Champions (2023) Review


Quick Synopsis: Marcus (Woody Harrelson) gets fired from his job as an assistant coach for physically abusing his manager, and things get worse when he gets caught drunk driving. He gets sentenced to community service, coaching a basketball team with intellectual disabilities.

It’s often said that a film is “made” by its cast, which is definitely the case here. With a different cast, Champions would be a terrible experience with a dated 80s feel. The simple thing the film does? It actually casts people with intellectual disabilities. It’s surprising how often stuff like that doesn’t happen and the studio decision is just “just put a guy in there and have him pull a funny face”. Out of the basketball team members; Madison Tevlin shines above everyone else, with an incredible screen presence to watch unfold.

Even without considering that, the film is a pleasant watch. It’s a cliché plot that only throws up a few small curveballs. To be honest, a sudden swerve would have ruined this. The charm of Champions is not from the plot, it’s from the characters, and those characters are likeable. Harrelson isn’t exactly stretching his limits as a performer, but he does what he needs to.

Whilst I was watching this I had two thoughts: 1) That guy over there keeps checking his emails on his watch, and I hope it’s an early design that has a flaw which causes it to give the wearer an electric shock if they keep using it, prick. 2) This feels incredibly American. Which is why it was such a surprise that it was based on a Spanish film (also called Champions). A genuine surprise, so much of it felt American, except maybe the end, which is more like Rocky than most sports films.

The whole film is so easy to enjoy and smile at, so why has it taken so long for me to review it? Because whilst it is charming, it is funny, it is full of joy, and it has heart, it is also lacking that extra something to make it stand out among the crowd. There are not many moments which stick with you, not enough to recommend this film over the hundreds of films which tackle similar subjects. It does show potential though. There’s a moment where Marcus finds out why one of his players (Darius) won’t play for him. Darius was left with brain damage after being in an incident involving a drunk driver, the reason Marcus has to coach this team? He was sentenced for drunk driving. That’s why Darius doesn’t trust him, he doesn’t want to follow the instructions of someone who could have done the thing that he did. It’s a brilliant piece of character storytelling, but it is also one that only affects the moments that reference it, it doesn’t organically feel part of this world, and if it was excised it wouldn’t leave a narrative hole that needed plugging (speaking of holes that need plugging: sexual joke). I wish it led to a bigger moment, I wish it was a large part of this, a defining part of the narrative. But as it is, it’s just a small section in a puzzle with too many pieces. I will commend Champions for having one different moment: when Marcus is hired by an NBA team it causes the inevitable schism, usually, that’s the moment which leads to the third act reconciliation. It looks like that might happen here, but then it’s forgotten when a bigger issue arises. If it carried that aversion to tropes throughout, it would have been a better film. But as it is, this is too predictable and safe to be considered anything better than good. I really did enjoy it, Champions is very difficult to dislike. But I don’t think I will ever need to see it again. I’m glad I watched it, and I don’t regret it. But it’s only ever “good”. Which is a shame.

Creed III (2023) Review

Quick Synopsis: Adonis Creed retires from the boxing world, and is met by Damian, a childhood friend who has just got out of prison. Damian turns out to be a very good boxer, but also a massive prick.

On balance, I probably prefer the Creed franchise to the Rocky one. The first two Rocky films are great, no doubt about it. But the Creed films have something different to them. I think it’s because there is a real-life undercurrent to the whole thing. The character of Adonis Creed is trying to step out of the legacy of his father Apollo, whilst also wanting to pay respect to him. Similarly, the films want to stand out on their own away from the Rocky films, whilst also paying respect to them.

There was still the worry that this would be the film which lets the Creed franchise down, especially since it was being directed by Michael B. Jordan. He is a FANTASTIC actor, but this is his directorial debut, so there is always the risk that handing the reigns over to someone so inexperienced could backfire, especially when that person is the lead.

Thankfully, turns out that he’s pretty damn good. The first Creed film was notable for how it shot the fights, really making you feel like you were in there with them. This goes in a different direction, especially for the final fight. That scene is already one of the best I’ve seen this year. It doesn’t aim to make the fight realistic but uses more abstract visual language to show how it actually FEELS to be in there. For example, at one point, the crowd disappears and the fight takes place in an empty arena, it really highlights the personal nature of the feud between the two characters. Jordan has said he was heavily inspired by anime when it came to how to shoot the fight scenes, that makes a lot of sense. It’s a bold choice, but it pays off.

Another smart choice is casting Jonathan Majors, who was last seen in Ant-Man And The Wasp: Quantumania. As daunting a presence as he was in Quantumania, it’s in Creed where he is more imposing. He looks like someone who can punch your head clear off your head, and carries himself as someone who would. It is kind of a weakness of the film that his point is too good. Most people would do what he did in that situation, so it’s hard to not only sympathise with him but to kind of root for him. I’m not asking him to come out and punch a child, but they could have done more to make him more of a villain. Wouldn’t even take something (Jonathan) major, his incarceration was kicked off by Adonis punching someone who abused him at a children’s home. All it would take is for Adonis to find out that Damian planned that person to be there to steal the money Adonis won from betting earlier. Or have Adonis’s mother Mary Anne point out horrible things Damian did to Adonis as a child (stealing his stuff, belittling him, stopping him from entering a boxing tournament, I dunno, something). He is still a prick, and his underhanded tactics in the fight to make you slightly hate him, but Damian is definitely too easy a character to root for.

Michael B Jordan continues to shine as Adonis, but he is slightly overshadowed by not only Jonathan Majors, but also Phylicia Rashad, who provides much of the emotion, kind of like Stallone did in the last one. On that note, I should point out that Stallone is not in Creed III. To be honest, he’s not missed. If Stallone was in this then it would be far too busy. There’s no space for the Rocky character, it also means that Adonis stands out more as a focused character. You’re not sitting there waiting for Rocky to turn up, you might not even notice he’s not there until you think about it.

Onto the downside: the pacing is a little off. It ends brilliantly, but the middle section seems rushed. Damian chases the title for a while, but we don’t get to see him as champion that much. It’s a shame as there is room for an interesting story about how the boxing world views him. We don’t really get how the boxing world reacts to someone winning the title in their first professional fight, and being much older than most professionals. There’s definitely space to tell this story too, it keeps going back to the incident at the grocery store when really we only needed to see it twice, once at the start, and then again later on for clarification with new context. It also wouldn’t be a bad thing for the opening to be a bit quicker. Those are minor issues, and it doesn’t stop Creed III from being a fantastic film, but it does stop it from being among the best I’ve ever seen.

So in summary, definitely go see this. I’m not sure where the franchise can go from here, but at the moment this is a damn fine conclusion to the saga.