault his performance. You can’t fault the general feel of the opening of the movie. Before they leave for the hotel the general feel of the film is one that you can’t help but notice, and really from a directing standpoint the feeling of those moments are the highlights of the film.

The actual witch-based moments don’t come off as well, with one exception. When the main character is having the witches described to them, shapes form on the ceiling to demonstrate what is being spoken about, it’s a moment of wonder and brilliance that is truly worthy of the story. The rest? A woeful mix of bad CGI and weird visual choices means that everything looks fake and kind of stupid. One of the most obvious examples of this is when we see a story from Grandma’s youth where her friend gets attacked by a witch, and gets turned into a chicken. It could be haunting but it never comes off as such, it just seems funny. This is especially annoying as it replaces a scene in the original which I love. In the original the girl is cursed and ends up in a painting, never being seen to be moved, but she does move unseen, and she ages in real time until one day she disappears. THAT’S terrifying. A simple “turned into a chicken” isn’t anywhere near. It could have been, if the parents killed the chicken and ate it. But they don’t.

There is one really creepy moment in this film though. The witches in this have claws, a bit like lobsters. There’s a scene where they click them all together and it’s super unsettling, I wish the film was more like it. It’s that kind of unique innovation that the film is lacking. There’s a moment where the witches all get turned into mice (oh, spoilers, I guess) and it’s a very exaggerated moment where they fly up and land as mice. It’s kind of a cool visual but it’s very flat, there’s no musical accompaniment. It could have been a very cool moment (think of the head exploding scene in Kingsman), but instead it’s just nothing.

I suppose that’s the big issue with this, how nothing it feels. It’s over 100 minutes yet it doesn’t feel like it. I don’t mean that in a good way, it just feels like nothing happens. It introduces very few characters and yet they somehow all feel undeveloped. I just….I just want more.