Tag: Final Destination Bloodlines

2025 In Film: Day Eight (The Very Good)

On By troubledproductionsIn Year round upLeave a comment

Ballerina
Ups: Worthy addition to franchise.
Really creative fight scenes.
Weirdly funny.
Downs: Very dependent on knowledge of previous film.
Needs better music.
Best Performer: Ana De Armas
Best Moment: The hotel staff reaction to the fight.
Worst Moment: Her reunion with her sister, isn’t given enough time to mean anything.
Opening: Her dad is killed by assassins, she gets taken in by Winston. Very fun action sequence. Shows you that the franchise hasn’t lost a step.
Closing: She meets up with a character who was attacked earlier, who I assumed was dead. I feel he should have been.
Best Line: One bullet, well placed, can change the world.
Original review here

Deep Cover
Ups: Funny, very funny.
Downs: Could have better action scenes.
I would have liked to have seen how this affected their lives.
Best Performer: Orlando Bloom
Best Moment: When they sell the albanians drugs back to them.
Worst Moment: When they drunkenly meet her friends, only because the misunderstanding could have been solved easily. It would have made much sense for Hughs colleagues to be the ones met, have him stand up to them.
Opening: A quote about improv comedy. At least its honest. Then car chase. I don’t think the car chase was needed though. I feel it went action too quickly.
Closing: The madcap adventures have improved their lives. Again, would have been nice to see how others reacted; particularly Hughs old colleagues.
Best Line: You’re from the Cotswolds. You’re not Al Pacino
Original review here

Drop
Ups: Stylistically shot.
Compelling story.
Well-developed background characters.
Good chemistry between the leads.
Downs: Not as smart as it could be.
Loses something in the final third.
So many small imperfections.
Best Performer: Meghann Fahy
Best Moment: The way she gets the gun at the end, so smart.
Worst Moment: The written note to the piano player, mainly because it’s difficult to read what it says, which is kind of an important thing to know.
Opening: Interior Night; a woman is being attacked by her abusive husband. It’s weird as the way it’s presented makes it seem like “this is where we are now” and the rest of the film is a flashback.
Closing: A second date is planned. Very cute.
Original review here

Final Destination Bloodlines
Ups: Some great kills.
Actual emotion.
Downs: Keeps hinting at a much better movie.
Best Performer: Gabrielle Rose. At first I was disappointed that they didn’t get a classic Scream Queen to play this part, but god damn is she good.
Best Moment: Tony Todd’s goodbye. Perfect. Absolutely perfect.
Worst Moment: The end. Every single one of these films ends the same way, and it’s getting hard to care.
Opening: The same way every one of these starts; a massive catastrophe, only this time in the past. Some great kills, and I like that they didn’t spare the kid, rarely made you realise that nobody is safe. It did change from tradition somewhat by the vision being had by a descendant instead of the actual person.
Closing: They all die.
Best Line: Tony Todds farewell.
Original review here

Freakier Friday
Ups: Will always appreciate Chappel Roan music in a film.
Heartwarming.
Weirdly good British accents from American actors.
Good supporting cast.
Downs: Lohan doesn’t seem to fully buy in at times.
A few too many superflous scenes.
Best Performer: Jamie Lee Curtis
Best Moment: The immigration interview.
Worst Moment: Harper in Anna’s body trying to dance. Mainly because it doesn’t feel like it’s actually Harper.
Opening: “Here’s where the two characters from the first one are now”. Anna tries to wake her daughter Harper using “modern” parenting techniques, not knowing that she’s actually out surfing. There’s a MUCH better opening afterwards.
Closing: Tess finds the picture that was taken of her when Lily was in her body. A nice coda.
Best Line: The school had our pension invested in crypto, but since I’m not supposed to complain about it, per my lawyer, it’s neither here nor there.
Original review here

Freaky Tales
Ups: Manages to be both consistent whilst also being different.
Charming.
Great music, more films should use Operation Ivy and Black Flag songs.
Creatively shot.
Some great messages for audiences. By which I mean, it tells you to punch the shit out of Nazi’s.
Downs: Doesn’t set up the telekinesis well enough.
The ending of the second story isn’t that satisfying.
Best Performer: Pedro
Best Moment: The fight at the punk club. There many fights, but this is the best one.
Worst Moment: The death of the basketball players family. Weirdly subdued compared to the rest.
Opening: “weird shit happens” narration. Sets the tone quickly, especially with the visuals and synth music.
Closing: Sleepys advert, alongside the protagonists of the first two segments. Then a nazi’s head explodes.
Best Line: “if there was secret vampires, we’d be all up in that shit
Original review here

