Blade Runner: 2049

Confession time; I have not seen the original film, and unlike Star Wars or Back To The Future it hasn’t really permeated pop culture that much. Don’t get me wrong, I am aware of the film, and it’s importance, and I understand a few references to it, but references to it aren’t quite as mainstream as they are to other films. This, combined with lots of people saying they didn’t understand this film and that it was too complex, made me think that I would hate this film. Not because of what the film is, but because I just wouldn’t get it. My response was going to be “it’s good, it’s just not for me, and I was really confused”. Well, I was confused, I was confused by the confusion. People are talking about it as if it’s a really complex plot where you have to pay close attention to everything in every scene and do a lot of research beforehand to understand, I knew nothing and still knew what was going on, it’s not that complex if you’re paying even the smallest amount of attention.

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“that fourth raindrop from the left is actually vitally important, if you miss that you miss everything”

Was surprised that Harrison Ford didn’t appear until MUCH later than I thought he would. I expected him to make an appearance at about the 1/3 mark. Nope, it was more like the 2/3 mark. Which was a bit strange as he was all over the marketing campaign and was the lead in the original, so a lot of people would have been waiting around him to appear. Although I suppose this did mean that by the time he did appear, everybody was already invested into the story, so he didn’t really take away from Gosling. Make no mistake, this is Gosling’s film, and he nails it. Although the supporting cast does a great job too, So many of your new favourite actress’s will be in this film. A lot of unknowns were cast, yet gave amazing performances. Ana De Armas and Carla Juri deserve special mentions. They both portray their characters with enough vulnerability to make them believable, yet enough determination that they fit this universe. Their characters were great too, you imagined they all had lives outside of this film, they exist on their own terms, not just related to the story.  It felt like you could write entire novels based around them.

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This scene is actually genuinely quite touching in the final film

The world itself was beautifully created as well, not just visually (although it was visually stunning), but also in terms of believability. Those of you who read the review of Valerian will know how important I consider world building to be, particularly in this genre, for films like this the universe it’s set in is almost a character in itself, so if you don’t do that well it really effects it. Done really well in this though, everything looks just dirty enough to be real, yet clean enough to be futuristic. On that note; this film looks SUPERB. You could pause this at almost any point in the film and use that as a poster. This, combined with Arrival last year must surely make Denis Villeneuve one of the best-regarded directors around.

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I also liked how the story threw a genuine curveball in the closing stretch. I do like a good twist if it’s well done. That’s the trouble with a lot of plot swerves, they come out of nowhere and make no sense. A good one makes sense, a GREAT one will be so logical you’ll feel stupid for not realising it sooner. So in summary, this is going to be one of those films that pretentious film buffs constantly try to show you, let them.

Recasting: The Justice League

So to celebrate (or commiserate: we haven’t seen it yet) Batman Vs. Superman (or to give it it’s full title: Batman Vs Superman: Dawn Of The Rise Of The Planet Of Justice League Of National Geographic) we thought we’d do a blog about it. Marvel’s cinematic universe is in full swing (although after the somewhat muted reception to Avengers: Age Of Ultron, it’s fair to say there is a lot riding on Civil War) but what about the DC one? It’s irrelevant to this blog anyway, as we’re reshaping it anyway with our traditional recasting. So here we go!

Superman/Clark Kent

"The Hunger Games" Los Angeles Premiere - Arrivals

Wes Bentley

This was quite hard to do really. I say this as a completely heterosexual person, but Superman has to be good looking. And in a certain way. He can’t be hipster good looking, and he can’t be the kind of guy you imagine stepping shirtless out of a lake, he has to be 1940’s good looking. The kind of guy you imagine playing snooker in a smoke-lit bar. I was going to go for Afleck for this but then realised someone better: Wes Bentley. Otherwise known as the guy who died in the first Hunger Games film. To me he has the look, he has the hair, and he has the certain “otherworld”ness that he needs.

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Matt Damon superman

An American as the American icon! Perish the thought! But really, even as he gets up there in years, Damon still has the boyish charms of a boy scout, but the chin and body of a harden soldier. His charismatic roles in light-hearted films like, The Martian, Ocean’s 11, and The Informant shows he can play adorkable very well, while his Bourne franchise shows he can kick-ass with the best of them. Dye his hair black and bulk him up a bit and, BAM-BOOM-WACK, we’ve got a lovable Clark Kent and a badass and charismatic Superman. Really he seems like an obvious choice, and I’m surprised he’s never been approached before. Admittedly he’d have to be an older Superman, but what’s wrong with that?

