I watched the trailer for this before seeing it (something I try to do now with films with bad reviews that I haven’t heard about, a policy I have started since Wolf). The trailer for this got me hyped, it looked kind of shlocky but fun. Plus, the film was under 90 minutes so I thought it won’t overstay its welcome. That goodwill was evaporated in the opening scene. It wasn’t badly shot, it was just weirdly shot in terms of the editing and shot choices. It wasn’t a great introduction to some of the characters, with some showing traits which they don’t show for the rest of the film. It’s understandable that they would be behaving in that way within the context of what they’re about to do (kill a group of people), but if you have that in the introduction to them it feels like it’s a character trait, so for that to not happen is a bit weird. It’s also strange that that’s how they start the film. The first thing we see in this film is a scene about the group of killers, and it stays with them for a good while, which makes it seem like they’re the focus of the story, like we’re following their arc and seeing how they’re going to come together to work as a team to kill people. The actual main characters are a group of young women on a pre-wedding getaway. Out of the four of them, only one of them is introduced to the audience before the fifteen-minute mark, which is about twenty percent of the film. That’s kind of a big issue with this film, the timing. For a lot of the film, it doesn’t seem like it knows how to use the time it has so just pads it out. It’s an 80-minute horror-comedy, those should be really easy to fill time for. As it is so much of this just feels like padding. There’s an almost 2-minute scene where we watch two characters flip through TV channels, they then get a joint out, this isn’t mentioned again in the film. I know two minutes isn’t that long really, but the film is full of minute-long scenes which could be done in seconds, and they all add up to a lot of wasted time. There is a scene after that which had a really baffling moment for me, and I’m not sure if it’s just me being picky. There was a noticeable gap between songs in the background music, and it coincided with a break in the conversation. So you went from lots of noise, to just complete silence for about three seconds. I had to quadruple-check that actually happened and it wasn’t just my laptop screwing up, because that was just a really strange choice. At least after that, the killers make an appearance in the house. This was at the 40-minute mark, again, of an 80-minute movie. That’s way too long, WAY too long for a film like this. Especially one which didn’t even really set up the characters that well in the first half.
Thankfully this is followed by a really smart moment, someone knocks at the front door whilst the women are hiding. They’re not sure if it’s the police, or maybe the killers trying to trick them. In the end, it’s a guy delivering the pizza they ordered earlier. That was a very smart piece of writing, it was set up, and was done long ago enough that you forgot about it when it happened. It made sense. Which is baffling why they then rush through another part. A character is seemingly poisoned and collapses, we think dead. Then about thirty seconds later they wake up when they hear a loud noise. Personally, I feel it would have been better if her “death” lasted longer, and she made a sudden appearance later to save someone at some point. As it is her “death” seems really inconsequential. Her waking up doesn’t have a big moment attached to it either, she just wakes up and rejoins the main characters (and the pizza guy) before running away to get killed by Tiffany Shepis’ character. I mention her by name as even though she is only in the film briefly, she is brilliant in it. Her performance is one of the highlights of the film, she carries herself as someone who knows exactly what the film requires of her performance. Which, to be completely honest, is more than can be said of some of the others. A lot of the performances are a little, I don’t know, one dimensional? This is a big problem, especially with the lead. It’s the first leading role in a feature for Alexandra Feld (who is also one of the producers and married to the director), and she doesn’t really carry it off. She remains stone-faced throughout the entire film and never really feels like anything other than a character in a movie. Part of that could be the writing though, a lot of the characters don’t have much depth to them, and the dialogue is VERY “written” and unnatural. On the subject of the writing, I feel I need to mention the pizza guy again. The main characters lock their phones in their car so they won’t be disturbed whilst they’re there, standard way to stop the audience asking “why don’t they just phone the police?”. But the pizza guy, he doesn’t lock his phone away. In fact, he specifically mentions he tried phoning them on his way there, so she has a mobile phone. He doesn’t use it. He doesn’t use it when he’s there, and he doesn’t use it once he runs away either. We know this as the film soon cuts to the next morning and the police aren’t there (but what is still there? The blood on Kate’s face, for some reason she didn’t feel the need to wash it all night). And “but they don’t know the address” would be bullshit, as the pizza place would have had it listed so it could get delivered. “But maybe he died on the way”, again, the pizza place would have followed that up, he had deliveries to make after this, and if he didn’t deliver any of them then the place would have had a lot of phone calls complaining, so the company would know he didn’t get there, whilst having a list of where he was supposed to be, to be checked out. I mean, I guess the guy could have just completed all his deliveries and just forget to mention it, that would be consistent for how the characters act in this movie.
The fun of a film like this can be the reveal of the motivation, and this COMPLETELY fucks it up. The motivation; someone wants to make Airbnb etc look bad so his hotel gets more bookings. Seriously, that’s it. It doesn’t seem to occur to him that when the news mentions the attacks at the Airbnb, they’re highly likely to mention who owned that one, and his face will be plastered everywhere too, so his motel will also be negatively affected. His motive rant is essentially “urgh, Millenials”. He then gets shot and dies easily, much like all the villains in this movie. That’s a huge problem, none of the bad guys really seem like threats. There are two who are kind of threatening, and they’re the first ones to die. So after that we have; a neurotic guy who is basically Ed Helms but not, a motel concierge who just stays on the phone, and the old guy. There’s no “final boss” so to speak of the film. No “oh, the characters are in major trouble now THEY’RE there”. No sense of escalation, it’s really frustrating.
On the plus side; with the exception of some of the gore, it looks great. The film language isn’t great but in terms of just the general look it’s pretty good. And the music choices are exceptional, bringing a faux-retro 80’s feel to the whole thing. Other than that? I am really disappointed with this, truly. Not scary enough to be a horror, and nowhere near funny enough to be a comedy. I really wanted this to be great, and it’s a real disappointment that I didn’t even find it good.