Tag: Mehdi Bajestani

2023 In Film: Day Eight (The Very Good)

On By troubledproductionsIn Year round upLeave a comment

Anatomy Of A Fall

Ups: Genuinely compelling.

Likeable characters

Flows beautifully.

Downs: Feels a bit too ITV at times.

Best Moment: The courtroom scenes themselves are sensationally tense.

Worst Moment(s): A moment that’s not there; the year between the event and the trial. I’d have liked to have seen more from that.

Best Performer: Sandra Huller

Opening: Sandra’s interview keeps getting interrupted by her husband playing a flamenco cover of a 50 Cent song. Rather damn tense, but doesn’t really set up the genre until later.

Closing: The court case is adjourned. It does seem to end rather quickly, with no idea of what happens next.

Best Line: Sometimes a couple is kind of a chaos and everybody is lost. Sometimes we fight together and sometimes we fight alone, and sometimes we fight against each other, that happens

Original Review here

Guardians Of The Galaxy Volume 3

Ups: Genuinely emotional.

Funny.

An utterly detestable villain

Good cast chemistry

Downs: The music isn’t as good as the previous entries.

Some issues with the tone.

It really is time that the MCU started advancing its overall narrative.

Best Moment: The hallway fight scene. One of the best action set pieces in the MCU

Worst Moment: The post-credits scene is a waste of time, even by phase four MCU standards.

Best Performer: Chukwudi Iwuji

Opening: The group are attacked at their new headquarters. Standard Guardians opening, but not as good as has been done before.

Closing: Everyone goes their separate ways; still alive. Because Marvel isn’t going to kill any characters now.

Best Line: Someday I’m gonna make great machines that fly. And me and my friends are gonna go flying together, into the forever and beautiful sky.

Original Review here

Holy Spider

Ups: Shockingly violent.

The police officer going from “I’m a sensitive nice guy” to “Well what if I don’t want to leave? Slut” is painfully real to see play out. His wife blaming the women is also up there.

Ali Abbasi NEEDED to tell this story.

Downs: Some of the subtitles haven’t been translated properly.

The editing isn’t too great in some places.

Best Moment: The brief look of pride on his son’s face when he’s talking about strangling people

Worst Moment: When she runs for safety, it cuts too quickly to really be effective.

Best Performer: Mehdi Bajestani

Opening: “Every Man Shall Meet What He Wishes To Avoid”. Then a naked woman doing her hair, with her back covered in bruises. Few more random scenes, then footage of 9/11. It does everything it can to cause emotions.

Closing: He gets hanged. He thought he was going to get away with it but turns out his friends had sold him out. I like the fact that he died afraid, and the irony of him being killed by lack of oxygen is nice to see. That should have been how it ended, as it was, it carried on to her on a couch watching videos. Disappointing. Or so I thought. But then she watches videos of his son, and he’s talking about how he plans to continue his dad’s work; demonstrating how his dad killed them, like he was doing something great. Demonstrating on his sister. Thankfully just a soft recreation, not actually killing her. But it’s still horrific to watch in terms of what it implies about societal bullshit.

Best Line: “Prostitution is a societal problem. You don’t sell your body on the street unless you’re poor and desperate”. I think that line actually leads a bit of nuance to the guy’s belief and helps you realise that he has a genuine reason for wanting to end prostitution.

Original Review here

Joy Ride

Ups: Very funny

Utterly filthy.

Great performances.

Unapologetically Asian.

Downs: Some scenes go on a bit too long.

Some side characters feel wasted.

Best Moment: The video recording from her birth mother.

Worst Moment: The WAP scene, it drags ever so slightly towards the end of it.

Best Performer: Ashley Park

Opening: The two characters meet. A sweet and funny scene that showcases their relationship, and give the parents some depth two. One set are nervous and fed up of not being thought of as American, and the other set of parents just want a friend for their daughter. It also features a racist being injured and sworn at.

Closing: Simple “one year from now”. Nice, and doesn’t sequel hook.

Best Line: My vagina is the devil and she’s here to stay!

Original Review here

M3gan

Ups: Very funny

Has a superb Chekov’s Gun involving a giant robot.

Weirdly sweet at times.

