Companion (2025) Review

Quick Synopsis: A weekend getaway turns bloody and violent when a subservient android that’s built for human companionship goes haywire.

First Scream (the “new” one, not the original), now Companion. Why do female partners of Jack Quaid keep getting set on fire in horror movies? Amber Midthunder should be relieved that Novocaine will be an action movie instead of a horror (a movie I’m genuinely looking forward to by the way). On the subject of Quaid, why hasn’t anybody cast him as the son of Joshua Jackson in anything? He looks more like him than he does his own dad. Anyway, enough dilly-dallying, on with the actual review.

Companion is god damn delight. More of a thriller than it is a traditional horror movie. That doesn’t underplay the deaths by the way, when characters do die, it’s horrific. Some of the deaths are incredibly cathartic too, it’s good to see bad things happen to bad people. A lot of horror movie writers know this, but make the mistake of writing every character to be an insufferable dickbag (were there any tears for any of the characters in Unfriended outside of tears that it took so long?). In those cases, while you get catharsis, you’re also spending all your time with characters you don’t like, so it’s not an enjoyable experience. While most of the characters in Companion are unlikeable, it’s in a very human way and they’re still entertaining to watch. A lot of is due to the performances; there’s something inherently likeable about Jack Quaid even when he is being an incel douch, Harvey Guillen is too adorable for words, and Megan Suri? There’s something about her performance that is intoxicating to see, she has tremendous presence and feels like she’s destined for leading roles. It’s hard to explain why without giving away spoilers, but Lukas Cage pulls off a fascinating performance.

The story? It’s interesting. Yes, it can be argued that the trailer gives away too much, but Companion still has enough tricks up its sleeves to entertain you. You go in knowing what is happening, but the “why” is just as interesting to see play out. I like that Companion is unashamedly feminist AF, taking multiple shots at male entitlement and inadequacy. I’ve seen some defenders of the character in this, saying “he’s just lonely, why is that seen as a bad thing to want someone?” which would be a fair point, loneliness is a huge issue and one that does need a solution. But it’s very telling that when he’s asked to create his “perfect” partner, he tones down her intelligence significantly. He doesn’t want an equal partner, the robot is not to provide love or to share experiences with; it’s to fuck and to have it fawn over him.

There is a feeling that it is holding back at times. She increases her intelligence, but it doesn’t change that much of the plot (although it may be why she decides to switch language at one point in a scene which is, well it’s genius). There are other moments like that; where it comes up with a cool idea but then doesn’t do the most with it.

Those are very minor nitpicks though. Companion is among the best films I’ve seen in a while. It’s slick, stylish without being overly so, violent without being cruel, and it invites discussion and conversation. It’s smart without being pretentious, modern without risking being dated quickly, and digestible without being dumb. I want more horror movies like this. I also want to see Sophie Thatcher in more stuff, as she seems cool. On an equal level with Anya Taylor-Joy for expressive eyes perfect for horror movies. I caught a preview of this a few days before it came out, and I already know I’m going to buy it when it comes out on blu-ray.

2023 In Film: Day Seven (The Good)

A Man Called Otto

Ups: Very sweet.

Genuinely touching at times.

Downs: Tom Hanks doesn’t make a believable grumpy old bastard.

Some characters seem a bit pushy, I’d be annoyed at them too.

Occasionally a bit too “old man yells at cloud” with how it treats younger people.

Best Moment: There’s a seasonal transition that is the most perfect I’ve ever seen. It’s a standard shot that I’ve seen many times. But in this, it’s done so seamlessly (and during a scene in motion) that it stands out.

Worst Moment: Marisol laughs when she finds out Otto nearly died because his heart is too big. I get why it’s funny, the irony of a grumpy person having a big heart etc. But for her to react so openly makes her appear slightly callous.

Best Performer: Mariana Treviňo. Her character could be annoying if played badly, but Mariana plays her with an infectious warmth.

Opening: Otto tries to kill himself. Well, he’s at the shop buying the stuff and gets into an argument. It’s an effective way to demonstrate the character, but again it feels a bit “grrr, young people are useless today” because they’re bound by corporate policies they can’t control. News flash to every person out there; the teenager behind the till at Mcdonald’s is not responsible for the prices or the menu, so don’t yell at them about this, if you do, you’re a prick.

