2023 In Film: Day Five (The Okay)

All Quiet On The Western Front

Ups: Some beautiful shots.

The best use of silence in a war movie

There are moments where the sound effects, the turning wheels, the sliding doors etc, almost seem like beats accompanying the music. Phenomenal sound work.

Downs: Bit too oscar-baitey

Weirdly anti-French.

Not really the right time for a film like this.

Best Moment: The scene with the dying French soldier. Haunting.

Worst Moment: The bits which were invented for the film.

Best Performer: Felix Kammerer

Opening: A few shots which I was pretty sure were paintings when I first saw them.

Closing: He dies, JUST before the war is over. Utterly pointless, and very in keeping with the story being told.

Best Line: All that’s left separating us from an armistice is false pride.

Original Review here

Apocalypse Clown

Ups: So funny.

Makes the most of the premise

Utterly ridiculous, in the best possible way.

Downs: Loses its way a bit in the middle.

Most of the performers seem to be doing tribute performers to other actors.

Best Moment: The creation of Funzo. Provides a heartbreaking backstory to what could be a one-dimensional character.

Worst Moment: The conspiracy theory section seems a bit of a pointless detour.

Best Performer: Natalie Palamides. Her character, as written, is already the highlight of the film, but her physicality is tremendous. Even the way she eats ham is notable. She is never not on.

Opening: “They say you should never give up on your dreams, but what if you should?” A nice happy way to start the film off, over scenes of destruction. Considering it’s a relatively small budget the scenes of apocalypse look pretty decent. There are large fires, derailed trains etc.

Closing: It wasn’t the apocalypse, a Garth Brooks concert created a power surge. Hilarious ending.

Best Line: When discussing how they accidentally set fire to their friends: “I thought it said laughter fluid”

Original Review here

Cassandro

Ups: Interesting story.

Downs: The editing is a bit choppy at times.

He gets loved way too quickly.

Best Moment: When a fan on a talk show thanks Cassandro for giving him the courage to come out to his father. His reaction is perfect, you can tell he’s happy, but also slightly envious that his father didn’t react the same.

Worst Moment: The moment where his mother dies doesn’t quite hit as hard as it could do

Best Performer: Gael Garcia Bernal.

Opening: Character walks into a run-down gym. Lots of locker room banter which is pretty much just “wanna fuck?” stuff. Then a match starts. It’s good at showing the location etc. There’s no glamour etc, just a grotty warehouse and dirt. He then watches an exotico match and is entranced by the reaction, especially after the unsatisfying feeling he had for his match. A really quick way of getting character motivations over.

Closing: He has a frank and honest discussion with his homophobic father. Incredibly powerful.

Best Line: “I needed you, at a certain point in my life I needed you, but now I don’t. And that’s okay”

Original Review here

Dungeons And Dragons: Honour Among Thieves

Ups: More competent than you’d think

Clearly made by people who were passionate about the project

A lot of fun.

Downs: The characters don’t take the threat seriously

The big bad isn’t pushed as a big deal so feels inconsequential.

Best Moment: The swooping transformation.

Worst Moment: How it takes so long for them to realise the villains’ plan

Best Performer: Sophia Lillis

Opening: Narration

Closing: More narration

Best Line: “I don’t want to see you die. And that’s why I’m leaving the room”

Original Review here

El Conde

Ups: It leans into the weird premise brilliantly.

There’s a sense of music in the way it’s shown, the actions flow very well.

Some very clever nods to cinematic vampire lore.

Downs: The black-and-white appearance may put some people off.

Far far too much narration.

I get the fact they have an English language version, but was it necessary for them all to have very British accents?

A vampire Pinochet after power isn’t as interesting as a vampire Pinochet in or rising to power.

Best Moment: Carmen flying. Yes, it looks quite fake, but there’s a real sense of playfulness and beauty to it.

Worst Moment: The execution of Marie Antoinette. Only because the scene of her head being held up looks fake.

Best Performer: Paula Luchsinger

Opening: A rousing military march being played on a record player over a black-and-white scene. Instantly sets up the military theme. Then a Margaret Thatcher sound-alike talks about a vampire comparing blood tastes. This leads into the themes incredibly quickly. Then leads into how vampire Pinochet came to power.

Closing: Thatcher and Pinochet survive. Literally, as opposed to modern Britain where it’s just their ghosts and horrific ideas that survive.

Best Line: If you want anything said, ask a man. If you want anything done, ask a woman.

Original Review here

Haunted Mansion

Ups: Funny

Smart characters.

Good starter horror movie for kids

Downs: Poor choice of opening.

Needs more memorable music.

Weird choice to release it in summer.

Best Moment: The police sketch artist, genuinely laughed out loud.

Worst Moment: When it’s revealed that Travis’s dad is dead, mainly because it seemed really obvious and surely everybody assumed that was the case.

Best Performer: LaKeith Stanfield.

Opening: Ben meets his wife. Kind of sweet, but not really needed and might have been better as a flashback later on.

Closing: Halloween party. Here’s where the lack of memorable music hurts it most.

Best Line: I know this place isn’t as warm as I hoped. But I’m gonna light a vanilla candle, and it’s gonna be a game-changer.

Original Review here

Napoleon

Ups: Bloody

Some great battle scenes.

Downs: Everybody has an English accent so it’s difficult to tell people apart.

Long

Historically inaccurate

Terribly paced.