Batman/Bruce Wayne

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Tom Hiddleston

I know, never going to happen but I think he could do it. The reason why I never really brought Bale as Batman had nothing to do with his performance as Batman, it was his performance as Bruce Wayne that I hated. Bruce Wayne is basically a swaggering cockhead, Bale never had that “I’m the smartest guy in the room” mentality. Hiddleston would. I know some people may doubt he’d be physically imposing enough and to them I say this: Michael Keaton managed it. Side note: I was also considering Tom Hardy for this.

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Clive Owen

I really like the look of Ben Affleck as Batman, and I’m not surprised the early reviews for OwenBruceBatman v Superman are siting him as the best thing about it; but as my co-producer said, this is recasting, so we have to recast. So I choose the grizzled British badass himself Clive Owen because… well look at him. Those eyes. That chin! He’s shown he has the charm and wit to play a convincingly smarmy Bruce Wayne in films like Closer, and the action experience and intensity to be a terrifying Batman. Again another older pick, so realistically there would be a restriction to how long he could play the part, but who cares!

Wonder Woman

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Lily James

Yes, I know, Gal Gadot looks like she’ll be f*cking superb. But the name of the blog is recasting so I have to recast. This choice was made entirely because of Pride And Prejudice and Zombies, for which she was absolutely amazing and kicked the right amount of ass. I was also tempted to go with Ronda Rousey before remembering I have no idea if she can act or not. There’s a real lack of women in hollywood who could make believable action heroes.

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Emily BluntALL YOU NEED IS KILL

I just like Emily Blunt, can’t lie that’s part of it. But there are a lot of legitimate reasons why she would be a great Wonder Woman. One) she actually looks like a woman, not a teenager (and that’s only a small poke at Gal Gadot, who does look good). And two) with her excellent turns in the recent action heavy Edge of Tomorrow and Sicario, she’s shown she can own complex action set-pieces with the best of them, and can play intelligent militaristic characters with human flaws to a tee; traits a good Wonder Woman needs, coming from an island of Warrior Women and all.

Green Lantern

Nathan Fillion

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Mainly because in my head I can hear him do the Lantern Oath in my head. And he looks like the kind of guy who’s had powers bestowed upon him, rather than having been born.

 

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Michael B. Jordan

John Stewart has always been my favorite Green Lantern, and after the disastrous abortionlantern of 2011’s Hal Jordan Green Lantern film, I think a change of pace with the hero is needed. Now Michael B. Jordan maybe a bit young to play the part, but he’s a fast rising star who’s already proven himself to have the chops to carry a film and do action well, so a younger take on the character could easily work, and add some needed levity to the DCCU. Honestly Jordan would make the perfect Cyborg too, having already voiced the character in Justice League: The Flashpoint Paradox, but we didn’t include him on this list because well, who thinks of Cyborg when you think of the Justice League!

Aquaman

eye-candy-ryan-gosling-4Ryan Gosling

Imagine the fanservice! The film would have an excuse to have Ryan Gosling walking slowly out of a puddle of water, thereby doubling your ticket sales AND encouraging a few more puddles of wetness in the audience. He has the looks, he DEFINITELY has the star power, and if you’ve seen Only God Forgives etc you know he has the acting skills necessary. Aquaman is generally regarded as a bit lame by the mainstream audience, so it needs somebody who can kick it back into relevancy. And who better than Gosling?

OR

Charlie Hunnamimg_0665

I haven’t seen Sons of Anarchy, or even Pacific Rim, though heard great things about both. The only things I’ve seen him in are Crimson Peaks, which was fine, and the UK Queer as Folk series, which I didn’t realize was him till just now. So this is based purely on look and reputation, but Hunnam looks perfect to bring the king of the sea to the big screen, and would actually fit the character’s iconic (and heavily mocked) design, adding the much needed edge and toughness too it, instead of just changing it like the Jason Momoa version has.

Films to look Forward to in 2016

Batman V Superman: March 25

PHDHoUG4AUNdHI_1_lBecause despite the last trailer giving WAY too much away, who isn’t going to see this film? It’s Batman fighting Superman…for at least a third of the film anyway. And despite that trailer there’s still hope. The idea that Batman is turned against Superman because of the chaos he caused in Man of Steel is good screenwriting; it makes sense from a character point and helps bring the films together. The casting is also very solid, with Batfleck actually looking to be one of the best iterations of the Dark Knight yet. But we all still need to take a step back to wait and see whether Jesse Eisenberg’s Lex Luthor is the trainwreck everyone is HOPING it will be, or whether like Keaton and Ledger before him he will turn in a great performance despite the naysayers. I have no idea, but I at least love how much fun he seems to be having.