Closing: Otto dies, leaving the house to Marisol and her family. It is very sweet and lovely, although maybe he should have left something to his lifelong neighbour who is about to incur huge medical expenses in the next few years due to an early diagnosis of Parkinson’s.

Best Line: “Your father doesn’t support you just because you’re trans? Then he’s an idiot”. It’s nice that even though the character is fueled mostly by anger, he is still pro-trans rights.

Original Review here

Air

Ups: 2 hours, but doesn’t feel it.

Incredibly well-written.

Downs: There’s no dramatic tension because we know how it ends.

None of the actors feel like they’re pushing themselves.

Distracting amount of swearing at times.

Best Moment: Where Matt Damon is telling Jordan’s parents about how his life will go. How the public will both worship and resent him.

Worst Moment: In that same moment where we find out about his fathers’ death. Such an important part of his future life is underplayed.

Best Performer: Matt Damon

Opening: Nike are nearly closing down their basketball shoe division. It’s weird to think of Nike being shown as an underdog.

Closing: Standard “what happened next”.

Best Line: Damon’s entire speech to Jordan’s parents.

Original Review here

Ant-Man And The Wasp: Quantumania

Ups: Kang looks like a formidable villain for the next stage.

Some good visuals.

Funny

Kathryn Newton is a good addition to te MCU

Downs: M.O.D.O.K

Inconsistent CGI

The MCU REALLY needs to start moving forward.

Best Moment: How Kang gets Scott to help. Spectacularly brutal.

Worst Moment: M.O.D.O.K . Words cannot exaggerate how stupid that looked.

Best Performer: Kathryn Newton

Opening: Opens with Janet meeting Kang. Nice way to get people excited for what’s next.

Closing: Everything is fine, but it might not be. There’s an ominous feeling that Scott can’t shake off.

Best Line: “Oh, you’re an Avenger. Have I killed you before? They all blend together after a while.” Really sells Kang as a threat.

Original Review here

Champions

Ups: Funny.

Has more heart than you’d expect

Surprisingly subversive at times.

Actually cast actors with Down syndrome.

Downs: Doesn’t have that little extra something to make it stand out

Too predictable at times.

May come across as patronising to some.

Best Moment: When we find out why Darius won’t play for Marcus. Some great character stuff.

Worst Moment: The NBA coaching sub-plot

Best Performer: Madison Tevlin

Opening: Marcus gets fired from his job after shoving his boss. Good way of showcasing both his talent and his anger issues.

Closing: A chumbawamba sing-along. Fun.

Best Line: Your heart’s a long way from your knee. Suck it up!

Original Review here

Elemental

Ups: Very sweet.

Good pacing

Downs: I get what they’re going for, but if you’re pushing a story about tolerance, maybe don’t have one of the people involved be a constant threat to the other one. “People who are different from you can kill you” may give out the wrong intention.

The music is a little weak.

Very predictable story.

Best Moment: When Ember is taken to see a flower, incredibly sweet and gorgeous to look at.

Worst Moment: The whole leak sub-plot feels first draft.

Best Performer: Mamoudou Athie

Opening: Bernie and Cinder move to Element City. Very cute, but nowhere near as good as similar scenes you’ve seen before.

Closing: Wade and Ember move to a different city. Again, very predictable, but sweet.

Best Line: The shop was never the dream. You were the dream. You were always the dream

Original Review here

How To Blow Up A Pipeline

Ups: Incredibly important.

Well-written characters

Best website.

Downs: Needs to be shorter.

Weak music

Doesn’t focus on the wider implications as much as it should.

Best Moment: The conversation about what they’re about to do. Feels genuine, and says a lot about how society treats revolutionaries.

Worst Moment: The explosion itself. Its not that it’s bad, it just doesn’t feel like something that everything has been building towards.

Best Performer: Ariela Barer

Opening: A woman is nervously walking down a street, making sure nobody notices when she lets the air out of a tyre. She then places a leaflet on the vehicle explaining why. I checked, and the leaflet is fully typed out. I appreciate that. We then see a small group of other people preparing in different ways; some clone their security cameras, some throw their phones away etc. Very “heist”.

Closing: The pipeline is blown up; a few members of the group take the fall. A very dark ending considering what we know is going to happen to some of them soon.

Best Line: “But by the time the market solution does shit, billions will be dead……we need to start attacking the things that are killing us”.

