2024 In Film: Day Six (The Thoroughly Okay)

A Quiet Place: Day One
Ups: When its silent, it’s brilliant.
Shows just how LOUD New York is.
Downs: Too much music. By which I mean “any”.
With the exception of the opening scene, the fact it’s a prequel barely matters.
Best Performer: Lupita Nyong’o. Obviously.
Best Moment: The scene in the jazz club is very sweet.
Worst Moment: Eric on the construction site. Only way it’s not a waste of time is if its referenced in another sequel, but in the film itself? Pointless.
Opening: Sam is in a cancer hospice. Very good way of showing her situation. Excellent example of “show, don’t tell” scripting. Before that, there’s a piece of text telling you that the standard noise of New York City is at the same level as someone screaming constantly.
Closing: Sam commits suicide by Simone. Excellent idea, average execution. The noise difference between her listening to it on headphones and her playing it out loud should be a lot different.
Best Line: This place is shit. This place smells like shit. Betsy’s voice sounds like shit. Cancer is shit. Oscar does that stupid walk when he wants to hide he shit his pants. And Milton has shit taste in music.
Original review here

Beverly Hills Cop: Axel F
Ups: So much more fun than the trailers made it seem.
Doesn’t piss on the legacy of the franchise.
New characters slot in effortlessly with old favourites.
Downs: Doesn’t feel like that much has happened since the last movie.
Relies on nostalgia a bit too much at times.
Some of the performers have aged in the last 30 years and it reminds me I’m old as hell now.
Best Performer: Eddie Murphy
Best Moment: The opening. Reassures you that this will be just as fun as the original.
Worst Moment: The ending feels like the script completely ran out of steam.
Opening: Relatively sombre DJ talking on car radio. Then The Heat Is On plays and we see Eddie Murphy. It felt like it was there to surprise people “hey, you thought this would be a super serious movie but instead its an Eddie Murphy one”. As if people didn’t know that. There’s then a scene in a hockey arena featuring him doing his usual “what, you [make assumption] just because I’m black?” shtick, but this time it’s clearly just to fuck with someone he’s friends with.
Closing: Axel comes out of the hospital and reunites with Taggert and Rosewood. Kind of meh.
Best Line: I’ve been a cop for 30 years, I’ve been black a whole lot longer. Trust me, I know better.
Original review here

Fly Me To The Moon
Ups: Fun dialogue.
Easily digestable.
Charming
Downs: Will fuel idiots.
Forgettable.
There’s a mismatch between the directing and the script. The script is fast and silly, and the directing is slick and slow.
Much longer than it needs to be.
Not Tatum’s best performance.
Best Performer: Scarlett Johansson
Best Moment: The meet cute actually works.
Worst Moment: Kelly’s first actions on the base. Ignoring national security concerns, taking people away from engineering work to paint her wall and put a new window in. Makes her seem incredibly rude.
Opening: Newsposition. Not quite as good as Valerian but very effective at setting up the situation.
Closing: It worked. Obviously, the two characters kiss. Because of course they did.
Best Line: You know what they say about black cats, if they cross your path, they’re probably going someplace else.
Original review here

Longlegs
Ups: Tense.
Good performances.
Downs: Very brown.
I’m fed up with trans-coded villains
Best Performer: Maika Monroe.
Best Moment: The transition shot between the mask and Longlegs face. Simple, predictable, but damn finely executed.
Worst Moment: The victim in hospital. The performance is superb, but the dialogue feels fake.
Opening: Scene fades in from red, nice touch. The music is suitably creepy and sets the tone REALLY well. You can’t watch this and NOT know it’s a horror movie.
Closing: The villain dies, but their legacy possibly lives on as a doll couldn’t be shot (don’t know why they couldn’t just physically smash it with a hammer but still).
Best Line: I know you’re not afraid of a little dark. Because you *are* the dar
Original review here

Monkey Man
Ups: Some superb visuals from a first-time director.
Violent.
Some really good action scenes and fight choreography.
Depressingly relevant.
Downs: Doesn’t make the most of its time.
Leaves a lot unsaid in terms of what you need to know to understand certain parts.
Best Performer: Dev Patel.
Best Moment: The kick to the face.
Worst Moment: The white monkey mask, doesn’t last long enough.
Opening: The story of Hanuman. Not needed, but is appreciated.
Closing: An incredibly personal action scene, rife with emotion and despair.
Best Line: In the great tapestry of life, just one small ember can burn down everything
Original review here