 

Deadpool: February 10

I limited this list to only Deadpool_postertwo superhero films because I didn’t want it to be inundated with them, and I wanted this to be a cut away from a lot of most anticipated lists by not just focusing on the big blockbusters coming our way (but saying that I am looking forward to Civil War and Dr Strange).
Now Deadpool; the reason I chose this over the many superhero flicks of 2016 is because this is by far the riskiest. R rated, fourth wall breaking, X-Men Movie universe expanding, and Ryan Reynolds’ starring; it’s had the best advertising campaign of any superhero film that manages to introduce the character while staying true to his roots, and is being made by people who clearly care deeply about making it an authentic adaptation. So let’s hope all those good intentions don’t pave the way to hell this time.

 

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Hail, Caesar!: February 26

Because it’s the Coen brothers (who I’m not the biggest fan of so not just dick sucking), doing a satire of the golden age of Hollywood with an all-star cast of old (Clooney and Brolin) and new talent (Hill and Tatum), with a the truly Coeny plot about a Charlton Heston type movie star being kidnapped, and the hapless Hollywood fixer who has to find him. It should be a very gaudy picture, with its only hurdle to clear is the early February release date, which could be a) a sign that the Coen’s just don’t give a shit, or b) the studio wants to drop it where no one will see it. We will see.

 

 

 

Everybody Wants Some: May 13

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His first film since his cinematic milestone and masterpiece Boyhood, Linklater returns to his stoner roots, with the spiritual sequel to possibly the best hangout film ever, Dazed and Confused; the 70s set stoner comedy that always found the chuckles, but never lost the poignancy of leaving your teenhood behind. This latest outing is set in the 80s and picks up exactly where Boyhood left off (if a few decades earlier) with a group of teens (played by refreshingly unknown actors) integration into their first year of college life and their college baseball team. Now this doesn’t sound that different from your typical stoner/gross out comedy of today, but with Linklater’s sensitive directing and thoughtful mind for youth and character, what sounds like a typical set up will (hopefully) be another timelessly funny and heartfelt film that captures that moment between teenhood, everything else, and who knows what.

 

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Fantastic Beasts and Where to Find Them: November 18

I like the Harry Potter films about as much as the next guy, I grew up with them. But honestly I might be looking forward to this more than any of those films, because I always found the most fascinating part of them to be the world itself. And now we have a film set in that world, Seventy years before the original films (so in the 20s), set in New York, led by one of the best young British actors working today Eddie Redmayne, and was penned by J.K Rowling herself…I’m shocking myself how game I am for this film, and you all should be too! It’s Harry Potter without Harry Potter!

 

The Disaster Artist: TBA

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The adaption from the unsurprisingly hilarious but surprisingly poignant novel about the making of The Room, the infamously best worst movie ever made, but is really about the friendship between its crazy maker Tommy Wiseau and his co-star Greg Sestero. Produced by Seth Rogan and directed by James Franco (who with his directing record doesn’t scream hope), but with a screenplay adapted by Scott Neustadter and Michael H. Weber, the screenwriters behind The Fault in Our Stars, The Spectacular Now, and 500 Days of Summer, I became far less worried. And that was before the all-star cast started flocking to it like moths to an eccentric flame. James Franco of course is taking the role of Mr Wiseau himself, and his little brother Dave is Greg, but as well as them; Seth Rogan, Zac Efron, Alison Brie, Sharon Stone, Josh Hutcherson, and Bryan fucking Cranston, are also co-starring. With such a shockingly A-list cast, we can only hope they’ve all gathered because of the strength of the script and talent involved, and nothing less. If Franco can make this even half as good as the novel, this could be one of the best films of 2016.

 

The Nice Guys: May 20

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If my look at Shane Black’s Kiss Kiss Bang Bang didn’t give it away, I love Shane Black when he does buddy movies. So it’s great to see him return with what looks like a spiritual sequel (or prequel) to that, with this 70s set dark comedy crime thriller that brings us the inspired pairing of Russell Crowe and Ryan Gosling; an enforcer and hapless private eye who team up to find a missing girl and solve the murder of a porn star…how can you not be stoked for that! So let the guilty violence and laughs commence!

 

 

 

 

Moana: November 23

moana-poster-conceitual-camundongoDisney’s next animated film after the disappointing Big Hero 6 (and fuck you it wasn’t that good) brought to us by the directing duo behind some of Disney’s greatest films (Aladdin, The Little Mermaid, Treasure Planet) and will follow an ancient Oceania tribal girl as she searches the South Pacific for a fabled island, helped by a demi-god voiced by Dwayne Johnson. Don’t know much beyond that, but with the talent involved we can but hope for another Disney classic, or at least something up there with Tangled and Frozen.