Original Review here

Puss In Boots: The Last Wish

Ups: Some of the best sound design you’ll see (hear?)

The best Shrek film since the first

Provides a good sense of existential dread for a kids’ film.

Downs: The suitcase of villainy is a bit overpacked.

Two of the voices seem a bit too similar.

The physics doesn’t work sometimes.

Best Moment: The death montage

Worst Moment: The sequel hook.

Best Performer: Harvey Guillen

Opening: Standard fairy-tale opening about wishes. Doesn’t inspire hope.

Closing: A sequel hook. Eugh.

Best Line: “You’re not gonna shoot a puppy, are you?”

“yeah, right in the face. Why?”

Original Review here

Renfield

Ups: Fun

Bloody

Clearly made by people who have researched the mythos

Dracula looms over the film even when he’s not physically in it

Downs: Could go further

Predictable at times.

Needs stronger supporting villains

Best Moment: Renfield disposing of gang members in a restaurant

Worst Moment: The ending.

Best Performer: Awkwafina

Opening: A retelling of the Dracula myth.

Closing: A group of dead people have been brought back to life. Because who wants consequences in their movie?

Best Line: You know when something crazy happens and someone’s like, “It’s okay. I’ve seen way worse?” Everything I saw you do today is gonna be my “way worse.”

Original Review here

Return To Seoul

Ups: Very sweet.

Park is incredible.

Truly emotional.

Cool music, reminds me of 27

Downs: The sound is a bit off at times. Particularly in the restaurant scene. Feels like they forgot to put in background noise for a lot of it.

Given a UK release in the same year as Past Lives

Best Moment: An employee has found her mother. Top work from everybody involved performance-wise. She is never more vulnerable than at that moment.

Worst Moment: When she’s dancing on her own in a bar, it’s written and performed brilliantly. But it’s shot via a lot of close-ups so you don’t really get her sense of social isolation. Not the “worst” moment per se, but the gap between what it could have been and what it is is quite huge.

Best Performer: Ji-Min Park

Opening: K-Pop on headphones being listened to by a hotel worker who is then interrupted by a customer who wants to check into the hotel, rude I know. A quite cute moment between two people ended with “But you’re French!”. Good way of showing her cultural identity and confusion. And it’s a very cute moment between the two characters.

Closing: She sends an e-mail to her mother, getting a “This e-mail address is no longer valid” response.

Best Line: “You’re A Very Sad Person”

Original Review here

Saw X

Ups: Bloody.

Has one of the most despicable characters in the history of the franchise.

More mature than it needs to be.

Rewards patience.

Downs: It’s a prequel, so all sense of tension is gone from certain scenes.

Not as cathartic as other entries

Pointless.

Best Moment: The bone marrow trap is deliciously disgusting.

Worst Moment: The conclusions to most of the traps. They feel too timed-based. So many of them nearly make it and if they were given 5 seconds more would have completed it. This goes against Jigsaws’ modus operandi of testing people; technically they did pass the test and proved how much they were willing to sacrifice, but because they were slightly slower than Jigsaw thought they should be, they die.

Best Performer: Tobin Bell

Opening: Kramer is at a cancer support group. An incredibly mature and bloodless way to start, almost like a proper movie.

Closing: The main villain is left trapped in a room, presumably to die. Shame, she’s truly detestable and it would have been good to actually see her comeuppance rather than just know.

Best Line: This is not retribution. It’s a reawakening.

Original Review here

Scream 6

Ups: It doesn’t miss Sidney as much as you think it would.

New York changes it, turns it into a completely different type of slasher.

Disgustingly brutal kills,

Downs: The online conspiracy that Sam really killed everyone doesn’t ring true.

So Gale can do research on finance records of dead people but isn’t a good enough journalist to realise family connections? BS

Worst reveal in a Scream movie so far.

Gale’s character seems to have relapsed into her Scream 1 version

Best Moment: The subway scene. A perfect use of location.

Worst Moment: The reveal. Have you seen a movie before? Then you’ll be able to guess at least 2 out of the 3 killers. It’s far too obvious.

Best Performer: Melissa Barrera

Opening: A professor is killed by Ghostface, who then immediately unmasks. Genuinely shocked me.

Closing: Somehow everyone survives. That’s a big issue with this film is how unscathed the main characters remain throughout.

Best Line: “Not every movie needs a post-credits scene.” as a post-credits scene

Original Review here