Red Sparrow (2018)

There’s a scene in this where one of the characters is tied to a chair and has their skin slowly stripped off layer by layer. It’s still less painful than watching this film. Okay, that’s a bit hyperbolic, but there’s a lot of truth in that. I will not look back on this fondly, for multiple reasons. One, it wasted a good cast: Jennifer Lawrence is actually really good, just the film is bad. Same goes for Jeremy Irons et al. The story itself just isn’t good enough. To be an effective film of this genre you need to be one of two things:

  1. Lots of fun and expertly made (John Wick,  Atomic Blonde, the Bourne/Bond series etc)
  2. Incredibly clever, with more twists and turns than a rollercoaster someone makes in a video game.

This was neither, I’m thinking it was aiming more towards the second one but wasn’t quite good enough to do it. I mean, it does have a twist, but it only really effects the final 5 minutes, it doesn’t affect the way you watch the film. You won’t watch it for a second time and delight in the intricate way the ending was set up throughout the film. There are no layers, no hidden depths to the film. Everyone pretty much says what their intentions are, all the time.

I get what they were going for; kind of like an 80’s Sex and Soviet’s style spy film. But they’ve forgotten one thing: those films were fucking terrible. They were badly written, misogynistic as hell, and treated sex the same way virgin fan fiction writers do. It doesn’t even have the decency to look impressive, even The Snowman managed that, and I’m pretty sure the script for that was written on a napkin. Spy films should look crisp and clear, the brutality of the actions contrasting with the stark nature of the surroundings. This just looks dreary, like it’s taking place in Milton Keynes whilst it’s about to rain. These kinds of films deserve to be great, they should take your breath away, and this one doesn’t (although if someone did say they were going to choke me during it, I probably would have accepted the offer as it would have made a nice distraction).

As you can probably tell, I was not a fan of this film. It wasn’t without merit, the performances are good, and the way they set up the films universe was good, it’s just almost everything else which didn’t work. This seems very “first draft”. Like if you looked at it again you could fix it, make a few tweaks here and there, cut out the unnecessary scenes (and at 140 minutes, trust me, there’s A LOT of that), set up the ending better, and you’ll have a pretty damn good film. You could get a somewhat decent film if you edited this differently, but the way it is? Wouldn’t recommend. I wouldn’t even watch this if it got put on netflix. Really disappointing as I had high hopes for this.

Why We Love…..John Wick.

Directed by: Chad Stahelski, David Leitch

Budget: $20million

Box Office: $86 Million

So this week the teaser trailer for John Wick: Chapter 2 dropped, with the full trailer being released tomorrow at New York Comic-Con. Usually I hate the idea of trailers for trailers, but I think I finally get their purpose. They’re basically a “heads up”, a “keep your eyes out for later this week”, and I know for certain that I’ll be searching for the trailer on Sunday. It helps that I really love the title for some reason, it’s both ordinary and superb at the same time. The original had a real sense of being part of a wider universe. There were a lot of moments in it which set up that this world wasn’t just for the benefit of the main characters, you got the feeling that everything continued to exist even once the camera stopped rolling. I remember coming out of that and wondering whether it was a comic book adaptation, it genuinely felt like one, but a good one.

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So not this, definitely not this

I will admit I went into this with low expectations, I’ve never really rated Keanu Reeves that consistent, he’s had flashes of brilliance but I would never think “I’m really looking forward to the new Keanu Reeves movie” I went in basically expecting a dumb but fun action movie. Whilst it is fun it is definitely something more than that. The films starts off with his wife dying, now most films would have her killed by a dickbag (not a literal one), and then the hero has to go through and avenge her death. But this? This has her die of an unspecified disease, but before she dies she arranges for him to get a puppy to help him cope with her death. The villains in this KILL THE DOG! Most films don’t do that, even Kick-Ass 2 which was ultra violent had the lead villain balk at the idea of killing a dog (in the movie anyway), so the fact that it’s that which kicks off the story is a brave piece of storytelling, and it’s effective. He doesn’t even spend the film chasing the guys who did it, he gets his retaliation in then has to deal with the person’s father who’s the head of a crime family. The entire story is not generic revenge, it’s about dealing with the consequences of your actions, the second half of the film is basically what a lesser film would put in the sequel.

john-wick

But it’s not just the story it’s telling, it’s the way it’s told that is effective too. It looks beautiful, yes it’s quite dark in terms of lighting, but it’s not in a bleak way, it uses bright lights often to create the contrast between light and dark, it’s like an extremely toned down neon noir film. The choreography is superb as well, I do love a good fight scene in films, but only when done a certain way (I’m quite picky). I hate the fight scenes where every single punch/kick etc is accompanied by a cut, where the scenes cuts away just on the impact. It can be effective tool to use, but when it’s used with every single impact it just makes the scene disorientating, particularly when you change the focal point with the cuts so your eyes are constantly wandering (although Mad Max: Fury Road did this superbly where even when they changed angles they kept the action almost dead centre). This film does cut on impact occasionally but it also lingers long enough for the punches to have an impact. Both the colour and the choreography can be showcased best in this scene.

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Or just this

The film is even more impressive when you realise it’s a directorial debut for both directors. Previously they’d done mostly stunk work and assistant directing (it was actually their stunt work on The Matrix which led to Keanu Reeves suggesting them directing this), but they definitely step up to the plate here and knock it out the park. Utilising visual techniques from anime films, choreography (particularly in regards to “gun fu”) from Honk Kong cinema, mixed with an almost old-school Western movie vibe (to the point where if I had to put this in a genre I’d say “Neon Western”) combine to make something truly exciting even on mute. Even the character’s costume has a good look to it, it’s kind of “priestly gangster” and works well for the character. Basically I can’t oversell this film enough, it’s superb and you should see it.

Also watch:

The Drop. Another film I saw with low expectations which ended up being a personal favourite. Tom Hardy is superb and the storytelling is brilliant.

Nightcrawler. Similarly coloured, also great.