Tag: The Equalizer 3

2023 In Film: Day Four (The Meh)

On By troubledproductionsIn Year round upLeave a comment

A Haunting In Venice

Ups: Solid mystery.

Branagh is always good to see as Poirot.

Some of the deaths are very shocking.

Downs: Some of the shot choices are a bit weird. By weird, I mean shit.

The “maybe magic, maybe mundane” nature doesn’t suit a franchise like this.

Features some truly terrible editing.

Venice doesn’t feel alive.

Not enough clues were given to the ending.

Best Moment: The reveal. The build-up isn’t great but the reveal itself is a lot of fun.

Worst Moment: All the ghost moments.

Best Performer: Tempted to say Branagh, but gonna give it to Emma Laird. She has great potential.

Opening: Poirot has retired. Would have been nice to see more details of what he did during the war, it would have backed up his feelings of despondency.

Closing: Poirot has started to investigate again, leading to potential more sequels. It’s nice to see an excited Poirot again, but we haven’t seen enough of that character in this series for this to feel like “he’s back”. He’s always been “oh no, I’ve retired now” in this film franchise.

Best Line: Scary stories make real life a little less scary

Original Review here

A Kind Of Kidnapping

Ups: Funny.

Ambitious

Good music.

Downs: A bit too sweary at times

It’s too surface-level. All it seems to be saying is “politicians are bastards”, we know that.

Once you’ve seen the trailer you’ve essentially seen the entire film.

Mean-spirited.

Best Moment: The moment with Leila Hoffman. Shocking and hilarious.

Worst Moment: The sex scene is a bit out of place

Best Performer: Jack Perry Jones

Opening: Dramatic music as a taxi drives down a country road. Both suits the film and doesn’t. Then straight into the kidnapping. Threats of violence and foul language immediately.

Closing: One of the characters leaves after finding out the other one cheated on them; leaving a dickshot politician and his former partner tied together.

Best Line: “This isn’t America, you can’t just walk into a corner shop and ask for a handgun and a Wispa”

Original Review here

Slotherhouse

Ups: Moves quickly.

Leans into its ridiculousness

Surprisingly, a REALLY good soundtrack of unknown rock bands filled with youthful energy.

Downs: Some of the crowd scenes in supposedly busy shopping centres are too sparse.

The “I don’t like seeing animals get hurt” line is far too obvious and unsubtle

The characters could react to being murdered by a sloth.

Best Moment: The title drop. The fact it was met with silence and “dude, not the time” makes it hilarious.

Worst Moment: The death of Mayflower. Goes on too long. Isn’t funny enough to justify its length, and she doesn’t seem to be taking her impending death that seriously.

Best Performer: Bianca Beckles-Rose

Opening: A sloth kills a crocodile, or an alligator (I don’t know the difference without knowing if I’m going to see them later or in a while).

Closing: Everything is back to normal and they’re celebrating, a kind of bland ending. We then get a scene back in Panama of a tour guide with a group talking about how animals are dangerous. Felt a bit superfluous.

Best Line: “We’re all gonna die slow, horrible deaths at the hands of an adorable little killing machine”

Original Review here

Strays

Ups: Funny.

Good allusions to domestic violence.

Original.

Downs: Does anybody really give a shit about Dennis Quaid? This film treats him like a source of memes like Chuck Norris is, but I’ve never heard anybody mention Quaid in that way. Or in any way in a long time, if I’m being honest.

Repeats some of the jokes too often.

Very basic plot

Requires too many narrative handwaves for it to work.

Best Moment: The rabbit massacre. It’s brutal.

Worst Moment: The couch humping, goes on a bit too long.

Best Performer: Will Forte. He’s utterly detestable. No attempt to humanise or make him sympathetic.

Opening: How Doug got Reggie. Essentially he’s a pawn in a break-up revenge. Very sad.

Closing: The dick gets bitten. It’s incredibly cathartic.

Best Line: Why is Doug so great? Where do I begin? He loves being around me so much, he doesn’t even have a job.

Original Review here

The Equalizer 3

Ups: A fitting end to the franchise.

Incredibly violent

Downs: Drags slightly.

Best Moment: The explosion. Shows how horrific the aftermath of something like that can be.

Worst Moment: The photoshopped picture at the end.

Best Performer: Denzil

Opening: A lot of dead bodies. A good reminder of how violent this franchise can be.

Closing: An incredibly bad photoshopped picture lets us know one of the characters in this is related to someone in the previous film. Doesn’t add much to the story really.

Best Line: That’s a 3. You don’t want me to go to 4. I go to 4 you shit on yourself. You don’t want that. I don’t want that. They don’t want that.

Original Review here

The Flash

Ups: Genuinely touching (but not in a Kevin Spacey way)

Funny.

Some fun action scenes.

Nice to see Keaton again.

Some of the cameos in the multiverse sequence are fun.

