X-Men: Dark Phoenix (2019)

I’m always wary when people describe films as “one of the worst of the year”, particularly when it comes to films with female leads (the new Ghostbusters, for example, was at worst, inoffensive and bland, yet received the vitriol usually reserved for a fart at a funeral). Let me reassure you, this film is as bad as you have heard. I haven’t seen anything this bad since the new Hellboy. In fact, I think this might be worse, it seems to fail in every single aspect of what makes a film good.

1. It Doesn’t Fit The X-Men Timeline

Like, at all. People criticise the MCU for being inconsistent with timelines, but this just takes the piss. Let’s get the obvious out of the way; so there are essentially two X-men timelines in terms of cast, right? There’s the old one (which is technically the new one as the films are all set in the present day), with Patrick Stewart etc. Then there are the new ones (which are the old ones as they’re prequels) starring McAvoy etc. The first Stewart film was set in 2000, whereas the McAvoy ones start in 1962, this one is set in 1992, so 8 years away from Stewart, but 30 away from McAvoy, so obviously they use the McAvoy casting group. That’s f*cking weird.

2. Pulls A Snyder

As I’ve probably before when mentioning Batman Vs. Superman etc, Zack Snyder has a very specific problem with his directing style: he creates good looking shots, but to get to them people do very stupid things. This film has a tendency to do the same thing, well, it attempts to, it forgets to do the “make the actual shot look good” part, so you end up with shots which they build up illogically. One in particular that stands out is when they’re rescuing people in space, and one of the X-Men exits the spaceship to save someone and ends up just floating in space, holding one of the other characters (presumed) lifeless body, and instead of going straight back to the ship (you know, where they can breathe), he just stays staring there for like 10 seconds.

3. The dialogue.

The dialogue here is, well it’s not good. It has some of the worst dialogue Jennifer Lawrence has ever had to utter (which considering she was in Serena, really takes something). There’s one line in particular is cringeworthy:

“We’ve saved you so many times, maybe you ought to rename us X-Women”

This comes immediately after a scene where two male characters are integral to saving lives, so it makes NO sense and is just there to get a “woo” moment from the audience. It also wastes the one F-Bomb they have, wasting it on a character who delivers it with all the menace of strawberry yoghurt. Completely wasted, he delivers it flatly, and none of the characters even respond to it.

4. Wasting characters.

It’s not just the f-word they waste. They have Quicksilver, who is one of the best characters in the franchise (and handled A LOT better in this series than it was in the MCU), and they decide to sideline him for most of the film. This is really weird as just after that they kill off Mystique (Apparently, because Jennifer Lawrence didn’t want to play the character anymore). Now, this is tipped to be the last movie in the franchise, so wouldn’t it have made more sense to kill Quicksilver, and sideline Mystique?

5. Wastes Ideas

One of the most frustrating parts of this film is it occasionally flirts with interesting concepts. The biggest one is that Xavier has become ego-driven and affected by fame. Which is another idea; at the start of this film the X-Men are heroes, with a direct line to the US government. How will these characters react to finally being loved and adored? No idea, this film throws that aside.

6. The Story

There’s no compelling villain in this film. The main villain isn’t actually Jean Grey, as the marketing suggests. She is for some of the film, and then she suddenly has a face turn and the villain becomes someone who she gave some of her power too. So essentially she’s a less powerful version of one of the main characters. So there’s no sense of drama, at all. She belongs to an alien race who are never really explained. We’re given their name and a VERY short backstory. How short? Put it this way, the detail they’re given is less than the detail we STILL get every time they reboot Batman. It’s also never explained why they already have important government positions before the invasion. The final third was rewritten, and you can tell.

7. Everyone is an idiot.

Well, I say everyone, the government gave Magneto his own land. That’s Magneto, who has tried to overthrow the US government multiple times, and basically attempted genocide. Why would the government give him land? It makes no sense.

8. It’s too late.

This is a poor end to the franchise. Which is a shame as this franchise already had the perfect closer: Logan. That is genuinely one of the greatest superhero films ever, and the perfect goodbye. That film gave the franchise a lot of good will, which has now been thrown away in this, this, this, REALLY bad film. It’s REALLY bad. And the fact it came after Logan (and is the first superhero film to come out since Endgame), just makes it seem even worse.

Logan

I was very nervous about this film, I worried it wouldn’t be that good. Actually that’s a massive lie, but it sounds better than “saw the trailer, liked the trailer, was pleased with the final result”. This film was what I expected to be, and to be honest it’s what it needed to be; which is the first truly mature comic book film in a long time. Some people would say that Deadpool deserves that accolade, but I wouldn’t count that as mature. It had lots of blood and adult content, but it was very silly and lowest common denominator, don’t get me wrong, I do love that film (it was one of my favourites from last year), but it’s not mature at all. This film is though. One of the best compliments you can give this film is that it is a fantastic film, not “fantastic for a comic book movie”, on it’s own terms it’s a fantastic film. There’s going to be a lot of people who find this film dull, it takes quite some time for certain things to happen but it’s brilliant. Not every film has to be fast food, designed to be satisfactory but finished quickly, this film is more like a three course meal at a restaurant, you savour every moment and really take your time with it, so that when it’s over you feel completely satisfied and all you can do is sit there and recover from the brilliance you just consumed.

download (1)

That’s a point, the ending of this film will be talked about, not here as you can’t without spoiling it. It is brilliantly done though, it’s an ending which this series has truly deserved, and it ends with a Johnny Cash song, which most comic book films wouldn’t be able to do but for here it fits. It is pretty much a modern western, a tale of a retired gunslinger coming back for one more gunfight, the last outlaw, in a time and place without purpose and that has moved on without him, causing him to need to go out in a blaze of glory.