One Life
Ups: Emotional.
A story that needs to be told right now
Downs: Kind of hides the fact they’re Jewish, only slightly alludes to it.
Incredibly predictable
Best Performer:
Best Moment: The Nazi’s taking over the train, heartbreaking.
Worst Moment: Going to focus more on a moment it DIDN’T have. It didn’t show the original film footage of him on That’s Life, bit weird as that felt like a guarantee.
Opening:
Closing: Standard “what happened next” text. More pictures or film footage of the real person would have been nice.
Best Line: I don’t know what you’re doing, but if you’re doing what I think you’re doing, I don’t want to know.
Original review here

Seize Them!
Ups: Very funny and brutal.
Brilliantly silly.
Those who love British sitcoms will have a blast with the cast.
Downs: Is it really the best time for a “Rich people are actually fantastic, and anybody who goes against them is a tyrant in disguise” message?
Terribly marketed.
A lot of convenience.
The third-act argument seems a little contrived.
Best Performer: Aimee Lee Wood.
Best Moment: The potential assassins all dying. So stupid, goes past funny straight to annoying, and then back to funny again.
Worst Moment: The split between the group doesn’t really feel earned.
Opening: Narration, then a servant gets stabbed. Sets up the tone (funny and bloody), and the character of Queen Dagan as a spoilt brat.
Closing: “what happened next”, would have been nice to see this for more of the characters. Does mean the film ends with the line “the two died in separate wanking incidents”, which would improve every film ever made. Even Schindlers List
Best Line: I’m finished. Strangle me … but gently
Original review here

Sonic The Hedgehog 3
Ups: Made with a genuine love of the franchise.
Funny.
Has actual emotion.
Continues to be much better than you’d expect.
Downs: Inconsistent speed.
A bit TOO similar to the first two.
Predictable.
Some REAL pacing issues.
Best Performer: Idris Elba
Best Moment: Maria and Shadow bonding. Incredibly sweet and feels very real.
Worst Moment: The two Robotniks meeting. Feels very self-indulgent from Carrey.
Opening: The birth of Shadow.
Closing: Another sequel hook. Exciting, but quite frustrating from a narrative standpoint.
Best Line: I have dishonored my marshmallow
Original review here

Spaceman
Ups: Some good shots.
Sandler gives a decent performance (albeit as the wrong nationality)
The flashbacks are really well done.
Downs: The spider moves too fluidly to feel like a real spider.
The character doesn’t react to the spider in a believable way.
Best Moment: The reveal of the spider. The director knows he’s got a good design here, and wants you to know it.
Worst Moment: When the president withholds Lenkas message, seems to only be done to advance the plot.
Best Performer: Paul Dano. I know Sandler is great in this, but his accent is too bad for me to have him as the best.
Opening: The titular character wearing a spacesuit, walking. Then we see him on his ship doing mundane shit that astronauts need to do. I feel the walking part wasn’t needed. Start with him on the ship.
Closing: We see that him walking through the lake at the beginning was a dream, which continues on here. Nice book-end, but is only there to be a bookend. Like it had to end like that because it started like that, and it had to start like that because it ended like that.
Notable Line: “You have many boundaries skinny human, perhaps they are the cause of your loneliness”
Original Review here

The End We Start From
Ups: Excellent use of water.
Joey Fry is REALLY good.
Downs: Her being separated from her husband for the duration of the birth doesn’t affect the birth much.
Characters don’t have names so it’s really weird to review and describe them.
Best Performer: Katherine Waterston.
Best Moment: The two women walking down a road whilst singing the song from Dirty Dancing. Very sweet.
Worst Moment: After the mother’s death, scenes of sadness etc but there’s a section where the music is a little bit too upbeat.
Opening: Woman runs a bath whilst on the phone. Eventually, the water covers the camera. This is an effective way of setting up the themes without hitting you in the face with them. She then sits her pregnant self in the bath. I appreciate that she didn’t mention it in the phone call, in fact, it would have been weird if she did it.
Closing: Both characters arrive home. Kind of bittersweet but really the only way it could end.
Best Line: “They trampled on my mum’s neck, people are starving, they don’t give a fuck”
Original review here

Beverly Hills Cop: Axel F (2024) Review

Quick synopsis: Do you care about the plot or are you just glad to see Foley back? Exactly.

I will admit I was nervous about this. I will go on record as being one of the few people who actually thoroughly enjoyed Beverly Hills Cop 3, probably because I had it on VHS back in the day so I got to watch it a lot. That being said; that film was released thirty years ago, and there hasn’t been anything major since then. A video game was released in 2006 but was so poorly received that it was referred to in one publication as “the 9/11 of video games”, which feels a little harsh. In 2013, a pilot for a television show was produced, but it was never shown. Let’s not be too harsh; but let’s face it, Eddie Murphy isn’t the name he used to be, and this is a francwhise that, whilst loved, isn’t missed (mainly because the last one was so poorly received). So what’s the purpose of this being made? Those concerns were raised with the release of the trailer; which made it seem tonally inconsistent with the rest of the franchise. Gone was the lightheartedness and fun, to be replaced by family drama and large stunts.