Downs: Underutilized performers

Woeful CGI

The centrepiece of the whole thing suffers from severe continuity lockout. The Nicholas Cage cameo etc will only make sense to people who know the story of the cancelled Superman Lives film. Otherwise, it’s just a random Cage.

The DCEU is being reset, so it means nothing.

Best Moment: Him saying goodbye to his mum. That is EXACTLY how I would have done it.

Worst Moment: The Multiverse of Superman. Mainly because the use of dead actors in CGI is still a bit icky.

Best Performer: Sasha Calle. Miller leads, but Calle is the one I want to see again.

Opening: The Justice League stop a hospital from collapsing. Nice to see Gadot and Affleck again, but there are a few bits which feel a bit too comedic.

Closing: George Clooney

Best Line: These scars we have make us who we are, we’re not meant to go back and fix them. Don’t let your tragedy define you.

Original Review here

They Cloned Tyrone

Ups: Really commits to the blaxpoitation effect

When he’s talking about wiping the blood off his brother, that shit hurts.

It made a scene of people laughing really disturbing

Downs: Little bit too dark to see things clearly at times.

Takes a while to get going

It could stand to be a little dumber

There’s a tonal conflict. It’s not sure whether it wants to be silly or a serious look at racism. It tries to do both, but the silly moments let it down a little bit.

Best Moment: Laughter in the chicken restaurant. It’s weird how a group of people laughing and enjoying themselves can seem so creepy and unsettling.

Worst Moment: A moment that’s not there, the clones exiting the church and meeting the news cameras. We get the build-up, and the news cameras already there interviewing them, but no connnecting moment.

Best Performer: John Boyega

Opening: Opens with credits made to look dated. I like the effort put in to make it seem like it’s front a different time. Then a discussion about how Michael Jackson is alive and works at a local shop “he’s black now”, putting the science fiction themes in your head. And then a convo about Spongebob. So in terms of time, it’s all over the place in a great way.

Closing: We finally meet Tyrone. Damn funny ending

Original Review here

The Equalizer 3 (2023) Review

On By troubledproductionsIn ReviewLeave a comment

Quick Synopsis: Denzil Washington accidentally fights the mafia.

I didn’t mind the first Equalizer film, but I was less impressed with the second, mainly because I found it overly long, with the non-action scenes in particular dragging. I also found it had a twist that was incredibly obvious. This fixed the mistakes of the second one; it doesn’t feel as long, it doesn’t aim for a big twist, and it calms down on the “he’s a good, such a good, real good person” aspects which plagued the second one. Overall, I think it’s probably the best one of the three, it’s certainly the one I’m more likely to watch again.

It’s not perfect, it does drag slightly, and there isn’t that much meat on the narrative bones to make it fully satisfying. The music choices are a bit odd, feeling like they’re aiming at a younger audience than the rest of the film. And as good as Denzil is (and he is good in this role), the cuts around his physical limitations are getting more noticeable.

Now onto the good; it always surprises me how brutal these films are. In my head they’re all “someone gets shot and they fall down” and that’s as violent as it gets; all squibs and crash mats. But nope, it’s bloody. It doesn’t build up to it either, it starts with the aftermath of a bloody massacre; as openings go, it’s certainly one of the most shocking.

I haven’t seen the first two since I watched them at the cinema, and I only remember bits and pieces from them. That doesn’t seem to matter though, the only character to return is the main one. There’s an allusion to the previous films at the end (via a TERRIBLY photoshopped picture) but it’s shot in such a “THIS PICTURE IS IMPORTANT!” way that anybody who understands film language (and who knows this is a sequel, but the 3 in the title should be a big indicator of that) would understand “okay, that’s her parents, and her parents obviously know Robert McCall, that’s why he phoned her”.

There’s been a lot of love for the action scenes in this, so I won’t repeat ground others have already plowed over, instead I’m going to praise something that I feel hasn’t got enough love; this has the best explosion scene I’ve seen in a long time. Usually, explosions in cinema are just a big bang, but if you are not in the immediate zone you’re fine. In fact, if you duck or jump, you’re normally fine, and once the explosion itself is over everything is back to normal. This shows the risk that being in the general area has. Instead of feeling like a bit of a shock, it feels like something which gives everyone in the local area PTSD. That’s something which this series has always excelled at; they’ve always been technically good. They’ve also maintained a good sense of visual and tonal continuity. Probably because, unlike a lot of other action franchises, they’ve all been made by the same director; Antoine Fuqua. Keeping him on for all three means that all three flow together well. It doesn’t reach the heights of the Planet Of The Apes trilogy, but there’s not as many differences between the three. If you really enjoy one, you’re going to really enjoy all three of them.

I think the franchise is closed now (outside of the TV show). It hasn’t changed the industry, or even became that critically acclaimed. But what this series has done, is be dependable. You know what’s going on with this, and sometimes, that’s all you want from something.