Tag: Drive-Away Dolls

2024 In Film: Day Four (The Could Be Better)

On By troubledproductionsIn Year round upLeave a comment

Bad Boys: Ride Or Die
Ups: Some creative shots.
Fitting continuation of the story.
Downs: Too many scenes exist just to exist.
The villain reveal is too obvious.
Best Performer: Will Smith
Best Moment: Reggie killing everybody.
Worst Moment: The Tiffany Haddish scene. I like her as a performer, but her entire section was unnecessary, if it was cut out it wouldn’t be missed.
Opening: There’s a wedding, and then Marcus has a heart attack. Some good visuals and sets up the characters’ relationship well.
Closing: Mike and Marcus argue about who gets to cook on a grill. They then insult Reggie before remembering what he did earlier. It takes the two characters WAY too long to remember.
Best Line: Y’all are some terrible fucking fugitives.
Original review here

Drive-Away Dolls
Ups: Some nice visuals.
Unique.
So very horny.
Downs: Unfocused.
Characters are unsympathetic too often.
Best Performer: Geraldine Viswanathan.
Best Moment: The fall of the Senator. Gloriously cathartic, and gives a reason to some of the plot points.
Worst Moment: The small flashbacks. Don’t match the tone of the rest.
Opening: A man is killed carrying a briefcase of dildos. You don’t find out what the briefcase contains until later.
Closing: The two leads drive off to get married. Kind of sweet. But I felt like them meeting up with the Aunt would matter more, like she’d have an effect on the plot. Or at the very least say something surprising/funny to end the film.
Best Line: I’ve had it with love. I know bards and troubadours are high on it, but I don’t believe it’s relevant to the modern 20th soon to be 21st century lesbian.
Original review here

Furiosa: A Mad Max Saga
Ups: Actually has space to breathe so the action impresses you.
Nice colours.
Hemsworth is clearly having a lot of fun.
Downs: Some of the effects are a bit weak.
Nothing makes it stand out.
Not that memorable.
Best Performer: Hemsworth.
Best Moment: When Dementus captures Furiosa’s mother. Harrowing.
Worst Moment: There’s an action scene near the end with really flat visuals
Opening: Weirdly calm talking about destruction and society ending. It’s pretty harrowing, but there’s not much urgency about it.
Closing: Hemsworth has a tree growing out of him.
Best Line: Where are you going, so full of hope? THERE IS NO HOPE!
Original review here

Malum
Ups: Some pretty damn good music.
Downs: Bad dialogue.
Some pretty bad editing.
Best Performer: Jessica Sula.
Best Moment: The cult staring her down, chilling.
Worst Moment: The interviews, mainly because whilst they are creepy, but there’s a way to make them creepier.
Opening: Police notice saying this is footage from the event. REALLY helps you buy in. Then creepy handheld footage. Well, some of it is creepy (weird chairs etc), and some is so mundane that it becomes creepy. Yes, it feels cheap, but its effective. Then, it transitions into modern times, where you assume the person we meet is our hero. Nope.
Closing: The plan worked
Best Line: “She don’t even look like people anymore”
Original review here

Never Let Go
Ups: Anchored by some great performances.
Some very creative visuals.
Original
Downs: Disappointing script.
Trips over itself trying to confound expectations.
Needed to focus on the survivalism aspect more, as those are the most interesting moments.
Best Performer: Berry, obviously.
Best Moment: The suicide. Horrible to see.
Worst Moment: How “the evil” is defeated, bit weak.
Opening: Simple world-building. Effective.
Closing: The monsters were real, society collapsing wasn’t.
Best Line: One touch without a rope on, is all it takes.
Original review here

Sting
Ups: Some pretty brutal moments.
Pretty damn impressive characterisation.
Downs: Wastes time.
Not the best lit.
Weird music choices
The winter aspect doesn’t really come into it as much as it could.
Best Performer: Part of me says Alyla Browne, but Ryan Corr just edges it out due to the emotional complexity.
Best Moment: When the mother tells the step dad how much he means to her daughter. Odd to put a piece of character work instead of a horror/action set-piece, but it’s really sweet. The fact its then followed by someone screaming when they find the skinless corpse of a bird says a lot.
Worst Moment: The exterminator’s reaction to the dead bird “looks like it had sex with a blender”. Feels too “written”.
Opening: An old woman knits whilst watching tv, then hears scuttling in her walls. It does a pretty good job of setting up her current state of mind, with her needing notes on the walls to tell her her name and address. The exterminator arrives and is killed. The set-up? Brilliant. The death itself? Weak. As an opening, it’s okay, but it does take longer than it should to get to the credits, especially for such a short movie.
Closing: The spider is dead, but it lay eggs. Sequel!
Best Line: “my dad is awesome”
“is that why he never visits?”
Cutting.
Original review here