 

 

 

kuboKubo and the two strings: August 19

 

But this is the animated film I’m looking forward to most in 2016! Brought to us by the same team and studio behind the stop-motion masterpieces Coraline and ParaNorman, comes this action fantasy set in ancient Japan about a teenager fighting demons and searching for the magic armor his legendary samurai father once wore….it’s a STOP MOTION ANIME! I MEAN…how can you not be wetting yourself at the awesomeness of that! And with an all-star cast, the talent behind the scenes, and the recent trailer for it, all we can do now is wait and hope.

La La Land: July 15

Stars On The Set Of 'La La Land'

 

A musical dramedy about the romance between a jazz pianist played by Ryan Gosling, and an actress played by Emma Stone, and J.K. Simmons is in it too. Really the only reason this has made the list is that its writer and director Damien Chazelle’s follow up to his jaw-breakingly great Whiplash. Whether he’ll be able to live up to that will have to be seen, but I find it a good sign he appears to be going for a very different vibe for this film.

 

 

High-Rise: March 18High_Rise_2014_Film_Poster

The new and probably highest profile film from the bizarre director of Sightseers, A Field in England, and Kill List (the only of his films I have seen), Ben Wheatley; and stars Tom Hiddleston as the newest resident in a self-contained block of highrise apartments with a vicious classiest system, in this dark comedy Sci-fi thriller…or something like that. Co-starring Jeremy Irons and Elisabeth Moss, there is still a bit of mystery about this film, for all those who haven’t read the books it’s adapted from, as the advertisement has done a good job in being vague on plot but specific on tone and style. And with early release reviews beginning to come in I’m seeing almost equal people calling it a failed attempt at something grand, or hailing it as a masterpiece. So I’m glad its release date isn’t too far into this year, before we get a chance to judge for ourselves whether Mr Hiddleston has been using his Marvel down time on worthy projects.

Live by Night: October 7

2E0BBB1A00000578-3300941-image-a-62_1446500565850Ben Affleck finally took a break from acting to get back to his much more interesting career as a director, with this follow up to Argo. Adapted from another Dennis Lehane novel like his first and best film Gone Baby Gone, it’s a period crime thriller that follows the prodigal son of a police captain as he becomes a bootlegger and later a gangster legend. Again here because of the director and writer’s track record, he’s currently three for three on great thrillers, and I doubt Affleck’s in a hurry to break the streak; especially with his next directorial project being the first solo Batman film in the new DCCU. And that’s before mentioning that Mr Leonardo Dicaprio has taken on a producer hat for it.

Of course these are only vague predictions on what will be some of the best films in the coming year, as we all know that best films tent to come out of nowhere with a sharp left hook, not let us see it coming from months away.

Films Worth Seeing from 2015: The funny ones

Instead of a normal top ten list of the best films of 2015, here’s a list of film worth a watch from 2015, separated by genre and in now real order.

The Comedies (or the next best thing)

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A little seen but a very affectionate film that follows a witty but depressed cartoonist trying to be a single father and bounce back from his divorce. Now it doesn’t sound that different from your atypical rom-com shlock, but with a sensitive script that knows how to pluck your heartstrings to make you laugh and feel, and a surprisingly nuanced turn from Jemaine Clement (of Flight of the concords’ fame) and his chemistry with everyone he shares the screen with, People, Places, Things, becomes the movie equivalent of an awkward bear hug and a nice cup of coffee.

 

Mistress America

mistress_america_poster_midnight_marauder_2The second film this year from Indie director superstar Noah Baumbach, after his critically acclaimed While We’re Young, which was…okay. But he makes up for it here in this sharply funny and very earnest film about adult life, facing your limitations, and the fact that the people who act the happiest rarely really are. All as seen from the POV of an introverted university student as she gets to know her new manic pixy hipster step-sister. Again a bit of a plot-less film, but the shear energy Greta Gerwig brings to her role, and the zany dynamic she and every other character has, takes this film and its characters to a whole other level, and then turns the comedy around to look at the tragedy of it all. It’s possibly his best work since The Squid and the Wale.

