A Drink Before The War
Pretty good read. Not something I would exactly call “fun”. Harsh, brutal, but extremely well written. A prequel (kind of) to Gone Baby Gone, which I really need to read some time.
Grabbers
The concept is better than the execution. Is about a place being attacked by aliens, but they’re poisoned by alcohol, so everyone tries to get drunk to stay safe. Great concept, but it didn’t really work for me. Think it’s because it didn’t really make use of the concept until more than half way through. A film like this is ALL about the concept, so you need to launch into it quickly, ideally, at the end of the first act, this doesn’t really do it until the last act.
Gremlins
Been a while since I’d seen this so had forgotten a lot about it. I remembered it being quite violent, I remembered gizmo being adorable, and, of course, I remembered the greatest scene in cinema history. But I had forgotten one thing; how superb the theme is. Seriously, listen to it, how is that never brought up when people talk about great movie themes?
Gremlins 2
Deliciously fun; starts with Bugs Bunny and Daffy Duck, has Christopher Lee in it, and features a scene where Gremlins sing Frank Sinatra. Almost like a parody of the first film.
Logan Lucky
It goes nowhere, and is overly American to the point where it almost seems sarcastic, basically, it’s the film equivalent of NASCAR. I fucking hate NASCAR.
Man Up
First time I saw this I went into it with low expectations, I expected an okay but not great romcom, something very predictable and formulaic. Kudos to the script then for making it very very good. I have an unwritten rule for how you can judge a great script mixed with a great performance. So much so it’s easy to imagine that the lead actor wrote it, that’s how on-point Lake Bells performance is (she didn’t, Tess Morris did, but still). A great date movie for people who hate date movies.
Patti Cake$
A lot better than I thought it would be. Has both a great and not great soundtrack. I mean, the songs are fantastic, but the music/story integration could be done better. You don’t really get the feeling that the film is influencing the music, or the other way round, they seem kind of independent from each other. Oddly enough, I think this is the only film I’ve seen this year which has had absolutely nobody in it who I know from another film.
Rough Night
A lot different than I expected. I think it’s R-Rated, and if so it really earns it. Wonderfully filthy and funny. Kate McKinnon’s Australian accent slips more than a pensioner walking on ice.
Super
Incredibly violent, kind of like a more realistic Kick Ass, showing how someone who wants to do that kind of thing obviously has some issues. Pretty good soundtrack too.
Superman: Doomsday
Did more with Doomsday in 20 minutes than was managed in the entirety of Batman Vs. Superman. Really looking forward to watching the rest of the DC animated universe, so far seems enjoyable and quite intense. I thought that it was a mistake killing Superman so early into the DC cinematic universe, but then I saw them do it here and realised the problem was just the film was very badly written. This one however is great, highly recommend watching this.
The Best Of You
Unpopular opinion; I’m not a big fan of Foo Fighters. They’re one of those bands who I think could put together one really good album of their stuff, but otherwise their career has too many songs which are basically filler. This is one of them.
The Hitman’s Bodyguard
Not going to change anybody’s life, but very funny. Selma Hayek swears too much though, it’s like just her swearing was supposed to be a joke. I think you have to be careful with swearing in films, if you do it too much it just comes off incredibly juvenile.
The Limehouse Golem
Very British, very smartly made, and a great twist ending. Sadly whilst it is very well made, it’s not very memorable.
What We Do In The Shadows
Without a doubt the best vampire mockumentary from New Zealand that I’ve seen in a long time. Perfect film to put on whilst just need a laugh distraction from the relentless crushing existence that we call life in 2017.
Because despite the last trailer giving WAY too much away, who isn’t going to see this film? It’s Batman fighting Superman…for at least a third of the film anyway. And despite that trailer there’s still hope. The idea that Batman is turned against Superman because of the chaos he caused in Man of Steel is good screenwriting; it makes sense from a character point and helps bring the films together. The casting is also very solid, with Batfleck actually looking to be one of the best iterations of the Dark Knight yet. But we all still need to take a step back to wait and see whether Jesse Eisenberg’s Lex Luthor is the trainwreck everyone is HOPING it will be, or whether like Keaton and Ledger before him he will turn in a great performance despite the naysayers. I have no idea, but I at least love how much fun he seems to be having.
two superhero films because I didn’t want it to be inundated with them, and I wanted this to be a cut away from a lot of most anticipated lists by not just focusing on the big blockbusters coming our way (but saying that I am looking forward to Civil War and Dr Strange).
Disney’s next animated film after the disappointing Big Hero 6 (and fuck you it wasn’t that good) brought to us by the directing duo behind some of Disney’s greatest films (
Kubo and the two strings: August 19
Ben Affleck finally took a break from acting to get back to his much more interesting career as a director, with this follow up to Argo. Adapted from another 
Troubled Productions 