The Beekeeper
Ups: Some interesting fight scenes.
Could be a useful tool to teach people about phishing scams.
Downs: Stathams accent.
Some of the worst dialogue ever committed to film.
Best Performer: Josh Hutcherson. Utterly despicable.
Best Moment: The original call centre being burned down. Deliciously cathartic.
Worst Moment: The aftermath of the suicide. Mainly because of how bad the dialogue is.
Opening: Quick unsubtle introduction to the relationship between Clay and Eloise.
Closing: Parker points a gun at Clay then lets him scuba away. Kind of disappointed it ended so quickly, not because I wanted more of the film, but because the implications of the events of the film are never given enough time to be explored.
Best Line: “Madame President”
Original review here

The Zone Of Interest
Ups: Harrowing.
A fascinating look at the psychological tricks ordinary people needed to use to survive that time.
Downs: Bit dull.
Meanders at times.
Could teach more.
A bit more clarification could have been helpful.
Personally, did nothing for me compared to similar films.
Best Performer: Christian Friedel.
Best Moment: When Hoss notices human remains in the river his family play in. The first crack in his armour.
Worst Moment: The random girl hiding food. Doesn’t really add too much.
Opening: Can’t remember it exactly, but I remember it did do a good job of setting up the idea that this was just a normal day to them. The soundtrack of screaming was just something they put up with during their gardening.
Closing: Janitors clean up the museum which stands on the site. Good to know that it pushes the idea that his ideas failed and are now (kind of) condemned to history. That his legacy was one of cruelness and inhumanity. Might have worked better with people on a tour.
Best Line: I wasn’t really paying attention… I was too busy thinking how I would gas everyone in the room.
Original review here

Venom: The Last Dance
Ups: Sweet at times.
Shows glimpses of brilliance.
Downs: Too often it hints at concepts which would have made a much better movie.
Never feels like a finale.
Some of the coincidences are far too convenient.
Krull is underused
Best Performer: Tom Hardy
Best Moment: The Space Oddity scene.
Worst Moment: The fight between the many symbiote, because it hints at what would have been a MUCH better film.
Opening: Eddie Brock is getting drunk. Essentially, what we saw in the last Spider-Man movie. The multiverse aspect NEVER comes up. Sooooo, why?
Closing: Venom is dead but the symbiote lives on. Reports that Sony celebrated this movie by having a cake and eating it were made up by me.
Best Line: I’m so done with the multiverse shit.
Original review here

Drive-Away Dolls (2024) Review

On By troubledproductionsIn ReviewLeave a comment

Quick Synopsis: In search of a fresh start, two women embark on an impromptu road trip to Tallahassee, Fla. However, things quickly go awry when they cross paths with a group of inept criminals along the way.

I’ve said before how there are some directors who, for some reason or another, I just don’t vibe with. I’m worried that this is the case with the Coen brothers. I should like them, actually, let’s go further, I should be obsessed with their stuff. But Hail, Caesar! left me cold, and DAD gave me the same feeling. Okay, this time it’s only by Ethan as opposed to both of them, but I had similar issues with both films. I felt the narrative promised in the trailer was not focused enough on in the film. The central narratives felt more like an annoying distraction the writer felt they had to reflect on rather than the main focus. The execution just didn’t work for me. It felt too loose and unstructured. There are moments where the film is intercut with random hippy-ish visuals and music. This does come together at the end when we find out the reason for them, but whilst you’re watching it is a bit weird to have all these 60’s visual interludes in a film set in the late 90’s.

That’s my other issue with it, it never FEELS like the ’90s. Except for an unimportant Y2K party, and the mention of gay marriage not being legal in some states, the timeframe the film is set in never really factors into either the plot or (more disappointingly) the design. Considering the fact this is a road movie, and they spend a lot of time in clubs, it’s a massive let-down that the music is so forgettable. I’m not asking for every scene to be soundtracked to third-wave ska, but give me SOMETHING, make it feel like if I was listening to the soundtrack I’d get a sense of 90’s nostalgia; some grunge, some riot grrrl etc. Just something to make us feel the time.

The performances are fine, although I highly doubt that that’s Margaret Qualley’s real voice. Geraldine Viswanathan continues to be great and I love her. The two of them have a very natural chemistry on-screen, which is handy because if they didn’t you wouldn’t buy the way the relationship develops between the two of them. Their characters are a bit off at times, especially Qualley’s Jamie, who at times is kind of unlikeable and selfish, a little emotionally/sexually pushy. It’s a shame, if she was pulled back a bit, her character would actually be kind of sweet.

You’ll notice how I haven’t mentioned the crime aspect of this. That’s because the film doesn’t mention it much. The core focus is on the developing relationship between the two leads. The supporting cast is okay, but none of them really get a chance to shine. Despite boasting a cast consisting of Matt Damon, Pedro Pascal, and indie darling Beanie Feldstein, DAD belongs entirely to Qualley and Viswanathan.

In summary, some people will love this. But personally? I felt kind of bored. Maybe that was on my expectations. I just kind of feel like the movie that was in the trailer, was not the one delivered in the final product except in very brief moments.