The Big Short

the-big-short-movie-posters-001.jpg~original.jpgFrom the director of Anchorman of all people comes the other awesome investigative film of the year, and don’t believe the trailers, that is what this film is. Selling itself as some form of Ocean’s 11 but about the 2008 Credit Crunch, what this film actually turned out to be is a very in-depth and detailed look into all the fraud and corruption the Bank’s did to cause the financial crash. And it’s told from three different parties separately looking into it, each group led by an outstanding Christian Bale, Steve Carell, and Brad Pitt. But the trailer didn’t completely lie; this is a comedy (if a thrilling emotional one), with most of the big laughs coming from an enjoyably

Picture1.pngsleazy Ryan Gosling who narrates the film while also having his own place in it, trying to explain to us the inner workings of stock broking, and introduces some ridiculous celebrity cameos. Surprisingly well directed, and masterfully written and acted, it has a few bums and clunks in its tone, but is much more than the fast and funny caper the trailer tried to sell it as.

The Voices

This being Troubled Production’s other producer’s favorite film of 2015, I’d8345_poster_iphone of felt bad if I didn’t mention it somewhere, but that’s far from the biggest reason it’s here. The Voices is a delightfully quirky black comedy from the director of Persepolis (because of course), led by a possibly career best Ryan Reynolds as a mentally ill serial killer who talks to his dog and cat. If that doesn’t sell it to you, nothing will. This film revels, revels, in its warped quirky darkness, and manages to be simultaneously, outlandishly funny, disturbingly dramatic, and just plain charmingly odd because of it. It’s a film with a bonafide destiny to be a cult classic, for the people who like their comedy, dark, violent, and silly. And with this, thevoices0002

Mississippi Grind, and a hopefully awesome Deadpool, let’s hope the underrated Mr Reynolds is back on the rise.

 

 

The Diary of a Teenage Girl

8c9eb37b259f536f6381af56983f06baThe oddest but most accurate description I’ve heard for this 70s set coming of age dramedy, is that it’s the spiritual sequel to Inside Out…now they don’t mean that the titular teenage girl has a bunch of voices in her head, but is instead referring to that it follows the growing development of a young soon to be woman. As Inside Out ends with Riley on the cusp of teenhood, The diary of a teenage Girl picks up a few years later with a fifteen year old girl’s sexual awakening (forgive me for using the word sexual in the same sentence as Inside Out), and that’s what the film is about in a nutshell; sex. It’s about the first time and the times after that, it’s about becoming comfortable with yours and other’s bodies; Picture2it’s about experimenting and working out what gets you off, and then finding the limits. And I have SUCH respect for this film, because it’s about a fifteen year old’s sexual awakening and it shows it. There are no cutaways or clever angles, you see all of her, and that adds such authenticity to her and her story; because the fact that the film doesn’t shy away from you, means you don’t shy away from it; through every sweet, funny, and emotional moment, on this journey to the end of innocence and the start of everything else.

Man Up

This is that special romantic comedy large_large_y7C1EQ9zxJ3mlaQeRztw3NVw41Pthat’s the perfect mix of cynicism and cheese ball romance, of those little moments and grand gestures. And is the best non-blockbuster/ Edgar Wright film Simon Pegg has ever done. Following a 30 something woman in a romantic rut, she ends up stealing someone else’s blind date, and going on an amazing date with them instead. Now with that set-up this could have easily turned into a basic liar revealed plot, but I’m happy to say it doesn’t (if it did would it be here), and instead goes off in much sweeter and funnier directions. It’s definitely one of the funniest films of the year, and the perfect date movie for people who hate date movies.

Sleeping with Other people

236272This is just funny. Yeah it’s sweet, raunchy, and romantically mature too at times, but mostly it’s just funny. Jason Sudeikis and Alison Brie make a strong double act, playing two sex addicts who start a platonic friendship to try and help each-other deal with their relationship issues, and of course fall in love along the way. So it does get a bit too cliché at the end, but the journey there is so fun and so tastefully raunchy it’s still definitely worth a watch.

 

 

 

Me, and Earl, and the Dying girl

Along with The Big Short, and The me-and-earl-and-the-dying-girl-poster-olivia-cookeDiary of A Teenage Girl, this is the other film pushing the boundary for ‘comedy’ this year. Not because it isn’t funny, it’s filled to the brim with funny teen angst and witticisms, but it’s also about a girl dying of cancer, and this isn’t no Fault in Our Stars shit (I say actually liking that film), and stays far away from schmaltz, opting for a much bleaker and deadpan look at teen life and death, and has no quorum ramping up the seriousness and heart wrench when the time comes. Now it maybe too self-indulgent and referential for some people and it definitely reeks of 90’s teen dramedy at times, but past that I found a very earnest and true look at teen life on the outside and at dealing with death, that really captures the teenage voice.

Top 5

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Oh and Top 5 was pretty funny. Forgot about that one till I just came to post this.