maxresdefault (1).jpg

Should also probably mention how great Dafne Keen is as X-23 though; the best child in a comic book film since Kick-Ass (in fact I’d argue this one was better as has much more depth), the actress is amazing, so much so that you don’t realise that she’s mute for most of the film. She does such a good job displaying her motivations etc through her body language and facial expressions that you don’t really notice that she hasn’t spoken. It’s kind of like when you’re watching a really good subtitled film and you get so used to it, and it’s done so well that you keep forgetting you’re not actually listening to the words. The fact that this is only her second acting role is amazing (her only previous role being in a TV show: The Refugees). I really hope big things happen to her soon. This film is full of good performances; Hugh Jackman’s performance is genuinely Oscar-worthy, Patrick Stewart is Patrick Stewart, and Stephen Merchant is surprisingly good as well, giving an extremely subtle and underplayed performance.

download (2)

I appreciate this review has been all over the place, but it’s hard to stay focused on certain parts as every time start talking about something I immediately want to start talking about how fantastic another part of the film was. At some point I’ll be able to write an intelligent and coherent piece about this film, about how it handles themes usually dealt with in Oscar-bait films, about how it’s a true masterpiece, about how genuinely moving and emotional this film is. But right now I can’t do that. I’m still in shock about it (and I saw it over a week ago). This film is too good to write coherently about, and that’s something I’ve never thought about a film.

c2mo2kfveaunnr1-jpg-large
Seriously though; words do not express how awesome this character is

Logan

  • Brilliant performances all round
  • Earns the R rating
  • But not in a gratuitous way.
  • Emotional as hell.
  • Looks amazing.

Nooooooooo-gan

  • Villains could have been better written.
  • Having Liev Schriber’s character from X-Men Origins in it would have been a nice touch.
  • Doesn’t answer a lot of questions which it should have (but might be answered in future ones)

 

 

5 Of The Best Comic Book Adaptation Castings

For those of you who don’t live on twitter or facebook, and as such, don’t exist to me, International Woman’s Day on Tuesday. I felt I should commemorate this by doing a blog about it, maybe the best films directed by women? Maybe the best actress’s, or maybe the best female roles in films. The possibilities are endless. Then I realised, that’s condescending as f*ck so went with this instead: Enjoy!

1. Robin Lord Taylor – The Penguin (Gotham)

robin-lord-taylor-in-gotham

I thought I’d start with the one that will annoy the most people. Not with picking someone that isn’t good, because he is VERY good in this, but because what it means for the rest of the blog. You see, I decided to limit myself in this blog to one per franchise. So this is the Batman one. Think about that, that means I’m not including Heath Ledger, I’m not including Jack Nicholson, Adam West, Anne Hathaway (which considering how much I love Hathaway, really says something), Michael Keaton, Mark Hamill, Robert Swenson.

maxresdefault (1)

That alone should say how good I find his performance. But I’ll try to explain it better: before I watched the series I HATED the character of The Penguin. It seemed to cartooney, too silly to work, so something could never work in a modern gritty show. Yet with him, it works. He’s without a doubt the best part of the show, and makes it worth watching just for him.

2. Robert Downey Jr. – Iron Man (erm, Iron Man)

Robert_Downey_Jr_Iron_Man.jpg

Let’s get something straight, a lot of you don’t like the Iron Man character. You may think you do, but you don’t. You like Robert Downey Jr. as Tony Stark. Let’s face it, when Marvel made this film it was risky, more than it would seem to be now. Captain America would have been a much safer bet as he’s more recognisable. But Iron Man was better as a character to introduce the audience to the universe. Luckily it paid off as now we have Guardians Of The Galaxy etc, on the downside, we also have Avengers: Age Of Ultron. So it’s not all good.

3. JK Simmons – J.Jonah Jameson (Sam Raimi Spider-Man)

fkQYgJel

I’m not doing this blog in any particular order really, just the order I feel like, because I’m a rebel who don’t play by society’s rules, man! If I was doing them in order of how absolutely PERFECT the casting is, this would be top. Numero uno. Number one. Top Gun. Jaws. The Godfather.

It’s often said that certain actors are born to play certain roles, and this is the one that he was absolutely BORN to play. He’s not playing the character here, he is the character. He embodies absolutely everything about it. God knows who they replaced him with when they rebooted the series, probably some blonde sweepy haired blue eyed prick from Dawson’s Creek or something.

4. Ryan Reynolds – Deadpool

635906234323529824-deadpool-DMC-2670-v068-matte.1045-rgb

I was tempted to go with James “Smugface” McAvoy for the X-Men section. He gave Xavier a certain vulnerability that Patrick Stewart was never really given the chance to. Then I thought, maybe Fassbender as Magneto? I mean, he OWNED that role. Or maybe Hugh Jackman for defying all odds and being amazing at Wolverine (odd to think now, but a lot comic book fans HATED the idea of him as Wolverine when it was announced. But then again they also hated it when Ledger was announced as The Joker and Ben Afleck was announced as Batman, so really this just proves they don’t have a f*cking clue). But then I thought; f*ck it, it has to be Reynolds. It really does. Not just for what he did in the film, but because of how he’s embraced the character out of the film as well.

5. Christopher Reeve – Superman

CW-STM-promo-city-poses-closeup-02

Do you even need to ask why? I mean, LOOK AT HIM!

 

So yeah, that’s it for today. Subscribe, follow, comment, stalk us and send us cake. You know, the usual 🙂