Re-Recording The Black Parade (Take 2)

You know the drill, and you know why. So in the words of the Virgin Mary “let’s get on with it”

The End – The Mars Volta

When I read the previous one this one annoyed me because of how great the choice was; mainly because it would work similarly to Eulogy off England Keep My Bones. As such I had to try to take it in a different direction:

Instead of it being acoustic-ey and building up. I decided to go with a choice that would just be balls to the wall insane, and would probably end up being about 5 minutes long. Just a Spanish Jam sequence of insanity. If you haven’t heard of The Mars Volta and you’re too lazy to watch the video above I’ll try to describe them for you: the sound of an acid trip whilst driving through the dessert.

Dead – Horrorpops

For this I focused mainly on the slight twang underlying the song. So I went with these guys:

They have the twang, they have the right drummer for it, and admit it; it would be pretty cool to hear female vocals do this song wouldn’t it?

This Is How I Disappear – Peeping Tom

I should probably start with explaining who Peeping Tom are. It’s basically Mike Patton from Faith No More, being very cool. This is one of my favourite albums I own and has some truly amazing songs on it. I can see his version of this song being a bit slower, a bit darker, and a bit more (I shan’t mince my words here): f*ckable.

The Sharpest Lives – Less Than Jake

My first choice for this was Survival Guide (mainly because I’m still in mourning for Tsunami Bomb) but couldn’t find the song that would showcase it well enough. I then realised that that would mean WAAAAAY too much slow synth based stuff this early on. So changed my mind. Other ones that went through my head were Jimmy Eat World and Biffy Clyro. Then I just thought: TRUMPETS!

 

Welcome To The Black Parade – Cobra Starship

Now this is just mean. This song is so MCR that it would be almost blasphemy. So this can only really be covered two ways: 1) a slowed down cover like Ben Folds would too. 2) Someone just going all out and bombastic as possible. Now contrary to popular believe I prefer the second. You need someone to just attack this like a circus ring leader mixed with a serial killer. So who better than Cobra Starship? Now I know, i’ve put a lot of synth stuff in this, but this is different: it’s dance-synth

I Don’t Love You – Ben Folds

Mainly because I imagined it in my head and it made my brain cry

House Of Wolves – The Used

Ok, so file this under the “never going to happen” section. But admit it, it would be pretty cool wouldn’t it?

Cancer – Ke$ha

I know! I know! Calm down! Stop throwing things! Hey! Hey now! Which one of you threw a sink? That could have really hurt! Yes, I know this is controversial, probably the most so on this list. But believe me, she can f*cking do it. I have a Bob Dylan tribute album containing songs by Bad Religion, My Chemical Romance, Rise Against, The Gaslight Anthem etc. All very respectful bands. But my favourite song on it? F*cking Ke$ha. Makes me tear up every time.

Mama – Paul McCartney

Now I was tempted to go for Gogol Bordello for this. They would have matched the crazyness, and then some. I admit, I was also tempted to go with Dead Kennedys because it would have been intense as hell. So I just went awesome.

Sleep – Coheed And Cambria

Oh man I have to do this? But this song sucks. I don’t like sleep (which makes sense as I’m an insomniac). So yeah, erm, Coheed and Cambria I guess? At least then the guitars will come crashing down and wash upon you like a tsunami bomb.

Teenagers – Billy Talent

Intense guitars, a chorus made for shouting by a crowd of thousands, and a bitter sarcasm running through the entire thing. Who else could it be?

Disenchanted – Bright Eyes

Because it’s the only thing that could make this sound more emotional and brilliant

Famous Last Words – Fall Out Boy

Don’t know why, I just feel this would seem kind of cool and brilliant.

Blood – Helen Arney

Because ukuleles make everything better.

BONUS SONG

Because I really really really want My Chemical Romance to cover this.