Heads Of State
Ups: Weirdly timely.
Funny.
Actually addresses the “but the Prime Minister isn’t the UK head of state”, although IMDB still bitches about it.
Good chemistry between the leadsH
Downs: Tries to be too smart at times.
Takes a somewhat glib attitude to death.
Best Performer: Idris Elba
Best Moment: The Belarus fight.
Worst Moment: There’s a really bad edit where it cuts to black and silence for a bit too long and without the “oomph” that makes it clear it’s deliberate. Had to rewind it three times to make sure it wasn’t my HDMI cable fucking up.
Opening: Tomato festival. One of those things that I’m sure isn’t as fun as it seems. Quickly devolves into spy stuff, starring none of the two main people advertised. Brave, but it makes sense and works.
Closing: Alliances are reformed. The two are now close friends. Incredibly obvious but this movie isn’t made for subversion, it’s for fun. Thats fine, but then there’s another scene showing Comer survived, and meets up with Bissett. It means nothing and adds nothing. The other scene felt like an actual ending.
Best Line: Yeah, well, based on my experience, okay, hope is just delayed disappointment. Doesn’t put food on the table. Doesn’t put a roof over anyone’s head. And if you want to focus on making people “feel good,” then you’re never gonna understand how to help them.
Original review here

M3gan 2.0
Ups: Bloody fun.
The genre change is the only way this franchise could continue.
Great performances.
Heartwarming
Much smarter than it needs to be.
Downs: Incredibly obvious twist.
Inconsistent tone
Best Performer: Violet McGraw
Best Moment: M3gan stops a home invasion. Not as violent as some of the other scenes, but much more fun.
Worst Moment: The villain reveal. Only because I called it the second the character was introduced.
Opening: AMELIA infiltrates an enemy compound to rescue a hostage. She shoots the hostage. Good showcase of what she can do, and some good action moments.
Closing: M3gan didn’t die, obviously.
Best Line: Did you ever consider the idea that killing me was slightly disproportionate to the crime?
You threatened to rip out my tongue and put me in a wheelchair.
I was upset.
Original review here

Novocaine
Ups: Some fun fight scenes.
Genuinely good mid-movie plot twist.
Does a decent job of showing how not feeling pain can actually be a bad thing.
It’s nice to see Jack Quaid in a movie where his female partner doesn’t end up on fire. Makes a change,
Decent make-up on his burned hand.
Downs: A character reveal was ruined by the trailer.
Very one-note. Like an SNL sketch that goes on too long.
The villains are pretty dull.
Best Performer: Jack Quaid, has to be.
Best Moment: The Torture. Hilarious.
Worst Moment: When he gets his bone broken in the final fight. Mainly because it’s shot in a way that you can’t really tell what’s happening.
Opening: Nathan offers advice to a store owner, allowing him some financial peace for a brief period. It shouts “he’s a good guy” so loud it gave me tinnitus.
Closing: Nathan visits Sherry in prison. Delightful surprise that there are consequences to actions. Always nice to see that in a movie like this.
Original review here

Now You See Me, Now You Don’t
Ups: Incredibly fun.
Foreshadows brilliantly.
Handles all its characters well.
Introduces new characters expertly.
Downs: If you think about some of the moments for more than a second, I’m sure it will fall apart.
Gets a bit too ridiculous at times.
The big twist is too easily telegraphed.
Best Performer: Ariana Greenblatt
Best Moment: As always, the reveal as to how they pulled it off at the end.
Worst Moment: The party in Antwerp. Not bad, but there are moments here which do stretch the credulity.
Opening: Crypto dickbags lose their money. Fun, and displays the talents of the new cast.
Closing: Someone we thought was dead turns out to be alive. It’s weird, he wasn’t really missed from this film.
Best Line: Atlas. What’d your mom have sex with a map?
Original review here

The Running Man
Ups: Some fun action scenes.
Sadly relevant.
Adapts the book brilliantly.
Downs: Not quite as dynamic as the directors other work
No scenes which stand out as particularly noteworthy.
Best Performer: Colman Domingo
Best Moment: Elton and Ben defending Eltons home.
Worst Moment: The hostel fight. It’s good, but there’s something about it which makes me think it could be a lot better.
Opening: Simple set up of the universe. Kind of needed.
Closing: Killian is kill(ian)ed.
Best Line: Do not shake your dick at the crowd. That’s a bad note.
Original review here

Zootropolis 2
Ups: Looks incredible.
Vocal performers are at their best.
Important message
Not many kids films will parody The Shining like this.
Downs: Repeats the first one.
Wastes potentially important stories/characters
Best Performer: Ginnifer Goodwin
Best Moment: When they arrive at Marsh Market. Dynamic, and funny.
Worst Moment: The villain reveal, too obvious.
Opening: Summary of the first one. Weird that the stuff they show us wasn’t that relevant.
Closing: They arrest Dawn Bellweather, who has had no impact.
Best Line: The world will never be a better place if no one is brave enough to do the right thing.
Original review here

Final Destination Bloodlines (2025) Review

On By troubledproductionsIn ReviewLeave a comment

Synopsis: Have you seen any of the other Final Destination movies? It’s that.