So it’s a pleasant surprise that the final product is a lot of fun. There are a few new characters, but they slot into the universe effortlessly to the point you could assume they’d been there all along. The only character that stands out is Kevin Bacon’s Captain Cade Grant. The reveal that he is the villain comes too early to count as a twist, but also arrives too late to be the basis of the plot. It’s also far too obvious, to the point where you have to wonder why they even bothered pretending he wasn’t the villain from the opening. Just show him as the bad guy at the start, then have the late reveal be that he belongs to the police, then have THAT lead to the third act shootout.

It’s nice to see the returning cast, although some have been very rude and had the audacity to age in the last 30 years, which is very disappointing to see. I do get the feeling that Eddie Murphy has slightly aged out of playing these characters. At his age, that kind of behaviour just seems reckless and irresponsible rather than “wacky fun hijinks”, there are moments when you can’t help but think “you should know better”. There are moments where his behaviour works, where it is genuinely fun to see, and that is most of the time. But like I said, there are one or two moments where it just seems weird to see him act that way.

There are few occasions where it does seem like its resting on past glories, but they are rare. It mostly works. There are fun set pieces, creative action, and some incredibly funny dialogue and interplay between the characters. It’s ridiculous, but not “he just knocked a helicopter out of the sky using a car” level like other franchises reached. Even at its most ridiculous, it does feel grounded in the reality that this universe has created.

In an uncertain world full of gloom and doom (to the point where it’s effected champagne sales), it’s nice to have something as comforting and uncomplicated as a film like this. Watch, enjoy, then eat a pot noodle or something. It’s not going to change the world, and some of the satire feels misguided compared to the potential it has, but it would be a cruel vindictive heart that is not warmed by this.

Coming 2 America (2021)

It’s been a while since I’ve done this, I hope I can still review in the eloquent way you’re used to. Here goes:

Film yes good? Or film be bad? What be story?

Okay now that’s done, let’s onto the serious bits. Well I say “serious”. One of the most unrecognised downsides of cinemas closing is it’s meant that film marketing has changed. I used to find out when films were on by watching the trailers at cinema, obviously I can’t do that now. Because of that there are films coming out which I don’t know anything about, or in the case of this film, assumed was still in pre-production. I guessed it was coming out soon when cinemasins did a video on the original. I’ve kind of stopped seeing that channel as essential now that a lot of the “sins” include stuff like: “stacks cereal boxes in a way I don’t like”. But I will still watch it if it’s a film I know. I’m really glad I watched it for this, as otherwise a lot of the jokes wouldn’t have landed. That’s both a big flaw, and a great part of this film. It’s full of references to the original, so if that was one of your favourite films you will thoroughly enjoy all the returning characters. If, however, you watched it years ago and can barely remember it, there will be a lot of moments in this where you’re trying to remember who that character is, not remembering them because they were only in a few scenes in the original.

Returning characters aren’t the only cameos though. There’s a moment full of them. The kings birthday. It’s overblown and cultish in a way that’s entertaining in film, but is a horrible to see in reality. I was surprised enough by the Morgan Freeman cameo, then it gave us Salt-N-Peppa, then Gladys Night. It’s fun, and very nice to see.

What’s not nice to see is the incident which kicks the plot off, when it’s discovered that Eddie Murphy’s character has a male child so has a possible successor that he doesn’t know about. He seems confused about this as doesn’t remember having sex with anyone else. We find out that during the trip in the first film, he was drugged by Leslie Jones character, who then fucked him whilst he was unaware what was going on. Basically, he was raped. The other characters (including his wife) seem to blame him for it and at no point is the woman criticised or reprimanded for it. It’s kind of uncomfortable to watch nobody bring it up. Some of the American characters are….well they’re not great. Their general story arc seems to be “let’s go to Africa and be rich. We’re rich!”. With the exception of his son, most of them just come off as selfish, never changing or learning anything.

Jermaine Fowlers character is the exception, not only does his character grow, but he plays him well. A mix of confidence and uncertainty that plays very well in this film. Which is good as Eddie Murphy’s character isn’t as strong in this film as he was in the first one. I think that’s partly because the film doesn’t know how to treat him. For most of the film he is the king, but his character never seems like he’s in charge. For this story to work his character has to be the comedic straight man, and he sometimes is, but then he’s treated as the standard Eddie Murphy character. It’s inconsistent and harms the film. It’s a shame, the original is still a classic, so anything less than very good means this would be a disappointment, and that’s definitely the case for this. Wesley Snipes is entertaining as hell though.