Best Moment: The Siege of Toulon. Does a decent job of showing his strategic side.

Worst Moment: The first exile, seems to happen too quickly.

Best Performer: Vanessa Kirby

Opening: Marie Antoinette gets beheaded by a guillotine. She’s not mentioned again but I assumed she died. A good way of setting up Napoleons’ motivations. Also lets you know how bloody the film is going to be, it doesn’t shy away from the gore but it’s never gratuitous.

Closing: He’s exiled. It doesn’t really do a good job of selling that he was there for years. It does tell you, but it would have been better to show so that you truly sense the isolation and despair his final years consisted of.

Best Line: “You think you’re so great because you have boats!” hard to figure out why it’s hard to take this film seriously.

Original Review here

The Hunger Games: The Ballad Of Songbirds And Snakes

Ups: Some good character work.

Looks dystopian

It has the balls to kill a disabled child.

Brutal.

Downs: Terribly paced.

Wrong choice for the protagonist.

Needs a sequel, but won’t get one.

Best Moment: The bombing of the games. Comes out of nowhere and is genuinely shocking.

Worst Moment: The entire final section. It cannot be overstated how much everything after the games just KILLS the momentum.

Best Performer: Rachel Zegler

Opening: General Snow dies. Not the most exciting opening.

Closing: Coriolanus becomes a full-on asshole. Doesn’t really feel deserved.

Best Line: Corals dying words.

Original Review here

Dungeons And Dragons: Honor Among Thieves (2023) Review

Quick Synopsis: A ragtag group of misfits go on a fetch quest.

Dungeons And Dragons: Honor Among Thieves (or to give it the title it should have if it’s spelt correctly: Dungeons And Dragon: Honour Among Thieves. Or as a shorter title: DADHAT) is actually the fourth Dungeons And Dragons movie, the previous ones starring Jeremy Irons, Marlon Wayans, and Thora Birch. Well, I say “previous ones”, they were all in the first one. The other two feature actors who are…..not as well known, and were released straight to DVD. So it’s fair to say expectations for this were not exactly what you’d call sky-high. Added to that, it was originally scheduled for release back in 2021, and a film being delayed by almost 2 years is never a good sign (for evidence of this: New Mutants, Morbius, and countless more). There’s not even a huge star to anchor this. Chris Pine is a good actor, sure, but he’s not at the level where members of the general public who don’t often go to the cinema will pay to see a film because he’s in it. So is there any hope for this film at all?

Turns out there is. Jonathan Goldstein and John Francis Daley (who previously directed the supremely underrated Game Night) used a sneaky trick which I suspect may help this film turn a profit. A devious and sneaky trick which other studios may want to pick up on; they made a good film. I’m surprised more studios don’t do that tbh, it could become a trend. In fact, I’m hoping it does.

Now I’m not saying this is a great film, but it is definitely better than it needs to be. There’s a scene where a shapeshifter runs through a building and outside to her friends, they could have done this in any manner of ways to make their job easier. Instead; it’s one long continuous shot. That was completely unnecessary, nobody would have criticised it for going slightly cheaper by having the transformations happen off-screen (so a mouse runs behind a curtain, a tiger runs out etc), or even if they only did two transformations. Instead, it’s like the directors WANTED to make things difficult for themselves, and I admire that.

It’s moments like that that make you realise that DADHAT was made by people who actually gave a shit about what they were making. This extends to the performance too; Daisy Head (daughter of English Vampire/Richmond FC botherer Anthony Head, not relevant, but I only just discovered that and wanted to share it) spends most of the film with more make-up than [insert name of a woman that the internet has decided it hates now] and is still giving it everything. Hugh Grant is clearly in the “shits and giggles” stage of his career. It’s said that some struggling actors base decisions on what will allow them to eat that month. Hugh Grant definitely does that, only the thing he eats is the scenery, which he chews like you would not believe. It’s amazing to watch and gives you the impression that everyone on set was having a lot of fun. The chemistry between the cast will make you think they’ve all worked together as an ensemble (as opposed to working individually as ensembles obviously) multiple times. Some of the performers you will know; Hugh Grant, Chris Pine, Michelle Rodriguez, even Bradley Cooper makes a random appearance. But the “new” performers more than earn their spot. Rege-Jean Page makes the journey from Bridgerton to Tonnes-Of-Bridges with ease. I wouldn’t say he’s the best performer, but he has such a magnificent screen presence that if a movie studio had any brains they’d sign him to lead a franchise. Justice Smith continues to be an entertaining presence (as he was in Detective Pikachu). My personal favourite is Sophia Lillis (best known from IT, Sharp Objects, and I Am Not Okay With This). Her performance as Doric is a delight to watch and I hope leads to even more for her in the future.

So what stops me from enjoying this even more? Because there are a few things it does badly. It’s difficult to take the threat seriously, because at times it feels like the characters aren’t. They do show fear when directly facing an enemy, and they do talk about their worries, but they also spend too much time making jokes about the situation they’re in. So because the characters don’t take it seriously, the audience doesn’t either, so there’s no tension. The attempt at emotion doesn’t really ring true. Finally, the “final boss” so to speak isn’t pushed as a big threat either, she barely gets a chance to flex her villainous muscles before she’s defeated.

Wait, underwhelming villain, tonally inappropriate jokes, zero tension, CGI Bradley Cooper, a final battle that is just CGI, and a lead actor called Chris. Is DADHAT part of the MCU?