Downs: There’s a few moments where the editing is a bit off. Most of the time it’s fine. But there’s a moment in the office where it’s a bit sudden and disorientating.

Best Moment: When M3gan is being disconnected. You know what’s going to happen, it’s obvious, but it’s still incredibly tense trying to figure out WHEN it will happen. It’s the cinematic equivalent of Buckaroo, only with slightly more death.

Worst Moment: The bits which aren’t in there. Like, what happened to certain people? And what impact does this have on the company?

Best Performer: Violet McGraw. Although I did think she was Ava Acres until about five minutes ago.

Opening: A very cutesy/disturbing advert for a fictional toy. Followed by a car crash which kills the parents of Cady. Her parents are actually shown as fully realised characters, so it doesn’t feel like it’s wasting time.

Closing: The not-Alexa turns itself on, implying M3gan is now in that. That’s how you do a sequel hook: there’s potential for it to continue, but it still feels like a complete story. It CAN have a sequel, but it doesn’t NEED one. Although I will be curious how they’ll have an excuse to keep the same design for M3gan if they do continue. Her look was a big part of her charm.

Best Line: Cady, you lost your parents. The worst thing that could’ve happened to you in this world happened. And it is so unfair, and there is nothing anyone can say to make sense of it. Not even M3gan. I am so sorry. I should’ve talked to you about what happened. I didn’t know what to say, so I did the only thing I knew how to do. But she’s not a solution. She’s just a distraction. I can’t promise you that these feelings you’re feeling are ever gonna go away. But I can promise you that you’ll get through it. We both will.

Original Review here

Quiz Lady

Ups: Funny.

It’s nice to have something just designed to make you feel warm and fuzzy.

Good subversions of the expected character types.

Downs: Predictable.

Could do more.

Doesn’t use the music available to it in the best way.

Best Moment: The quiz show itself.

Worst Moment: The Ben Franklin-themed hotel seems like an idea that was hilarious on paper but didn’t really add anything on screen.

Best Performer: Awkwafina.

Opening: Anne sits down to watch a quiz show in 1996 as an argument goes on around her. Her older sister is on the phone nearby and reaches for the remote. I assumed she was going to turn the volume down so she could talk on the phone, but she turned it up instead so her sister could hear it. It’s weirdly sweet. Helps that the child actress they got looks SOOOO much like Awkwafina.

Closing: Ends exactly how you think it would end. But then you get a “what happened to everybody” montage which is hilarious.

Best Line: “Linguini became a social media star, making $200k per post. This makes him richer than most families and proves capitalism has gone too far”

Original Review here

Rye Lane

Ups: Very believable relationship between the two leads.

Adorkable

Very creatively shot

Downs: The traditional third-act argument doesn’t feel real, and the grand gesture feels underwhelming.

Best Moment: The dinner with Dom’s ex.

Worst Moment: The argument.

Best Performer: David Jonsson

Opening: The meet-cute. Happens very early on and I’m all for it. Actually, that’s another point, this film is remarkably paced.

Closing: They end up together. Obviously.

Best Line: So apparently there are two types of people in this world. The ones who wave at boats, and the ones who hate joy.

Original Review here

The Creator

Ups: Looks incredible.

How was it done on this budget?

Gets you asking questions.

Downs: Missing THAT iconic needle drop.

Important plot points are glossed over too quickly.

Best Moment: The reveal that the disaster that wiped out humanity was human error, not AI. Changes everything.

Worst Moment: 3 seconds later when you realise that the reveal has changed nothing.

Best Performer: John David Washington

Opening: Newsposition. Goes from real news to fictional seamlessly and makes the world seem real.

Closing: The two main human characters die but the world is saved. Cliche but works.

Best Line: Go make love to yourself. Go make love to your mother.

Original Review here

The Marvels

Ups: Fun.

Iman Vellani is a delight.

Perfect chemistry.

Good visuals.

FINALLY starts to set up the next stage.

Downs: Villain is defeated too easily.

Wastes the swapping gimmick.

Best Moment: “Memories”. Just absurd.

Worst Moment: The singing planet. Mainly because it could have been sooooo much better.

Best Performer: Iman Vellani

Opening: Standard “villain finds weapon” opening.