The Final Destination series will always have a place in my heart. It’s the only horror franchise that I’ve been able to watch progress along with everybody else. The first Chucky movie I watched was Bride, so already needed to catch up on three of them, Nightmare On Elm Street had pretty much finished (except for Freddy Vs. Jason) by the time I got to it, Scream is the closest, but I didn’t see that until the second one was out. But Final Destination? I hired the first one from a local video shop, then was able to watch the rest as they came out, some on TV on the movie channels, some on DVDS. I am a genuine fan of them (as can be proven here) I hadn’t watched any at the cinema, though, until now. *overly dramatic music*

Genuinely disappointed with my cinema experience for this. I booked for a subtitled screening (I loves me some subtitles), but it was changed to a standard screening 2 hours before. So those who don’t like subtitles wouldn’t have booked because by the time it was no longer subtitled, it was too late, and those who like subtitles would have cancelled when they got the e-mail saying it’s no longer subtitled. So it was an almost empty screen. That’s a shame, as Final Destination Bloodlines (FDB, pronounced Thud-ob) deserves to be seen with a group of people. As I was watching it, I imagined friends and family nearby watching it with me, reacting to the tense moments and visual foreshadowing.

The deaths in this franchise have always been a mixed bag. Sometimes they’ve caused people to react with “well I can’t even get behind a log truck again”, and sometimes they’re so silly that they’re almost comical. Before you think that’s just me shitting on the sequels, the first movie had “death sucks the liquid back into the toilet”, which is still one of the dumbest moments in the franchise. I can’t think of any deaths in FDB which I’d count among the series lowlights (although the obligatory “final scene death” is shit, but that’s mainly because of the narrative of it, rather than the nature of the death itself), and there are a few which I’d count among the most gruesome (that’s one involving an MRI machine which is haunting).

The opening disaster is probably the best in the franchise and the longest. It sets the tone perfectly and features one of the funniest child deaths in cinema history (it’s fine, the kid deserved it). The deaths are unique and harrowing. On the downside, it takes up a huge stretch of the runtime, considering they’re not the main characters. Traditionally, the inciting incidents have involved the characters we’re going to spend the rest of the film with, so we get to spend time with them, learn their personalities and quirks. FDB has the disaster happen to a group of people we never see again. It does feature the main character’s grandmother, but we only really spend 5 minutes with her once the main story begins. That character is interesting, she’s one who’s spent her whole life writing notes on how to avoid death, decades of research and observation. She’s one of two people from the original incident who are still alive at the start (along with Bludworth, played by Tony Freaking Todd, explaining how his character has been so knowledgeable). It would have been interesting to see some more of those characters, even if it was just in quick cuts.

That’s my big issue with FDB, as good as it is (and it is very good), you can’t fight the feeling that there’s a much better movie hidden in the narrative floorboards. Decades of strange deaths, Iris compiling the book, whether THEY knew anything about the disasters. It would have been fascinating to see a movie like this set in the ’60s or ’70s. Imagine the amount of carnage you could have teased by setting a scene at Woodstock, a Sex Pistols gig, etc. It would have allowed us to see characters who didn’t have the internet to research anything, could have had flash forwards to the future, maybe of them giving birth to a character from the first film. Instead, the 60’s prologue is just that, a prologue.

Not that there’s anything wrong with the characters we have. They’re all likeable, so when they die, we actually feel sadness and terror instead of the desire to cheer. They are still entertaining, though. There’s one in particular (involving a football) which is darkly hilarious. Personally, I would have liked to have seen some returning characters (of which, let’s face it, there are very few). FDB comes off as a finale, the sky restaurant was the catalyst for the events of every movie, and now all the survivors (and their bloodlines, heeeeey, that’s why it’s called that) have been killed, so what’s left? The other thing that gives it an air of finality is the final appearance of Tony Todd, who sadly passed away in 2024 of stomach cancer. Watching Bloodlines, you can tell he’s not got long (he passed six months after filming), and he knows it. It’s genuinely heartbreaking to see, but I’m not sure he could have asked for a better farewell. He revealed his condition to the filmmakers, who allowed him to write his final lines.

“I intend to enjoy… the time I have left. And I suggest you do the same. Life is precious. Enjoy every single second”

I genuinely didn’t expect to cry during a Final Destination movie, but that part damn near got me. It’s clear that Todd meant that as a goodbye to his fans, and it speaks volumes to his character that he did so. He will be missed, but damn, what a way to go.