Why We Love….London Calling

22nd December 2002 is possibly the most important day in my life from a music listening perspective. The day Joe Strummer died. Some of you may be aware that The Clash are one of my favourite bands, and I’m not alone in that respect, they were widely called The Only Band That Mattered and they’re good enough that that name doesn’t seem like hyperbole. Which makes me feel even more guilty about what I’m about to say, I didn’t know who The Clash were when Strummer died, in fact his death was what made me a fan of the band. Not in a hipster-ish “I only bands who were underground so I wait for members to die” kind of way, don’t worry. I was sitting at home one day flipping through the music channels when he died, I know this as London Calling played on Q (I think), and it was labeled “London Calling – The Clash. Joe Strummer R.I.P”. For some reason it was the first time I had paid much attention to that song, and something clicked in my head about how good it is. Then I went through to another channel and they played Should I Stay Or Should I Go? I was amazed. How can one band perform two songs that sounded so different? Then the triangle of triumph was complete when a channel played Rock The Casbah. It was at that point I knew I needed to find out more about this band, so, Boxing Day, 2002 I went to The Shop Formally Known As Sounds Perfect and brought what would turn out to be one of my favourite albums of all time: London Calling. To those of you who haven’t listened to this album: you’re less of a person and you should fix that immediately. Since then I’ve heard the other albums they’ve made, and whilst they’re all good, they’re no London Calling. I think part of that is because of the experimentation shown on this album. Very few albums have as many different genres on show here: almost every song sounds different from the next, with some punk, some ska, some lounge, some R&B, some reggae, some jazz etc. In terms of styles the album is just a hodgepodge of different styles and clashes that combine to form something truly wonderful, in much the same way as London (specifically, Camden). This album is, still today, the sound of London in much the same way that It Takes A Nation Of Millions To Hold Us Back is the sound of New York. It’s not just the music, it’s also the lyrics. The album is not just good (in my opinion, whilst Sum41 may have named their album as such, this album is the true All Killer, No Filler album), lyrically this album is a masterpiece, covering the issues that needed to be covered right now. From unemployment through to racial conflict, drug use and the responsibilities of adulthood. Guns Of Brixton (a.k.a: the song that launched a thousand basslines, seriously, this has to be the most punk song which you could use as the backdrop for a hip hop song) has one of the intense opening lines of a song:

When they kick at your front door
How you gonna come?
With your hands on your head
Or on the trigger of your gun

The fact that such brutal lyrics were laid against one of the best bass backdrops in music history opened the casual listeners minds up to the situation. The trouble with a lot of punk music is it’s preaching to the already converted. If the Sex Pistols were singing to people who were punks, it was The Clash that turned these people punk in the first place. The Clash are like Bob Dylan in that they have influenced outside of their genre. The best way to gauge a bands influence is via tribute albums. Yes, The Ramones tribute album does seem to have a wide variety of bands (Metallica, RHCP, Rob Zombie etc) the only true completely strange one to see is U2. The Clash, however, on Burning London have not only the expected ones (No Doubt, Rancid, Mighty Mighty Bosstones) they also have some you’d never have expected (Ice Cube, Moby). If a band can lay claim to have influenced bands as diverse as that, they must truly be something special.

Now onto my favourite part of this album, how it was released. Now, the band had had trouble with their record label prior to this. CBS had refused to release the bands debut album in the US, released singles the band didn’t want, and asked them to clean up their sound. The issues for this album came from the band wanting to release a double album, the record label refused because they were assholes. They did, however, allow them to release a free single with the album. So the band put a free single with the album, it was just a single that contained a lot of B-sides, in fact, almost an entire albums worth of B-sides. Since the deal was that the single would be free with the album, this meant that the (now) double album would be released at the same price as a normal album. The band won as they got to release the album as it was intended, the fans won as they didn’t have to pay more, and the record company lost, which is exactly how it should be.

So yeah, that’s why I love this band, and why this album is one of the most important pieces of music I’ve ever heard. And why it makes me feel even worse that it took the death of the singer to realise how amazingly talented this band is. People can keep their 1959 plane crash, for me, 22nd December 2002 is the real day the music died, and the day it was reborn, out of the fire like a phoenix, into my head, and into my heart.

Like if you enjoy

  • Rancid
  • Green Day
  • Arctic Monkeys
  • Rage Against The Machine

After this, check out

  • Chimes Of Freedom: The Songs Of Bob Dylan Honoring 50 Years Of Amnesty International. A 4 disc tribute album to Bob Dylan, only one song is featured more than once, and every song was recorded specifically for the album. Dylan is one of the select few artists you could do this with, especially with the amount of talent on show: This is the only album where MCR, The Gaslight Anthem, Rise Against and Bad Religion sit alongside Mick Hucknall, Miley Cyrus, Bryan Ferry, Natasha Bedingfield, Sting and Adele.
  • Heartattack. I knew I had to put a modern punk compilation on here. Was going to put one of the Punk-O-Rama albums on here but then realised I listen to the songs from here a lot more. Featuring a bonus disc of new songs to celebrate Burning Heart records, this album features some truly fantastic songs.