Closing: Confirmation of X-Men/young avengers.

Best Line: Okay, no more touching shit. Especially glowing, mysterious shit.

Original Review here

Holy Spider (2022) Review

On By troubledproductionsIn ReviewLeave a comment

Quick synopsis: A journalist descends into the dark underbelly of the Iranian holy city of Mashhad as she investigates the serial killings of sex workers by the so-called Spider Killer, who believes he is cleansing the streets of sinners.

I’m really glad I got a chance to watch this (available on Mubi at the time of writing). Not just because (spoilers) it’s a very good film, but also because it means it doesn’t appear on my to-watch list any more. Every time I saw the title on the list my brain sang it to the tune of Holy Diver by Dio.

If relief at the eradication of an earworm was my main takeaway from this then that would be a bad indication of the quality of it. But whilst relief was slightly how I felt, it was only about 5% of my feelings; the dominant emotion coming out of this was pure anger. Anger, btw, is likely to be the theme of reviews this week. It wasn’t intentional, it just turned out to be a very “We have a point to make!” run of films.

The central theme of this piece is: “Local prostitutes in Iran are being murdered, a lot of people aren’t bothered by this because they see the women as immoral and deserving it”. It’s a depressingly accurate take on cultural misogyny in that country, especially since the killings did actually happen. In 2001, Saeed Hanaei went on a killing spree of prostitutes in the Iranian city of Mashhad. These weren’t quick “in the moment” killings either; he strangled them. Do you know how long it takes to strangle someone to death? Watch Promising Young Woman and find out, there’s A LOT of time to change your mind and come to your senses. And just like in the film; the real Hanaei was supported by locals; with newspapers defending him. And before you get too high and mighty about “well that’s just Arabs, western worlds don’t treat people like that”, read the comments on news articles when asylum seekers or refugees die. You will see an outpouring, not of grief, but of glee.

Hanaei is portrayed by Mehdi Bajestani, and he is so damn good in this. It would be easy to portray Hanaei as a stereotypical one-dimensional fundamentalist killer. But Bajestani (and the writing of Ali Abbasi) provide him with a lot of humanity. He’s not sympathetic or likeable in the slightest, but he is sincere, and you do understand how he got to his point of view, even if it is sociopathic and deplorable. It’s key that the character doesn’t seem to be getting pleasure from this. He seems genuinely disgusted with himself for having to be near the women he’s killing. This really helps him feel genuine. He is terrifying, even when he’s just being an everyday family man. There’s a moment where the veil slips when he has an outburst in front of his family and stops being the kind loving family man. What’s very telling is how his family react. They’re scared, but not surprised. So they know he has the capacity for violence; just maybe not to the full extent of it.

It’s not just Bajestani whose performance anchors this film. The casting of Zar Amir Ebrahimi is genius. I’m not sure if her casting was ENTIRELY just “she’s the best performer available”. I mean, she definitely is great, absolutely phenomenal. But consider this: Holy Spider is a film about how the prevalence of religion in Iran has led to extremists who commit murder and use religion as an excuse for extreme sexism. And the female lead? A woman who was banned from appearing in Iranian films after SOMEONE ELSE leaked her sex tape. So if that wasn’t part of the decision in casting her, it advertently provides a lot of backstory. People talk about political casting, but usually, they just mean “10% of the films cast aren’t straight white men. This is political correctness gone mad!”. This is political casting as an attack on the Iranian cultural misogyny which allowed Hanaei to kill so many women. Ebrahimi brings everything to this. She brings the anger and determination needed, and it would be a much lesser film without her in it.

In terms of the film itself? It’s weirdly reminiscent of It Follows in terms of the stylistic choices; especially when it comes to the music. The murders are brutal, but not in an exploitative way. The first one especially is aided by how damn scared the woman seems; really sells the fear with her eyes. Ali Abbasi did a fantastic job writing/directing this. You can tell he felt he NEEDED to make this. Every scene is full of furious passion and indignation; but also the creative talent needed to make such a hard-hitting story palatable to audiences. He recently directed two episodes of The Last Of Us, so I’m hoping his career continues upward and he gets the opportunities he deserves. Few people can inject emotion and frustration as easily as he managed it, and he’d be an asset to any studio.